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umseb · 4 months ago

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The Day Sebastian Vettel Decided To Retire From F1 — Then Annoyed Aston Bosses With Climate Campaign

Two years ago, Sebastian Vettel decided to bring an end to his glittering F1 career, so picked up the phone to Matt Bishop, then Aston Martin comms boss. He details the ensuing scramble and Vettel's increasing determination to speak out

Just over two years ago, on Wednesday July 27, 2022, I was forced to do something that I really hate doing: at the eleventh hour I had to cancel a long-standing dinner arrangement with my husband and two of our dearest friends, who live in New York and were on holiday in London for a week. The reason was that, at 5 pm that afternoon, I received a phone call from Sebastian Vettel telling me that he had decided to announce his retirement from Formula 1 in the Hungarian Grand Prix paddock the following day. I was Aston Martin's chief communications officer at the time, and, when something as big as that is sprung on a Formula 1 team's most senior comms/PR operative, he or she has to drop everything and focus on briefing colleagues in confidence, writing press releases, planning social media content, arranging press conferences, and formulating comms/PR strategies designed to optimise the management of a tricky news narrative that in this case would surely unfold rapidly, and perhaps also trickily, over the next 24, 48, 72, and 96 hours. I have written above that Vettel had "sprung" his decision on me, but, although the imminence of his announcement was a surprise, its content was not. Four months earlier you will recall that he did not travel to Jeddah for the Saudi Arabian Grand Prix, since he was recovering from a bout of Covid-19. His place was taken by Nico Hülkenberg, who, despite race-rustiness caused by his not having competed in F1 the previous year, did a typically excellent job.

Seb had made no secret of his disapproval of the Saudi regime when we had all gone there the first time, in December 2021, and, not surprisingly, in March 2022 rumours soon began to spread to the effect that he had invented a Covid-19 diagnosis so as to avoid racing there a second time. The truth was that he had indeed had Covid-19, and that he was indeed still unwell; however, was he disappointed to have had to skip the 2022 Saudi Arabian Grand Prix? No, he was not. Two weeks later, in Melbourne, he was back. On the Thursday before the Australian Grand Prix, in the Albert Park paddock, I gave him his comms/PR briefing, as was my habit on the Thursday before every grand prix. We discussed media matters of moment, including his not having raced in Jeddah. "The truth is that I was ill, honestly," he said, "but I admit that I don't like or approve of the country, so if I was going to have to miss a race because of Covid-19 that's probably the one I'd want to miss." He paused, smiled, and added, "I'm pretty sure I'm never going to race there again." Then and there I realised that 2022 would probably be his final season as an F1 driver. Not only was the Saudi Arabian Grand Prix going to be a fixture on the F1 calendar for years to come, but also one of Aston Martin's principal sponsors was Aramco, Saudi Arabia's state-owned national oil company. Missing that particular race without a 24-carat excuse would henceforth therefore be impossible for any Aston Martin driver. So, axiomatically, it followed that the only way he could make sure that he would never have to race there again would be to retire from F1 at the end of the year.

On the morning of Thursday, July 28, 2022, having worked until 3 am the night before, my comms/PR team and I issued a video in which our much loved four-time world champion announced his F1 retirement in his own words, and he posted it on his then brand-new Instagram channel at the same time. It included the following sentences, which he spoke with his usual eloquence: "I love this sport but, as much as there's life on track, there's also life off track. Being a racing driver has never been my sole identity. I want to be a great father and a great husband. I believe in change, and progress, and that every little bit you do can make a difference. We all have the same rights, no matter where we come from, what we look like, or whom we love. I'm an optimist and I believe that people are good, but, in addition, I feel that we live in very difficult times. How we shape the next few years will determine the rest of our lives. Talk is not enough. We can't afford to wait. I believe that there's still a race to win." The race to which he was referring was his growing and accelerating commitment to doing whatever he could to leverage his fame and popularity for the good of the inhabitants of planet Earth. That may sound grandiose, but it is also entirely valid. In the two years during which I worked with him, 2021 and 2022, we won awards for the inspirational way in which he did just that.

Just before the 2021 Styrian Grand Prix, helped by local schoolchildren, he created an F1 car-shaped 'bee hotel' at the Red Bull Ring. Three weeks later, straight after the British Grand Prix, in which he had raced hard for forty laps until his Aston Martin's Mercedes engine had terminally overheated, he led a group of volunteer litter-pickers to clear the Silverstone grandstands of the trash that irresponsible spectators had left behind. A month after that, in Hungary, infuriated by that country's new anti-LGBTQ+ legislation, he wore rainbow-coloured sneakers in the F1 paddock, and he donned a similarly hued T-shirt bearing the legend #SameLove as he took the knee on the grid before the race. Throughout the weekend he had talked to journalists and TV crews intelligently, thoughtfully, and compassionately on the subject of LGBTQ+ rights, equality, and inclusion. In May 2022 he visited and spoke inspirationally at HMP (Her, or now His, Majesty's Prison) Feltham, a young offenders institution in a suburb of west London, formally opening a new workshop in which the teenage inmates could learn how to become car mechanics as part of their rehabilitation. Immediately afterwards he and I took a South Western Railways train to London's Waterloo Station, sitting among regular commuters, so that he could spend time with the pupils of Oasis Johanna Primary School, which is in a disadvantaged part of inner London, and after that we went by Uber taxi to a church in Hackney, in the East End, where the BBC's prestigious political television talk show Question Time would be filmed. As the TV cameras rolled, he conversed fluently on the subjects of Brexit, the UK's cost of living crisis, the then-Prime Minister Boris Johnson's 'partygate' shenanigans, and even Finland's desire to join NATO, consummately out-arguing one of his fellow panellists, Suella Braverman, who was then the Attorney General for England and Wales and the Advocate General for Northern Ireland.

