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akif122514 · 1 month ago

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Conveyancing in Blacktown is a crucial aspect of any property transaction within this vibrant area of Sydney.

Whether you're buying or selling real estate, understanding the role of convincing and its significance can streamline the process and ensure a smooth transition of property ownership.

Convincing refers to the legal and administrative work involved in transferring property ownership from one person to another. In the context of Blacktown, a suburb known for its diverse community and growing real estate market, conveyance plays a pivotal role in ensuring the legality and accuracy of property transactions.

The convincing process involves several key steps that are essential to complete a property transaction successfully. These steps typically include conducting property searches, reviewing contracts, handling finances, and facilitating the exchange of legal documents. In Blacktown, these procedures are particularly important due to the region's unique regulations and property market dynamics.

One crucial aspect of conveyancing Blacktown is conducting thorough property searches. These searches involve investigating various factors such as land titles, zoning regulations, outstanding taxes, and any potential restrictions that might affect the property. These searches help uncover any issues that could impact the sale or purchase of the property, allowing for informed decisions to be made by both buyers and sellers.

Reviewing contracts is another critical phase of the conveyancing process in Blacktown. Contracts need to be meticulously examined to ensure they accurately reflect the terms agreed upon by both parties. Any discrepancies or unclear clauses must be addressed to avoid future disputes or legal complications.

Financial aspects are integral to conveyancing, and in Blacktown, managing finances during a property transaction requires precision. This involves handling deposits, coordinating payments, and calculating settlement figures. Conveyancers play a crucial role in ensuring that all financial aspects align with the agreed-upon terms between the buyer and seller.

Facilitating the exchange of legal documents is the final step in the conveyancing process. This includes preparing and finalizing documents such as the transfer of property ownership, mortgage documents, and any other legal paperwork required for the transaction to be completed legally.

Choosing the right conveyancer or solicitor in Blacktown is vital to navigate through these processes smoothly. An experienced professional with knowledge of the local market and regulations can provide invaluable guidance and expertise, ensuring that the transaction adheres to legal requirements and proceeds without unnecessary delays.

Additionally, given the multicultural nature of Blacktown, language and cultural considerations might be crucial during the conveyancing process. Effective communication and understanding between all parties involved can significantly contribute to a successful property transaction.

In conclusion, conveyancing in Blacktown is a multifaceted process that requires attention to detail, legal expertise, and an understanding of the local property market. Whether buying or selling property in this dynamic suburb, engaging a skilled conveyancer can make a substantial difference in ensuring a smooth and legally sound transaction.

Visit: https://pannulawyers.com.au/property-conveyancing-blacktow/

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romanceaholic02 · 3 months ago

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Dragons, Danger, and Desires on Fire: The Wild Ride of Shadowfire Mates

Hold onto your hearts, Romanceaholics, because Shadowfire Mates by Leigh Kelsey is about to set your world ablaze literally. If you’ve been craving a scorching hot shifter romance with a side of amnesia and a dash of prison drama, this four-book series is your next must-read. One tiny pyro accident and our girl Trouble Garcia is slapped with the “illegal dragon” label and tossed into Blacktower,…

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johnwilliamm · 1 year ago

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Wedding And Event Venue | Allure by Delhi Heights function centre | Blacktow

Elegant Event Spaces: The venue likely offers multiple event spaces, each with its own unique ambiance and capacity to accommodate different-sized gatherings.

Catering Services:

Many event venues provide in-house catering services or have partnerships with local caterers to offer a variety of culinary options for your event.

Decor and Design:

They may offer decoration services or work with event designers to help you create the desired atmosphere for your event.

Audio-Visual Equipment:

For presentations, music, and entertainment, the venue might provide audio-visual equipment and technical support.

Parking:

Adequate parking facilities are usually available to accommodate your guests.

Event Planning Assistance:

Event coordinators or planners may be available to assist you in organizing your event and ensuring it runs smoothly.

Accessibility:

The venue should be accessible to guests with disabilities, with ramps and other necessary facilities.

Location:

Blacktown is a suburb in the Greater Western Sydney region, known for its convenient location and proximity to various amenities.

Capacity:

The venue likely has varying capacity options, suitable for both intimate gatherings and larger events.

