#But others will only see the final result

[5sospenguinqueen]

Talk About A Celebration - Franco Colapinto x Reader

Summary: Fans are endeared by your relationship with Franco. Although, it doesn’t take long to discover that his announcement to F1 had more exciting results for the long-term couple

Warnings: Fluff. Pregnancy. Suggesitve comments. Had to adjust the timeline slightly to make this work��

Requested: Yes by anon

F1 Masterlist

━━━━ ༻𖥸༺ ━━━━

AUG 2024

williamsracing just posted

liked by francolapinto, f1 and others

williamsracing franco colapinto to race for the reminder of the 2024 season, alongside alex albon

20,234 comments

its_yn if anyone can hear screaming, yes, that is me

user1 i cannot wait for everyone to finally understand how great yn is 

→ user2 i can. i fear we need to gatekeep franco and yn

francolapinto thank you so much for this opportunity 

→ its_yn don’t pretend to be calm. you’re going to meet THE lewis hamilton. i know you’re freaking out inside

→ user3 who is this and why is she all over the post 

→ user4 oh dear. we have to deal with the f1 girlies not knowing who yn is 

alex_albon welcome to the team! 

user5 where have williams been hiding him?! 

user6 oh, well hello there

officialmpmotorsport they’re your problem now

→ user7 what does this mean?

→ its_yn rude 

user8 i was upset when i heard logan was being replaced but i think i might be able to forgive this

lilymhe @/its_yn i cannot wait to have another williams girl to gossip with 

→ its_yn i can’t wait to have a conversation with someone that isn’t about tyres

→ francolapinto you said you loved my tyre talk :(

user9 quick update for those who don’t follow f2. yn is franco’s girlfriend. has been since they were 15. no, she’s not a gold digger. no, she’s not with him because he’s an f1 driver. and the biggest no, he will not date you because he is down bad for his girl

its_yn just posted

liked by alex_albon, olliebearman and others

its_yn my baby is finally an f1 driver! i’m so proud of you, franco. this is everything you’ve dreamed of 🩵

9,789 comments

francolapinto i love you so much cariño

francolapinto i can’t wait to celebrate with you later ;) 

→ williamsracing we’re going to have to media train you, aren’t we?

→ user10 no! don’t take him away from us 

user11 not her posting the most boyfriend coded pics of him

dennis_hauger i’m just so glad it means i escape having pics of me taken whilst i nap

→ its_yn oh, hun. i will literally see you in monza

→ dennis_hauger crap

user12 i acc can’t wait to watch yn terrorise the f1 grid like she did the f2 grid 

→ its_yn i didn’t terrorise anyone. i was making friends

olliebearman i thought i was getting rid of you! why are you following me

→ francolapinto don’t be like that. i know you missed me

→ user13 i’ve seen enough. get this man a seat for 2025

alex_albon i’m not sure i want you in the garage anymore. it sounds like you terrorise teammates

→ lilymhe i’m so excited! 

━━━━ ༻𖥸༺ ━━━━

SEP 2024

williamsracing just posted

liked by francolapinto, charles_leclerc and others

williamsracing scored his first ever points in formula 1, in only his second race. ladies and gentleman, franco colapinto

13,432 comments

user1 okay but the way he kissed yn and spun her around after he come out of parc ferme

user2 franco has been serving this weekend. both with boyfriend material and points

→ user3 yes! the way he’s had a hand on yn all weekend? we love a protective boyfriend 

its_yn what an amazing day for our williams boys! 

→ lilymhe my ears are still ringing from your screams

→ its_yn don’t act like you weren’t jumping up and down with me

→ francolapinto you were jumping?! you promised to rest

user4 i had my doubts but this little flirt has blown me away

user5 i’ve seen enough. franco colapinto for wdc 2025 liked by its_yn

alex_albon i’m still deeply hurt that you won’t come out and celebrate with us

→ francolapinto yes, but yn won’t be drinking tonight so we wouldn’t be much fun

→ its_yn oh yeah, blame me. i’m the fun sucker 

→ user6 i bet she’ll be sucking something tonight liked by francolapinto

user7 franco is so unhinged and i love him for it

user8 i can’t believe franco isn’t able to celebrate his points because his gf said so 

→ user9 actually, i don’t think she’s very well and franco is taking care of her, like a caring boyfriend does

→ user10 yeah apparently she was throwing up before the race 

━━━━ ༻𖥸༺ ━━━━

JAN 2025

its_yn just posted

liked by charles_leclerc, carmenmmundt and others

its_yn baby colapinto coming to a paddock near you in may 2025 

10,234 comments

user1 she is so iconic haha 

user2 omg she’s pregnant?! i just died 

user3 literal mother

williamsracing congratulations, you two! putting in a request for baby headphones right now

user4 every time these two post, i’m reminded of how chronically single i am

→ user5 because imagine falling in love at 15 and then being with that one person for life 

→ user6 poor girl has never had another dick

→ francolapinto and she never will! 

lilymhe this post has been up for two minutes and i’ve already bought 5 baby things

→ alex_albon she’s not joking

→ user7 alex and lily taking uncle/aunt role seriously 

user8 wait, if she’s due in may, that means she’s currently 5 months pregnant

→ user8 which means she got pregnant in august. what happened in august? colapinto’s f1 seat was announced! 

→ user9 aha it’s a celebration baby 

→ its_yn @/francolapinto i told you they’d figure it out. they put it together when kevin got pole 

user10 omg! franco is gonna be a dilf 

→ francolapinto @/its_yn pay up

→ its_yn you’re not hot enough to be a dilf

→ francolapinto that’s not what you said when i was getting you pregnant 

→ williamsracing you know, now that you’re with us for the 2025 season, we’re going to have to media train you

francolapinto just posted

liked by logansargeant, kimi.antonelli and others

francolapinto not long now 

17,436 comments

alex_albon can’t believe it’s a boy. poor yn has to deal with two of you 

→ francolapinto if it isn’t broken, no need to fix it 

officialmpmotorsport what do you mean williams get to enjoy baby colapinto and we don’t? give him back! 

user1 the kiss with the blue background? cinematic masterpiece

→ its_yn thank you. i’ve been training him since he was 15. he’s still a work in progress though

→ francolapinto oi! 

user2 yn gives off such boy mom vibes

→ its_yn that’s because i’ve been trying to talk franco out of danger for years 

williamsracing cake? you’re supposed to be staying in shape! 

→ francolapinto i’ve been doing a lot of cardio 

→ user3 yeah, we all know what that means, sir

its_yn i’m still mad at you for scooping your cake out faster than i did

→ francolapinto i’m sorry! i got too excited and i moved as soon as you said go

→ user4 oh bless him. his super fast reaction time got him into trouble

→ its_yn his lack of super fast reaction time is what got me pregnant 

→ williamsracing we saw that! media training for you too

━━━━ ༻𖥸༺ ━━━━

its_yn just posted

liked by alexandrasaintmleux, dennis_hauger and others

its_yn matias william colapinto

10,034 comments

alex_albon oh wow. are you sure that baby is half franco? he’s too cute 

→ its_yn well, i did all the work

user5 did franco pick his middle name?

→ its_yn yes -_-

→ williamsracing we approve

→ francolapinto come on, they are the reason we have the baby

user6 milf yn! 

→ its_yn finally! 

lewishamilton congratulations mum and dad. he’s adorable

→ its_yn @/francolapinto i heard you scream from the other side of the house

→ user7 i love how he’s been on the grid for months now and become a father but still hasn’t gotten over his awe for lewis 

user8 i sense a franco colapinto maiden win coming this year with his new lucky charm

→ user9 and with it another baby haha

→ its_yn no, thank you

→ francolapinto yes, please

user10 franco about to make his own f1 grid liked by francolapinto

→ its_yn franco! stop liking all these posts about more babies! 

→ francolapinto can we practice at least? 

━━━━ ༻𖥸༺ ━━━━

requests open! (but slow)

tag list

@peachiicherries @rosecentury @c-losur3 @heavy-vettel @evie-119 @raizelchrysanderoctavius @lilorose25 @sillyfreakfanparty

[frownyalfred]

Needing some fluff/humor over the angst potential of Dick and Bruce not acknowledging each other's relationship to the League...

The thing is, everyone in the League is a professional nosy-parker. Sure, no one will out their colleagues, but you bet there is plenty of silent speculation everyone is indulging in.

So, they've got this new recruit, Nightwing - pretty good at the job, likable, cute. Only, the kid isn't...as much in awe of the trinity or the senior heroes as you'd expect from a teen/twenty something hero.

Not rude or anything, just...apparently long been seeing them as just people.

And there is stuff about the Watchtower or the history that he knows, but shouldn't, because he'd have been like ten when those things happened.

They finally come to the conclusion Nightwing is the son of one of the original members...

The clues they do have - treats gravity as a guideline than law, way too high pain tolerance, born charmer, perfect smile, can talk anyone into or out of anything, loves wearing Superman merch if ever caught out of uniform, knows multiple alien languages including kryptonian.

Also, Clark is going to be considerably less paranoid about hiding his fondness for Dick, because he assumes the secret identity connection doesn't count.

