#And then the last one I was doing some test doodles for a digital pose reference and that one turned out cute lol

[sysig]

Illegal wholesome

[billyboymiki]

5 Works Tag Game

Rules: it’s time to love yourselves! choose your 5 (ish) favorite works you created in the past year (fics, art, edits, etc.) and post or link them below to reflect on the amazing things you brought into the world in 2020. tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

I got tagged by @tippenfunkaport and @caramelaire for this tag game!!

I’m not one to compliment myself on anything honestly. Recently I remember thinking about how I barely drew anything this year. There was a part of my brain nagging at me to check how much I had drawn last year. So, I uh did. Turns out I drew basically nothing?! I triple checked this in fact. My DeviantART, Tumblr AND my camera roll. Nothing . . . I drew 5 very basic pinback button designs and that was it. I couldn’t believe it; but, it made be feel so much better about what I did this year. Basically my whole instagram is all artwork from this year, since I am actually really new to IG. I got super close to 40 works this year!

Now onto the works! They are in order of when I drew them 😊

Glimmer Inspired Patterns

I wanted to teach myself how to make patterns on Clip Studio so bad! I watched a couple of YT tutorials, and I can’t even remember why I decided to make She-ra ones specifically; I’m glad I did though! The Glimmer one means so much to me. Just looking at makes me so happy! The fact that so many people have now called it ‘aesthetically pleasing’ makes me feel as though I actually created a work that others could relate to. That was enough praise for me; to create something for myself that everyone else loved as well 💖

Glimbow Cuddle

This was my first real She-ra artwork. When I saw there was a Glimbow Week again I knew I had to join this one. I don’t know if anyone knows this; but, drawings take me forever to make. I used to be strictly a traditional artist and still prefer to draw rough drafts on paper. I couldn’t decide if I wanted them on Glimmer’s window seat or in Bow’s dads’ library. I was afraid of doing backgrounds; so, both sounded absolutely terrifying. I decided to go for the fireplace even if it meant fancy lighting on top of the background aspect. I think I actually spent more time on the lighting that’s hitting Bow than on anything else in this picture. It was worth it though. I studied how the show did backgrounds and lighting for a while. I tried so many different attempts at how I wanted it to look and ultimately went with this one! I love it so much 🥺

Bow’s list with doodles

Ah, yes the drawings I did for Tippen’s birthday!! I knew I wanted to draw a scene from ‘Tuna Cans’, but I was worried to try something like this. You see, I’m somebody that likes to stay in a comfort zone and only uploaded fully rendered perfect artworks. This year was the first time that I let the ‘fun’ aspect overrule my perfectionism. I’m so happy that I stepped out of my comfort zone for this, because I love Chibi styles so much. I can’t even explain the absolute joy I had drawing these. I didn’t tell anyone what I was up to, so it was just me laughing at myself for being an absolute goofball. The end result and everyone’s reactions were more than I could have ever expected. I’ve decided I’m going to revive this style soon as well so please look forwards to it!!

Space Suit Squad

Okay, so I cheated a little with this one! I couldn’t just pick ONE of the squad. Honestly though, I drew these with the thought of making them into prints in the back of my mind. I taught myself how to draw a space background and I’m really proud of it! So much in fact that the one in the final pictures is the first and last one I ended up doing! If I had to pick my favorites I think I’d have to pick Glimmer, Bow and then Catra. I LOVE the way I draw Catra I don’t know why? Maybe the eyebrows I’m not sure 🤔 It took me a while to decide on expressions and poses; although, I figured these were the ones because I could look at them and go ‘yep that’s them.’

Winter Glimbow

This one took me soooo long; I actually had to tell myself that I should put my pen down because it was done and I should stop touching it!!! I was sketching pictures in my sketchbook to make more patterns for my Redbubble account, and of course I’m like 100% Glimbow brainrot. My brain went, oooo you know what would be cute? If this skate was actually Bow’s and not just generic. So, I ended up sketching Glimmer’s as well. The heart that their skates make is like the cherry on the top for me, it had to be done! I’m not sure I did the background justice on this one? It doesn’t matter to me though because the concept was worth the effort. It was snowing here and I needed this picture like I needed air, even if it wasn’t even December at the time I posted it 🤣 I liked this one so much that I have similar ideas for the other seasons sketched out as well 👀

I’m sorry that I ramble so often. I’m like this quiet person; yet, it’s hard for me to get out everything I want to say? I’m horrible at it actually my brain runs at a hundred miles a minute and I’m not good with words most of the time. This turned out as more of a thought process than my actual feelings on each one I suppose. SO, in conclusion. I drew A LOT, I stepped out of my comfort zone, taught myself digital art and patterns. I let myself come to terms with the fact that not every piece of art has to be ‘perfect’. I drew at least 5 FULL backgrounds and I never used to draw them! I’ve also always been one for simple shading and lighting, and I do think there’s a time for that type of style, while other times sometimes a more difficult one might be appropriate. I’m glad that I did both because now I know I can do both, and they each give a characteristic that I adore 🥰 Thank you to everyone that has followed me through this journey, or just anyone who read my rambling! I have an honorable mention under the cut and some originals for anyone that made it this far! 💖