In addition, as the months went by, he continued to speak out in support of what he saw as humankind's collective global responsibility to address the climate crisis, doing so with increasing regularity, vehemence, and fearlessness, with the result that he began to irritate the very most senior people at Aston Martin, even though what he said tended to please most journalists and fans. "I don’t care," he said when he learned of his big bosses' disquiet. "I must do what's right." Behind the scenes what he did was perhaps even more admirable. F1 teams receive communications from troubled people all the time. You try to do what you can to help them, but sometimes their difficulties are of the type that human kindness alone cannot resolve. I am thinking of recently bereaved people, terminally ill people, profoundly disabled people, people with debilitating mental health issues, etc. Sometimes all you can do is send them a team cap signed by a driver. It is not much, and it breaks your heart that you cannot do more, but it is better than nothing.

Yet Vettel always tried to do more. On one occasion, I had been contacted by a young man who was deeply depressed. I told Seb about him, and he said, "Let's do a Zoom call with him." So I arranged it. I had thought that Seb might speak for five minutes or so, but no. He chatted animatedly for more than twenty minutes, with touching humility and heart-warming empathy, and I feel confident when I say that those twenty-odd minutes were significant in expediting the lad's mental and emotional recovery. A few months later, Seb hand-wrote the boy a four page letter. He gave it to me at a grand prix-I cannot remember which one-and he instructed me to post it on when I returned to the UK. I read it before I did so, and the tenderness and beauty of Seb's prose brought me to tears. There are many other examples of his remarkable generosity and sensitivity: too many to mention, in fact. This column has been about Vettel the man, not Vettel the driver. He was fast and clever in the cockpit, and I may well write about that side of him one day. I could write much more about Vettel the man, too, for I have dozens of stories that I could tell on that subject, because I worked very closely with him for two years and, more importantly, because he is a truly great man. In my long career I am lucky enough to have spent time in F1 teams with four world champions-Seb, Lewis Hamilton, Fernando Alonso, and Jenson Button-and they are all fantastic guys in their own, very different, ways. But, in my 61 years on this planet, I can state with confident and emphatic certainty that Sebastian Vettel, from the small town of Heppenheim, south-west Germany, is one of the most impressive people whom I have ever had the pleasure and honour to know, whether that be inside or outside F1. As he is fond of saying, "You can't always be the best, but you can always do your best." As a maxim to live by, it is hard to beat.

article by matt bishop

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johannestevans · 11 months ago

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Where do I find the queer people?

Making friends and finding social & community spaces as an LGBTQ+ adult.

Originally published with Prism & Pen. Also on my Patreon.

Photo by Brett Sayles via Pexels.

A friend and I recently went to a Queer Open Mic night after I saw it advertised on the same afternoon. While we were on the way back, she asked about how I’d found it.

“I just feel like you always know loads of queer events that are on,” she said, “and I don’t know how to begin to find them.”

I sat down with her a few weeks later and showed her some of the ways I find events, regular or otherwise, and where I look for others — especially given that on social media in the past few days I’ve seen a few people talking about the difficulty of finding and meeting with new queer people when not online.

I thought it might be useful to put it together here.

It’s quite hard with the pressure on and elimination of many third spaces to go out and easily meet people, and given that most of us use a lot of online socials and dating apps, it can feel difficult to seek out and engage with in-person spaces without knowing exactly what the protocol or format of the event is going to be.

Especially given that many people are still more isolated than they were before the start of the Covid pandemic, and/or struggle with seeking out events for themselves having finished school or university or other more structured environments, there can be a lot of anxiety about attending events or meeting new people. But it’s worth it to remember that pretty much everyone else is in a similar spot, and there’s nothing weird or unusual about wanting to make friends or have social time with others.

I am based in the North of England and generally go between the UK and Ireland. So this guide might be less useful depending on where you are. Obviously, in countries with more repressive legislation on queer identity, community groups will by definition be far more underground. Even in areas where this isn’t the case, some of these suggestions might be more viable than others depending on how densely populated your area is, how accessible different venues and events are, and how active your local queer communities are. So, just take what’s good for you and leave the rest.

Finding Local Queer Community Groups

In your search engine, put in simple search terms — [queer] [group] in [my area].

If you can, narrow your search to websites updated in the last 6 months to 2 or 3 years — you’ll sometimes find a website from six or seven years ago where the events haven’t been running for half that when you were already excited about it.

Search your town, city, or county first, and then widen your search — I normally initially look for Bradford and Leeds respectively, but then might broaden my search to West Yorkshire or even North England depending on the time of year and if I’m more willing to travel for certain events, e.g. looking up summer events around Pride, or specific holiday events if you’re looking at Halloween, Christmas, New Year’s, etc.

Combine:

“Queer”, “LGBT” or “LGBTQ”, “Trans”, “Gay Men’s”, “Lesbian”, “Transgender”, “Transsexual”, “Gay Rights” or similar terms

With:

“Charity”, “Support Group”, “Social Space”, “Community Space”, “Meetup”, “Society”, and similar terms

Swap around the terms and find what language seems to be used in your area — remember that depending on the age group and demographic you’re looking at or for, there might be terms you prefer.

I personally search for a lot of gay men’s groups because the average age tends to be a lot older and focused more on the experiences and social spaces of men who love men rather than general queer spaces, which I find can be a bit too young and fast-paced for my speed.

