#But she never used them

[ruggythebugwithamug]

I have finally encountered a sudoku puzzle that I cant do, my experience has caught up to me and I am now being forced to do the big-boy puzzles that require you to think even more deeply about the hidden clues in the numbers and their placement.

I am self-imploding

ITS ONLY LEVEL TWOOOO

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[hinamie]

*catboys ur shounen protag*

[lolliepops-rox]

This is my petition for people who create pins/stickers/other things with "she/they" & "he/they" to also include "she/he". I'm kind of sick of being excluded, and I'm sure there are plenty of others who feel the same.

[ewwww-what]

The moment when you find exactly what you were looking for (it was your best friend the whole time)

(close-ups below & my commission info)

[silusvesuius]

baby👶 drawings. these are very dear to me rn.. 2nd pic is my Nelavis with @barvin0k's Varonur 🩵 last one is a baby bosmer and snow elf, hairiest of them all. although the bosmer was meant to be my girl Barletta too lols

[tezzbot]

I really like the headcanon that a very select amount of people are allowed to actually call Tails 'Miles' and Shadow is on that list, it's very cute to me ^_^

[damian-lil-babybat]

"My Anatolia" & "My Alexander"

If DC remained truthful to their own canon, and let Talia lied about the miscarriage/abortion instead (like before the retcon, which the author admitted to have misremembered details for iirc), then my OTP since "Batman: The Animated Series", would have not crushed and burn like the city of Alexandria, rendered to ashes and dust that it could never be fully revived in canon.

Based on this panel from Boy Wonder (2024) by Juni Ba.

Headcanon: This is the rose of taif, you cannot convince me otherwise 😭

[zellk]

Githyanki doodling on post-it notes that I cleaned up a lil bit Lae'zel from memory on the first (im only happy with the profile tbh), and Anma and Mitas on the second (It was SO easy to fit them in BG3 lore it's insane... I even have a whole storyline roughly figured out for them and it came together in like 30 minutes on my walk home from work.) I don't have any energy to draw nowadays except on post-its, but it's better than nothing.

[estrellami-1]

Steddie Week 2024

July 6th Prompt: Dizzy

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 7

@steddie-week

Steve stands up, and that’s where it all goes wrong.

His intent was to grab more drinks from the fridge, but when he stood, he blinked a few times. “Whoa,” he murmurs.

“Steve?” Robin asks. She sounds like she’s at the end of a long tunnel.

“Steve?” Eddie asks. He sounds closer, but not as close as he should.

“‘M fine,” he says, “jus’ dizzy.”

Then he’s waking up in the hospital. “What,” he asks, then doesn’t complete the thought because Robin and Eddie are both standing over him, one on each side, holding each of his hands, and he’d feel so much love if he could feel anything besides general panic because- “I can’t hear you,” he says, breathing picking up. “I can’t- please, I- I need-”

Eddie shuts up, staring at him with wide eyes, and after a second of hesitation, places Steve’s hand, palm down, on his chest. He takes deep, purposeful breaths, and Steve can feel his hand moving, feel the breaths, feel his heartbeat-

He takes a breath. Another. Another. By that time, Nancy had gotten a doctor.

Later, he’ll learn this is something they’d been watching for, but couldn’t be sure of until he woke up. Later, he’ll learn that Eddie lays awake at night, sometimes, hearing the sound Robin makes.

All he knows right now is how to keep breathing, how to keep holding Robin’s hand, how to believe he’ll be okay, because he has to.

He has to.

He stays with Eddie upon his release, because they’re together most days anyways, and it’s a certain kind of torture on Steve’s heart because Eddie’s started carrying around a notebook and a pen just to write to Steve whatever he was gonna say, and Steve doesn’t think he could love another person more than he did, but here’s the proof, apparently.

They’re sharing a bed, because Wayne had previously called their couch “older than Jesus,” and Steve lasted for all of an hour on it before slipping into Eddie’s room.

The good thing about sharing a room is it helps curb the nightmares for a time.

Eventually, though, they come back with a vengeance.

Steve’s laying in bed, like he does every night, when he rolls over to face Eddie. “Eddie?” He asks. Eddie’s always last to sleep, so Steve’s not hesitant about asking, except Eddie doesn’t answer.

“Eddie?” He asks again, jostling Eddie’s shoulder a bit.

Suddenly he shoots up in the air, and Steve bites back a yell.