I’m not going to tag anyone; but, if you want to do this PLEASE do it. It was so great to reflect on what I did this year, it really surprised me and I think what you have done will surprise you as well! It’s been a rough year, and in the end we have been here supporting each other and that’s one of the most rewarding parts of being in a fandom! 💜

Glimmer screencap redraw

Another picture where I really tested myself on drawing a background! I love it even if it killed my hand!! The background definitely took the longest on this one too. My sister literally said ‘Wait, you did the background? I thought you just drew her?!’ And that was the only validation I needed!! I ended up thinning out Glimmer’s outline so she matched the background better. If you use the vectors on Clip please use this feature! You can do the opposite as well, it’s super useful!

Oh hi! Remember when I said I couldn’t decide between the two locations? Truth is, I also couldn’t decide if I was going to make it traditional or digital. I ended up getting really mad at the traditional version unfortunately. I haven’t gotten the hang of traditional backgrounds. In the end, I should have also done it in Copic and not cheap pencil crayons 😫

Just some space friends! There is something so rewarding about traditional art. Yes, I can see the mistakes and the proportions are most likely off; yet, it doesn’t bother me? I wanted to also show these bonus drawings because nobody is perfect and I thought some of you might like to see some of my process. Being able to hold it in my hands is something I will never tire of, in a way it’s super rewarding. I keep all my art actually and sometimes I like the rough drafts more than the finished work 👀 Outlining artwork can actually ruin the charm every so often 😔 I do really love the final versions of these though!

Annnnnd the last bonus!! As you can tell the final version stayed pretty true to my sketches! I almost went with a more realistic look and made the symbols ‘stitched’ onto the skates. In the end it felt like it didn’t fit the rest of the drawing unless I wanted to add extra details to the clothing as well. The wings on Glimmer’s skates turned into ‘Shwings’ PLEASE tell me other people know what that is? I had a pair a few years ago and misplaced them. I was doing the rough draft and it popped into brain and I treated it as a joke at first, until I gave it a proper chance XD In the end I fell in love with it!!!

[vampexx]

I have tried a few times now to write this post but I just couldnt go forward with posting it, thinking its too personal...

But...here it goes...

I have always been a painfully shy, paranoid and self conscious person so being this open is really scary for me to say the least due to my struggles with confidence and self esteem...

And drawing has been something I did for as long as I can remember...and it was something that helped me growing up...

However, ever since high school in 10th grade, I have had almost all my drive and love for drawing drained from me from comparing myself to the other, "better," students in my art class and from my own art teacher who at first, in 9th grade, started as a somewhat positive influence but then the next year being really negative and rude.

I was the student that was told, "youre not done, go back to your seat, keep working," when going to my teacher for advice. When he said this, he would only glance at my work before turning me away. All while the other students received kind, positive and constructive criticism when I did not.

He even addressed me, out loud, in front of the class, regarding my low grade, saying, "the only reason you arent failing my class is because you did your homework last night."

For context: the homework assignment was some drawing exercises...and the reason my grade was low was because, it was towards the end of the year, I had completely given up on myself and my art so I didnt turn in a project. One, because I never cared enough to finish it and two, it was an act of rebellion on my part.

That was the first and only class where I actually had an F-....I didnt even know it was possible to get that low of a grade...but trust me, it is. My math grade was never even that low.

Now, this art class was something you had to submit a portfolio for it to be reviewed so these 2 art teachers could decide if you were accepted into this art program or not. (It was exoensive too, if I remember correctly, it was like $200 per semester, and I did this for 2 years).

And against my own self consciousness, while feeling like I was far less qualified than others, I challenged my self doubt and fear of rejection and tried out anyways...

And a few weeks later, I found out I was accepted. That moment went down as one my top, most proud moments. I was proud of myself for a change.

Only for that to change a couple years later...where the little pride and confidence I had left in not only myself, but my skills in art, just dropped so low.

On top of that, my academic grades while in this art program, were also dropping considerably due to the amount of stress I put myself through trying to meet everyone elses expectations and standards.

My painting and drawing teacher (the nice one, not the rude one) would encourage my love and skill for cartooning, charcoal and shading. My digital art teacher (the one who ended up being so rude to me in the following year), helped me realize my strengths in photoshop and with a tablet. He did praise me a few times, which did help, but it didnt last very long.

My downfall was the art class that I took in 10th grade, with my previous digital art teacher, which was "figure drawing." Basically, it was learning how to draw anatomy and being anatomically correct which I found out very early on, was not my strength....and it was the whole focus of the class for the entire year so I was screwed. My strengths were cartooning and caricatures, not anywhere near anything anatomically correct. I kean, I could draw a skeleton, but when it came to human figures and poses....I dont know why but I had a tough time. So that was the year that things really went downhill fast.

It just took the fun out of drawing and turned it into something that felt too forced.

However, in my experience with this class I learned something about myself that Im actually glad that I did...

Its that art is just a hobby for me. I learned that I hate drawing on demand, in a certain time frame, and drawing what someone else wants me to draw.

