#300 mm f2.8

[mikeorazzi]

College Swimming Adelphi Southern Connecticut State #college #sports #sw...

[james-pratt]

The ultimate small, portable Nikon enthusiast kit?

After playing with my Nikon Z fc camera for over a year, I believe I have assembled my ultimate small, portable Nikon enthusiast kit for slightly less than $2,100. which consists of the following: Nikon Z fc – $995 Nikon Z 28 mm f2.8 SE lens – $300 Nikon Z 40 mm F2 lens – $275 Nikon FTZ adapter – $249 Nikon 105mm F2.5 AIS manual focus lens – $135 Nikon 135mm F2.8 AIS manual focus lens –…

[tintucthietkeweb]

Mẹo nhiếp ảnh Macro

Trong bài này, tôi sẽ chia sẻ cho các bạn 10 mẹo nhiếp ảnh macro cho người mới bắt đầu chỉ mới bắt đầu. Sau khi đọc xong bài này tôi chắc chắn khả năng chụp macro của các bạn tăng lên một mức cao hơn.

#1.  chọn ống kính Có một số lựa chọn ống kính tốt cho chụp ảnh macro. Bạn có thể sử dụng ống nối dài kết hợp với ống kính bình thường, cho phép bạn phóng to. Hoặc thậm chí tốt hơn, bạn có thể đảo ngược một ống kính thông thường, kết hợp với các ống mở rộng cho phép phóng đại nhiều hơn.

Tùy chọn thuận tiện và linh hoạt nhất cho các bạn có kinh phí, nên đầu tư cho mình ống kính macro chuyên dụng. Các mẫu ống kính macro phổ biến nhất có độ dài tiêu cự từ 90-105mm, và có tỷ lệ phóng đại 1:1. Ngoài ra còn có độ dài tiêu cự ngắn hơn như 50mm hoặc 60mm, nhưng có khoảng cách ngắn hơn, nghĩa là bạn phải đi rất gần đối tượng của mình, có nguy cơ làm cho đối tượng như côn trùng sợ hãi. Phóng đại 1:1 có nghĩa là khi bạn lấy nét càng sát, chủ đề của bạn càng lớn trên cảm biến như trong đời thực. Vì vậy, nếu bạn có cảm biến khung hình đầy đủ là 36 x 24 mm, có nghĩa là bất kỳ loại côn trùng nào bạn muốn chụp có chiều dài 36 mm.

Nếu bạn sử dụng máy ảnh APS-C hoặc Micro Four Thirds, hình ảnh bạn sẽ nhận được phóng to hơn ở 1x, vì cảm biến nhỏ hơn. Những ống kính macro tỷ lệ 1:1 được sản xuất bởi hầu hết các thương hiệu lớn như Sigma 105mm, Canon 100mm, Nikon 105mm, Samyang 100mm, Tamron 90mm,… Chúng có giá khoảng 400 đến 1.000 đô la, và chúng đều rất sắc nét. #2. Địa điểm và thời tiết Một số đối tượng thú vị nhất để chụp ảnh với ống kính macro là những con bọ và côn trùng nhỏ. Hoa và các loại cây khác nhau cũng vui nhộn, và thường có thể tạo ra các hình ảnh trừu tượng thú vị. Các địa điểm cung cấp nhiều nhất cho nhiếp ảnh gia macro, là nơi có nhiều hoa và cây cối. Một khu vườn thực vật rất tuyệt vời để chụp. Thời gian tốt nhất để đi ra ngoài nếu bạn muốn chụp côn trùng là bất cứ khi nào nhiệt độ bên ngoài là khoảng 17 đến 25 độ C, vì côn trùng có xu hướng hoạt động mạnh hơn khi trời ấm. Thời tiết ẩm ướt thường tốt hơn thời tiết nắng, vì nó mang lại ánh sáng nhẹ nhàng hơn. #3. Đèn flash Nếu bạn đang chụp các vật thể rất nhỏ, chẳng hạn như côn trùng, mặt phẳng tiêu cự sẽ rất hẹp – một vài milimét hoặc như vậy. Vì vậy, bạn sẽ phải đặt khẩu độ của bạn ít nhất là F16 để có độ sâu trường ảnh tốt. Với một khẩu độ nhỏ như thế và cần một tốc độ màn trập cao, do đó đèn flash là phụ kiện cần có để cho hình ảnh đủ sáng. Bạn có thể sử dụng bất kỳ đèn flash nào để chụp ảnh macro, trong hầu hết các trường hợp, thậm chí đèn flash bật lên của máy DSLR rẻ hơn cũng hoạt động khá tốt. Cá nhân của tôi sử dụng đèn Mike MK-300 khá rẻ, nhỏ gọn và nhẹ.