In general, I find that there’s a loose separation between younger trans and queer social groups, which tend to be a mix of differing identities and ages but with a big emphasis on young adults in the 18–25 area, and then specific gay men’s or lesbians’ groups, which will have a wider swathe of ages and might be a little bit less online.

I understand the fear some people have of these spaces being more transphobic than younger spaces — that’s not personally been my experience, as transphobia and lateral bigotry might happen in any social space, but unfortunately, you just don’t know the specifics of an event or a group until you get there and actually meet and talk to the people.

Some charities or community groups that run a variety of spaces might have specific age or identity guidance on group titles — some might be particularly for younger or older people, be for trans people more than cis people, and some might focus on particular sub-communities, such as BIPOC queer groups or specific religious or ethnic meetups, disabled queer groups, etc.

You also might find meetups that are centred around certain hobbies, professions, or interests — boardgames or Magic the Gathering, Doctor Who or fantasy novels, medical professionals or blacksmiths, etc, depending on how big the area you’re in is and how populous it is.

If you are already a member of an institution or society, whether that’s your school or university, your union, some workplaces, your temple or other religious institution, etc, you might find that there are already events running for you!

Finding Queer Events Online

There are almost certainly queer events on, and they’re probably advertised, but where do you find them?

What’s annoying about the Internet as it exists, corporate online spaces and otherwise, is that most events will be posted in one or two spaces out of hundreds. The good ones will sometimes be hard to find because there’s a bunch of shitty advertising in the way, and because individuals and small charity or community advertisers don’t necessarily know about things like search engine optimisation or how to make a good, searchable post. There will be really cool events that are advertised online, but just aren’t tagged or easy to find.

This means that it’s worth looking often but keeping it casual — glancing through the top page for events that might be coming up or meet some keywords, but if most of what you see is ads, just leave it and move on. Digging through for the good events in busy areas that are also ad-heavy can take ages and might not even turn up much.

If you find socials for local community groups or charities, even if they don’t run events themselves, they might regularly share other local events or cool ones, so it can be worth following them!

Ditto for other queer people in your community — follow local artists, performers, academics, creators, public speakers, craftspeople, or any local community leaders or public figures, and see if they share and boost local events.

They might boost special interest events that are of interest to you if you follow people who share certain communities or interests. If, for example, you have an interest in lolita fashion and follow queer lolita dressers in your area or in areas you can travel to, they might post events that are of interest to them and maybe to you — whether that means specific lolita events, other clothing and fashion events like gothic or steampunk markets and shows, or even anime cons or renaissance faires or whatever.

Obviously searching on social media can help — looking for keywords like “queer event” or “LGBT social” on one site or other can be especially good if it’s a site where you can localise your search results, such as Facebook or Instagram.

With that said, Facebook and Instagram are increasingly difficult sites to use given how much they’re overwhelmed by sponsored and corporate posts as well as spam and bot posts. So, it’s generally worth it more when you focus on either events in smaller and limited areas, such as small towns, or when you’re looking for crossing over of different areas of interest, such as particular queer hobbyist or interest groups. When you start looking for broader spectrum events in a busier or more populous area, you can get inundated by spam and copy-and-paste duplicate ads that have all been promoted. But it’s still worth it to have a glance and see if anything is up at the top!

Sites and apps like Eventbrite or TicketSource, or equivalents in your area, will often let you search for specific events . As with social media, these sites can have the same problem of sponsored events coming up first, and annoyingly you can’t block particular event providers or organisers to make sure they don’t show in your search results if they’re not your thing.

Use every option that comes up and see if you can cross search where you can — pick a particular location or area, click on free or paid events, pick events at certain times, pick a certain kind of event, add in tags like LGBTQ or similar if it’s a site that allows it, etc.

If an event comes up that you like the idea of, note it down, then look the organizer up on social media and see if they run or share other events.

Looking for local tourism sites will let you search for other local events as well — especially if you live in a city or regularly visit one, they’ll often have a What’s On page or a Visit [Blank] website or equivalent, and you can search through that — most of them will have cultural events or a specific LGBTQ section you can glance through.

Here’s the Visit Bristol site, for example:

What’s On in Bristol — VisitBristol.co.uk Click here to find out What’s On in Bristol!…Get the latest information on the latest Events, Festivals, Carnivals…visitbristol.co.uk

For obvious reasons, sites like most of the above will focus on paid events, especially evening and party events. Pub quizzes, drag events, bingo nights, balls, drinks offers, parties, etc.

These events aren’t for everybody — and if they’re not for you, focus on events that take place, if not in cafés and restaurants, then in libraries, universities, museums, and other public buildings.

Queer Events Locally Advertised In-Person

Wait, do people still do that?

Look for poster and notice boards in:

Libraries, museums, community centres, university lobbies

Vintage and alternative clothes stores, music venues, etc

Your temple, church, or other religious institutions

Gay bars, queer cafés, LGBTQ centres, queer bookshops

Doctor’s offices, GUM clinics, and sexual health clinics

Anywhere else you see a noticeboard with events showing!

Also look on flag poles or in windows around your local gay bars or businesses if you have any, generally around the gay village if there’s one to go through.

How do you know the events are good? How do you know they’re legit?

How old does the poster look? Do you see many copies of it around?

Look for dates for the event(s) they’re advertising on the poster, and then look up the venue the events are meant to happen at. Do the dates match? Is it a regular event? Is the event showing on the venue’s website or social media?

Is the event run by a local group, collective, or charity? When you search them, do they have socials or a site of their own? Do they seem active?

If a local queer poster gives you socials, check those socials out — do they have any followers you’re familiar with? Do they post their venues publicly and have defined and public meeting times? Do they seem to have active and engaged commenters? Is there a face or faces behind the social media, or are they anonymous?