To get specific information about booking, availability, pricing, and any unique offerings provided by Allure by Delhi Heights function centre, it's best to contact them directly or visit their official website. They can provide you with the most up-to-date information and help you plan your event to perfection.

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biglisbonnews · 1 year ago

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Secure your financial future today with Blacktower - The Portugal News Secure your financial future today with Blacktower The Portugal News https://www.theportugalnews.com/news/2023-09-12/secure-your-financial-future-today-with-blacktower/81310

#+351 #- Google News

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hyper0bject · 1 year ago

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🚪 OC in what they wear when lounging around at home

sorry im late work is crazy! theyre on a "team" ""building"" exercise or someshit

#theyre all disasters in their own ways except emilia shes always well put #asks #the luminant #paddyverse #paddy clay #olga maklava #emilia blacktower #reynault yuriah

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blacktower-financial-management · 10 months ago

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Easiest European Countries to Move to from USA | Blacktower Financial Management

Discover the easiest European countries to move to from the USA and find out which European country offers the simplest immigration process for US citizens. BlacktowerFM provides expert guidance and resources to help you navigate the path to a smooth relocation experience. Start your new life in Europe with ease.

#easiest european countries to move to from usa

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sometimesalwaysmusic · 6 years ago

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SURRENDER

Surrender is a duo of Dave Williams (DW) and Scott, veterans of the Ottawa music scene. They are set to release their debut album soon; in the meantime, give their first single, Hold On, a spin, and read on about their vast experiences in music, top albums, and thoughts on the Ottawa music scene. (Photo: Rémi Thériault)

VITALS

Facebook: https://www.facebook.com/surrendersounds

Bandcamp: https://surrendersounds.bandcamp.com/releases

Instagram: https://www.instagram.com/surrendersounds/

Twitter: https://twitter.com/davemonomania (Dave)

Upcoming shows: Stay tuned!