Có một số tình huống chụp macro khi mà đèn flash không cần thiết. Một tình huống là nếu bạn chụp ở F2.8 hoặc F4, và có rất nhiều ánh sáng mặt trời. Đây có thể là trường hợp nếu bạn không phải là phóng đại 1:1, và do đó có thể có được một độ sâu trường tốt với một khẩu độ lớn (khi bạn di chuyển ra khỏi chủ đề của bạn, chiều sâu sẽ tăng lên). Không sử dụng đèn flash là bạn sẽ có được hình ảnh tự nhiên hơn với ánh sáng tự nhiên. Nhưng nếu bạn muốn chụp côn trùng gần và muốn có nhiều hơn một phần nhỏ trong số chúng, bạn sẽ phải sử dụng đèn flash. #4. Bộ khuếch tán ánh sáng Nếu bạn đang sử dụng đèn flash để chụp macro, tôi cũng khuyên bạn nên sử dụng bộ khuếch tán. Bộ khuếch chỉ đơn giản là bất kỳ vật liệu nào có màu trắng ví dụ như vải trắng, mà bạn có thể đặt giữa đèn flash và chủ đề của bạn. Nguồn sáng lớn hơn, mượt mà hơn và nhẹ nhàng hơn, bóng tối trong ảnh của bạn trở nên mịn hơn. Đây là lý do tại sao bạn nên sử dụng chúng trong nhiếp ảnh macro. Nó làm cho kích thước của ánh sáng từ đèn flash lớn hơn nhiều, và do đó ánh sáng trong các bức ảnh của bạn sẽ trông không khắc nghiệt, và màu sắc sẽ đi ra tốt hơn.

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Là đơn vị cung cấp các dịch vụ quay phim tự giới thiệu doanh nghiệp, Quay video clip viral, Quay video quảng cáo – TVC, quay phóng sự… Chuyên Quay Phim Chụp Hình Full HD – Giá Cạnh Tranh – Uy Tín, Chất Lượng Cao. Cam Kết Chất Lượng Cao – Tư Vấn Hỗ Trợ 24/7. Dịch Vụ Hoàn Hảo. Đội Ngũ Kinh Nghiệm Cao. Thiết Bị Hiện Đại. Giàu Kinh Nghiệm. Ưu Đãi Tốt Về Giá.

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Dịch vụ làm video, nhận làm video quảng cáo doanh nghiệp, chụp ảnh sản phẩm, chụp anh xoay 360, dịch vụ video Tp.HCM, ảnh quảng cáo …”

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[paulneedham-blog]

Introduction

For me, my journey into better photography started many years ago by wanting to get better family and holiday photos. This became more important when I got married and we had our first child. I  was already fed up of the myriad of photos (mine and others) which were blurred, out of focus, people with things poking out of their heads, heads cut off etc etc. I could go on but I'm sure you get the point.

Now don't get me wrong, these photographs are priceless and this was brought home recently when I started to digitize some old photos. But I am talking about photos we might call happy snaps, memories or snapshots. Whatever term we use to describe them, we all take them, those quick photographs we take of family and friends, important life moments like you baby's first step, places and events. In essence, those things that we want to remember.

In those first years we where also broke, we couldn't afford the expense of professional family portraits. So I had to resort to DIY. I got my first SLR, Canon EOS 300. Bought lots of books on the fundamentals of photography and started to get hooked. I believe I did start to get better and create better family and holiday photos. It also (and still does) drive my wife and kids mad. Because I'll stop, pause, think, compose and then shoot. So instead of taking 1-2 seconds, I might take 30 seconds or sin of sins a minute or two. And as my kids tell me that's too long and boring.

Back then it was film, expensive (relative to income), slow (shoot the roll of film, send it off to Trueprint, wait weeks to get that pack of 6x4's back).  

In 2015, I upgraded to an Olympus OMD EM-10 with just the kit lenses, choosing to go mirrorless for the first time. And joined my local camera club.

I currently use an Olympus OMD EM-5 Mkii, with m.Zuiko 40-150 mm F2.8 Pro, m.Zuiko 14-42mm F2.8 Pro and my original pancake kit lens m.Zuiko 14-42mm F3.5-5.6.

[jeisonfotos1]

La verdad que Bani es bello, aqui hay mucho lugar es hermoso para hacer las sesiones de parejas. Que tal esta foto ? 🤩 10 mm | F2.8 |1/300s | Iso 50 | 6 pm #bodadominicana  #bodasdominicanas #weddingbavaro  #bodard #bodasrd #eventord  #eventosrd  #weddingpuntacana  #noviasrd #noviosrd #noviard  #weddinplanning #puntacanabride #bodaspuertoplata #bodassantodomingo #bodasrepublicadominicana #photographerinsantodomingo #eventplannerrd #bodascapcana #weddingcapcana #puntacanaweddings #bavarowedding #bavaroweddings #weddingdominican (en Minas De Sal De Baní) https://www.instagram.com/p/CSK1LuVnapC/?utm_medium=tumblr

[newscountryindia]