If an event is run by anonymous people, or if it seems like they don’t have many followers on social media or very active ones, that might be a bit more suspicious — ditto if an event just gives you a phone number but not any further identifying info.

It’s not inherently suspicious for a queer event to be at an undisclosed location, because of course people do want to ensure some safeguarding and vet people before they come, but if it’s an undisclosed location in combination with anonymous organising, that might be a bit suspicious, and should probably be avoided.

Finding Queer People in Specific Hobby or Other Community Spaces

You don’t have to go to queer-specific events to meet other queer people — any hobby or community you can think of, there’s probably queer people in attendance.

If you’re in a busier or more populous area, say there are 5 events that centre around the same hobby — of those 5, some of them will have more queer people than others, and it might be worth checking them out just to see if you click with anyone there.

My partner and I attend queer-specific board-game evenings that are run out of gay bars or by queer clubs, but pretty much any board-game night is likely to have one or two queer people knocking about, whether they know or would identify themselves as LGBTQ+ off the bat or not.

While there are obviously more open queer people at the queer events, I would say that when we went to a local board-game night run by older straight guys, about a quarter of the attendees were older queer people.

Of my queer friends, pretty much all of them have varied interests and attend different groups or clubs with a lot of other queers knocking about without them being labelled or explicitly queer events — knitting and crocheting, computer coding, electronic music and DJing, fandom, blacksmithing, glassblowing, stand-up comedy, improv, cooking, gardening, board games, cosplay and historical costuming, LEGO, live-action roleplay, tabletop roleplaying games, Magic the Gathering, Yu-Gi-Oh, and other trading card games, poker, burlesque, sports games and clubs, swimming, cycling, fishing, photography, book clubs, bug collecting, birdwatching, weaving, painting, sculpture, pottery, video games, singing, songwriting, poetry…

The list goes on.

Hell, half the people I know seem to go and meet new dates at the local climbing wall, where it seems like all the lesbians and gay guys are crawling all over one another. Another friend of mine attends their local WI, and have met other queer people there.

Other Tips

Remember you can meet people on dating and hook-up apps and that doesn’t necessarily have to be for sex and relationships, whether that’s Grindr, Her, Lex, etc — or you can ask hook-ups and casual dates where they go or if there are local events they think are good or fun. Poly people are particularly useful for this, because they’ll often have a whole network of regular events crossing over and diverging.

If you’re nervous about going to an event alone and you don’t have anybody to go with you, it can be worth checking it out on socials first and see if you have any mutual friends with people that are going — if not, it’s worth heading along anyway, because people might well speak to you before you have to open the conversation with them.

Community groups will often have icebreakers or sessions where people swap names, pronouns, and basic introductions, and that can ease the way into getting used to the space.

If you see somebody else on their own who seems nervous to talk to people, they can be good to approach and say, hey, I also don’t know anyone here, what brings you here? And so on. Remember, other people are pretty much always in the same boat as you.

For me, one of the biggest anxieties about going to new events alone is the fact that I’m disabled and dependent on public transport, and that combo can make it tough on me if I get to a place and it’s inaccessible or just not my speed, and then I have to sort of immediately turn heel and leave, but wait ages for a bus in the meantime. I’ve missed more than one event I was really excited about just because transport didn’t line up for me.

Some considerations to keep in mind when you look for events:

Is the event free or paid? Is this clearly marked? Do you need to buy tickets in advance?

How recent is the posting about the event? Is it posted on a web page or a social media page? Are there recent comments or engagement on the entry? If there is a contact for the event, is it active and responsive?

Is this event regular or recurrent? Is it for a special occasion, and does it have sister events or concurrent events?

Is the event exclusively online, exclusively in-person, or do they change between the two formats? Would you prefer to attend online before you attend in-person?

Do you want to go to a closed and more private group — for example, one that has you message them for the time and location, seems to have capped attendee limits, seems to have a regular community. Or do you want to attend a more casual event in a larger, open space where people might not notice as much as you come and go? Is it going to be very crowded or more spaced out?

Where is the event located, and will you be comfortable in that venue? Is it in a community building such as a charity space, community group, religious institute, school, or university? Is it in a café, restaurant, pub, bar, club, or late-night venue? Is it an explicitly or dedicated queer space? If you are not out to other members of your community, will going into this space reveal that you might be a member of a queer group?

Is the venue age-restricted, and will it require ID? If you must provide ID, will providing your ID in a dead name or in a different gender presentation to your current one be anxiety-inducing or a potential problem for you?

How accessible is the venue to you? Is it walkable, on a regular bus route, or does it have appropriate parking for you? Does it have ramps or elevators? Is it well-ventilated, and does it have a HVAC or other air filtration and purification protocol? Is masking enforced, and/or are masks provided? If you might be watching something together, is there a hearing loop, will there be subtitles on a screening? Is there a first aider at the event? Does the venue serve food or drink, or provide refreshments?

If you are attending alone and have specific needs or requirements, or might need to leave abruptly, is there someone you can let know at the event, such as a first aider or community leader? Are there regular buses, a taxi rank, or online taxi access if you need to quickly head home? Have you let someone else know where you are going, just as a safety concern?

Is the event activity-based, or is it a space where people just sit and talk? Would one or the other of these feel more natural or comfortable to you? Do you have to bring your own activity, such as with a craft or knitting circle, or are supplies provided, such as boardgames or a screening?

Does the group or host for the event(s) have social media? Do they advertise the regular events on socials, or have a newsletter, or some other helpful reminder system?

Most community events will be free, but if it’s an activity group or society, or if it’s a private event, especially one where they buy equipment or supplies, there might be an up-front ticket or access fee, a membership fee or a collection jar or similar — most events will tell you in advance if there is a fee or if they might request a donation.