Suddenly there’s a voice that sounds like it’s coming from everywhere and nowhere, reverberating off the corners of the room, echoing louder and louder. You took everything from me. Eddie’s arms snap, and Steve yells, scrambles up, music, except what’s his favorite song—that puppet one, metal, come on brain, think—but there’s nothing here but country, bluegrass, stuff Wayne likes, and Steve turns to watch the blood drain from Eddie’s face as another gristly crunch echoes, louder than anything so far. So I’ll take everything from you!

Something reaches out for him, grabs his shoulder, and he yells, twists around, pushes away, hard enough he falls on the ground. He opens his eyes to see Eddie on his bed, Steve sitting just off it, eyes wide and hand reaching to help, stalled halfway. Illuminated by the lamp, too, which wasn’t on half a second ago.

Steve blinks at him, looks at the room. No floating Eddie in the middle of it.

“Dream?” He asks. Eddie nods. He stifles the sob and practically launches himself onto the bed, into Eddie’s arms, lets himself shake apart because he can.

Eventually he feels reverberating in Eddie’s chest that he knows means words, means speaking, so he looks up at Eddie, who’s looking at the door.

He turns to look, too, and sees Wayne. “S-sorry,” he tries, still sniffling.

Wayne shakes his head at him, walks into the room, sits on the edge of the bed. Offers his arms out in a hug.

Steve thought he was done crying. Trust Wayne to prove him wrong, because he’s tearing up all over again as he leans into Wayne.

His new position means he can see Eddie, who points at him, makes a talking motion with his hand, then points at himself and Wayne. Steve frowns. “You… want me to tell you?”

Eddie points at Steve again, insistently, and Steve understands: your choice.

“I can,” he agrees. “We were in bed and I was tryin’a talk to you, but you didn’t answer, and I kept trying to get your attention, but suddenly you- you were up in the air, and your arms and legs broke, and a voice—it was Vecna, I didn’t recognize it in the dream—said I’d taken everything from him so he was gonna take everything from me. And I was trying to find music, but I couldn’t remember the name of your favorite song, and the only stuff in here was Wayne’s stuff, country and bluegrass and stuff like that, and…” he sighs out a broken sob. “I couldn’t save you.”

Eddie reaches for his hand, but suddenly that’s not enough, he needs to be able to feel his heartbeat, have his breathing move Steve’s hand, so he tips over into Eddie again, gets his hand on his chest and his face in the side of his neck.

Eddie says something, but before Steve can move Wayne’s got a comforting hand on his back. He removes it after a minute, and Steve can feel the shift in the bed of him getting up, but before he can mourn the loss, Eddie’s got his arms wrapped around Steve as he carefully lowers them back down. He rubs a hand up and down Steve’s spine, slips the other into Steve’s hair.

Steve falls asleep like that.

He wakes up in almost the same position. He tries to apologize, but Eddie waves him off, hands him some clothes and points to the bathroom before pointing to himself and miming cooking.

Steve’s heart clenches at the thought. “Okay,” he whispers.

Robin comes over later, and they sit on the front steps as he recounts what had happened. “He’s just so sweet,” he sighs. “And I’m an idiot who’s letting my heart get involved.”

Robin wraps an arm around his shoulders and kisses his temple. It doesn’t help as much as he’d hoped it would, but he appreciates the gesture anyways.

Later she leaves, and Eddie pulls out his dedicated Steve Notebook.

I’ve got a friend in Indy who knows sign language. I could give her a call, if you want? He writes, and again Steve’s all but overcome with love for this man.

Instead of anything he wants to do, he just nods. Eddie grins and hops up to use the phone.

He’s back in a couple of minutes, collapses onto the couch with the notebook before furiously scribbling and handing it to Steve.

I spoke to my friend. She says sorry and it sucks, first of all. Steve snorts and nods. She’s willing to talk to you, get you started, maybe even get you some books. Does tomorrow work?

Steve gapes up at Eddie. “Tomorrow?”

Eddie nods and grins, then points at Steve in a gesture Steve knows has come to mean you decide.

“That would be great,” he says. “Seriously, I- thank you, Eddie.”

Eddie waves him off, but Steve can see the happy little blush on his cheeks.