Fujifilm launches X-E4 mirrorless camera in India at Rs 74,999: All you need to know- Technology News, Firstpost

Fujifilm launches X-E4 mirrorless camera in India at Rs 74,999: All you need to know- Technology News, Firstpost

FP TrendingMar 08, 2021 17:57:37 IST Japanese multinational conglomerate Fujifilm launched the X-E4 camera in India. It will be part of the firm’s flagship X series range of mirrorless digital cameras. Fujifilm has made the latest camera available across India for Rs 74,999. The company also launched two new lenses FUJINON XF 27 mm F2.8 R WR and FUJINON XF 70-300 mm F4-5.6 R LM OIS WR along with…

[timessquarein]

Fujifilm launches X-E4 mirrorless camera in India at Rs 74,999: All you need to know

Fujifilm launches X-E4 mirrorless camera in India at Rs 74,999: All you need to know

Japanese multinational conglomerate Fujifilm launched the X-E4 camera in India. It will be part of the firm’s flagship X series range of mirrorless digital cameras. Fujifilm has made the latest camera available across India for Rs 74,999. The company also launched two new lenses FUJINON XF 27 mm F2.8 R WR and FUJINON XF 70-300 mm F4-5.6 R LM OIS WR along with the camera and users can buy them…

[poachers-photo-cottage]

Looking back Daily Telegraph was a broad sheet at the time of publication

. 23.5" x 29.5" broadsheet size for newspapers become popular after the British government placed a tax on newspapers by the number of pages in 1712. The tabloid size the most popular of papers today in the uk is often referred to as being 'half the size of a broadsheet' this is not strictly true, referring to newspaper sizes comes from the style of journalism known as 'tabloid journalism' compacted stories, short, easy to read and often exaggerated. Tabloid name arrives from pills' marketed in the 1880's, that were highly compacted, easy to swallow medication pills commonly available.

Three decades ago just feels like yesterday Isle of Man TT unable to walk into a cafe or pub with seeing a set of the images from that day in June

With a brace of Nikon F4 Nikon fitted with 300 f2.8 and 180 F2.8 the stunning set of photographs was captured on a single use Fuji compact camera 35 mm lens

[eclecticblazedelusion]

It is at your decision to decide when you will hit the note short simple homecoming dresses*&……rikrfghj

We always spend extra time in choosing the accessories that will go with our evening wear. The drop lock bags are stylish and functional as they come with a lock in the front and small zip detail and can hold your lip gloss and blusher for a quick touch up. You can stuff in your phone and wallet inside and carry it over your shoulder with a sleek dress, bling top and pants, or carry it across your body when wearing a jacket with tee in a party. They come in groovy shades like magenta, mauve, yellow, pink, basic black and electric blue etc. Compared to the SD9's 17Mbps, this camcorder's footage will exhibit more aggressive compression artifacts. While the SX5's image quality is not bad, it cannot compete with the top HD cameras, but then again, nor should it at this price point. Its resolution and color accuracy are good, and saturation isn't terribly high, but low-light performance would have a hard time being any worse. The optically stabilized 10x zoom lens has a maximum aperture range of F1.8 to F2.8, and a 35 mm photography equivalent range of 42.9 to 429 mm. The 2.7-inch widescreen LCD has a good 300 cheap wedding gowns under 200,000 pixel resolution. The LCD has two brightness settings.The manual controls are best in class, miles ahead of what Canon and Sony are offering �?independent adjustments for shutter speed (1/60 to 1/8000), aperture (F1.8 to F16), white balance, gain and focus.

One can easily figure out the real goodness of a tailoring service, or anything else, by judging the continuity of good vibes all over. The site should tell tale with its presence, wording of commitments, continued right up to the studio for a direct chat. The point here is that if you want a really beautiful gown, you must trust your heartfelt instincts to the right place all the time. there are a few key practical aspects to verify. One of the biggest problems associated with warehouse and ihdpiyhjsjlijk_ouiols distribution management stems from inventory control, or more specifically, the inability to accurately assess stock levels across multiple locations. The problem is as age old as robbing Peter to pay Paul, but in this case, it?s paying Paul without realizing that the payment was already allocated to Peter. There can be a lot of ways to approach Formal Wear Brisbane . But the only person who can choose which way you have to get to is yourself. Be definitely truthful with yourself and don't travel any kind of way that you feel believe in your heart will not be fruitful. It is at your decision to decide when you will hit the note short simple homecoming dresses. If you're greatly needing a great deal of info regarding , you should consider http://formalwearofbrisbane sexy homecoming dresses.com.au. Related recommendations: you have to be sure that the online wedding shop can present superb services beaded prom dresses under 200(*Uougs The reason for that vedlalaormaihs_iah is when the special day ends you will have all the cake and food eaten flowing evening dresses &Tthem more freedsggom and flexisgddgbility and lets them get their hands on a diploma a lot quicker silk prom dresses )(*&TOyuhhThere is no need to worry as you can acquire two stunning bridesmaid dresses Brisbane for free twist lock purse