Most importantly, like… Have fun.

If it sucks, hit the bricks — there’s no obligation to stay anywhere if it’s not fun or doesn’t satisfy you in the way you were hoping.

There’s always other events out there, and you’re very unlikely to truly be the only gay in the village, even if it sometimes feels that way. Good luck!

#musings #queer pride #lgbt #gay community

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littlemelaninfics · 2 years ago

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Ma’am I currently have covid so I’m chillin my room & was wondering if you could possibly take the time out to write some disrespectful dirty af smut for my mans Colby? Like make up sex type shet 🥵🥵😏😏

Thank you boo 💝

(gif not mine)

You tried explaining the whole way home that women gawk at him all the time and that you got used to it, but he's having none of it.

This all started at the award show we went to tonight. One of his fellow creators was making googly eyes at your cleavage the whole night and Colby took notice. What drove it home was when we pulled into the driveway and our neighbor Joseph made a comment about how we both looked nice, me especially.

Colby shook his head with his signature smirk and I knew I would have to be doing some groveling tonight.

Joseph has caused issues with us before as he's in his early 40's, a well respected surgeon with 2 Ph.d's, a Doctorate and easy on the eyes. This causing Colby to feel inferior when a "chode nose having, geriatric, Chris Hansen's most wanted grown ass man with an end of adolescence fetish" shamelessly flirts with you in front of him like he's better than him.

"Sam and I have businesses too."

"I know, baby."

"I'm fucking damn near 20 years younger than him and I'm well respected in my field, I'm with the woman I'm going to spend the rest of my life with, I have the best fucking friends, I've traveled, I've won awards AND I was Joe fucking Rogen's podcast. He is not better than me," he said looking you directly in your eyes.

Once his rant was over, you grabbed the sides of his face as a way to calm him down knowing his anger wasn't directed at you. This was 8 months ago, 3 weeks after you moved in

Tonight he walked through the door with a huff, not bothering to hold it open.

"Um, thanks. Dick." I called out to him when I stopped the door from slamming in my face. I saw him swallow some of what was in his glass before speaking for the first time in a long while,

"You love that shit, don't you?"

I stop in my tracks and turn to face him,

"What the fuck are you talking about?"

"Them! All of them looking at you. One of which lives right next door. You fuck him yet? Is that why he's trying so hard to be my friend with that condescending, shit eating grin?"

"You're drunk and I'm going to bed. I already said I was sorry for my tits being on full display. What do you want me to do? Get a reduction?"

He brought his glass to his lips once more and raised his eyebrows.

"Fuck. You." I turned back around to stomp up the stairs to decompress. I take off my jewelry and shawl before unzipping the gown I'm in.

I walk in the bathroom and turn on the water. I go under the sink grabbing my favorite body wash and take a much needed shower. When I exit I see Colby undressing at the dresser, facing the mirror.

I know he didn't mean it in the slightest, but I'm still upset about what he suggested about my breast size so I decide to put on a show for someone who enjoys them in all their glory. Still in my towel, I saunter over to my side of the dresser and grab my favorite body lotion.

In that time, I notice Joseph's office light is on and the blinds are cracked. I walk over to our curtains and open them before sitting on the bed.

To anyone else, it looked like I wanted to let the city lights in, but he knew. They both did. Colby eyed me in the mirror before looking out the window.

Without a single word, he drags me along out to our balcony where the cool air heats up. He bends me over the balcony and slaps my ass. Colby pulls down my panties and inserts himself into me.

He grabs my neck and forces me to arch my back as he pounds into me.

"What's my name?"

"Dick."

He grabs my hair, “What’s my name, Y/N?”

“Daddy.” I whimper

“I can’t hear you, princess,” my body shudders and my pussy gets wetter as his grip tightens around my neck.

“Daddy!” I scream out.

“That’s right. Who else makes you feel this good? Hmmm? Tell me.”

I move my arm back to try to slow him down a bit, but he moves it away. I stand up straight and Colby wraps his free arm around my waist pushing his dick further up into me. My eyes roll the back of my head. He moves to my ear and I can hear his heavy breathing,

“Answer me”

“You, Colby! Fuck I’m gonna cum!" My vision starts to go dark and he chuckles,

“No you’re not, Baby. You’re gonna hold it like a good girl.” I whine at his words and dig my nails into his tensed muscular thigh.

He exits me and jacks off, letting my cum drip over off his tip. His head falls back at the sensation before making his next command,

“On the chair ass up” I go over to the chair and place my hands on the arm rests. He smacks my ass and I moan. My legs shake as I bite my lip. I feel Colby enter me again this time a little slower. Making me feel the length of his pulsating cock.

He gives that first good thrust, having my ass bounce back on him which only prompts him to smack it more.

“Daddy that feels so good” I stand on my tippy toes and arch my back further down.

“Bounce on me baby” I begin meeting his thrusts. He slips out of me, but immediately puts it back in getting my closer to my orgasm.

“Fuck you’re so sexy,” he plays with my clit making me shake.

“Can I please cum daddy please.”

“Hold it” he demands. He pounds harder and my eyesight gets weaker.

“Ugh daddy please” my body rattles and Colby cums balls deep in me. I can’t hold it anymore and I squirt over our feet, inevitably pushing him out. I scream out his name when he flicks his still hard cock over my soaking clit, dragging out the streams of ecstasy. I see Joseph's lights go off, but I don't care. I feel lips press to my shoulder blade with a slight bite and chuckle. Colby knows he won.