SA: How did Surrender come to be as a band? DW: Scott (Surrender vocalist) and I had been playing in the band Crusades for the past ten years, and in early 2018 we all quite amicably realized that the band had run its course. We did a final tour in the UK/Europe, one hometown show, and played our final two sets at The Fest in Florida. Toward the end of all that, with things winding to their conclusion, Scott and I began discussing working on something new together - something outside of the punk/hardcore scene that we’d been deeply involved in for the previous twenty-plus years. We’re both hugely into pop music, and of the synth-driven variety specifically. I had inherited a Roland Juno 106 when my best friend’s father passed away a few years earlier - it was a fixture in the home studio that I initially learned how to record in - and I sorta longed to make something with it. So, I started writing some songs on it at home, sent them to Scott, he sent some vocal ideas, and we were off. SA: What bands or musicians would you cite as the biggest influences on your sound? DW: Whew. I’ll do my best to keep this as brief as possible. There are some obvious touchstones: Kate Bush, Peter Gabriel, Tears for Fears, all of Vince Clarke’s 80s output - Erasure’s The Innocents is a big one, Eurythmics, OMD, Cyndi Lauper, The Cure... essentially the more ‘serious’ side of 80s synth-driven pop music. Later 80s/early 90s stuff like Björk/Sugarcubes, New Order and the ‘Madchester’ scene, Jesus Jones, Ned’s Atomic Dustbin and the other Grebo bands. I probably can’t overstate the impact of the quintessential 80s soundtracks: The Lost Boys, Footloose - Kenny Loggins’ “I’m Free” might be my favourite pop song of the decade. I’m a sucker for some of the big producers of that era too. Desmond Child was unstoppable for a while - Cher’s Heart of Stone is another BIG one. As for more modern stuff, I’m pretty obsessed with a lot of the Norwegian pop scene. Cold Mailman is a HUGE influence, as is Hanne Kolstø, Pyke, the new Misty Coast record, there’s a ton of amazing stuff coming out of that country. Some straight-up dance stuff too: Toulouse, Robyn, Pet Shop Boys, ABBA obviously. And of course, the still relatively-new Synthwave scene has some amazing artists: Kristine, FM-84, Michael Oakley, the whole culture of nostalgia surrounding the NewRetroWave world - music, movies, fashion - certainly runs parallel to what we’re doing, and I really dig a lot of it. SA: Thus far in your career, what has been your biggest success? DW: Hm. It’s safe to say that there are MANY variations on how one might measure artistic ‘success’. Coming up in a community where monetary success was never the goal (or at all likely), I’d say that getting to travel all over the map multiple times with my closest friends, meet and befriend people we’d have otherwise never crossed paths with, and see things most folks don’t get to see - all because we wrote some pretty cool songs - is probably my greatest personal success. SA: On the other hand, what is the biggest challenge you have faced, and how have you dealt with it? DW: I think, for me anyway, the biggest challenge has been balancing my creative life with my personal one. I’m married with three small kids - 7, 4 and 2 - and that can obviously present a different set of priorities than simply hitting the road for most of the year and really pushing a project to its fullest potential. Admittedly I’ve been envious of friends and peers who just throw their gear and clothes in the van and make it happen ‘the old-fashioned way’. But that’s just not the life that I set up for myself, nor is it for Scott or the other folks we’ve played with - and I’m far from resentful of that - it just means we need to take a different approach. Amassing a substantial following or getting the attention of a bigger label isn’t terribly easy when you can’t be doing the literal legwork that other bands can. But I do my best to stay close to the people I’ve worked with all along, to show my gratitude and appreciation, and I work endlessly (to some peoples’ chagrin) on the music we make. SA: How do you guys approach the song-writing process? DW: Since it’s just the two of us, it’s pretty easy to just bounce things back and forth before we actually get together in a room. Basically, I’ll come up with some chord progressions, leads, arpeggios, whatever on my Juno or my wide array of Arturia soft synths, then I’ll record the rhythm section tracks, typically writing most, if not all, of an instrumental song. I’ll send that to Scott and he’ll come up with vocal melodies and record a demo to send back to me. Then I’ll kind of edit the parts around his vocal ideas until we’re happy with the dynamics and how the song sorta lives and breathes. Then we’ll get together at Scott’s with a selection of wine and beer and a pizza, usually with extensive notes on harmonies and how to punch-up the existing vocal parts. We’ll track that stuff, I might do a few more edits at home, and then we send it to the wildly talented Alex Gamble at The Hive in Toronto for mixing, producing, extra instrumental layers, added drum machine stuff, whatever he hears. That’s pretty much how this first LP has gone, and it’s been an absolute pleasure. SA: What are your thoughts on the Ottawa music scene? DW: I imagine like anyone who’s spent twenty-plus years in a community, subculture, what have you, I’ve got a lot of thoughts and feelings about the Ottawa music scene. My personal involvement tends to ebb and flow as new waves of participants arrive and others exit - years will go by where it feels like home and then there might be a few where I’m not quite as active - but it’s always very near and dear to me. There’s certainly never a lack of quality artists in this sleepy city. I started going to punk shows when I was thirteen - Punchbuggy (featuring a young Jim Bryson) at the Greely Legion was my first show ever - and twenty-five years later there are still a ton of the same faces mixed in with a ton of different ones. That’s a pretty special thing. SA: As I understand it, you guys have been active in other bands of quite different genres in the past. Why SURRENDER, and why now? DW: As I mentioned, Crusades finished our ten-year run this past October. Black Tower, the sorta traditional heavy metal band I play drums in - with Scott on bass and his partner Erin on guitar and vocals - also decided to take it easy for a while, and although I still kinda ‘moonlight’ with The Steve Adamyk Band, that wasn’t happening at the time. Scott had also just wrapped up the “album cycle” with his band The Creeps and didn’t have much on the horizon there. I briefly played in a hardcore band called Power of Fear that did a few shows, but the current hardcore scene is very... let’s say... ‘youthful’, and it became apparent pretty quickly that it wasn’t something I wanted to stick with. Mostly I just wanted to make music with Scott, and based on our mutual love for 80s/90s pop music (and Scott’s equally toned down schedule), we decided to take a crack at doing something closer to the music we listen to the most. And honestly, I’d been writing and playing fast and/or aggressive music for so long, I really just wanted to make something upbeat and positive that people could dance to. SA: A question for fun: your three desert island albums. What would they be and why? DW: Alright, this isn’t gonna be easy. Or brief. Note: these aren’t necessarily my favourite albums of all time (certainly they’re in the Top Ten), but if I’m gonna be listening to these on whatever hi-fi system this hypothetical island has until I wither away, here’s what I’d hope washed ashore with me (also, I’m gonna cheat using a nostalgia loophole):

1. Alice Cooper - Love It to Death / Killer (my Dad’s old dubbed cassette version) These two albums, both released in 1971, were my first love. They were on a single cassette in my Dad’s collection and really still exist as a single entity to me. I always cite my discovery of these two albums, probably at 4-5 years old, as the foundation for my entire musical life to come. Not only were they mysterious and rather frightening, but there was an eclecticism in this batch of songs that made everything I fell in love with afterward - metal, punk, prog, pop, garage, etc. - seem somehow part of the same cloth. Alice and that original band showed me very early on that there’s no need to limit oneself to the confines of a style, sound, genre, whatever. Most important records that ever happened to me.