I want to draw only on my own terms and at my own pace.

I couldnt see that about myself because I was too concerned with everyone else and their skills in drawing.

A few years after I quit the art program, I really didnt draw all that much aside from little doodles and unfinished sketches on the edges of my homework and class notes. I didnt like anything that I drew anymore.

And when you lose love, drive and interest in something you were once so passionate about....it leaves a gaping hole in you. It makes you feel pointless, like there nothing special about you. Nothing that sets you apart from everyone else. It really is as depressing as it sounds.

I was lost.

However. I FELT FREE. I didnt have a constant reminder from several different people that I wasnt as good. No one to make me feel lesser than someone else. No one to put me down.

As a result, my academic grades improved back to As and Bs (excluding math in the 11th grade, I had like a D).

---

And I realize now that maybe I didnt learn all of this the hard way for no reason. Maybe its to also help someone so they dont have to learn the hard way like I did. Or maybe, its to reach out to those have experienced the same or similar things as me so that they dont feel alone. So that they know that them and their skills are still very much valuable and valid.

Because everyone goes at their own pace, no two people are ever the same.

Anyone can be good at anything.

Now I didnt want this post to discourage anyone from taking or considering an art class. Please understand that my experiences are unique to myself. Art classes are actually very helpful as long as your surrounded by positive and encouraging influences.

Just remember to be careful. Respect yourself and your abilities. Be patient with yourself. Have faith in yourself, dont give up. And last, but not least, know your worth and what you deserve when it comes to treatment.

---

Anyways, so up until a couple of years ago, I slowly started to get back into drawing.

I do love to draw, along with architecture and interior/ fashion design.

Im working to rediscover myself, even though I dont want to do it professionally...

So as I did years ago, I will challenge my self doubt again and try to put myself back out there.

So as anxietal as I am, I want to ask...

Would anyone be interested in seeing something I drew?

Might be an odd question and it might sound attention seeking but Im really just testing the waters....

I will add one little doodle I did the other day just to see....

I know its not that great and thats its nothing amazing but....its something Im proud of...however small it may be.

Im not sure how I feel when it comes to reposting...

I feel like I dont want people to repost it...

In case I ever feel like taking it down...

Idk.

Anyways....Im literally shaking Im so nervous...

But...Im trying to repair some old damage.

Have a miraculous day and thank you for your patience.

Again, please dont repost. At least until Im a little more comfortable.

Thank you

[sylleboi]

𝕬𝖚𝖙𝖔𝖒𝖆𝖙𝖎𝖈 𝖊𝖓𝖈𝖔𝖚𝖓𝖙𝖊𝖗𝖘 | 30/03/20

For this week, we have a new workshop to do, tying into the first brief (Pick & Mix), focusing on surrealism and the theories linked with this by psychologist Sigmund Freud. 

Attached was the following text written by our teacher to introduce this workshop and the tasks that come with it;

“After a successful week with the post it note comic, and some excellent write ups that are really well documented, this week's task revisits some of the work from Term 1 (as we started in our drawing sessions) with some of the ideas stemming from Surrealism, dada and the psychoanalytical theories of Sigmund Freud.

This task is presented by Bristol based artist & animator Will Barras who will be offering commentary on your work at the end of the week. Follow the PDF attached and work through the tasks at your own pace. You have all week so take your time and experiment as much as possible.

We have more challenges to come, so try to put time into these as they will form the main body of your experimental work.

Upload your results and be as creative and imaginative as possible, but most importantly let go and embrace the ride.

Good luck peoples!”

Consider the primary objectives of a Final Project:

Collect information (Research) 

Recall knowledge (Use learning)

Apply understanding through application and review (Propose & make exciting work and evaluate it)

I find that the above points refer to a simplified process of working through meet the final goal that is set by the FMP, althought this also applies to workshops and side projects that gets documented on this blog, as well as the productionfile.

Question: Are you doing these things and how can we improve and develop this?

I feel that I already do these, althought I yet have to further improve on evaluating the things I do, asking “Why” more often.

Answer: Experimentation - (The action or process of trying out new or revisiting ideas, method and activities)

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This weeks aims & objectives:

To review basic principles of automatic practice in relation to a specific artist

To experiment with working from abstract starting points

Be generate experimental work that shows progression of learning

To compare your work to the work of others

The surrealist/dada movement was an art movement, as well as a literary movement, that began around 1915 - 1917. Some of the key artists leading this movement was Hannah Höch, André Breton & Max Ernst. The movement aimed to break free from the chains that weighed down everyone during the great depression- The artistic field had now begun to evolve into a playground for ones’ imagination, challenging what used to not be acceptable in common culture.

Accident & chance

Embracing Improvisation (What does improvisation mean to you?)

BEING AUTOMATIC!

Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway

Unlocking the unconscious mind.

In Sigmund Freud's psychoanalytic theory of personality, theunconscious mind is a reservoir of feelings, thoughts, urges, and memories that are outside of our conscious awareness.