Then Hal checks some old records and comes across Nightwing as a name in Kryptoninan mythology.

The Justice League is convinced Nightwing is Superman's half-human son.

This is before Jon is born, so no one knows what could be the result of kryptonian and human DNA mixing.

Bruce is exasperated, Clark kind-of likes it, Dick is delighted at the potential for trolling.

I love this 💜 so much. Someone please write this and send it to me. 

[vee-isaweirdartist]

@reinafish *Throws more spooky lanky concepts and runs away*

[zara-renata]

Would you love me if I were a worm?

Sylus x gn reader | A stupid, short drabble that got stuck in my head while peeling potatoes yesterday, no warnings

“Sylus, would you love me if I were a worm?”

Sylus doesn’t even look up from the book he’s reading, sprawled on one of the leather couches in his library, the full red moon spilling through the windows and blanketing him in a softly sinister light. “Yes.”

You lift your head and scowl at him from your position stretched out along his long body, hands folded under your chin, resting on his firm stomach.

“You’re not taking the question seriously.”

He lifts a dark silver eyebrow, eyes still not lifting from his book, the gold-rimmed reading glasses he’s wearing glinting in the warm light from the Tiffany lamp next to the couch. “And how did you arrive at that conclusion?”

“If you had actually properly considered it, you would have taken a little more time to answer.”

He finally deigns to look at you over the rims of his glasses. “I gave it the exact amount of attention that such a question deserves.”

“Why doesn’t it deserve more attention? I want to know your answer.”

“And I gave you my answer.” He returns to his book. It’s some pretentious title, about the sociology of ingroups and outgroups, the banality of evil.

“How can I take your answer seriously if you don’t think about it properly?”

He sighs. Looks over his glasses at you again. “You’ve been spending too much time with the twins.”

You sit up, leaning against the armrest of the couch opposite of Sylus. He frowns as you move away. “I don’t think I spend enough time with them, actually. They’re hilarious.”

His frown deepens. “I’m hilarious.”

“No, you’re a pretentious edgelord who won’t properly consider my question.”

“You speak so sweetly to the twins. Where’s that honey when you speak to me?”

“Honeypot’s empty until you tell me why you’d love me if I were a worm.” You prod his thigh with your bare foot.

He sighs again, sets the book on the side table. He takes your foot in his hands and begins to rub it, thumbs gently pressing into your arch. You suppress a moan.

“I’d love you if you were a worm because even as a worm, you are still you. I’d love you in any universe, in any world, in any timeline, in any form.”

You stare at him for a moment. “Now I feel bad about being mean to you.”

“As you should,” he gloats. “How will you make it up to me?”

“No, no. I’m not done.” He continues to caress your foot, one hand drifting up to your ankle, circling it between his thumb and forefinger. “You may love me as a worm, but what would you do with me? And would you seek out company in other people, since I couldn’t provide it to you as a little wiggly worm?”

“I would construct the most extravagant terrarium with all of the most luxurious provisions that a little worm’s heart could desire.” He pauses. “I’d also have to construct some sort of grate to protect you from Mephisto.”

You shudder, thinking about what it would be like to be a worm facing down Mephisto’s ruby stare. “I’d probably just be happy in some dirt,” you say, giving him your other foot. He takes the hint and begins to rub it too.

“Tch. My worm deserves only the finest in compost and enrichment activities in their terrarium. I wouldn’t be happy with just giving you some dirt.”

“Of course, and we must keep his royal snobness happy.”

“See? This is why I love you,” he smiles, just a little. “Even though your tongue is so sharp with me.”

“You’re avoiding the question about seeking other company,” you say, sinking lower into the couch as you enjoy the foot massage.

“What’s the point in answering what is clearly a trick question? You will not be turned into a worm. This whole discussion is a waste of time we could spend doing more interesting things.” He gives you an exaggeratedly lascivious once-over.

“I could be turned into a worm! Modified protocores have resulted in weirder shit happening!”

Sylus sighs yet again in resignation.

“I would miss your human company terribly, but there’s no replacing you,” he says smoothly.

You scowl at him again. “That doesn’t answer the question.”

“Darling, I was fine with my own company until you came into my life. I was fine with my own hand until you came into my life. I’d miss your company, and your sharp tongue, and your blow—”

You jerk one of your feet out of his hands and prod him in his stupid sexy abs. “Okay, okay. I get it.”

“I don’t think you do,” he says, sliding out from under you, dropping to his knees on the plush rug in front of you. He lifts one of your legs over his broad shoulder. “I think a demonstration is in order, of all the things I’ll miss that are irreplaceable, should the unthinkable happen and your lovely human form is reduced to that of a worm. I’ll start.” He lifts your other leg over his shoulder and looks up at you smugly.

You look down at him, heart so full with how much you love him that it hurts. “Promise you’re not lying?”

“When have I ever lied to you, beloved?”

You tilt your head. You think he really would love you if you were a worm.

“I’d love you if you were a worm too, Sy.”

“Oh good, I can stop losing sleep at night,” he says, voice dripping sarcasm. You punish him by tightening your thighs, squishing his handsome face between your knees.

He laughs a little breathlessly. “If you’re trying to encourage me, it’s working, kitten.”

You laugh and release him. “Deviant,” you say affectionately.

“Your deviant,” he says, leaning forward, big palms gliding up your thighs. “Whether you’re a human or a worm, that won’t change.”

[scribefindegil]

Lorraine Baines McFly and Female Autonomy

Hello. I have spent the past month slowly losing my mind about Lorraine Baines McFly, Marty's mom in Back to the Future, so I am finally trying to articulate some of the reasons I'm so feral about her.

There's a quote from Lea Thompson, the actress who played Lorraine, that goes, "The three parts that women usually get to play are virgins, whores, and mothers, and in Back to the Future Part II, I got to play all three." While this is commentary on Hollywood and the limited roles that fictional women get forced into, I think it's also interesting to think about it in terms of how these roles are reflected onto actual women and used to limit their personhood and confine them to a very narrow range of acceptable behaviors . . . and then in turn to think about how the character interacts with these roles on a Watsonian level. They're affecting not just Lorraine the character as she was written, but Lorraine from an in-universe perspective trying to navigate life as a woman in a patriarchal world. Some of the sexism she faces is a deliberate narrative choice and some of it is a result of the writers' blind spots, but for the purpose of this essay I'm less interested in teasing out which threads are which and more in looking at it holistically.

Because the thing about Lorraine is that she's aware of what the acceptable roles and behaviors for women are, and the versions that we see of her across the various timelines alternately fight against and capitulate to these constraints. What is a woman allowed to be? How much is Lorraine willing to break from those restrictions? How much does she allow other women to break from them? Does she resent her role or embrace it? I have a lot of thoughts specifically about how the different iterations of her interact with concepts of female agency and autonomy.

(Putting this under a cut because it is. Long.)

I started thinking about this when I was talking with my partner about 50's Lorraine. She's extremely active and driven and planning to Get What She Wants (in a way that is very scary, if you are Marty) . . . but at the same time she's clearly aware that she isn't supposed to be. A Good Fifties Girl is demure and passive. Lorraine isn't--but she's still trying to toe the line. I think constantly about the scene where she shows up at Doc's garage to be like "I followed you home . . . so that I can ask you to ask me to the dance." The girl can embrace borderline stalking but she draws the line at directly asking a boy out! She's exercising a lot of agency but views doing so as rebellious and subversive--and risky.

And I also want to talk about the whole "boy crazy" thing because like . . . society (especially in the fifties) tells women that the most important thing they can possibly do is find a good man and become wives and mothers, that this will define the success or failure of their entire lives (and given how many things were unavailable to single women at the time this is in many ways true) . . . and then relentlessly mocks and punishes anyone who actually takes an interest in pursuing this instead of just sitting back passively and waiting. She is trying to do what society says will make her happy! And even her desire for a white knight is very much based in the reality of her situation! She's getting sexually harassed at school and around town and she's doing exactly what she's supposed to and standing up for herself and saying no and fighting back--and this is not enough. She does need backup! Biff harasses her in the middle of a crowded cafeteria and Marty is the ONLY person who does anything! No fucking wonder she latches onto him as hard as she does! (There's. I promise this is related but there's a BttF parody musical on YouTube where when Strickland comes to break up the lunchroom fight he says, "Now, I can excuse sexual harassment, but LIGHT SHOVING?" and like it's a haha funny joke but also?? Yeah?? That IS how it works. The way Lorraine's being treated is so overlooked and normalized that the authority figure isn't going to step up the way he will when it's a physical altercation between two guys. Screams.) I wonder if part of the reason she stuck with George in the original timeline even though they didn't have a lot in common is that "I have a boyfriend" is a boundary that some people might actually take seriously whereas "I'm not interested" is not.

