"These two women, they’re trapped in this secret life. And being trapped in these apartments was such a great metaphor that we just mined the hell out of it. So we did all these overheads of them trapped in it, which is standard noir stuff – these overheads of “rats in a box.” People walking down a hallway? Let’s just shoot it from above so we can see the rats in the maze. They cannot break out of this thing. The wallpaper was made of squares within squares within squares. So you’re constantly – subliminally – reminded that these people are trapped in their lives."