[dasdeals]

Yi 2K Sports and Action Camera (White, 16 MP)

In The Box 1 Sports Action Camera General Brand Yi Model Number 880120 Series NA Model Name 2K Brand Color White Color White Effective Pixels 16 MP Shooting Modes Time Lapse, Burst, Slo-Mo, Auto Shoot, Single Shot, Self-timer Ports USB, HDMI Wide Angle Yes Video Features Video Resolution 1080 Video Quality Full HD Frames Per Second 60 fps Video Format H.264, .mp4 Shutter Features Shutter Type Auto Sensor Features Image Sensor Type BSI CMOS Other Sensor Features R Image Sensor, G-sensor: Built-in ST G Sensor, Image Processor: Ambarella A7LS Display Features Display Type NA Display Size 0 Display Resolution NA Other Display Features 3D Motion-Compensated Temporal Filtering (MCTF), Photo Modes: 16 MP, 13 MP, 8 MP, 5 MP, Resolution: 2304 x 1296 (30 fps), 155 Degree Ultra-wide Angle Lens, PIV (Photo in Video) - Support (Press Power Button), Remote Control: 10 m Bluetooth (Low Power Consumption), Photo Mode: 6 Megapixels, 4608 x 3456 Maximum Resolution, 0.5 - 60s Time-Lapse Mode, 3 - 15 sec Timing Mode, 7 pic/sec Continuous Mode Storage Features Compatible Card MicroSD Card Upgradable Memory 64 GB Power Features Power Requirement 4 Batteries Included Yes Battery Type Lithium-ion Number of Batteries 1 Additional Features Other Features High Definition: 1080 p, 60 fps, Burst Mode: 16 MP, 7 fps, Underwater with Housing: 40 m, Ultra-HD Videos Ambarella A7LS Processor, Lens: F2.8 Aperture, Battery Life: 95 min (1080 P, 60 fps), Bluetooth: Built-in 4.0BLE and 2.0 Dual, Built-in Tripod Mountable, Wi-Fi Range: 300 ft, Single Mode, Time Lapse Mode, Self-timer Mode, Lightweight and Pocket-sized: 70.87 g, Power Indicator: Blue: 50% - 100% Charged, Purple: 15% - 49% Charged, Red: 0% - 14% Charged, Storge: Compatible with Micro SD card (up to 64 GB), Class 10 and Above, Waterproof: 40 m, Audio: Built-in Microphone and Audio, Dual-channel, 96KHz Sampling, 92dBA SNR, Battery Ports: USB Charging Port, HDMI Port, Micro SD Card Slot, USB Charger Dimensions Width 4.2 cm Height 2.12 cm Depth 4 cm Weight 76.6 g Other Dimensions Size: 60 x 42 x 21 mm Warranty Warranty Summary 1 Year Warranty Service Type customers can contact to Yi in case required: 1800 572 9601 Covered in Warranty Manufacturing Defects Not Covered in Warranty Physical Damage   Read the full article

[fudeen-note]

葉っぱと花弁との競演

葉っぱが先か

花弁が先か

いずれも譲らぬ

夏の朝

　

　

　

------------------------

　鮮やかな赤紫色のブーゲンビリア、色づいた可憐な花弁に見える部分は、実は花弁ではなく、花を取り巻く葉（包葉）であるそうな。そう聞いて再び眺めると、花弁状の葉っぱと普通の葉っぱとが、真夏の陽光の下で共演しているようにも見て取れました。

　東京で見ると、南洋の雰囲気を持った、エキゾチックな花に感じますね。

　ブーゲンビリアの表情を ±2 EV の 5 段階の露光に現像して、葉っぱと花弁との対比から生み出される微妙な夏の空気感を拾い上げるべく、high dynamic range image に仕上げました。

　

　

　

このページの Photograph はこちらをクリック (click here)

　

　

　

　

　

　

　

　

☆ Shooting Data

------------------------

○ camera : OLYMPUS OM-D E-M5 Mark Ⅱ

○ lens : SIGMA APO MACRO 150 mm F2.8 EX DG HSM

○ focal length : 150 mm ( compared to 35 mm format : 300 mm )

○ shooting mode : Aperture-Priority AE

○ Tv ( Shutter Speed ) : 1/1,000 sec.