But. In general 50's Lorraine is very much about grabbing as much agency as she feels she's allowed to . . . and then Twin Pines Lorraine is what happens when she regrets the result of those choices (because while we don't see it, it's pretty obvious that in the original timeline she pursued George as aggressively as she pursues Marty in the new one), and so she decides to deny, not just her own agency, but female agency as a general concept. She leans so heavily on the idea that her relationship was "meant to be" because it absolves her of any culpability in creating a life she's unhappy with. She's rewritten her own past to view herself as a passive participant in something inevitable. (Exactly the view of womanhood that she was fighting so hard against in the 50's!) And she extends this idea of female passivity to the women around her: telling Linda that she should sit back and wait and a relationship will "just happen," actively resenting Jennifer for doing something as simple as calling Marty on the phone. It's a really interesting form of internalized misogyny, perpetuating these sexist ideas as almost a misguided form of self-defense.

And then for Lone Pine Lorraine this is completely flipped! She loves Jennifer for the same reason she disliked her in Twin Pines: because she reminds Lorraine of her younger self. And like . . . this is something of an extrapolation, but while obviously her husband and kids are still very important to her, it also feels like she has interests and friends and other things going on in her life, whereas part of the isolation of Twin Pines is that her life has shrunk down to the point where she's ONLY a wife and mother with nothing else to define herself by. And it also matters that in this timeline she has a partner that supports her, not just in the big dramatic moments (although also that), but you can easily see the dance as a catalyst for George actually learning to listen to her and stand up for her about smaller things as well. George McFly feminism arc. (I'm being slightly facetious but like. George starts off kind of shitty. The spying is actively Bad and I hope Marty chewed him out for it offscreen, but also his reaction to the harassment scene being "I think there's someone else she'd rather go with," implying that he sees what Biff is doing as like. Normal flirting that he expects to work. He doesn't GET it. Unsurprising because he is. A teenage boy in the fifties. But I do believe that saving Lorraine was something of a wakeup call and after that he listened to her about things that make her uncomfortable and gave her the support that she needed. Which would also give her a lot more freedom in this timeline because she has someone with more societal power who has her back!)

And then. Hell Valley.

If Lone Pine is the version of Lorraine who has the most freedom, the most opportunities to make decisions based on what she wants instead of What Is Expected Of A Woman, Hell Valley is the opposite. The things denying her agency in Twin Pines is largely societal forces (and herself); in Hell Valley she is actively being denied autonomy by her evil husband who functions as the personification of a bunch of sexist ideas.

She's been objectified to the point that she doesn't maintain control over her own body; Biff pressures her to get cosmetic surgeries so she can continue to look attractive to him because that's the only value he sees in her. Her physical appearance is entirely tailored to his preferences.

Biff's view of Lorraine is wife-as-possession. He treats her like a prize he's won and her kids like parasites. And he is NOT subtle about this. But Lorraine is still desperately clinging to the idea that she's wife-as-family. She calls Biff "your father" to Marty when he arrives, and talks about "our children" because she wants so so badly for this to be something different than what it is. It's especially terrible because this is a timeline where she got seventeen years of being happy with George, she knows what she's missing, and she keeps trying to force this new relationship into a similar mold even though Biff is openly contemptuous of her and especially her kids. It's been twelve years and she's still trying to pretend. To call back to that Lea Thompson quote: it's obvious where Biff thinks Lorraine fits on the virgin-mother-whore axis, while Lorraine is actively trying to centralize her motherhood partially because the kids really are that important to her and partially as a defense mechanism.

(And it's also such a bleak cautionary tale about how fragile women's stability can be when they're dependent on their husbands; Lorraine was happy with George and had a fair amount of freedom, but he was the only one with an income so when he died she was suddenly forced into a truly horrific situation because she had no other means to support herself and her three young children. Especially given that the Hell Valley universe is also worse in some broader political ways that mean there were probably even fewer social supports available than in real life 1973)

And god. It kills me the way that we see her lash out, the way she's clawing for autonomy when she threatens to leave . . . and then exactly how Biff levels all his axes of control against her. It's very interesting that his first tactic is consumerist (Who will pay for all your things? Who will take care of you?) and that doesn't work even though not being able to support herself is a very real concern. It's only when he threatens her kids that she folds. And then she immediately crumples and pivots to rationalizing Biff's behavior and blaming herself for her own abuse (in a way that is both HEARTBREAKING and also? surprisingly sympathetic and realistic for an 80's movie?). It's similar to the passivity we see in Twin Pines, but here we see exactly where it comes from. She doesn't have any way out so she has to pretend. It's the only way she can keep going. She has these flashes of rage but they're immediately snuffed out by despair and denial.

There's not a lot of talk about Lorraine and what there is tends to reduce her to "well she's Marty's mom" as if she's a boring character who doesn't have a lot going on. But even though most of her role in the movies has to do with her relationships with the various men in her life, those relationships are really interesting if you actually pay attention to them! She's not just (in the 80's) a wife and mother--she's someone who has a complex relationship with marriage and motherhood and the societal expectations surrounding them. She's not just (in the 50's) a vapid boy-crazy girl--she's doing her best to go after what she wants in a world that doesn't want her to (the fact that one of the things she wants turns out to be her time-traveling son from the future is unfortunate but not something she has any way of knowing!). She's stuck in a society that doesn't want women to be people, and she knows this, and because we see her across two different time periods and three different timelines you can watch how sometimes society grinds her down until she gives in and tries not to be a person. And also how, sometimes, she fights back.

[raven-at-the-writing-desk]

Given we have finally gotten news regarding the anime what do you think about it being an adaptation of the manga?

I have some mixed opinions since we'll be seeing the same story for the 4th time at this point (game/manga/novel/anime) but there does appear to be some differences with each especially with each unique Yuu. I do think the OBs and fight choreography is best animated over a slice of life show.

I'm not expecting any major changes from the manga if any at all but I'm happy to see it animated at all. I do hope it is successful so that the other books get animated. I feel like we are in a purgatory of early TWST with how often we go back to the earlier books in different mediums.

[Referencing this news!]

Gonna be honest with you, I’m kinda numb to getting yet another adaptation of the main story (a story that, mind you, we've already heard ad nauseum). At this point, it really does feel like a never-ending purgatory or time loop where we are forced to relive Heartslabyul over and over and over 😅 Of course, I'm still looking forward to seeing the anime and watching some of the more complicated scenes play out (fights, flashback sequences, playing magift/spelldrive, etc.). However, I think I would have preferred something new...? For example, vignettes, the event stories, etc.

The anime being an adaptation of the manga is... fine? But that means the anime may also have the same issues that I have with the manga. Those would be:

We will never really be able to fully bond with or know Yuu on a deeper level since Yuu is constantly changing between books/seasons. We won't get to see how the Yuu of Heartslabyul interacts with characters in later books, we won't get to see how the Yuu of Octavinelle handled the Heartslabyul and Savanaclaw conflicts, etc. We won't see any of them grow or change as a result of interacting with the NRC cast. This sucks particularly because if you really love a particular Yuu, you know they won’t be sticking around.

Despite the Yuus being designed as foils for the OB boys of each respective arc, no special meaningful interactions come out of it. The reader/viewer is just left to draw the parallels but there is never a moment where Yuu and the OB boy reconcile about their similarities/differences, which would actually justify the frequent changing of the POV character.

Barely any alterations are made from the game's story, since the manga isn't allowed to deviate in significant ways. No matter how different the Yuu is, they cannot ever make a decision or even have dialogue that would actually change the story in interesting ways.

General time constraints (manga arcs are 20 chapters, seasons have a limited number of episodes).

Limited showing/screen time of some characters. Because the adaptation will be of the main story, some characters that make very bad first impressions (hi, book 2 Leona… hi, Sebek without the vignettes…) will maintain those bad first impressions and won’t have a chance to redeem themselves simply because the bonus content (vignettes, event stories, etc.) aren’t adapted. Other characters won’t get as much focus simply because they aren’t the OB boys. The former would mainly be a concern for anime/manga-only fans.

Most of my disappointment comes not from reliving the same story, but that we are reliving the same story with minimal changes. I would enjoy adaptations more if they actually played around with the source material and explored new avenues! It feels like a missed opportunity, you know??

As I said earlier in this post, this is NOT meant to be overly negative; this is healthy skepticism. I'd describe myself as still excited, but not as excited as I would be if the anime were about something else set in the Twst world. Hope that makes sense 🙏

I would also caution readers to take my concerns with a grain of salt; for all we know, maybe the anime will add new scenes or fix some of the issues I pointed out. We should wait until the anime is out to judge its content and quality for ourselves.

On a positive note though 🤡 M-Maybe we will see. Shirtless L*ona animated… because… y’know… Episode of Savanaclaw technically canonized it… HAHAHAh JK… unless…? 🥺 👉👈

[respectthepetty]

Joke's (Sad) Face

This post is about Joke's face.

But it's not about his actual face.

It's about his Joker face.

While Joke was surrounded by Jack's blue at the hospital, I just couldn't stop thinking about how pretty War is.

Which is why it's so tragic that his character, Joke, spends so much time being sad.

He has been sad since the very beginning and has remained in this state throughout the series.

Which is probably why he created the red Joker moniker.

A joker is a trickster. A joker is similar to a jester. A joker should be happy.

But Joke is anything but happy and his sadness began when he was child who couldn't cope with academic stress, so he began to use the sad face.