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𝕽𝖊𝖘𝖊𝖆𝖗𝖈𝖍:

This weeks challenge for experimentation is bought to you by Bristol based urban artist and animator Will Barras. Your task is to analyse his work, considering the effect of the visual language (how he uses line and tone for example). Find out about him and considering the aforementioned surrealist principles write a short statement to suggest how he uses those principles in his own work. 

Will Barras

Illustrator, artist and animation director, Will Barras, currently lives and works in London, althought he grew up in Birmingham and later moved to Bristol to study graphic design. He quickly became known for being part of a group of young artists, working within Bristol’s street art scene. This then led to him appearing in a book titled “Scrawl”, alongside the artists Steff Plaetx and Duncan Jago, becoming a core and founding member of the Scrawl collective. “Scrawl”, originally published in 1999, was an influencial book made to document a new movement in street art, graphics and illustration. 

Barras was selected to be one of the original artists for this collective. He was selected due to being renouned for his methods of portraying fluidity in movement. He also worked closely with creating pieces that were more narrativly driven compositions, incorperating such narratives into his line work. Barras’s unique composition of these three key elements, made his mark as an artist all the more inspiring, pushing new ideas against the grain of classic art. All of this has led his work to become staple pieces in many galleries across the globe. This includes Asia, Europe and the U.S.

He has painted a variety of different murals around the world, within this mix is one that he did with the members of his Bristol group at Tate Modern’s tubine hall, as well as one that he did for Pow!Wow! Festival in Taipei. In the studio Th1ng, located in central London, he worked as the head of animation.

Visual analysis and study:

His artwork has a very recongnizable style and feel to it. It has an urban flare to it, making it feel very fitting within the scene of street art.

“A big barn I painted in Dumfries with Amy Winstanley for the Spring Fling festival and Recoat gallery based in Glasgow.

http://www.amywinstanley.com

http://www.spring-fling.co.uk

http://www.recoatdesign.com”

The painting below has little information about it, as for what I can find, but somehow the piece almost speaks for itself. The play on perspective, composition and values is very eyecathing. It impresses me how he is able to convey motion to such an extend that you can almost just imagine it moving before your eyes, but perhaps that’s just me.

“#divinestyler #defmask #gammaproforma #kallenbachgallery”

I attemped to do some simple continuous warping animation to convey what I mean a little better:

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𝖁𝖎𝖘𝖚𝖆𝖑 𝖆𝖈𝖙𝖎𝖛𝖎𝖙𝖞:

01: Using a wide brush create a large sheet of accidental/automatic/ unconscious blots & splatters, organics shapes and curvaceous marks using a range of coloured ink/paint. The brighter and more acidic the better!

Because of the fact that I don’t have paper made for paints/ink, I decided to try doing this task digitally- simulating the analogue look of watercolour or watered down ink, or even arcrylics.

I did this by using a variety of different watercolour brushes, made to emulate the look of the analogue mediums. I used them as randomly as I possibly could, trying not to plan where I would put the next brush stroke.

Once I had put down all the paint stokes, I then went over it while the layer was locked with a big soft edged brush, layering up different colours until I was happy with how it looked.

02: Make 3-4 sheets of these and then let them dry.

Digital 01:

Digital 02:

03: Then using fineliner develop these marks into faces/characters/scenes by adding details/features and developing these into detail illustrations that are spontaneous and free flowing.

For the linework, I primarily used one single brush; hard edged and circular. (The one selected in the picture below)

I chose this for the reason being that I have found it to be very responsive to the use of a drawing tablet & pen. It does a good job at making expressive lines with its tilt sensitivity, making it a pleasure to use; It reminds me of how brush pens work and feel.

Here are a few tests on some of the lines I can create with it;

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Digital 01: 

Digital 02:

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Digital 02: Process

1. I have always found that beginning these blob doodles are the most diffucult for me. Perhaps because it takes me a little while to really get into the flow of continously seeing images in the randomness.

2. I began from the left, slowly working my way to the right and the top, since I felt that I had more clear lines to go from being around the edge of the paint.

3. Eventually I braved it and went right for the middle of the piece. This was the turning point for me in the process of doing this. It enabled me to truly let get, have fun, and not feel intimidated and nervous to do the next doodle.

4. This is when I began drawing creatures of the sea, slowly building up a story/narrative.

5. I don’t actually remember what I was even thinking at this point anylonger- I was simply just letting the pen guide me around the canvas; letting it all flow together however it felt as to do so.

6. I began to delve into the little details. I felt as if they would add to the general flow of the piece; being busy, yet in a manner that lets your eyes wander with curiosity.

7. I was now moving on to doing the right side of the piece. I had a little more trouble visualising the top right corner, so I did that last.

8. At this point I felt a little stuck as to what to do, hence it being, yet again, dedicated for adding some more little details here and there.

9. Eventually I overcame the frustration I had built up and took to do the right side of the artwork.

10. I tried to convey motion and flow by the way the animals are positioned and posed, trying to make it calm in the middle where the girl is, and then busy/chaotic the further away you get from her.

11. This second to last step was, again, for adding detail. I wanted to fill up any bits that I felt appeared too empty and spaced out, so to no disrupt the feeling of flow in the painting.