○ Av ( Aperture Value ) : F2.8

○ ISO speed rate : 200

　

　

☆ Development Data ( RAW )

------------------------

○ development : RAW image developed by SILKYPIX Developer Studio Pro 10.0.15.0

○ taste : fudeen's special

○ exposure compensation ( by camera ) : -2/3 EV

○ exposure compensation ( by developer ) : +2/3 EV

○ total exposure compensation : ±0 EV

○ white balance : setting by shooting [ 5,220 K ]

○ tone adjustment : a little strong contrast

○ saturation : manual [ 1.09 / 8.0 ]

○ color profile : natural

○ color representation : expected color 2

○ sharpness : pure detail

　edge emphasis [ 18 / 100 ]

　detail emphasis [ 75 / 100 ]

　black spotted outline control [ 25 / 100 ]

○ noise reduction : fine detail

　false color control [ 30 / 100 ]

　fringe removal [ 10 / 100 ]

　noise aligned [ 10 / 100 ]

　noise removal [ 0 / 100 ]

　dark side noise reduction [ a little strong ]

○ highlights controller : [ initial value ]

　color / brightness emphasis [ 25 / 100 ]

　saturation / hue emphasis [ 70 / 100 ]

　bright portion compensation [ 50 / 100 ]

　dynamic range extension [ +5.0 / 6.0 EV ]

○ development setting : adjustment of demosaic sharp [ 100 / 100 ]

　

　

☆ Exposure Blending Data ( HDRI )

------------------------

○ exposure blending by Photomatix Pro 6.2

○ style : Interior 2

○ EV spacing : 5 images, -2, -1, ±0, +1, +2

○ tone mapping method : exposure composition / interior

○ highlight [ -10.0 / ±10.0 ]

○ shadow [ +5.0 / ±10.0 ]

○ local contrast [ 2.0 / 10.0 ]

○ highlight depth [ ±0.0 / ±10.0 ]

○ color settings : image color

○ saturation [ +1.0 / ±10.0 ]

○ color temperature [ ±0.0 / ±10.0 ]

○ brightness [ +4.0 / ±10.0 ]

○ blending / opacity [ 0 / 100 ]

○ contrast : medium contrast

○ sharpness : low

　

　

☆ Location & Target

------------------------

○ location : 四ツ谷界隈

○ target : ブーゲンビリア

[3c100]

SONY G鏡 FE 70-200mm F2.8 GM 望遠變焦鏡頭 頂級G Master望遠變焦鏡 極限非球面鏡片，呈現精湛解析度 E 接環專用鏡頭 奈米 AR 鍍膜抑制鬼影與耀光 防滴防塵最佳化設計 詳看內容 SONY 型號SEL70200GM 變焦鏡頭分類遠攝變焦鏡頭 焦距70-200 mm 光圈最大光圈 (F)：2.8 最小光圈 (F)：22 視角(35 mm 全片幅)：34°-12° 30' 鏡片組鏡頭組成群數 / 枚數：18/23 光圈葉片數11 恆定光圈恆定光圈 放大倍率最高放大倍率 (X)：0.25 倍 對焦系統35mm 等效焦長(APS-C)(mm)：105-300 mm 濾光鏡尺寸濾鏡口徑 (mm)：77 直徑 x 鏡長(mm)88.0 x 200 mm 重量(g)1, 480 g (不含三腳固定架) 保固期限24個月 SONY G鏡 FE 70-200mm F2.8 GM 望遠變焦鏡頭 相機鏡頭,相機,手機/相機/耳機/穿戴,SONY G鏡 FE 70-200mm F2.8 GM 望遠變焦鏡頭(公司貨),Yahoo奇摩購��中心

[3ceverything]

SONY G鏡 FE 70-200mm F2.8 GM 望遠變焦鏡頭 頂級G Master望遠變焦鏡 極限非球面鏡片，呈現精湛解析度 E 接環專用鏡頭 奈米 AR 鍍膜抑制鬼影與耀光 防滴防塵最佳化設計 詳看內容 SONY 型號SEL70200GM 變焦鏡頭分類遠攝變焦鏡頭 焦距70-200 mm 光圈最大光圈 (F)：2.8 最小光圈 (F)：22 視角(35 mm 全片幅)：34°-12° 30' 鏡片組鏡頭組成群數 / 枚數：18/23 光圈葉片數11 恆定光圈恆定光圈 放大倍率最高放大倍率 (X)：0.25 倍 對焦系統35mm 等效焦長(APS-C)(mm)：105-300 mm 濾光鏡尺寸濾鏡口徑 (mm)：77 直徑 x 鏡長(mm)88.0 x 200 mm 重量(g)1, 480 g (不含三腳固定架) 保固期限24個月 SONY G鏡 FE 70-200mm F2.8 GM 望遠變焦鏡頭 相機鏡頭,相機,手機/相機/耳機/穿戴,SONY G鏡 FE 70-200mm F2.8 GM 望遠變焦鏡頭(公司貨),Yahoo奇摩購物中心

[gwallgaming]

I cinque campioni di Sony ai TIPA World Awards 2019

Sony è orgogliosa di annunciare che le prestazioni e il potenziale innovativo dei suoi prodotti sono stati riconosciuti ancora una volta in occasione dei premi annuali assegnati dalla prestigiosa Technical Image Press Association (TIPA).