Then a kid he never met fixed his frown and turned it upside down. Jack made him smile.

And years later, at a bar late at night, that kid would make Joke smile again.

By simply sitting with him.

Joke was sad about his life, and Jack told him that it was okay.

Then he told him to smile.

Because like I believe, War Joke is so beautiful when he smiles.

Jack, with his blue (spray bottle), has been wiping Joke's sadness away for years, even without knowing it.

And as Joke returned to his childhood home to all the sticky notes marked with red sad faces, he believed he would never be as happy as he was with Jack again.

The time Joke spends with Jack is the happiest of his life because Jack makes Joke happy, which is why Joke got the smiley face tattoo.

Because Jack was a truly happy kid when they first met, and gave that happiness to Joke.

But things change.

Joke's other tattoo is of a dual smiling face and sad face, and when Joke approached Jack after five years, he said he wanted to bring back the old Jack. After that encounter, Jack asked his grandmother if he had changed to which she responded that he couldn't stay a kid forever.

Jack let Joke escape in the fashion event. Jack was blamed for the necklace being stolen, yet showed up to the hotel to help Joke. Jack put himself in the way during the fight to keep Joke safe. Jack always turns the worst situations around and has sacrificed parts of himself as a result.

So Jack is darker now. He is no longer blue. He is black. He can't be Joke's source of happiness when he is struggling to find the good in life himself, so while Joke is in the hospital surrounded by Jack's blue with family and friends, Jack sits alone wearing a red shirt with one tiny lamp to give him warmth.

Jack has his grandmother, who blends both his and Joke's colors, but she's all Jack has ever had, and now she cares for Joke just as much as she loves Jack.

And this is a point Aran made in the very beginning and Hope repeated this episode — Jack, just like Save, doesn't really much. He doesn't have options. Joke does. Jack had to do what he had to do to survive and keep his grandmother safe, but Joke gets to return home to a family and a room that has been kept spotless. Jack doesn't. Well, not if he doesn't fight for it.

And that's what hurts. Jack has to fight for everything. So even though Joke has done a lot for Jack, Jack has done just as much for Joke. He gave Joke a place to stay, food to eat, friends, family, and happiness when Joke had nothing to give and nowhere to go. Jack himself has nothing, yet still gave Joke everything he has had to fight for, including his limited happiness and even the last bits of his color.

So it's important that the episode showed Joke not only giving Jack his color, but also his happiness. Joke has finally turned his sad face into a happy face, on his own.

Joke is depressed, and for so long, because of that, he believed that he couldn't be a source of happiness. Yet on this journey, he has brought happiness to his friends, grandma, and countless people along the way, so here he is, not only giving his color to Toi Ting and Jack, but also his happiness.

Jack has never wanted to see Joke's sad face, which is why he gave Joke his happiness.

And now that Joke is realizing that he is happiness, hopefully Jack never will.

But they'll have to fight for it first.

[theoncomingchaos]

Who loves Rook: Spite or Lucanis

I've been seeing a lot of discourse about this, and I just want to add my thoughts.

I might be totally wrong about this, but here we go. When Spite was put into Lucanis, he was still Determination. The fact that he changed throughout the torture, forced insertion, and imprisonment suggests to me that they have been put into a speedrun of a similar situation to Anders and Justice/Vengeance where they have started to meld. (As Anders put it, you wouldn't know where one begins and the other ends). Just like Anders and Vengeance, Lucanis and Spite can have separate consciousnesses and even disagree about things, but their core values have started to influence one another and become a part of one another- heightening certain aspects.

I think this melding is why we see some dialogues where Rook tells Lucanis that he sounds like Spite and similarly it's also the reason for the shared attraction- which I fully believe is coming originally from Lucanis.

I'll be honest my first time through I romanced Lucanis and was very disappointed. I didn't even see him and Neve ever flirt (she only ever encouraged us!) But still, it seemed to go from 0 to 60 with him. Now, I am on my second playthrough and I only just met him, but I am starting to see some really subtle looks and dialogues that suggest that Lucanis wasn't lying later when he said he was attracted to Rook from the beginning, but was afraid to really pursue anything or even acknowledge the possibility of being with them. With his fear of trusting people, ptsd from the prison, failed history in romance, and his new situation with Spite that he still hadn't worked out yet, he never thought anything would or could ever come of his feelings. We know Lucanis loves romance stories and likely longs for one of his own, but in such a situation it must have seemed truly impossible and terrifying to let someone else in. Especially someone you really care for and are starting to trust. So, he pushed it all down. Rook flirts? Maybe a small smile, but then quickly lock it all up with everything else he can't handle. Focus on work. Don't think about Spite, or Rook, or anything difficult.

However, if the melding has already happened as I suspect, then the feelings Spite is expressing are shared with (and likely sourced from) Lucanis, he's just better at expressing it directly- which makes sense for a spirit that was once Determination. When you first talk to Lucanis after the rescue, the thing Spite says about Rook changes accordingly to your tone, but to me the responses still sound like they come from Lucanis and are then echoed in Spite: "He doesn't want to hurt us." Even the "He's more fun than you" is something Lucanis seems to think about himself as he is fully aware that much of his life has not been his own and believes "all he knows is death."

Leading back to the main point, Lucanis's trust and interest in Rook would be heightened by Spite the way Anders' anger towards the templars was heightened. Even though they are finally free from the prison, their is a sense of constant suffering from still feeling trapped by fear, regret, and pain- Spite feels that suffering too. The elements of determination are still within him the same way justice is another side to vengeance. Both spite and vengeance are the results of failing to achieve their goals of Justice and Determination. Spite sees Rook as a way to free them from pain and restraint, a glowing and beautiful key to the prison door, and he is determined to do what needs to be done to solve the problem. That's why he doesn't hesitate. He has no fear. He wants to talk to Rook. He wants Rook to come in and free them.

After Rook has freed them, they become a source of comfort and safety, once they encourage Lucanis and Spite to find a way to cohabit comfortably, the two continue to meld, and the need to protect Rook, to love Rook, to keep them, is very deeply shared. Now, IF Spite was somehow removed or even somehow restored (Both of which I think are impossible) that would likely change. Determination outside of Lucanis would likely become more like Compassion. He would likely forget the horrors he experienced to return to his original purpose.

So, that leaves some final questions, particularly one Hawke helpfully asked Anders- Is Spite an unwilling party in the threesome?

That's up to everyone's own morality. While both Spite and Lucanis didn't have a choice to become like this, it is the situation they are in and the way they have to find a way to accept and live with because there really doesn't seem to be any real way to change it. Through their time together, Lucanis and Spite have influenced each other and grown into something new. Part of that is Spite also loving Rook. In that way, for those who are feeling (rightfully) underwhelmed by Lucanis's romance, Spite can almost be seen as a symbolic expression of Lucanis's love.

All that being said, I think there were some small things they could have done to make the romance more satisfying over all...but I'll save that for another post.

[lyculuscaelus]

How much stuff from the Homer should we keep in our vision of the Trojan War story?

Do we keep everything Iliadic and Odyssean here? Do we retain every event, every detail, despite the fact that some of them contradict other traditions? Or should we change something to adapt other accounts, or should we try to find a reconciliation in-between?

Do we omit Palamedes in our telling of the recruitment of Odysseus so the ones being rude were just the Atreïda, or do we go with the Cypria as well as other sources where Odysseus faked his madness and got exposed by Palamedes?

Do we have Achilles and Patroclus in Phthia joining the war eagerly, or do we have Odysseus using the trick to find out Achilles in disguise hiding in Skyros?

Do we have Achilles leading the Achaeans to plunder around before reaching Troy, or do we have a storm scattering the fleet so that each king returned to his own kingdom while Achilles came to Skyros and married Deïdameia there?

Do we have Achilles being able to bleed in battle, or do we make him invincible other than his infamous heels?

Do we have Astyanax as Hector’s only son, or do we allow the existence of another son—Laodamas—to live even longer by his mother’s side?

Do we have Anticleia dying of mostly old age and sadness, or do we have Nauplius bringing false news to Anticleia, causing her to hang herself?

Do we hold Aegisthus responsible for the seduction of Clytemnestra and the death of Agamemnon and Cassandra, or do we have Clytemnestra orchestrating it, and give her an axe to deal the death blow?

Do we have other Achaeans returning and staying home safe from war and sea, or do we have the most of them wandering still to found many cities in places like Italy?

Do we find Neoptolemus staying in Phthia waiting to marry Hermione, or do we see him reigning over in Epirus?

Do we know Aegialeia as the faithful wife who’d tear for her husband in her empty bed, or do we see her as the queen who betrayed her king upon his return, for reasons up to interpretation?

Do we have Diomedes reaching home safe and sound, or do we need him exiled to Italy so he could start founding cities?

Do we keep Odysseus’s journey in mythical islands and seas, or do we have him wandering in Italy (even to Iberia) like others, founding cities and leaving some tombs of his crewmates behind?

Do we agree that the Telemachy took place in Pylos and Sparta, or do we find Telemachus going to Crete to see Idomeneus?