12. With the inking done and rendered to my satisfaction, the last step was to play around with colours.

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Digital 01: Colour variations

Digital 02: Colour variations

04: Scan/photograph and upload to Moodle.

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𝕱𝖎𝖓𝖆𝖑 𝖗𝖊𝖛𝖎𝖊𝖜 𝖆𝖓𝖉 𝖗𝖊𝖋𝖑𝖊𝖈𝖙𝖎𝖔𝖓:

Which of these words would you use when discussing the work of Will Barras and your own art pieces:

I would most definitly use;

Organic/Fluid

Figurative

Automatic

On top of these I would probably add;

Harmonic

Dynamic

Epochal

Visionary

Can you construct a comparative sentence/paragraph using at least 5 of these words. What are the differences and similarities between the works you have created. What conclusions did you make about this experimentation?

[kingofthewilderwest]

Hey just so you know your art is really shitty. I am talking about the one you did about book hiccup.

Oh you sweet, sweet summer chiiiiild!!!

I was drawing “shit” like this when I was sixteen - ten years ago! Ten years ago, and I could draw like this!

So why would I care what someone thinks of a small, five minute, no-erase doodle of mine? ^.^ 

Honestly, I’m in the middle of an artistic euphoria phase right now. Like, I’m legit having so much fun with visual arts - more than I have for years - and I’m delighted. Thank you so much for giving me the chance to talk about this latest exciting experience in my life! Maybe this’ll inspire some others as well? Art has been a highlight of the last few months, and even getting going on the topic now, chatting with you, is getting me happy and inspired and ready to tear out the next sheet of paper for a new bout of creativity. I’m trying my best not to start drawing NOW because of the topic you’ve brought up!

I’m working on proportions and muscle groups and more dynamic poses and figuring out digital art and testing new traditional art mediums and it’s just been a BLAST of creativity and exploration. I’m trying to figure out new styles for myself, branching WAY beyond my childhood focus of photorealism, into everything down to anime-style personalities. I’ve even checked out 3D modeling, dudes! I’m planning on exploring with cityscapes and character design and shape and color and... guys... guys... it’s literally such an exciting time for me right now. 

Art is AMAZING fun!!! What a blessing it is to create something wholly new, with the stamp of our personality, out of complete nothingness? I turned the nothingness of a piece of paper into my personality and a work of creativity. DUDE THAT IS SO AWESOME!!! Humans are so amazing in our ability to endlessly create. I think creating is one of the greatest powers and blessings our species has to offer.

Being a visual artist by hobby isn’t about improving. It isn’t even about being good. It’s about having fun. My wonderful dragon-loving friends, don’t for a second think that your artwork needs to be to some sort of quality, because it doesn’t. It doesn’t matter. If you want to improve, that’s awesome, and I’m rooting for you to have some exciting experiences of self-discovery and growth. That can be an exciting time, to go through growth, and it’s well-worth your commendable, diligent efforts. But it’s also 100% fair if you go into a hobby without desiring to improve. You don’t need to improve - you’re not in some competition where your rent’s pay hinges on drawing - you just need to enjoy yourself. There is nothing shameful about “shitty” art - it’s in fact one of the coolest things you can do, because it engages your mind and your creativity and your own unique stamp of human beauty that no other soul can give. And if you share it, you’re sharing a part of yourself, and we get to see the beautiful treasure you and your mind are!

Some of my favorite things I’ve ever seen are stick people. DRAW your stick people! Do it all!!!

I’m so thankful for everyone who shares their art on tumblr in the fandom community. Not just the people who do polished digital work, but everyone. People who are starting to figure out what a tablet is. People who haven’t touched a colored pencil in ten years. People who draw five minute scratches. People who spend thirty-seven hours on a painting. You contribute to the world of fandom, the beautiful world of fandom. Together we celebrate what it is we mutually love about our fandoms, and make this a community in which creativity and celebration and positivity is resplendent. It’s because of people like you - ALL of you - that you build this incredible environment.

I’m in the middle of a phase where I think I’m going to be making rapid advances in my artwork soon. Maybe if there’s something really cool I’ll share it with ya’ll! There’s a 50% chance I might be getting a new art tablet soon, which will unfetter all the struggles I’ve had with digital art preventing me from improving there. And there’s so many ideas I have! Guys, there’s so many ideas! So much art to put down and explore and hgghghghhhh! I’m excited.

Of course this is all on top of my other hobbies. I love being a jack of all trades and master of none. Every day’s something new to explore. I’m a conlanger and I make my own languages. I’m a creative writer and I’m planning on charging deep into a single original novel that I hope I can publish. I’m a chronic worldbuilder who loves thinking about everything from the geographic history of the world to the culture’s technology to what the cities look like to the individual culture’s elements - be it gestures, taboo language, courting rituals, what have you! I’m a music composer and I even got a Bachelor’s of Music in Composition; I’ve learned how to play over a dozen instruments; I’m itching to make covers and suites of material I love. I used to make gifs and I still miss it - maybe I’ll get back into the swing of it sometime? I made one AMV and maybe I’ll make another - I’ve always loved video editing (I did Lego stop motion stuff in the junior high, after all). And of course I want to keep writing fandom meta for all the stories that have touched my heart, be it Fullmetal Alchemist or How to Train Your Dragon or Voltron: Legendary Defender or Mass Effect or anything else. I’m hoping that I’ll get some good bursts of activity on cosplay, too! I need to work on my sewing - 2019 shall be the perfect year for it, don’t you think?