Il processo di selezione dei candidati e dei vincitori è molto rigoroso ed è affidato a una commissione di autorevoli rappresentanti della stampa di settore internazionale che, prima di decidere, esegue test e confronti scrupolosissimi. Per questo Sony è particolarmente onorata che cinque dei suoi prodotti siano stati nominati e incoronati vincitori in altrettante categorie. Questi riconoscimenti sono una riprova dei traguardi raggiunti dal personale, dagli ingegneri, dai designer Sony e da tutte le persone coinvolte nella creazione, nella promozione e nel marketing dei modelli premiati.

Miglior fotocamera APS-C livello Expert – Sony α6400

Alle dimensioni compatte e un’estrema leggerezza, la fotocamera α6400 abbina prestazioni ultrarapide e una gamma di funzioni evolute degne di un modello full-frame, ad esempio: scatto continuo ad alta velocità, riprese in 4K HDR (HLG) [1] [2], display LCD da 3” orientabile a 180°, messa a fuoco automatica Real-time Eye con AI e la nuova modalità ad alta precisone Real-time Tracking. Il sistema di tracking AF, superiore per velocità e prestazioni, è combinato a un processore d’immagine BIONZ X di ultima generazione per acquisire la messa a fuoco in appena 0,02 secondi e bloccare efficacemente il soggetto – l’ideale per seguire e immortalare senza difficoltà i soggetti dinamici. Grazie all’ampio range di sensibilità e alla superba qualità delle immagini, con α6400 nessuna opportunità di scatto o ripresa va mai sprecata.

Miglior fotocamera compatta con superzoom – Sony RX100 VI

Ogni singolo particolare e componente della fotocamera RX100 VI è stato sapientemente progettato per concorrere a creare immagini impeccabili e montare uno zoom 8x nello stesso formato compatto del modello RX100 V (zoom 2.9x). Le ottiche attentamente studiate sono un concentrato di potenza, mentre lo stabilizzatore ottico assicura immagini nitide anche negli scatti a mano libera alla massima lunghezza focale. L’avanzato processore d’immagine ottimizza la risoluzione percepita delle immagini riducendo il rumore.

Miglior teleobiettivo mirrorless a focale fissa – Sony FE 135 mm f/1.8 GM

Il dispiegamento di tutte le tecnologie ottiche più avanzate di Sony si è tradotto in un teleobiettivo fisso ad ampia apertura in grado di restituire una risoluzione praticamente perfetta da angolo ad angolo anche a F1.8, senza naturalmente rinunciare alla punta di diamante della serie G Master: l’effetto bokeh. Gli esclusivi motori lineari XD (Extreme Dynamic) permettono di mantenere a fuoco anche i volti sfuggenti, gli artisti su un palco o i soggetti in movimento con una velocità, una precisione e un’affidabilità senza precedenti. Il comando dell’AF inoltre è silenzioso e praticamente a prova di vibrazioni.

Miglior obiettivo professionale mirrorless – Sony FE 400 mm F2.8

Frutto delle tecnologie più all’avanguardia di Sony, questo super teleobiettivo ad ampia apertura vanta una velocità straordinaria, la risoluzione e gli effetti bokeh della serie G Master e tutta l’affidabilità e il controllo di cui i professionisti non possono fare a meno. SEL400F28GM è un obiettivo incredibilmente leggero e bilanciato, che lascia la massima libertà anche negli scatti a mano libera.

Miglior soluzione di archiviazione per l’imaging – Schede Sony SF-G TOUGH

Prestazioni professionali e affidabilità incondizionata sono le credenziali della scheda SD più rapida e solida sul mercato, che raggiunge 300 MB/s in lettura e 299 MB/s in scrittura. I modelli SF-G sono 18 volte più resistenti alle torsioni di qualunque altra scheda SD tradizionale; la struttura monoblocco ripara i dati da polvere, sporco, acqua, fango ed è realizzata con materiali solidissimi testati per sopportare cadute da 5 m [3]. Anche in condizioni proibitive, le schede SF-G TOUGH sono sempre affidabili, durano a lungo e offrono una pulizia rapida della memoria buffer dopo gli scatti rapidi, senza contare l’elaborazione efficiente per il trasferimento dei contenuti su computer.

[1] Prestazioni superiori e funzioni avanzate per scatenare il potenziale creativo: messa a fuoco automatica Real-time Eye con AI, nuovo Real-time Tracking ad alta precisione, elevata velocità di scatto continuo e riprese in 4K HDR (HLG).

[2] I filmati HDR (HLG) si possono riprodurre su un televisore Sony compatibile con la tecnologia HDR (HLG) collegando la fotocamera con un cavo USB.

[3] Sulla base di prove Sony.