They head out the next day. It’s probably twenty minutes into the drive, and even with Eddie sitting next to him in the driver’s seat, it feels lonely. He never realized how much he’d miss the sound of tires on asphalt. He wasn’t ever truly into music, like Eddie is, but he misses the radio. He misses the wind rushing past, the silence that’s possible to share when both people can hear-

He doesn’t realize he’s crying until Eddie’s pulled over, a hand on his cheek and a concerned expression on his face. “Sorry,” he tries. Eddie shakes his head, presses his palm more firmly to Steve’s cheek. “Fuck,” he mutters. “‘S stupid. Just… felt alone. I dunno. There’s, like, a million little things you hear every day that you don’t think about, like the way your hands tap the steering wheel when you turn, or the way your clothes shift and rub against each other, and it’s all silent now, and there’s not even music, and-” he takes a deep, shaky breath. Lets it out as evenly as he can. “I just… felt really alone all of a sudden.”

Eddie brushes his thumb along Steve’s cheekbone as he thinks. Suddenly, he grins and moves his hand, shoving a tape into the deck and cranking the sound. He demonstratively puts his hand on the door. Steve laughs and does the same, gasping when he feels the vibrations of the song move through him. He can’t tell notes, but it’s something, and then Eddie carefully reaches for his hand, keeps his grip relaxed until Steve smiles at him and tightens his own fingers around Eddie’s. “Thank you,” he whispers.

Eddie smiles, nods, and gets back on the road.

They arrive at his friend’s apartment in no time, and Steve would be jealous at the length of the hug if Eddie didn’t immediately step back to grab Steve’s hand again. Based on his hand motions, he’s introducing Steve.

She asks Eddie something, and he turns bright red, pulling a strand of hair across his face as he glances at Steve before looking back at her and answering.

She invites them in, scribbles on a little chalkboard, and hands it to Steve with a smile. Hi, Steve! My name is Nicole. It’s nice to meet you.

He grins up at her. “It’s nice to meet you, too.”

She takes the chalkboard back, scribbles something else. Eddie tells me you recently lost your hearing. Do you mind me asking about that?

“Not at all,” Steve says, then frowns, somehow just now realizing he doesn’t know the full extent of what happened. “Honestly, all I know is I stood up and got really dizzy, and then I was waking up in the hospital.” He shrugs. “I’ve had a couple of pretty bad concussions, and I guess whatever made me pass out also just… took my hearing.” He shrugs.

Eddie shakes his head, grabs for the chalkboard. Almost. He bites his lip. You passed out, and I wasn’t fast enough. You hit your head on the floor. He looks away, takes a deep breath. I’m sorry.

“That is not your fault, Eds,” Steve tells him firmly. Eddie won’t look him in the eyes, so Steve grabs his chin. “Hey, look at me. Not your fault. I don’t blame you. Okay?”

Eddie shrugs, pointing to himself with a self-deprecating smile, and Steve knows what he’s trying to say. I do.

“Well I don’t,” Steve says. “But if- if you need to hear it. I forgive you, okay?”

Eddie nods, eyes big and wet, and Steve pulls him into a hug.

Eddie suddenly laughs, pulling away to wipe his eyes before saying something to Nicole.

Right. They’re not alone. “Sorry,” he tells her, but she waves him off, handing over the chalkboard again. I think we’ll start on the alphabet today. That way you can at least finger spell what you need, even if it’s slow.

“Sounds good,” he says, and she nods, talking the chalkboard to write the alphabet.

Slowly but surely, she teaches Steve and Eddie the alphabet. They get a little tripped up on some of the letters, most noticeably p and q, until Nicole takes pity on them and makes a p. She uses her other hand to draw a line down both her extended fingers, then tracing her own legs. She taps her thumb, peeking out between the two, and with a mischievous grin, points between Steve and Eddie’s legs.

They share a look and burst out laughing, but they don’t forget those letters again.

By the end of the day, they’ve gotten through the alphabet with enough regularity that Nicole feels they can practice on each other.

Steve pauses before they leave. T-h-a-n-k, then a pause, then y-o-u.

Nicole smiles, presses her fingertips to her lips, then brings her hand down to chest height, palm up. She does the motion again, and Steve copies her, grinning when she nods excitedly.

“Thank you,” he signs and says, grinning even wider when she pulls him into a quick hug before waving at him and Eddie.

They wave back and pile into the van, Steve’s hand in Eddie’s before Steve can practically blink. He smiles, unbearably fond, and squeezes to get his attention before signing, “Thank you.”

Eddie just smiles back, throws the van into reverse, and starts home. 

They practice more while they make dinner, throwing words like spatula and stir and chop around, and Steve didn’t realize learning could be this fun.

He’s watching Eddie stir the broth, hips moving in a little dance to a song only Eddie knows, and his heart is so full, he has to say something before his heart bursts. “I’m gonna say something that’s gonna sound incredibly sappy,” he says. “But just… please just listen until the end? And try not to tease me too much.”