Life’s so exciting and rich and beautiful. There’s so much creativity to be had. So much to do. So much to explore.

And who gives a flipping rat’s fart if I’m not The Best(TM) of the universe? XD That’s not the true reason to create ANYTHING!

I’ve got a fuckton of weaknesses in my artistic pursuits and that doesn’t make me an ounce less awesome. Having weaknesses makes my artistic life BETTER. I honestly believe it; they make me happy. I’m excited that I have weaknesses in my visual arts abilities because it means I’m going through this period of growth. Where would be my fun if I were perfect already? I’m having a blast not because my art is perfect, but because it’s IMPERFECT. I both like what I can do already and I know ALL the areas where it needs improving - allowing me new areas to dive further and reach new goals. It’s giving me life goals, trajectory, and celebrations every time I draw something new and better than what I made last month. 

A childish, petty, and honestly rather uncreative insult isn’t going to make me blink. I know how amazing I am. I’m a powerhouse, powerfully creative, Renaissance man level talented bonfire who can do everything from advanced level linguistic scientific study to composing contemporary classical art music. I know what my strengths are and what my weaknesses are. I’ve got great weaknesses, and that’s totally chill!

I’m sorry, friend, but the only thing your message does is show how much of a naive child you are. You ignorantly think that a laughably uninteresting, child-level insult is going to affect an adult who is confident and grown in themselves. You don’t know your audience. Even if you were right that my art is shit - which it’s not - it doesn’t matter to me. My identity is more than one cute doodle with Hiccup and Toothless. It’s a shame because I’m sure you have so much positive beauty you could contribute to this world. Why waste your time with this, when it literally could not be more of a waste of your time?

What positive creativity have you done?

I encourage us all to contribute to the beauty of our community. Let’s take this moment to be an inspiration point. Let’s create together. Let’s give people reasons to smile. Let’s share posts we love and talk about why we love them. Let’s draw and write and sing and dance our way through what we love. Let’s give positive feedback on the fanfiction people wrote for us for free. Let’s send compliments to one another - that’s a legitimate form of creation and it’s one of the best. Let’s let our personalities sparkle. Kindness is so awesome. You all are so awesome.

I’m so thankful to live in a community like this, where every day I’m bombarded with incredible magic - the magic you all have created.

As for my Hiccup drawing, the HTTYD book community has a cool event going on celebrating the Twelve Days of Doomsday. I encourage you all to participate and enjoy Cressida Cowell’s works with me!!!

Who knows? Maybe I’ll have time for a few more Hiccup doodles in the next dozen days!

[awkwardlyamusing-blog]

Dog Gone Problems: How can we train our dog to go out the dog door and potty on his own? | Momaha.com

New Post has been published on http://doggietrainingclasses.com/dog-gone-problems-how-can-we-train-our-dog-to-go-out-the-dog-door-and-potty-on-his-own-momaha-com/

Dog Gone Problems: How can we train our dog to go out the dog door and potty on his own? | Momaha.com

Dog Gone Problems is a weekly advice column by David Codr, a dog behaviorist in Omaha. David answers dog behavior questions sent in by our readers. You can reach him at dogbehaviorquestions@gmail.com.

I just got a 5-month-old double doodle. He goes in and out the doggy door, which opens to a deck, by himself. I trained him in two days. He will go down the stairs into the yard to use the potty just fine. How can I train him to go out to potty all by himself? I’ve only had him three days, so hoping it will just take some time. I would love some tips to speed the process along.

Congrats on your new dog. Sounds like a smart one, which should make solving this problem pretty easy.

First off, you need to come up with a fun word that means to go outside. Dogs are the only animal on the planet who can read a human’s facial expressions, so coming up with a word that makes people smile and laugh can provide your dog with added motivation.

Next, have a family member or friend outside with a plethora of wonderfully stinky high-value treats your dog loves. I often use chicken liver.

With your dog and you inside near the dog door, have the person outside call your puppy by name. When your pup goes through the dog door, they should find this person right outside the dog door. When the pup is completely through the dog door, have them give him a treat and then say the command word after the treat goes into hi mouth.

Call your dog back inside, pet him under his chin and say sit. Have the person outside call the dog again, but this time move one step farther away from the door. Keep repeating this process for 10 treats, then have the humans swap places. When you go outside, stand where the other person was standing when they finished. Practice the routine for another 10 treats.

The next time your practice, the person should be at the same distance from the door as they were when they stopped last time. Maybe a few feet closer. Practice for another five to 10 treats.