“That’s it, baby. I want it all over me," he smirks before sinking to his knees and lapping me up with licks and slurps. He stands back up and spins me around to make me taste myself. To my surprise, he spits the mixture of our cum into my mouth with the darkest eyes I've seen.

My knees go weak and I moan into his mouth. His hand wraps around my throat one more time,

“You’re mine don’t forget that," he says. Leaving me naked and spent out in the crisp Summer night.

a/n: there is a sentence that says Joseph is into women who are at the end of adolescence and and i just wanted to hat it noted that adolescence doesn't end until 24 years old

#colby brock #colby brock smut #colby brock imagine #colby brock headcanon #colby brock x reader #colby brock x black!reader #colby brock x black reader #sam and colby #sam and colby smut #youtuber smut

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acealistair · 5 months ago

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Dragon Age: The Veilguard GameInformer Article Transcribed

I saw some people lamenting that they had no way to read the GameInformer article, and while MVP dalishious posted screenshots of the article here, I figured that might be a little difficult to read, plus people with screen readers can't read it of course. So I've gone ahead and transcribed it! Full thing below the cut!

As a note, I transcribed it without correcting any typos, capitalization errors, etc. that the article itself had (as much as it pained me, omg the author capitalizes so many things that shouldn't be and vice versa). There may be some typos on my part as I did this as quickly as I could, so apologies in advance for any you might encounter.

I have also created a plot-spoiler-free version of the article for those who would like to learn more about the mechanics of the game without learning more plot info than they want!

Throughout my research and preparation for a trip to BioWare’s Edmonton, Canada, office for this cover story, I kept returning to the idea that its next game, Dragon Age: The Veilguard (formerly subtitled Dreadwolf) is releasing at a critical moment for the storied developer. The previous installment, Dragon Age: Inquisition, hit PlayStation, Xbox, and PC a decade ago. It was the win BioWare needed, following the 2012 release of Mass Effect 3 with its highly controversial and (for many) disappointing ending. Inquisition launched two years later, in 2014, to rave reviews and, eventually, various Gameo the Year awards, almost as if a reminder of what the studio was capable of.

Now, in 2024, coincidentally, the next Dragon Age finds itself in a similar position. BioWare attempted a soft reboot of Mass Effect with Andromeda in 2017, largely seen as a letdown among the community, and saw its first live-service multiplayer attempt in 2019’s Anthem flounder in the tricky waters of the genre; it aimed for a No Man’s Sky-like turnaround with Anthem Next, but that rework was canceled in 2021. Like its predecessor, BioWare’s next Dragon Age installment is not only a new release in a beloved franchise, but is another launch with the pressure of BioWare’s prior misses; a game fans hope will remind them the old BioWare is still alive today.

“Having been in this industry for 25 years, you see hits and misses, and it’s all about building off of those hits and learning from those misses,” BioWare general manager Gary McKay, who’s been with the studio since January 2020, tells me.

As McKay gives me a tour of the office, I can’t help but notice how much Anthem is scattered around it. More than Mass Effect, more than Dragon Age, there’s a lot of Anthem - posters, real-life replicas of its various Javelins, wallpaper, and more. Recent BioWare news stories tell of leads and longtime studio veterans laid off and others departing voluntarily. Veilguard’s development practically began with the COVID-19 pandemic in 2020. When I ask McKay about the tumultuousness of BioWare and how he, as the studio manager, makes the team feel safe in the product it’s developing, he says it’s about centering on the creative vision. “[When] we have that relentless pursuit for quality, and we have passion and people in the right roles, a lot of the other stuff you’re talking about just fades into the background.”

That’s a sentiment echoed throughout the team I speak to: Focus on what makes a BioWare game great and let Veilguard speak for itself. Though I had no expectations going in - it’s been 10 years since the last Drag Age, after all, and BioWare has been cagey about showing this game publicly - my expectations have been surpassed. This return to Thedas, the singular continent of the franchise, feels like both a warm welcome for returning fans and an impressive entry point for first-time players.

New Age, New Name

At the start of each interview, I address a dragon-sized elephant in the room with the game’s leads. What was Dragon Age: Dreadwolf is now Dragon Age: The Veilguard. Why?

“These games are reflections of the teams that make them, and as part of that, it means we learn a lot about what the heart and soul of the game really is as we’re developing it,” Veilguard game director Corinne Busche tells me. “We quickly learned and realized that the absolute beating heart of this game is these authentic, diverse companions. And when we took a step back, as we always do, we always check our decisions and make sure they still represent the game we’re trying to build.”

Dreadwolf no longer did that, but each member of BioWare I speak to tells me The Veilguard does. And while I was initially abrasive to the change - lore aside, Dreadwolf is simply a cool name - I warmed up to The Veilguard.

Solas, a Loki-esque trickster member of the Elven pantheon of gods known as the Dread Wolf, created the Veil long ago while attempting to free the elves from their slave-like status in Thedas. This Veil is a barrier between the magical Fade and Thedas, banishing Elven gods and removing Elven immortality from the world. But players didn’t know that in Inquisition, where he is introduced as a mage ally and companion. However, at the end of Inquisition’s Trespasser DLC, which sets the stage for Veilguard, we learn in a shocking twist that Solas wants to destroy the Veil and restore Elves to their former glory. However, doing so would bring chaos to Thedas, and those who call it home, the people who eventually become The Veilguard, want to stop him.

“There’s an analogy I like to use, which is, ‘If you want to carve an elephant out of marble, you just take a piece of marble and remove everything that doesn’t look like an elephant,’” Veilguard creative director John Epler says. “As we were building this game, it became really clear that it was less that we were trying to make The Veilguard and more like The Veilguard was taking shape as we built the game. Solas is still a central figure in it. He’s still a significant character. But really, the focus shifts to the team.