Do we follow Homer’s claim that Odysseus’s lineage was a line of single sons, or do we consider Telemachus’s statement here merely dramatic thus allowing all those other “sons of Odysseus” to exist?

Do we agree that there were no Nausithous or Nausinous, or do we have Odysseus leaving them both behind on Ogygia forever?

Do we know Penelope as the loyal wife that she was, or do we find her consorting with one or more suitors resulting in the birth of Pan?

Do we have Odysseus and Penelope reuniting by each other’s side at last, or do we see Odysseus exiling Penelope because of her “disloyalty”, so that she wandered in Lacedaemonia and Arcadia to Mantineia where she finally died?

Do we have Athena and Zeus intervening in the fight between Odysseus’s household and the suitors’ family to establish an everlasting peace, or do we leave this matter to Neoptolemus’s hands just to see Odysseus exiled?

Do we make him finish his oar quest and return immediately, or do we keep him in Thesprotia where he marries another woman and had another son and fought another war and returned again?

Do we agree that Telegonus wouldn’t exist, or do we have him stabbing Odysseus marrying Penelope giving his mother Circe to Telemachus to wed?

Do we give Odysseus a peaceful death from the sea, or do we not?

[jitterbugjive]

Okay... I'll Accept Holiday Letters...

So, anyone who has followed me long enough knows by now how I get around the holidays. Seasonal depression kicks in, and bad memories of old toxic Thanksgivings and Christmases flood my brain any time I see or hear reminders of them. Plus there's some trauma from living in poverty and having very little around the holidays and the only people willing to exploit my mentally ill mother for work was the Salvation Army who basically pay pennies. And there's a whole lot more I don't like, like the cold, Christmas Carols, etc.

However.

The last couple of years I finally got to have proper family holiday get togethers since the toxic people in the family are gone now, and it was very healing for me. I still despise the holidays, don't get me wrong, they are mostly miserable for me. I generally tell people to not address the holidays with me.

But... I've been going through a LOT this year. Especially the last 6 months with my mother being manic and getting her whole life messed up. I've also been dealing with another family member experiencing psychosis on and off as well that I haven't felt comfortable talking about. The results of the election and things Oregon was voting on are not helping me feel any better, and I fear that winter depression is going to be hitting me like a truck. I can feel it creeping in already now that the weather is getting under 40F. On top of that, my family isn't in a state right now where anyone can feasibly host Thanksgiving or Christmas, so it's a bit of a lonely one this year. Sure, I have friends I can spend time with, but I was just getting used to the family dinners. Overall, this is just going to be a very hard winter for me.

And for once, I'm going to ask people to lend a bit of the Holiday Spirit (tm) my way, because I really need some pick-me ups to get through the rest of the year. Basically all I'm asking for is for people to send me letters of encouragement through my PO Box. Gifts and fan art are welcome too, I keep all my fan art safe. I'd prefer not to get flat-out christmas cards unless the cards are really nice or creative and have a lot of thought put into what's written in them. I could just really use some kind words and there's something that feels a lot more personal about physical letters that I can store away and pull out on a rainy day.

Please note I have a pea brain that can't read cursive very well, so if possible I'd prefer it be in plain print or typed out.

If you send treats they need to be shelf stable and properly sealed, no home baked goods.

My P.O. Box: (Can be addressed to Jitterbug or Jack)

16055 SW Walker Rd #274Beaverton, OR, 97006

And if anyone's feeling generous I do have an amazon wishlist that people should be able to buy and send stuff from without needing to be the middleman. I don't update it much and a lot of stuff is outdated but you should be able to organize it by priority to get a better idea of what things I'm most interested in. You can even add other stuff to the order that isn't on the list and it will still be shipped to my P.O. Box!

AMAZON WISHLIST

[coffee-in-rain]

this vulnerable Hannibal ramble has a happy ending. i promise. ♡

don't think about Hannibal noticing cancer symptoms a few months post-fall. specifically, bladder cancer. don't think about Hannibal hiding this from Will because they're on the run after nearly being caught. don't think about Hannibal getting shot in his pelvis during their escape and collapsing to the ground. don't think about Will carrying Hannibal (who whimpers against Will's neck with each abrupt jostle of his body) to safety towards a getaway car. desperately trying to stop the bleeding. finding a small emergency clinic and holding the doctor at gunpoint until Hannibal's wound is tended to.

don't think about Will discovering the news of Hannibal's stage 3 bladder cancer because the doctor states there's no point in saving Hannibal, who only has a few months to live at most. don't think about Will's entire world crumbling in that instance. seeing Hannibal's limp body on the operating table. thinking back to all the times Hannibal winced upon sitting with a full belly after dinner (because it put more pressure on his bladder) and how he would discreetly leave to change into a more comfortable pair of pants or shift in discomfort. don't think about Will passing it off as simple weight gain. then thinking back to the moments when Hannibal would spend long periods of time in the bathroom (scrubbing down the bathroom to limit Will's chance of finding traces of blood in the toilet. or simply straining to urinate).

don't think about Will confronting Hannibal once he's conscious. don't think about Hannibal's face crumpling because he's scared this'll be Will's motivation to leave; to go back to his old life now that Hannibal's is coming to an end. don't think about Hannibal spending these last few months knowing something was wrong; having an inkling there was probably a tumor growing around the area of his groin. yet having no means to get a diagnosis. not without the risk of being caught. not without the risk of losing Will. don't think about Hannibal begging Will to leave; to do the complete opposite of what he truly wants during his last few months of living. because Hannibal doesn't want Will to witness his rapid decline.

don't think about Hannibal and Will crying in each other's arms. don't think about them both having to accept their fate. don't think about Hannibal still attempting to be intimate with Will even as the act of orgasming results in agony instead of pleasure; how it feels like the muscles in his bladder are about to rupture the very last time he's intimate with Will. how he cries out of fear of disappointing Will any further. because he wants it too (this emotional and physical connection) and is disappointed in himself. and he wants to feel a sense of normalcy that he'll never have again. don't think about Will reassuring Hannibal with tender kisses and gentle words. stating sex isn't necessary. not if it only serves to bring Hannibal more and more pain.

don't think about Hannibal being in the bathroom one night and Will waking to an empty bed. finding Hannibal sitting on the toilet instead of standing. exhausted and on the verge of tears (because he needs to relieve the pressure in his bladder and urinate, but the tumor has doubled in size and is causing a blockage). don't think about Hannibal finally breaking down upon seeing Will because the discomfort is rising and his bladder feels as if it's about to explode. don't think about Will rushing to lay Hannibal on the floor and inserting a catheter. whispering frantic apologies and words of reassurance when Hannibal sobs and whimpers from the pain. hugging Hannibal once it's inserted and the pressure eventually abates. rubbing Hannibal's distended abdomen and bladder in soothing circles. don't think about Hannibal having to wear a catheter 24/7 during his last month of life.

don't think about Hannibal waking Will up in the middle of the night. because he knows he doesn't have much time left. don't think about Will awakening to an unfamiliar shift in Hannibal's tone: frail and tinged with fear and desperation for Will. don't think about Will holding Hannibal until the very end. don't think about Will falling asleep with Hannibal's limp body cradled to his chest. don't think about Will living alone for months on end. don't think about Will one day falling asleep in their large bed and somehow time traveling in the past; ending up at the cliff house with this past version of Hannibal (who's just entered the house with Will frozen in place in the driveway because all he can see is the back of Hannibal's head).

don't think about Will's voice breaking when he chokes out a whisper of Hannibal's name. don't think about Hannibal stopping mid-step because hearing his name fall from Will's mouth still feels foreign and it's all he's ever wanted. don't think about all the emotions warring inside Will's mind. don't think about Will striding across the room, hands shaking as he pulls Hannibal into a fierce embrace. don't think about Will whispering the words: "i've missed you so damn much." or even: "hi, baby." because he's overcome with emotion at having a second chance.

(i'll admit that i did in fact type this all out while listening to 'I Bet On Losing Dogs' by Mitski lol. it is perfect inspiration though. because you guys... imagine Will blinking past tears and thinking "i've got my baby back" and being so happy to reunite with Hannibal).

don't think about Will kissing Hannibal with a frenzied desperation and picking Hannibal up to take him to bed. don't think about Hannibal gasping into Will's mouth and feeling nervous and excited all at once. because this is all he's wanted for the last three years. don't think about Will realizing he shouldn't rush this (no matter how overwhelming it feels to be blessed with a second chance) because this is technically Hannibal's first time (even though Will is now familiar with every inch of Hannibal's body and knows what makes him gasp and writhe and tremble with pleasure).

don't think about Will noticing the familiar pinched expression twisting Hannibal's features with visible worry and nervousness. the same expression Will witnessed months ago during their last intimate night together; when Hannibal worried he'd disappointed Will; when Hannibal's agony drowned out every trace of pleasure that Will was desperate to wring out from his weak and easily fatigued body; when it became apparent Hannibal had endured this discomfort for Will's satisfaction. don't think about Will realizing this time that Hannibal's discomfort and apprehension is due to being touch-starved and that he's nervous about climaxing too soon. that it'll disappoint Will.