At some point, when the dog is running through the door with glee, try saying the command word when the dog is inside with you and someone is outside waiting. If the dog goes through the door on his own, have the person on the other side give five treats in a row, saying the command word after each one. We call this a jackpot, and its a great way to reward a big accomplishment like responding to the command word.

Once you can say the command word and have the dog go out, you need to start providing the dog with things to discover and motivate him to stay outside and explore. You can leave a small trail of treats from where the person was standing to the grass the first time. The next time, leave another trail, but add a small pile of shredded cheese at the end of the trail (which should be in the grass).

The cheese promotes sniffing the ground, which is healthy and may lead to other exploring. The goal here is to provide motivation to go outside and progressively increase the length of the stay.

Practice this a few times, but keep moving the shredded cheese farther into the lawn — maybe one foot farther each practice. While you are doing this, use less treats for the trail, spacing the treats farther apart. At some point, you will stop with the trail and just leave some shredded cheese on the lawn for your dog to find.

You can also leave new toys outside, as well as chewy items like bully sticks, cows ears, etc. The idea is to leave good stuff outside for your dog to find, which gives him more incentive to go out and explore. With enough positive exposures, your dog will go out often looking for them and this should lead to going potty on his own as well.

Good luck and remember — everything you do trains your dog. Only sometimes you mean it.

Close

Despite being a senior cat at 10 years old, Baby is full of energy and mischief. Here, she dangles from a bannister in her house in Gretna.

Karen Windle, copy editor

We’re Bruce and Ernie (left). We love sneaking raw bacon off the kitchen counter, lounging around the house naked, er, without our collars and making friends with deer. (The deer *love* to play tag, but for some reason we’re always “it.”) 

Katy Glover, online editor

Buster can put a smile on your face like no one else, including those of neighbors who spot him dragging me along on a walk or run. Unfortunately, this high-energy guy recently has been sidelined by the doggie version of a torn ACL and subsequent knee surgery. He could use a little boost, so I’m nominating him for the OWH Pet Parade.

Julie Anderson, news reporter

At left is Clyde. He’s a dog. He’s 2 ½. He’s deaf. At right is Pieces. He’s a cat. He’s 13. He can hear. They would like very much for you to pick them!

Brad Davis, business editor

If you’re an avid reader of the World-Herald, maybe you’ve heard of Cooper. Features reporter Chris Peters has written about raising Cooper. Here he is on the custom pallet bed his mom built for him.

Chris Peters, features reporter

At left is Daisy. Her best friend is a reindeer, who comes to visit a few weeks each year. She complains a lot to the non-magical beings she lives with, for obvious reasons. At right is Diaz. He’s a handsome  boy who doesn’t care about that. He loves walks and belly rubs, all people, most dogs, one cat, and zero racoons and opossums. 

Rich Mills, copy editor

At the Ducey Farm in Dundee, we have the blackshirt gals who guard the back yard (Mary Stewart and Victoria Holt), and the chickens who help me garden (Brooklyn and Penny). They produce eggs and inspire pillows for the cutest and most fashionable dogs in the world (Phoebe, Gigi and cousin Tyson), who love to bark at the feral cats (Bunny and Butterscotch) who live outside and have matching tails!

Marjie Ducey, reporter

Gator likes eating snackies, expertly posing for pictures, getting floof everywhere and borking (not barking) at neighbor dogs.

Cory Gilinsky, features (and Sarah Jarecki, civilian)

Gracie the border collie and Beau the red heeler like long walks and frequent car rides, especially to drive-thrus that give treats. 

Deb Shanahan, metro desk editor, and Kent Sievers, photographer

Isabel doesn’t enjoy her humans (especially the little ones) a lot, but sometimes likes a good chin scratch. Mostly she enjoys being left alone to sit on top of the piano and watch the birds outside.

Kevin Coffey, music critic

Izzy is 6 months old. She likes to chase her tail (and often catches it), climb up couches (and people), and bother Zake. Zake is 15 years old and unsure of Izzy. After all, Izzy has the high ground.

Zach Tegler, copy desk

Jameson may be named after whiskey, but this five-year-old gal is all sweetness. At first skittish after being rescued from a farm in Oklahoma, now her favorite hobby is stealing hearts — and covers.​

Laurel Foster, online

We say Juni found us after my wife was diagnosed with advanced breast cancer. This little Havaton brings our family joy, love and snuggles every day.​

Jeff Robb, news reporter/data geek

Laika is, hands down, the happiest dog at the dog park. She is named after the heroic Russian cosmonaut dog, one of the first animals in space. Ciara loves to pray. When she joins our family in prayer, she sounds like Scooby Doo. She is fiercely loyal and protective.

Susan Szalewski, copy editor and news reporter

Lolo was adopted seven years ago in Louisiana. She’s a mutt, and we think she’s part nutria, otherwise known as a swamp rat.

Hunter Paniagua, digital sports coordinator

Minerva is a very hard worker. Two-year-old “Minnie” likes to spend her time cleaning, inspecting boxes and bird watching. (And looking adorable.)

Brandon Olson, digital content hub editor

Molly, a rat-terrier Chihuahua from NHS, loved everyone she met. She was an excellent high jumper and cuddler and gave us joy for 17 years. She died in April.