[samira667]

File name :DSC_0102.JPG File size :2.6MB (2704033 bytes) Date taken :Thu, Feb 6, 2003 7:37:14 AM Image size :3008 x 1960 Resolution :300 x 300 dpi Number of bits :8 bits/channel Protection :Off Camera ID :N/A Camera :NIKON D1X Quality mode :FINE Metering mode :Matrix Exposure mode :Manual Speed light :Off Focal length :105.0 mm Shutter speed :1/250 seconds Aperture :F22.0 Exposure compensation:0.0 EV White Balance :Flash Lens :28-105 mm F2.8 Flash sync mode :N/A Exposure difference :-10.6 EV Flexible program :No Sensitivity :ISO125 Sharpening :Normal Image Type :Color Color Mode :Mode 1 (sRGB) Hue adjustment :3 Saturation Control :N/A Tone compensation :Normal Latitude(GPS) :N/A Longitude(GPS) :N/A Altitude(GPS) :N/A

-Old School vs. New School-

Includes Hits from Artists: 2Pac, Dr. Dre, J-Flex,  & Keith Murray, Das Efx, Lost Boyz -vs- Kanye West, Nicki Minaj F. Drake & Lil Wayne, Rae Sremmurd, & The Game. Keep It Locked!!

On the station that lives Hip-Hop-107PowerFM.Net

DJ 3xL

(Hour 2) Old School vs. New School on FNJ -Old School vs. New School- Includes Hits from Artists: 2Pac, Dr. Dre, J-Flex,  & Keith Murray, Das Efx, Lost Boyz -vs- Kanye West, Nicki Minaj F.

[istillshootfilm]

The Best Point And Shoot Film Cameras

An Intro to Point and Shoot Cameras for Beginners

By Milosz Siebert

Taking up photography might be a little overwhelming at first, especially if you're a complete beginner. Getting to know all the effects of shutter speed, aperture, understanding focal lengths and all other technical aspects of photography can take time. Not to mention carrying all the equipment usually requires a separate camera bag, which might not be what you need right now. This is where point and shoot cameras come in.

Often designed to be as compact and as simple to use as possible, those cameras were invented to provide a decent quality camera in as small a package as possible. Fixed lenses, focal lengths and almost complete automation of picture-taking process, as well as their size (with a few notable exceptions) make them especially suited for people wanting to concentrate on the moment and not have to think about all the settings.

Although usually associated with the stereotypical tourist shooting away without thinking too much, these cameras can produce stunning results and should under no circumstances be considered "idiot-cameras", not worthy of anyone's attention. Some of the most prominent photographers of our time have used point-and-shoot cameras at some point. Stephen Shore, for example, who (along with William Eggleston) contributed to colour photography being recognised as a legitimate art form shot his entire legendary "American Surfaces" series using a Rollei 35 camera (by the way, if you're not familiar with both of these gentlemen's work, go check them out immediately!).

The simplicity of use and lack of control might be considered an advantage by some, and I do not only mean beginners. Apart from the fact that these cameras free the mind of the usual things to consider while shooting with more "advanced" cameras, they can be a great starting point at a moment of creative block. There is nothing as refreshing creatively as trying a completely different approach to what one is doing and letting go of one's habits. Point-and-shoot cameras allow you to do just that.

Probably the most important thing to keep in mind while using one of these is to be aware of their limitations and not ask them to do what they weren't designed to. This should not be very difficult, given that this guide focuses on models offering the bare minimum amount of control over all the settings.

As with any camera type, there are numerous sub-categories within the point-and-shoot world. Some of them do offer more control over what you are doing, others do everything for you and the only thing you have to think about is how to compose the shot and when to press the button (there aren't that many of those very often on those cameras, either). Instead of listing 5 similar cameras and focusing only on their technical aspects (which the complete beginner will probably ignore anyway), this guide aims at providing a wide array of choices and options, with each camera allowing you to do something slightly different than others.

As such, the following list includes : two very basic and inexpensive, fully automatic point-and-shoots, two very different instant cameras, and two upper-range cameras offering a bit more control and higher quality components.

A quick side note concerning the instant cameras. Even though they do not take 35mm film, I've decided to include them in the point-and-shoot category since this is basically what most of these these cameras are. There are currently two major players in the instant photography field - Fuji and The Impossible Project. The former has it's own range of  "Instax" cameras and produces proprietary film, widely available in most camera stores (more details below). The latter started as a company making their own version of Polaroid film for used Polaroid cameras and have since been evolving at a steady rate, releasing new and updated versions of their film, as well as their own camera. They offer a huge variety of film, ranging from color to duochrome to pure black and white.

They have even started manufacturing 8x10 film for large format cameras, which is quite frankly something quite amazing to be doing these days. Their film comes in fours standards, which will fit most of the polaroid cameras available on the used market right now.