2. Misfits - Walk Among Us / Earth A.D. / Legacy of Brutality (also a homemade cassette version c/o my friend Judd’s older sister, fully decorated with black Sharpie and White-Out) If early Alice Cooper set me on the weirdo path as a youngster, it was a single afternoon taping CDs in my friend Judd’s bedroom that locked me into the punk rock subculture forever. We’d been Guns N Roses turned Pantera turned Sepultura fans like many a shitty kid of the 80s/90s, and Danzig’s ‘Mother’ was in heavy rotation everywhere at the time, so we were no stranger to that beautiful beast’s howl. When Judd’s sister borrowed a stack of Misfits CDs from a pal at school and explained to us that this was Glenn Danzig’s old band (of course we recognized the name and logo from Rockabilia ads and Cliff Burton photos), we dove in assuming we knew what was coming. We most certainly did not. The Misfits became my favourite band that day and have been for every day since.

3. Peter Gabriel - So Every time I listen to this incredible record, I discover new things I love about it. A perpetual go-to and a true monument to the possibilities within pop music (shout out to Daniel Lanois there too). I was going to choose his Shaking the Tree compilation because it contains my favourite PG track - the piano version of “Here Comes the Flood” - but I figure I’d cheated enough with the first two answers. ...also Kate Bush’s Hounds of Love, The Hellacopters’ High Visibility, Cold Mailman’s Everything Aflutter, Cave In’s Jupiter, and The Lemonheads’ It’s A Shame About Ray. This is an unfair question. SA: Finally, what comes next for Surrender moving into 2019 and beyond? Best of luck! DW: First on the agenda is to find an ideal home for the LP. We’d kinda like to step out from beneath the umbrella of labels we’ve worked with in the past, but there are no specific plans thus far. Just release the second single, hope the feedback is good and see if anyone wants to partner up for the long haul. As far as any live performances go, that’s a big question mark. It’s been so great doing this with just the two of us, it’s hard to imagine inviting anyone else into the fold. That said, it’s even harder to picture just the two of us on stage like Yazoo on “Top of The Pops,” so who knows? Thanks so much!

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blacktowbarony · 6 months ago

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Wilderness Travel - As a dungeon

End of last session, I gave my players *A Quest*. Whole nine yards, given to them by Baron Blacktow himself at their first meeting. High stakes, potential for action and diplomacy. Yes, very fantasy template, but I'm not writing alternative fiction here, I'm rolling dice with some blokes in a pub after work. Basic-bitch tropes save time and get everyone on the same level straight away. Anyway.

Here's the situation:

A dragon has started hostilities against the borderlands territory of Blacktow.

Baron Blacktow, an experienced monster slayer, needs dwarf-made flameproof armour.

Make contact with the lost dwarf civilisation of this country. Commission the creation of this armour as the start of the trade agreement.

Here's the map of the Blacktow Barony, in the borderlands of Nurea:

I've ran overland travel in Knave 2e before, when the players travelled between Ill Cave and the 'frogmen' dungeon and Fief Sudley. Hexes are 6 miles across, 4 hours (or a 'watch') to cross. So that's three a day.

I was not enjoying it, honestly. First watch: Roll, nothing happens. Second watch: Roll, nothing happens. Third: Roll, encounter! Its a yeti. It hasn't spotted you. Oh, you guys wanna hide? Uh, you're in the wilderness so you can climb a tree and get away easy enough.

So in the end, quite often, nothing happens.

Conversely, in the dungeon, procedures add tension and introduce danger, but threats in the wilderness are just feel more like an unnecessary obstacle. I think this is because of these reasons:

In the Dungeon, you're in a limited space with the threat. It's immediate.