Betsie Freeman, features reporter

Nellie is a 10-year-old tabby cat who is more like 5 years old at heart. She enjoys sleeping in fresh, warm laundry, eating, chasing lasers and listening to stories with best friend, 4-year-old Sam.​

Ashlee Coffey, Momaha.com editor

This is Oliver. He has three legs and a bullet permanently lodged in him. (We didn’t put it there). He pretends like he’s surly and tough but deep down he’s very snuggly.

Roseann Moring, political reporter

Eighteen-year-old cat

Loves tuna, SBH and

A fireside nap

Sarah Baker Hansen, features, and Matthew Hansen, columnist

I’m Sasha. I was a stray in Oklahoma (where my ear was somehow torn) before a shelter rescued me & treated my heartworm. I just tested negative for heartworm, yay! I really like to play dead & get belly rubs!

Alia Conley, news reporter

Slugger, owned by the original Pet Parade Petitor in Chief and saved by Big Red Rescue in Omaha, chases his tail faster to his right than to his left. He ate a hole in the blinds to watch his owner come and go.

Steven Elonich, online editor

Toby is a 4-year-old Rhodesian Ridgeback mix with a big personality. Given the protective tendencies of his breed, he’s very serious about watching over his property — and his owners. Until he isn’t.

Dave Elsesser, features editor, and RyAnne Elsesser

Toothpick loves biting bare legs, gazing longingly at birds outside and dipping his paw into bags of Spicy Nacho Doritos so he can lick off the Doritos dust (which his owners know is gross and bad but are powerless to stop). ​

Erin Duffy, news reporter

Boston Terriers, Willow, 8, and Dexter, 6, have a closet full of costumes, sweaters, scarves and even some pajamas. They only sit this nicely for photos because there are LOTS of treats involved – but really – they are crazy little puppies!

Tammy Yttri, copy desk chief

Nine years ago, we found Zed roaming the earth (it was a ruff life). He’s a good boy. He likes his toy lobster, pepperonis (which we call pupperonis) and keeping up with his fans at Zedwin.org. 

Graham Archer, digital editor

Hi, my name is Zeus, I an eight-year-old American Eskimo looking to get back in the game. They say I am fixed, but I think my only problem is you aren’t in my life. I love long walks and treats. I want someone to chase squirrels with.  Won’t you paw right?

Chris Machian, photographer

‘); }

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[sysig]

What do you mean stop drawing them being cute, they are cute

[sysig]

Requestober sketches 2021

Day 1 wasn’t too different from sketch to final, mostly just in framing (what is it about Vargases needing to be moved around in the foreground or background lol). I like drawing hairties being held in one’s mouth, I think the last time I doodled that was with Mousey a bit back lol. I even got to keep the sparkles around Shmee in the preview!

I like my little arrow’d note of “Edgar’s helping :)” lol

This was the warmup for the day, he’s finally got a knife lol

For Day 2, I made the prelim sketch before I redesigned Marshmallow Fluff’s outfit, but everything else stayed mostly the same other than some pretty serious refining lol I actually digitally sketched everything the day before it was posted to make sure I’d get it done in time since I knew I’d be a little out of whack, and boy was I right lol

I sketched out a different pose for Charm as well, but I ended up liking the original better, so I had to scrap it. Still cute tho!

For Day 8, I did exactly one test sketch of Pneuma and was like “Well it’s obviously gotta be something about those ears, come on now.” Almost no changes from sketch to final! Expressive ears are fun, especially when I can scallop the fluff lol

Day 18, the dip ♥ Scriabin’s was pretty solid from the get-go, Edgar’s hips were re-angled and his back was leveled a bit - drawing from the pose inspiration really helped! Especially on getting the hands to interact, pulling back from the shoulder far enough to have Edgar’s arm at full extension was a little tricky but I think I got it in the end :)

Even this one had a sketch haha ♪ Scriabin’s gotta be goading

Hm? The kiss pose? Haha weird, could’ve sworn I made some kiss doodles-

Ah right those haha. None of them ended up even close! S’cause I couldn’t figure out how to angle them traditionally, it was so much easier to do digitally. Didn’t stop me from making a bunch of test doodles anyway lol. I’m almost happy with the top center one except their jaw heights are inconsistent and it annoys me. I do like the lower right one tho, their jaws make up one straight line haha ♪

I got the prompt for Day 25 pretty late at night so I scribbled it down fairly quickly before bed. All the important parts are visible, like Scriabin being squished up into a snuggle, they look very cozy ♪

Day 31, my day! I doodled down the idea about a week? before committing to it since there weren’t any prompts for Halloween, I mostly wanted to see just how flashy I could get the scales to look lol. I was trying (unsuccessfully) to draw Edgar and an old art adage of “snake spine” hit me upside the head and then this ✨

Not much changed from pencils to digital! A little cleaning and some toning and a lot of fun with my scale brushes haha ♪ I’m happy I can translate from page to screen without too much fuss! Scriabin’s fang does look particularly pointy here tho lol

And that was everything for this year’s Requestober! Thanks to those who participated :)