That being said, let's have a look at the cameras:

1. Olympus μ[mju:]-II

{Olympus μ[mju:]-II /  Image by Morinaka / Flickr}

Perfectly fitting into our automated camera lineup, this little gem from Olympus gives you almost no control whatsoever over any of its settings. It has automatic exposure and autofocus as well as automatic ISO selection. The only two things you can (sort of) change are the flash (the camera allows you to choose from a few modes, including red-eye reduction and night fill-in flash) as well as the metering mode (spot metering is available, surprisingly). So pretty much the only thing you have to focus on (pun intended, again) is the moment and the composition. Which is not a bad thing to make you think about.

2. Yashica T3

One from a series of 4 cameras, this Yashica T3 features a very nice and sharp 35mm f2.8 lens (with Zeiss T* coating, which will eliminate basically all chromatic aberrations, flare and whatnot), full automation as well as weatherproofing. A great camera for beginners. Another interesting feature is a waist-level viewfinder situated on the top plate, allowing you to take photographs from lower angles without squatting and attracting attention.

3. Nikon 35/28 Ti (1993/94)

Although technically two different cameras, I've decided to count them as one here, as the only difference is the focal length - the Nikon 35Ti model features a 35mm lens and the Nikon 28Ti - you guessed it - a wider, 28mm. Both of these lenses are fantastic, high quality pieces of Nikon glass, with integrated ED (low dispersion) elements. Along with Nikon's great Matrix metering system, you'll be well covered in many different lighting situations. Both cameras allow for a bit more creative control by allowing you to switch from automatic to manual scale focus, for those who want to experiment with that a little. Apart from this, all the other features remain automated. With their titanium bodies, these two are a step up in build quality - as well as price - from the previous cameras. For those of you also looking for original design, these cameras also have a very curious feature on the top plate - a pair of analogue needle gauges, which will definitely attract some attention.

4. Contax T2

Another step up in price range, as well as picture control, the Contax T2 is a great little camera which adds manual focusing as well as aperture-priority mode to its standard automated features, allowing the beginner to get a first grip of why aperture matters. Apart from that, it features a very sharp 38mm f2.8 Zeiss Sonar lens.

5. Fuji Instax Wide 210 / 300

Fuji's try on the instant camera is pretty much the opposite of Polaroid cameras. It uses Fuji's proprietary Instax films which are really easy to find. The picture is rectangular, as opposed to Polaroid's famous square format and measures 62 x 99mm. Design-wise, the Fuji Instax Wide is definitely is NOT a compact camera (even the latest 300 model) but it does take decently-sized images.

Also, it does allow for some degree of control over what you are doing for those of you who want to go a step further. Some degree of exposure compensation was made possible by including  "Light", "Neutral" and "Dark" settings. There is no autofocus - the camera uses what's called a fixed-focus lens, meaning that basically everything within the specified range will be sharp. The range itself can be adjusted by choosing between two focusing modes 0.9-3m and 3m-infinity. This, however is where your control over the camera settings control ends. The flash is completely automatic, meaning that the camera decides - based on the amount of the available light - whether it should use flash or not (for more creative effects, some users have been covering the flash with tape).

The image quality is quite decent, the colors are much more neutral and contrasty than what you would get from The Impossible Project films for Polaroid cameras. So it really comes down to your personal preference and the effect you are looking for. All in all, it is a fun camera to use, even though it is quite bulky and heavy.

The 210 Instax Wide model was released in 2010 and should still be widely (pun intended) available. The 300 model -a redesign of 210 -was released in 2015 and is basically the same camera in a different, slightly less cumbersome packaging.

{Fuji Instax Wide 300 / Image by www.yashicasailorboy.com / Flickr N.B.}

A much smaller (yet, surprisingly still quite bulky) Fuji Instax Mini has been growing in popularity lately. It is a similar concept but the images it produces are half the size of the "Wide" models :  62 x 46 mm. The Mini 90 models do allow additional features such as double exposure and long exposure.

6. Polaroid Instant 1000

Ah, the simplicity! Fixed focal length, fixed focus, that square format and those Polaroid colours!

If you're looking to have some fun with Polaroid without spending too much, the 1000 is a good option (they are ridiculously cheap here in Europe, you can find them on Ebay for around 30-50€). Just insert a film pack and you're ready to go.

The image quality cannot rival cameras with high-contrast, low dispersion lenses but then the Polaroid 1000 was never meant to do so. Given the single-element plastic lens, the image quality is still pretty decent.

For those of you wanting to experiment with exposure a little without thinking about the exact settings, the Polaroid 1000 does - surprisingly - offer some amount of exposure control by turning the black dial next to the lens.

There are, of course, hundreds of other options out there. Given that most of these cameras are still relatively cheap, as is film, do not hesitate to experiment with anything that catches your interest.

About the Author

Milosz Siebert is an architectural and landscape photographer based in Brussels. He also enjoys exploring abstract photography and more experimental approaches to making images.

You can see his work and follow him here :

www.milsiebert.com www.facebook.com/MilSiebertPhotography www.instagram.com/milsiebert twitter.com/milosz_siebert