Will feels the complete opposite of disappointment and wants to witness Hannibal succumb to every pleasurable sensation. even if it ends sooner than Hannibal wants.

imagine Will eating Hannibal out with sheer tenderness. relentless and fluid arcs of his swirling tongue and drawn out suckles. imagine Will's hand reaching between Hannibal's spread legs and wrapping around his throbbing cock. imagine Hannibal's flushed face buried in the bed sheets, fingers clawing at the comforter for stability because he never expected his first time with Will to be like this. imagine Hannibal on the verge of sobbing because it's too much; too foreign of a sensation; being touched and coaxed towards a rapidly approaching climax by a skilled mouth and a steady hand. being worshipped by Will after enduring years of forced celibacy.

imagine Will clutching one of Hannibal's trembling hands and reminding Hannibal it's okay to come; that he doesn't have to wait any longer; that he deserves this. imagine Will's thumb smoothing over Hannibal's twitching knuckles. Will's tongue diving back in between Hannibal's red and chafed cheeks. Hannibal's movements and whimpers bordering on frantic as he thrusts into the calloused cage of Will's fist until he's ultimately overcome by a breath-stealing climax.

imagine Will cherishing this moment with his entire heart. knowing he was once again able to bring Hannibal over the threshold of desperation and into the pleasure of release without any trace of pain. something he hasn't been able to do in a very long time.

imagine Will kissing every inch of Hannibal's sweaty skin. leading Hannibal (who's legs are shaking, rendering him off balance) into the shower. washing Hannibal's hair and body with gentle touches. kissing away Hannibal's silent tears of overwhelm. washing Hannibal's back. kissing Hannibal's nape and the Verger brand. wrapping his arms around Hannibal's waist. hands trailing over the thick hair curling over Hannibal's groin; right around the area of Hannibal's bladder; searching for any signs of discomfort. feeling his heart skip a beat when Hannibal's breath hitches; out of overwhelm or pain, he can't be sure and doesn't dare to ask. not wanting to break the peace of this moment. not wanting to alarm Hannibal (who finally seems to have everything he's ever wanted). it's a long-awaited moment Will can't bear to ruin for Hannibal. not right now.

it prompts Will to make a spur of the moment decision that they should leave as soon as possible; flee to another country where Hannibal can get screened for signs of bladder cancer or any other anomalies. when Hannibal eventually questions Will's motives for a finding nearby doctor, he makes an excuse that it's a simple precaution; that it's because Hannibal hasn't been to a doctor in three years. imagine if in this universe, Hannibal's bladder cancer is caught and treated early. imagine if in this universe, Will and Hannibal get their happily ever after. something Will never takes for granted. even during arguments or disagreements.

[ask2ps]

2p Italy and 1p England would be besties. I can see they shit talking people and being a general menace/chaotic evil together. You can see it as ship if you want to, but I like to see it as platonic/found family. Two chaotic evil creatures bonding over the fact that they’re both menaces to society.

/lh /nay

You know, since 2P!Italy goes into the 1P world first, he and 1P!England actually have a LOT of time to interact!

As my mind turns, I consider the following:

Arthur is definitely amused at first by "Feliciano" suddenly acting kind of different. They've never been particularly close, because Feliciano's... (gestures) er, joviality doesn't really settle well with Arthur. He'd appreciate the change of pace with 2P!Italy. Misery loves company, and 2P!Italy is nothing if not miserable.

Of course, it couldn't be too obvious: a fun part of the 2P!Takeover to me is that (with some poor actor exceptions hem hem PRUSSIA hem hem) it's hard to tell who has been taken over and who hasn't. Really fuels into the paranoia later.

In the beginning, I could see them being pals for sure. But I also consider both of them too closed-off and distrusting to really get close to one another. For the following reasons:

2P!England is sure to let each and every nation know that the 1Ps are, like, totally evil** and whatnot. So 2P!Italy isn't interested in getting too attached to "England's Evil Twin." (you see, of course, the joke is that, actually, Oliver is evil or something?) 2P!Italy regards everything that the 1P's do with quiet scrutiny... (except for 1P!Romano, of course, but that's for later.)

2P!Italy also isn't really excited on getting attached to someone who is going to cease to exist soon, overwritten by his ACTUAL Good Friend England. (Yeah, I imagine 2P!Italy and 2P!England are friends. And as we've seen, 2P!England is kind of jealous of his counterpart, and 2P!Italy knows not to get too close for that reason.)

On the other hand, while England initially takes "Feliciano's" changes in stride, that's only because he's the first. When it happens again, and again, and again-- and it finally occurs to the 1Ps that hey maybe something weird is happening? -- it quits being endearing and starts being frightening. So. Friendship over. Not that it ever truly began. For reasons not even related to the 2P!Takeover, he's just a grumpy old man with trust issues and a lot of self loathing. He didn't trust "Feliciano" when he was too nice, why would he trust him when he's getting a sudden mean streak?

TLDR: They could definitely be chaotic friends. In another universe, that friendship might even have some truth to it. But with the circumstances being what they are (2P!Italy is possessing Feliciano's body to help with a plan that will result in Arthur's eventual "death," and on some level Arthur is aware that something is wrong with "Feliciano,") the fun doesn't last long. A very interesting thought nonetheless, and a little bittersweet. Thank you Anon!

[vigilante-3073]

Daddy's Credit Card

Cullen Family x Female Vampire Reader (Platonic)

PART 3

Summary: Edward made the choice to leave Bella behind and now he grapples with the fallout of his decision. How will he fare without Y/N to fall back on in his time of need? Will she come to his aid despite their strained relationship?

TW: Mention of death and self-harm, lack of regard for the feelings of others.

Carlisle made his way into the penthouse apartment that Y/N had been staying in. She left Forks after her argument with Edward, packing up and leaving without another word.

It had been months of silence before Edward made the decision to leave Bella. The Cullen family had moved to New York City, making new lives for themselves in the bustling city.

Edward had retreated into himself, remaining silent most of the time and refusing to feed. He soon made the decision to travel to Rio to be by himself. Edward had always loved Rio and he hoped it would help him to feel better, but he felt nothing.

He stayed in the same clothes, feeding off rats in the dimly lit room he had come to call home. Edward was heartbroken, he knew it was the best thing for Bella, but he wasn't ready to let her go.

Carlisle knew that his son was suffering and that is what brought him to Y/N's doorstep. She could be abrasive and uncaring at times, but a tender approach wasn't what Edward needed right now. Y/N had always been able to get through to Edward, her methods may have been unorthodox, but they certainly yielded results.

Carlisle rounded the corner, slowing to a stop when he spotted her. Y/N was lounging in a plush black armchair as she read from her book that was balanced on the arm.

"Hello, Carlisle. Still above knocking before walking into someone's home, I see," Y/N said without looking up from the words on the page.

"I didn't think you would open the door if I knocked," Carlisle replied.

"Probably not," Y/N stated, flipping the page.

"We need you help," Carlisle said.

"With what?" Y/N asked, not bothering to keep the disinterest out of her voice.

"The family has left Forks," Carlisle stated.

Y/N hesitated, eyes finally lifting to stare at him, "Why?" She asked.

"Edward has chosen to leave Bella for her own safety," Carlisle said.

Y/N scoffed, flipping the page of her book, "He is distraught and he could benefit from your friendship at this time," Carlisle said.

"I don't care what he could benefit from," Y/N deadpanned.

"Alice is worried. She thinks that he may try and do something to harm himself," Carlisle said, hoping to make her understand the severity of the situation.

"Good. I hope he gets creative," Y/N said.

"Y/N, he needs you," Carlisle pressed.

"No, he doesn't. He made that very clear," Y/N snapped, shutting her book and standing up from her seat.

"He is your family," Carlisle said, following after her as she walked out of the room.

"Is there a reason that you are still speaking to me about this, Carlisle?" Y/N questioned setting her book down on the kitchen counter.

"No one else has been able to get through to him. He has isolated himself from the family and he isn't feeding," Carlisle said.

"I don't care, Carlisle. I have said my piece about his relationship with that human and he refused to hear it. Edward brought this on himself and he should have to deal with the fallout of his own decisions," Y/N stated.

"Even if he chooses to forfeit his own life?" Carlisle questioned.

"Even then," Y/N said, walking off into the apartment and slamming one of the doors behind herself.

...

Edward sat on the dirty floor in his room, watching the sun rise and set over Rio while his body wasted away. He was miserable and he wanted nothing more than to return to Forks. Edward wanted to take Bella into his arms and tell her that he was wrong to leave her, but he wasn't. Y/N was right and they would only have a limited amount of time together before her eventual death.

He would lose her at one point or another and he knew that he wouldn't be able to handle the loss if he stayed with her. It was better to cut it off and hurt now than to grow their connection and lose it later on.

Edward hoped that Bella would move on and live a happy human life without him. Maybe she would find a nice human boy to create a life with, it would be better for her. Bella could have kids, grow old and live the life that she was always meant to live. Edward meant it when he said that she didn't belong in his world.

There would always be a small part of him that wondered if she loved him because of what he could offer her. He wouldn't be able to stomach it if their relationship was purely based on the irresistible effect that Vampires had on humans or the appeal of eternal life.