“[We] realized Dreadwolf suggests a title focused on a specific individual, whereas The Veilguard, much like Inquisition, focuses more on the team.”

Creating Your Rook

Veilguard’s character creator is staggeringly rich, with a dizzying number of customizable options. Busche tells me that inclusivity is at the heart of it, noting that she believes everyone can create someone who represents them on-screen.

There are four races to choose from when customizing Rook, the new playable lead - Elves, Qunari, Humans, and Dwarves - and hundreds of options to customize your character beyond that. You can select pronouns separately from gender and adjust physical characteristics like height, shoulder width, chest size, glute and bulge size, hip width, how bloodshot your eyes are, how crooked your nose is, and so much more. There must be hundreds of sliders to customize these body proportions and features like skin hue, tone, melanin, and just about anything else you might adjust on a character. Oh, and there’s nudity in Veilguard, too, which I learn firsthand while customizing my Rook.

“The technology has finally caught up to our ambition,” Dragon Age series art director Matt Rhodes tells me as we decide on my warrior-class Qunari’s backstory, which affects faction allegiance, in-game dialogue, and reputation standing - we choose the pirate-themed Lords of Fortune.

Notably, instead of a warrior class, we could have chosen mage or rogue. All three classes have unique specializations, bespoke skill trees, and special armors, too. And though our Rook is aligned with the Lords of Fortune faction, there are others to choose from including the Grey Wardens, Shadow Dragons, The Mourn Watch, and more. There is some flexibility in playstyle thanks to specializations, but your class largely determines the kind of actions you can perform in combat.

“Rook ascends because of competency, not because of a magical McGuffin,” BioWare core lead and Mass effect executive producer Michael Gamble tells me in contrast to Inquisition’s destiny-has-chosen-you-characterization.

“Rook is here because they choose to be, and that speaks to the kind of character that we’ve built.” Busche adds, “Someone needs to stop this, and Rook says, ‘I guess that’s me.’”

Beyond the on-paper greatness of this character creator, its customizability speaks to something repeated throughout my BioWare visit: Veilguard is a single-player, story-driven RPG. Or in other words, the type of game that made BioWare as storied as it is. McKay tells me the team explored a multiplayer concept early in development before scratching it to get back to BioWare basics. The final game will feature zero multiplayer and no microtransactions.

Happy to hear that, I pick our first and last name, then one of four voices, with a pitch shifter for each, too, and we’re off to Minrathous.

Exploring Tevinter For The First Time

Throughout the Dragon Age series, parts of Thedas are discussed by characters and referenced by lore material but left to the imagination of players as they can’t visit them. Veilguard immediately eschews this, setting its opening prologue mission in Minrathous, the capital of the Tevinter Empire. Frankly, I’m blown away by how good it looks. It’s my first time seeing Veilguard in action and my first look at a Dragon Age game in nearly a decade. Time has treated this series well, and so has technology.

Epler, who’s coming up on 17 years at BioWare, acknowledges that the franchise has always been at the will of its engine. Dragon Age: Origins and II’s Eclipse Engine worked well for the time, but today, they show their age. Inquisition was BioWare’s first go at Ea’s proprietary Frostbite engine - mind you, an engine designed for first-person shooters and decidedly not multi-character RPGs - and the team struggled there, too. Epler and Busche agree Veilguard is the first RPG where BioWare feels fully in command of Frostbite and, more generally, its vision for this world.

We begin inside a bar. Rook and Varric are looking for Neve Gallus, a detective mage somewhere in Minrathous. The first thing players will do once Veilguard begins is select a dialogue option, something the team says speaks to their vision of a story-forward, choice-driven adventure. After a quick bar brawl cutscene that demonstrates Rook’s capabilities, there’s another dialogue choice, and different symbols here indicate the type of tone you can roll with. There’s a friendly, snarky, and rough-and-tough direct choice, and I later learn of a more romantically inclined “emotional” response. These are the replies that will build relationships with characters, romantic and platonic alike, but you’re welcome to ignore this option. However, your companions can romance each other, so giving someone the cold shoulder might nudge them into the warm embrace of another. We learn Neve is in Dumat Plaza and head into the heart of Minrathous.

Rhodes explains BioWare’s philosophy for designing this city harkens back to a quick dialogue from Inquisition’s Dorian Pavus. Upon entering Halamshiral’s Winter Palace, the largest venue in Dragon Age history at that point, Dorian notes that it’s cute, adorable even, alluding to his Tevinter heritage. If Dorian thinks the largest venue in Dragon Age history is cute and adorable, what must the place he’s from be like? “It’s like this,” Rhodes says as we enter Minrathous proper in-game.

Minrathous is huge, painted in magical insignia that looks like cyberpunk-inspired neon city signs and brimming with detail. Knowing it’s a city run by mages and built entirely upon magic, Rhodes says the team let its imagination run wild. The result is the most stunning and unique city in the series. Down a wide, winding pathway, there’s a pub with a dozen NPCs - Busche says BioWare used Veilguard’s character creator to make each in-world NPC except for specific characters like recruitable companions - and a smart use of verticality, scaling, and wayfinding to push us toward the main attraction: Solas, attempting to tear down the Veil.

All hell is breaking loose. Pride Demons are rampaging through the city. Considering Pride Demons were bosses in prior games, seeing them roaming freely in the prologue of Veilguard speaks to the stakes of this opener. Something I appreciate throughout our short journey through Minrathous to its center below is the cinematography at play. As a Qunari, my character stands tall, and Rhodes says the camera adjusts to ensure larger characters loom over those below. On the flip side, the camera adjusts for dwarves to demonstrate their smaller stature compared to those around them.