Eddie just smiles, grabs his hand and squeezes, and Steve takes a breath before starting.

“I’m glad it’s you. I’m glad you were there that day, I’m glad you were there when I woke up at the hospital, I’m glad you were there when I realized going home meant being completely alone. I’m glad you made a complete fool of yourself in the hospital lobby, doing charades to let me know I could stay here.” He takes a breath. “I’m glad you have Nicole, because it lets me talk with you easier. I’m glad you never once let me feel like I’m alone, or like I’m going through this alone. I’m glad you’re learning with me. I’m glad you’re making this fun. I didn’t know learning could be fun, but it is with you, and I-” he takes a breath, swallows the three words that want to come out. “I’m glad it’s you,” Steve whispers, “here, at the end of all things.”

He doesn’t realize he’s crying until Eddie’s hands are cradling his cheeks, wiping away tears. Eddie’s just as teary-eyed, though, and he pulls away, looking for the notebook. Please don’t punch me.

Steve looks up, brows furrowed, to watch Eddie spell something. I l-o-v-

That’s as far as he gets before Steve gasps, understanding, or hoping he understands, and pulls Eddie into a kiss.

He pulls back almost immediately to check that’s correct, that that is what Eddie was trying to say, when Eddie pulls him back in, dinner be damned, crowding him in against the counter and doing his best to lick into Steve’s mouth.

Steve lets him, pulling away for a sharp inhale before diving right back in, fingers tight in Eddie’s hair and the back of his shirt, and there’s a sudden vibration that he just knows means Eddie moans, and suddenly he’s dizzy again, but this time he welcomes it, because this time he’s not passing out; this time, he’s dizzy because he’s drunk on love.

[aardvaark]

the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[ayrennaranaaldmeri]

HELAENA WAS A BELOVED QUEEN IN F&B SO OF COURSE RYAN CONDOM HAS TO MAKE THE SMALLFOLK PRAISE THE PERSON WHO WAS BLOCKADING THEIR FOOD TO BEGIN WITH BC PROPAGANDA ONLY WORKS WHEN RHA EN YRA DOES IT AND THROW THE FOOD THEY WERE RIOTING OVER AT HELAENA. I CURSE HIM AND HIS UGLY WRITING.

[claraoswalds]

It's racist, my dear, to be blunt. People come from outside, they think we're all witches and druids. For God's sake, child, you walked into a piece of string!

[justpassingbyoursht]

I've seen some people say some character art downgraded from 1 to 2 and while i agree about some poses not being as dynamic and some of the art being unfinished (early access tho) and the colors not being as dope, and some of the gods feel different

but i wanna specifically ramble about Artemis best gurl for a bit

this is my girlie in Hades 1

I've been thinking about the differences from 1 to 2, and I think in here, she's presenting herself as the Goddess of Hunting.

she looks a bit menacing, she looks sharp, she looks like she just got here, the angle she's looking at you it's not very direct it's like she's measuring you from head-to-toe kinda way, she also has that greenish light which feels kinda like an aura. she's down to business!

and when we look at her in Hades 2

She looks confident still, and you can see her weapons just as clearly, but her pose, and her smile? she's like, laid back, she's not quite posing to create an impression, she doesn't have that greenish aura, she's there in the flesh, she's not really presenting as a goddess in particular... she looks more welcoming, a bit softer looking... she looks like she's just stopped for a chat, while in 1 it's like she's in the middle of something

and when you stop to think about it? she is. she is just chatting with her friend. Melinoe is her friend, she called her Sister.

We're much more closer to her as Melinoe than we were as Zagreus. bc while she does become friends with him in H1, she's more of a long distance friend. we were building our bond with her in H1.

But here? in H2? she's known Mel for years... she kept it a secret from other gods... she's got those accessories thingies with the 4 colors. not only are we close friends we even got a friend bracelet thing going on with her!! Melinoe is a precious friend to her from what i've seen so far.

Why would she pose and be a bit distant with her friend? we know Artemis is a bit closed off from people, she prefers being in the woods with the animals than other gods i recall her saying that to Zag, but Mel? Mel is a dear friend, she sounds much more casual from the get go with her than with Zag because we have a strong bond with her already

In Hades 1 we just got to know her, so she's more closed off, she is more business like, she is distant, she is The Goddess of Hunting

In Hades 2 she is our friend 💖

that. is the difference

[zivazivc]

bby floyd sleeping with their dad's vest