Edward hoped that he would just die.

No amount of blood could change how empty he felt inside and he just wanted to waste away until there was nothing left. Edward called the family recently to let them know he was alright, he had been calling them once a month. If he were to perish in this room, laying on the dirty floor, it could take his family a bit of time to wonder what happened. That was only if Alice didn't forsee his decision to die before he had a chance to act on it.

"Well, how the mighty have fallen," Someone said.

Edward's brow furrowed, he hadn't heard anyone enter his room over the whirlwind of his thoughts. If it were an enemy, he would be dead, not that he would protest to a swift and merciful death at this point.

Y/N stood in front of him, her expensive clothing feeling out of place in the dirty room. She stared down at him, examining his torn clothing and the dark bags under his eyes.

"I caught your dinner for you," Y/N stated, tossing the body of a rat down on the floor in front of him.

The blood made him ravenous and he dove onto it quickly with a growl, sucking down every drop of blood the creature had to offer.

Y/N watched him with a smirk, "When Carlisle told me how quickly everything had fallen apart for you in Forks I almost didn't believe him," Y/N said.

"What do you want?" Edward snapped, wiping his mouth on his sleeve.

"Come with me," Y/N said.

"I'm not leaving," Edward said firmly, shaking his head.

"Well, I'm not staying here... Get up and come with me," She commanded.

Edward got to his feet quickly, gritting his teeth as he tried to resist her instructions.

"All you've had to eat in weeks is that rat that I tossed at your feet. Resisting me now is just a waste of energy and you know that," Y/N said, already making her way out of the room.

...

Edward stared out the window of the large suite in the hotel Y/N had been staying in. He had showered and Y/N gave him a change of clothes. He didn't want them. He wanted to keep the torn and dirty clothing that he had been wearing. The fabric still carried Bella's scent and he hated that Y/N had forced him to part with it.

Bella was gone. She was absent from every part of him and it suddenly felt like the wound had reopened again. Edward watched over the Rio skyline, body sitting rigid in the chair as he waited for Y/N to return from wherever she had gone.

There was no chance that her coming to his rescue was without motive. She wanted something and he needed to know what it was. Edward's life had already fallen apart, there was nothing left for her to take from him.

Y/N stepped into the suite, heeled boots clicking against the floor as she made her way towards him.

"Well, you certainly look better," She stated, tossing her purse down on the bed.

"What do you want, Y/N?" Edward asked, keeping his focus on the world outside the window.

"Carlisle came to find me and told me that you left the human," Y/N said.

"Her name is Bella," Edward snapped.

Y/N huffed, sitting down in the armchair across from him, "You haven't even known her for a year, Edward. This is a bit melodramatic, even for you," Y/N said.

"I love her," He stated, looking over at Y/N.

"Loved... You loved her. And now you left her and I'm sure she'll be much better off without you," Y/N said.

"I know that," Edward muttered, eyes falling to the floor between them.

"If you know that then why are you holding onto her. You're smarter than this, Edward," Y/N said.

"I can't just turn off my affections for her. I'm not callous like you are," He snapped.

Y/N scoffed, sitting back in her chair, "No wonder Carlisle came to me. You are being ridiculous about this, she is just a girl. Were you ever going to change her?" Y/N asked.

"No, but-," "If you had stayed, you were going to lose her anyway. You were going to remain the same, never growing older, while you watched time steal away the one you love. That girl will wrinkle and become decrepit right in front of you. If you're lucky an illness will take her while she's young, that way you won't have to watch her lose the ability to walk or care for herself. Humanity is ugly and you have spared yourself from that ugliness. Move on and pull yourself together," Y/N said, standing from her chair.

Edward watched her, hate burning like the hottest fire within him. Edward despised the way that she spoke about Bella, but he knew that she was right.

Y/N lifted her suitcase up onto the bench, placing her things inside, "What are you doing?" Edward questioned.

"Packing. You can do whatever you want, the room is paid for until the end of the month," Y/N said, closing the lid and zipping it shut.

"Where are you going to go?" Edward asked.

"Carlisle found me in New York which means it's time to move elsewhere. This family is suffocating me," She huffed.

"I appreciate you coming to find me," Edward admitted softly.

"I know that nothing I said is going to change anything for you and I am not interested in trying to get my point across anymore. Just know that if you're going to off yourself, Alice is already watching your decisions and she will step in if she deems it necessary," Y/N said.

"Why would you tell me that?" Edward asked.

"You have your own free will. If you want to die, you should be able to decide how you go," Y/N stated, setting her suitcase on the floor and pulling up the retractable handle. She grabbed her purse from the bed, slinging the strap over her shoulder.

"I'm sorry for hurting you. I understand how you felt now," Edward said.

"No, you don't... I don't think you ever will," Y/N said, making her way out of the hotel room.

[dollyonm0lly]

babe that is H.O.T, please give us more???

i literally can‘t decide if i like shared slave!reader or poly wife!reader more with these two ginger freaks

but just imagining being trapped between them on the imperial bed, literally bodies pressed so tithtly together because they both want to be as close as possible to you,

one underneath you, deep inside you, arms wrapped around your waist and pulling you down, the other above you, chest pressed to your back, also deeep inside you, his hands pinning yours to the bed below, his face buried in the crook of your neck and they just thrust in and out 🥵

and this is a nightly occurrence because you are married to them both and this is how they try to make an heir for the throne

"Stop... Fucking moving..." You can hear Geta hissing in a whisper between panting breaths, one of his hands pinning both of yours to the fluffy cushions of the huge bed, fit for three to occupy. His other hand rests on your hip, near one of your buttocks and a little below one of his brother's hands, Caracalla keeping both of his firmly on your waist. There's a minute of silence, Geta trying to get used to the suffocatingly, pleasurable sensation of being inside your ass today, you can't see it, but you feel that he has his eyes closed, trying to hold himself back from cumming right on the spot, giving this the reason for his insistence that everyone stop their movements for a minute. It's hot, being between them, sweaty, you can feel Geta's chest against your back, his head resting in the area between your shoulder and neck, the soft texture of his belly, his happy trail that runs down to his pubic mound tickling against your skin. His chest rises and falls against you with each breath, not that you're in a different predicament, given the friction of your breasts against Caracalla's chest, your nipples rubbing deliciously against his sweaty skin, making you have to bite your lower lip tightly to contain your excitement, the nipples of your breasts harden more and more with each small touch against Caracalla's chest hair, and just as much as he can see your expression of pure anticipation, he can feel it, the way you throb and tighten your vaginal walls even more on his cock, your slick running down his balls and falling to the mattress, making him let out a faint moan in reaction. His tongue licks over his golden tooth, letting out an impatient click.

"I said... FUCK!" Geta proclaims in complaint when, lacking patience, Caracalla uses his firm hold on your waist to push you up and then brutally down his length, making Geta's cock also slightly move inside of your ass. The action results in Caracalla laughing in disdain at his brother's irritation, and Geta's nails digging impulsively into the soft skin of your butt, earning them both a moan of a great mix of pleasure and pain coming from you, who is always the ragdoll in all of their stupid little fight, you wouldn't say you are complaining though.

"Stop being a wimp, she's basically begging for it already" Caracalla says with a little smile that could have been an attempt to comfort you, one of his hands leaving its place on your waist and going to your hair, pulling it hard to remove your head that until then was resting on one of your outstretched arms, the act allows him to finally look you in the eyes, your eyes drooping, your chin now soaked in your own saliva, you didn't even realize you had drooled, Caracalla makes sure to clean it, his tongue running from your chin to your lips, capturing them in a hungry kiss. You're not sure how Geta took Caracalla's comment, but certainly not so well, since the only thing you can remember is the merciless rhythm of both of them and your moans muffled each time by one of the brothers' lips, your legs that trembled in ecstasy, how your body was moved the way they wanted, too fucked out of your own mind to know what even was happening anymore.

[uboat53]

All right, the votes are now almost entirely in, so let's take a look at the most recent election, shall we? LONG RANT (TM) time.

THE MANDATE

As you may have already heard, Donald Trump won the election and is already claiming that it was an overwhelming victory which gives him a powerful mandate to govern as he wills.

As with most things he says, you should take all of that with a heaping spoonful of salt. Now that almost every vote is in (CA and WA still have about 3% of their votes left to count, but the rest is pretty much final) we can clearly see that, though he did get more of the popular vote than Kamala Harris, he still fell short of 50% for the third election in a row and he only led Harris by about 1.5%. Not only that, but with the full results we can see that more than 4.5 million fewer people voted in 2024 than voted in 2020, meaning that a good amount of the increase he saw from 2020 wasn't a result of more people favoring him.

(Fun fact, Kamala Harris may have gotten as many votes in 2024 as Donald Trump did in 2020 depending on the last few votes left to count.)

More to the point, Trump's electoral college victory, 312 to 226, is also far more fragile than he would have you believe. As in 2016, his margin of victory rested on the so-called "Blue Wall" states of Pennsylvania, Michigan, and Wisconsin. In those states, a total shift of 232,580 votes, or less than 1.5% of the total votes cast in those states, OR just over 0.15% of the total votes cast nation-wide, would have produced a Harris presidency instead of a Trump one.

