#Aristotype

[kafkasapartment]

Coiffeur, Avenue de l'Observatoire, Paris, 1926. Eugene Atget. Aristotype.

[musenemesis]

Julien Pironin

La vire, à Candol - Ambiance du jour

Aristotype à partir d’un négatif au collodion

There is no exquisite beauty… without some strangeness in the proportion

Lord Verulam

[victorianchap]

🔸 Charles Augustin Lhermitte :: Deux jeunes femmes dans un pré, circa 1912, Aristotype. Source: Musée d'Orsay #victorianchaps #Edwardian #goodolddays #retro #vintage #fashion #beauty #1910s #oldphoto #pastlives #history #countryscene #nostalgia https://www.instagram.com/p/Cowm1LOgBcY/?igshid=NGJjMDIxMWI=

[kadenca]

An Aristotype Printing Frame.

Not only does this allow for inspecting the progress of the entire print but there are levers that are moved to print in full contact and various distances out of contact to give an effect that look like an image on porcelain. I showed this yesterday during our collodion chloride printing paper class.

Mark Osterman

[thinkingimages]

Most uncommon and rare to find this collodion silver print (celloidin, aristotype) of a Japanese Geisha 芸者 in her underwear (1895) for a collections-based project I’m working on © photo Tanya Rusnak Of course, the archive is hardly a new theme in contemporary art. The art historian Hal Foster's 2004 essay "The Archival Impulse" defined archival art as a genre that “make[s] historical information, often lost or displaced, physically present. To this end [archival artists] elaborate on the found image, object, and favor the installation format.” Whether this happens in the form of projects dealing with real archival material or artworks in which artists use the archive as a theme (sometimes even inventing material), the idea of the archive continues to be an undeniable force and organizing structure in exhibitions today. Excerpt, How the Art World Caught Archive Fever, Artspace Editors, Jan 2014

[leprocrastinateur]

U. Baldi. Enregistrement de la secousse sismique du tremblement de terre en Toscane du 18 mai 1895. Aristotype.

Galerie Lumière des roses.

[dame-de-pique]

Jules Courtier - L'éclair du Volafil, entre 1885 et 1920

[chicetpascher]

Découverte de l'Antinoüs (30 octobre 1894).

Aristotype rose, 18 x 12,1 cm, Bibliothèque de l'Institut, Ms 3852