In the Dungeon, this room also has a function, trap, treasure, or some kind of dressing to make it more interesting and set the context of any random encounters that crop up.

In the Dungeon, you can't rest unless you find somewhere that's explicitly safe. In the wilderness, you can camp anywhere. This means you have to push forward into a new room, or backtrack, which can be skipped through.

I frikkin love dungeons. It just distils everything you could possibly want from a RPG game into it's purest form. It's easy to write as a GM, and every moment is gameable. When I'm not in a dungeon, I find I'm letting sentences hang, or asking, "what do you want to do?" a lot more. Killing time. In a dungeon, it's a much more natural feedback loop of situation > player reaction > new situation > player reaction. So good.

So I think the solution here is to try recontextualising the hex map as a dungeon. Each hex is a room, and it takes 4 hours to travel from one room to the next.

That means I need to populate each hex. I can't stand by and let the encounter table (or even the overloaded encounter die, sorry Ben) do the heavy lifting. It gets stale, repetitive. I can't always cobble together great encounter ideas on the fly. And rolling dice several times in a row waiting for something to happen kills me as a GM. I think in a rpg procedure that involves die rolling, maybe a good policy would be to disallow consecutive die rolls. Each roll should be punctuated with some kind of new information or decision required from the players. And no, "nothing happens" is not new information.

My number one way to populate dungeons with this blog post. Here's the short version: you can average out the procedural generation rules in D&D B/X (1981) to construct the average 6-room (or multiple of 6 room) dungeon that has basically the perfect balance of peril, intrigue, and reward. This is a great tool for automating this by the way. It's so much fun using this, and takes out a lot of the headache and paralysis when you're looking at a blank map. Running the generator, we have:

Treasure, trapped.

Empty.

Monster.

Interactive, Entrance.

Empty, Entrance.

Monster & treasure.

What does "entrance" equate to in this context, I wonder? Dungeon entrance? Monster lair? Maybe a secret that isn't easily found. Let's log this as something that can be found with a 4 hour "search" action but isn't apparent when you walk through it. You gotta have some secrets after all. Bonus points if the obvious element gives a clue that the element can be found in this hex. Now we're gaming!

Okay, let's execute this. Rockhome is East of the Blacktow Barony. Let's flesh out Eastwood! I've no idea what's there yet, let's pick the closest 6 hexes and fill them as if they were rooms.

Woodland treasure? Uh, it's near Fief Sudley. How about an upturned cart with some treasure in there? But how much?

An method I've considered adopting for 18 or 24 room dungeons (multiples of 6, so just run the generator 3-4 times and connect them) is that you should calculate how much gold is required for all members of your party to level up, and fill out the rooms with that. Half that treasure goes to the main hoard or is kept by the dungeon boss. The rest is divvied out in varied amounts.

But if the wilderness was overflowing with treasure, why would anyone enter a dungeon? No good. Let's be sparing with the treasure in those results that come up.

An upturned woodcutter's cart. 50c worth of fine Eastwood lumber (superficially treasure), rations (immediately useful "treasure") Signs of a struggle.

Hey, awesome! And now there's someone in Fief Sudley who lost a relative and is torn up about it. And a monster in one of the hexes we're about to populate has blood on their hands. Don't you love when fleshing out one thing adds a whole new dimension to another?

2. Empty.

When this comes up, I usually pick a room function like "torture chamber" or "kitchen" to make it something. Since we're in the wilderness, let's roll some results from some of the great d100 tables in Knave 2e. eggs, spring, shadowy. A shadowy spring with some eggs. Let's make them harmless animals, since we're not in monster territory yet.

2. Dense tree cover shadows over a natural spring. The air over the spring is thick with flycatchers skimming flies from the surface of the spring. Many can be seen nesting in the trees.

Extra rations, anyone?

3. Monster.

Yikes! Since this is rooted in one location, it's almost certainly a lair. Let's roll an OSE monster from the forest encounter table.

3. A devastated clearing a mile wide is in the centre of this forest hex, trees shorn down to the roots. Not a scrap of green or leaf litter remains. In the epicentre of this desolation is a large earthen burrow. 2d4 Driver Ants patrol around, 4d6 in the burrows feed anything they can find underneath to a ravenous fungus.

Monsters we roll lairs for will definitely appear on our encounter table, when we make it.