(I would note that Biden's margin of victory in 2020 was similarly slim, 1.65% of the votes cast it the blue wall states and just over 0.16% of the nation-wide total. His popular vote victory, though, was significantly larger, he won 51.3% of the popular vote, just about 4.5% more than Trump. I'd say there's a fair case to be made that he didn't have a powerful mandate either, but he had a better claim to one that Trump does now.)

In other words, Trump won, but it's a razor thin victory by any standard. That seems to be par for the course for the last few elections, the last significant victory, one with a margin of greater than 5% in the key states AND where the winner won the national popular vote by more than 2% (admittedly somewhat arbitrary markers, but ones that put the outside the margins of error for recounts or other likelihoods), was when Barack Obama won the presidency in 2008 and the last one before that was Clinton's victory in 1996 or even Bush Sr.'s victory in 1988 if you are looking for one that wasn't confused by the presence of a significant third-party candidate.

THE CAUSES

So why did Trump win/Harris lose? Knowing the answer will allow us to determine both what the winner can/should do once in office and also what the losing candidate/party should adjust in order to do better next time.

One thing you have to know is that there's still not definitive answers on this from the last several dozen elections, so it's unlikely we'll get a quick answer this time around. There's good academic research to show that people respond to the specific messages of the candidates, but there's also good research showing that vote share can shift based on things as unrelated to the candidates as the number of shark attacks in a region in a given year.

A big caution I would give to anyone who is looking to argue that a specific issue, candidate statement, candidate quality, or policy proposal is responsible for the current result is that we've actually seen a very odd thing in elections around the world this year. For the first time in the last 120 years, every single incumbent party that faced election in the developed world lost vote share. In fact, of those incumbent parties facing election, the US Democrats actually had among the lowest decline. As to why, there are a few commonalities; every single developed country that held elections this year saw significant increases in both immigration and inflation in the past two years, for example, but it's hard to make conclusive statements without quite a bit more study.

My point is simply this: before trumpeting this thing or that thing as the definitive answer for why Trump won/Harris lost, be sure that you're not actually just looking at something that's larger than our country or statistical noise. I know we like to ascribe outcomes to definitive and controllable circumstances, but complex events tend to have multiple interrelated causes that can interact in unpredictable ways and one of the lessons of history is that sometimes we're subject to powerful forces that are beyond the ability of one country or its leadership to dictate.

THE PUNDITRY

Of course, by now you're probably seeing dozens of articles and tons of episodes of news programs on TV and radio that are saying a lot more than I am. Just in the last few days I've seen dozens of them ranging from arguing that the election was decided by young men of Gen Z who have been radicalized by right-wing manfluencers, that Democrats didn't do enough to reach out to Latinos in Spanish, that RFK Jr. turned out key demographics for Trump, or that Republican laws and policies in key states depressed voter turnout.

I cannot say loudly enough that we do not have enough data to actually make any of these kinds of arguments. If we're fortunate, we'll start getting the first real results of voter intent studies sometime around next summer, but even then a binary choice like a presidential election based on thousands of shifting variables is far too complex to ever allow us to do anything than note large-scale trends. Detail may eventually be impossible to find an, in an election as close as the one we just had (see above), it's possible to say that just about any small factor may have been the critical one.

My advice is simple, if you don't know what to do or think now, take some time and consider it. Don't overreact and don't be swayed by whoever speaks the most passionately. If you do know what you want to do, start doing it. Don't wait for results that may never come; do your best to make what you want come about. The methods of activism should be shaped by data, but the goals must be set by your own conscience and, if you're already an activist, hopefully you've already figured that part out. Finally, if all of this is affecting your mental health, step away from it. The election is over and there is nothing more that you, as a voter, can do to change anything. There will be time for more voting and activism later.

As for the pundits on TV, radio, and in print; I'm planning to ignore them for the next few months. Yes, even me, who consumes way more political media than is probably good for a person, is going to step away. Over the last few months in particular I've become more and more convinced that quality political coverage has largely disappeared (or been removed) from the American media landscape. I'm going to take some time and figure out where I can still find it.

CONCLUSION

Look, I know the election was a wild ride for everyone and it likely settled nothing as far as the major issues that continue to roil American politics, but if you're looking for a reason why things turned out the way they did, I don't have anything definitive to provide. It was close, about as close as it's possible to get, and there's a hundred possible reasons why. Take care of yourself, figure out where you stand, what you believe, and what you want to/are willing to do and start planning for that.

This is the world now, probably for the foreseeable future. Your job isn't to fix every problem, your job is to do what you can for as long as you can and pass it down to the next generation in as good a shape as you can manage. That's the same job every generation has had, let's do our part.

[harukamitsuki]

Why Izuku's motivation in fighting Muscular can be seen that way? It's because of the reasons I listed.

He didn't have to fight him. He could have grabbed Kouta and ran away, especially since Muscular isn't as fast as Izuku's Full Cowl, and the fact that Aizawa was on the camp, who could easily make Muscular's quirk ineffective, making him significantly easier to beat.

Obviously, he still mainly wanted to fight to save Kouta, but it feels strange that retreating, even if just to get more hands on deck, didn't come to him as this came after the Hosu arc. His first thought there was to grab Tenya and run, but when he saw Native, he sent a request for help.

By that point, Izuku was shown to know that engaging in a life-or-death battle alone was foolish. His first choice was to retreat, and the choice he ended up making was stall for time until back-up arrived. He didn't plan on beating Stain with Tenya and Shouto.

Rather than being a favourite fight of mine, it felt more... detrimental. A sign that MHA was on a decline. Because such a fight, with those drastic results, should have been conveyed as empowering.

With Stain, the end of the fight was relieving, as they managed to survive. Keyword: managed. None of them were should have been able to survive an encounter with him, but they did. That is what made it so relieving.

A bit of an odd comparison, but it's sort of like 'Let It Go' from Frozen. It's not a moment or scene that should be seen as great, but it is. Elsa in that moment is isolating herself from everyone, and isolation is a horrible thing to admire.

Izuku has mutilated himself in order to save Kouta. That is horrifying, at least to me. It pushes this idea that heroes are obliged to sacrifice everything in order to save someone, or at least that Izuku is ready to destroy himself for someone, and it's not a good message.

It's inspiring to see a hero or anyone push against the odds and emerge victorious in a fight that seemed so against them, but not to that degree.

Izuku nearly lost functionality in his arms, just to beat one villain, and it didn't feel like he was trapped either. I could understand if he had no other choice, but he did. And if he went to ask for help, it would in turn help this theme of, 'alone we are weak but together we are strong'.

I love Power of Friendship - Fairy Tail was one of my first anime and it still holds a dear place in my heart, so there's no judgement in the Power of Friendship move.

Heck, you could argue that Fullmetal Alchemist, known to be one of the greatest series of all time, had a power of friendship moment with everyone talking Roy down, and Ed finishing off Father.

Now, when it comes to the events you listed, with Overhaul, I agree. It couldn't have happened without everyone turning they keys at the right moments. The arc wouldn't be nearly as powerful without everyone moving the pieces, Mirio, Tamaki, Eijirou, Nighteye...

But, it still stands that Izuku faced Overhaul alone. Even in Fairy Tail, when Natsu faced off against Hades, his team were right by him. Against Acnologia, the other Slayers fought with him too.

In MHA, it was cool to see them 'pass the torch' in fight, like All Might passed the torch to Izuku, but it would have worked a lot better if everyone all at once were fighting him.

We could still get Izuku making the last move, maybe everyone gets knocked down and Izuku is the only free, or Eri's powers going out of control and Izuku is the only one who can do consistent damage to his body to prevent her quirk from affecting him.

In that case, Izuku making the final hit or combo would work to great affect, and push the idea of everyone working together as one even more.

It would also serve to highlight how hero society was weak due to All Might being the singular pillar. The 'Atlas' of sorts. However, everyone working together would hint at the idea of having multiple pillars to hold it afloat. Instead of a single person holding the world on their back, everyone is.

I mean, if you like the fight: go ahead. I'm not going to stop you. Most of this is my personal feelings, and I post this sort of content as a form of venting, rather than trying to change anybody's mind.

Rather than disliking or hating MHA, it's more like I'm disappointed with it. But, if you and others adore it and every aspect, I won't try to stop you.

In the end, anime, manga, movies, comics, games... They're all pieces of art, and art is ultimately subjective. How people percieve art and the enjoyment they get from it is personal.

Uhhh that's all. Peace ✌️

MHA Volume 33...not going to enjoy most of this I bet

Why does Bakugou get to have an opinion about Izuku? Many of Izuku's issues are Bakugou's fault! Society as a whole bears some responsibility but for real...Bakugou was the on-site bully...and not only toawrds Izuku.

Also...trying to bring Izuku in by attacking him? Way to make him feel "loved". Maybe it's not the "right" call for him to be a loner, but it's Izuku's choice.

Plus this whol series has been a confusing mass of "don't rely on others" and "rely on others" with Izuku forever being the one punished for not picking right each time.