4. Interactive, entrance.

There's a good set of landmarks in the Sandbox Generator, let's pick one out. Riddle bridge. Fuck yes. But a bridge over what? Let's roll this into the 'entrance', which suggests something hidden: how about a massive fissure in the ground? Goes down, down, down. I've had a few of these bottomless pits appear before in dungeons, so they must be connected somehow. All I know right now is that flail snails crawl out of them. Anyway:

4. A massive fissure in the earth blocks the path from west to east. A makeshift bridge has been constructed by a fairy being. Entertain him with a game of riddles and he'll allow you to pass. Rappel down the fissure reveals a flail snail egg clutch, from which tame flail snails can be hatched and raised.

The best fairy statblock and description I've ever found has been in The Monster Overhaul by skerples. I won't spoil it, but I'll be using it for this. The Sphynx riddles in the same book will be good riddle fodder, but I don't know if a fey would think so... linearly. We'll see if I can think of anything better in the coming days.

5. Empty, entrance.

Again, Knave tables are my friend. Middens, desolate, overgrown. What can be found? A warehouse. I imagine that hidden rum cache from Pirates of the Caribbean.

5. A midden, piles of refuse. Deer carcasses, broken tools, broken glass and pottery, torn clothing. The artefacts are hand made, no machinery or advanced forging required. (GM note: a dumping ground for the Nurean rangers. There is a hidden cache of ancient Nurean weaponry in this hex, a watch of searching will reveal it. 100 swords, 100 shields, 200 spears, 200 unstrung shortbows, 100 gambesons, 100 helmets. This is the war cache of the Nurean rangers. The midden is here because twice a year they have a training festival).

6. Monster and treasure.

Since this seems like a bit of a boss monster, as it has a big hoard, let's reroll encounters until I get a big one. It's a catoblepas, which I'll flesh out with The Monster Overhaul.

6. Catoblepas pond. Ox/warthog with a long bristled neck, oily fur, reeks of noxious sludge. It has an expensive sword lodged in its back that it doesn't seem to care about. An unfortunate Foloressan knight is floating face-down in the pond, above a sack containing 1,800 coins.

Fantastic! I'll keep going and fleshing out Eastwood as a dungeon, but that's good enough for now. But the whole of Eastwood needs an encounter table. I'll populate it informed by the hexes I've just described, and a few OSE random forest encounters. As I add hexes to Eastwood, the encounter table may grow. I might be tempted to reduce the encounter chances from 1 in 6 to 1 in 8, as each watch has an encounter chance and it's easier to avoid notice in the forest.

The stinking catoblepas is truffling for mushrooms. Ox/warthog with a long bristled neck, oily fur, reeks of noxious sludge. It has a expensive sword lodged in its back that it doesn't seem to care about.

Nurean Rangers. They're on patrol, and will observe from a distance for several days until they can ascertain your intent/allegiance. 1 in 6 chance per day of them blowing their cover.

Fairies.

Driver ants, cutting down all in their path.

A Foloressan Knight, hunting the Questing Beast.

The Questing Beast. It will lead you to your doom.

Brigands.

Ogre.

Okay! Now I need to do that several more times for the biomes in the easterly direction from Blacktow, as that's the direction they'll be travelling in.

#osr #knave 2e #ose #ttrpg #tabletop #hexcrawl #d&d

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princessejesy · 6 years ago

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Brigadeiro and my book. True love! #brigadeiro #lifefood #blacktower #stephenking @stephenking ( My author favorite, I love u <3 ) #FatherEvil #PaiDoTerror #Hortelã #Mint https://www.instagram.com/p/BvUB6gwgRPo/?utm_source=ig_tumblr_share&igshid=1qa132s0gan0o

#brigadeiro #lifefood #blacktower #stephenking #fatherevil #paidoterror #hortelã #mint

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hellomeldee · 7 years ago

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Cheers to the holidays! 🥂 🎄 🎁 #christmas #happyholidays #cheers #holidays #blacktower #wine

#happyholidays #blacktower #christmas #cheers #wine #holidays

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akif122514 · 2 months ago

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Conveyancing in Blacktown is a crucial aspect of any property transaction within this vibrant area of Sydney.

Whether you're buying or selling real estate, understanding the role of convincing and its significance can streamline the process and ensure a smooth transition of property ownership.

Visit: https://pannulawyers.com.au/property-conveyancing-blacktow/

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