This, coupled with movie-liked movement through the city as BioWare showcases the chaos happening at the hands of Solas’ Veil-break ritual, creates a cinematic start that excited me, and I’m not even hands-on with the game.

Eventually, we reach Neve, who has angered some murderous blood mages, and rescue her from danger. Or rather, help… barely. Neve is quite capable, and her well-acted dialogue highlights that. Together, Varric, returning character Lace Harding, who is helping us stop Solas and is now a companion, Rook, and Neve defeat some demons. They then take on some Venatori Cultists seizing this chaotic opportunity to take over the city and other enemies before making it to Solas’ hideout. As we traverse deeper and deeper into this hideout, more of Solas’ murals appear on the walls, and things get more Elven. Rhodes says this is because you’re symbolically going back in time, as Minrathous is a city built by mages on the bones of what was originally the home of Elves.

At the heart of his hideout, we discover Solas’ personal Eluvian. This magical mirror-like structure allows the gang to teleport (and mechanically fast-travel) to Arlathan Forest, where Solas is secretly performing the ritual (while its effects pour out into Minrathous).

Here, we encounter a dozen or so demons, which BioWare has fully redesigned on the original premise of these monstrous creatures. Rhodes says they’re creatures of feeling and live and die off the emotions around them. As such, they are just a floating nervous system, push into this world from the Fade, rapidly assembled into bodies out of whatever scraps they find.

I won’t spoil the sequence of events here, but we stop Solas’ ritual and seemingly save the world… for now. Rook passes out moments later and wakes up in a dream-like landscape to the voice of none other than Solas. He explains a few drops of Rook’s blood interacted with the ritual, connecting them to the Fade forever. He also says he was attempting to move the Elgar’nan and Ghilan’nain, part of the Evanuris or Elven gods of ancient times, to a new prison because the one he had previously constructed was failing. Unfortunately, Solas is trapped in the Fade by our doing, and these gods are now free. It’s up to Rook to stop them; thus, the stage for our adventure is set.

The Veilguard Who’s Who

While we learned a lot about returning character but first-time companion Lace Harding, ice mage private detective Neve Gallus, and veil jumper Bellara Lutara, BioWare shared some additional details about other companions Rook will meet later in the game. Davrin is a charming Grey Warden who is also an excellent monster hunter; Emmrich is a member of Nevarra’s Mourn Watch and a necromancer with a skeleton assistant named Manfred; Lucanis is a pragmatic assassin whose bloodline descends from the criminal House of Crows organization; And Taash is a dragon hunter allied with the piratic Lords of Fortune. All seven of these characters adorn this Game Informer issue, with Bellara up front and center in the spotlight.

The Lighthouse

After their encounter with Solas, Rook wakes up with Harding and Neve in the lair of the Dread Wolf himself, a special magical realm in the Fade called the Lighthouse. It’s a towering structure centered amongst various floating islands. Epler says, much like Skyhold in Inquisition, the Lighthouse is where your team bonds, grows, and prepares for its adventures throughout the campaign. It also becomes more functional and homier as you do. Already, though, it’s a beautifully distraught headquarters for the Veilguard, although they aren’t quite referring to themselves as that just yet.

Because it was Solas’ home base of operations, it’s gaudy, with his fresco murals adorning various walls, greenery hanging from above, and hues of purple and touches of gold everywhere. Since it’s in the Fade, a realm of dreams that responds to your world state and emotion, the Lighthouse reflects the chaos and disrepair of the Thedas you were in moments ago. I see a clock symbol over a dialogue icon in the distance, which signals an optional dialogue option. We head there, talk to Neve, select a response to try our hand at flirting, and then head to the dining hall.

A plate, a fork and knife, and a drinking chalice are at the end of a massive table. Rhodes says this is both a funny (and sad) look at Solas’ isolated existence and an example of the detail BioWare’s art team has put into Veilguard. “It’s a case of letting you see the story,” he says. “It’s like when you go to a friend's house and see their bedroom for the first time; you get to learn more about them.” From the dining hall, we gather the not-quite-Veilguard in the library, which Busche says in the central area of the Lighthouse and where your party will often regroup and prepare for what’s next. The team decides it must reach the ritual site back in Arlathan Forest, and Busche says I’m missing unique dialogue options here because I’m Qunari; an Elf would have more to say about the Fade due to their connection to it. The same goes for my backstory earlier in Minrathous. If I had picked the Shadow Dragons background, Neve would have recognized me immediately, with unique dialogue.

With our next move decided, we head to Solas’ Eluvian to return to Arlathan Forest and the ritual site. However, it’s not fully functional without Solas, and while it returns us to Arlathan Forest, it’s not exactly where we want to go. A few moments later, we’re back in the Arlathan Forest, and just before a demon-infested suit of mechanized armor known as a Sentinel can attack, two new NPCs appear to save us: Strife and Irelin. Harding recognizes them, something Dragon Age comic readers might know about. They’re experts in ancient elven magic and part of the new Veil Jumpers faction. The ensuing cutscene, where we learn Strife and Irelin need help finding someone named Bellara Lutara, is long, with multiple dialogue options. That’s something I’m noticing with Veilguard, too - there’s a heavy emphasis on storytelling and dialogue, and it feels deep and meaty, like a good fantasy novel. BioWare doesn’t shy away from minutes-long cutscenes.

Busche says that’s intentional, too. “For Rook, [this story’s about] what does it meant to be a leader,” she says. “You’re defining their leadership style with your choices.” Knowing that Rook is the leader of the Veilguard, I’m excited to see how far this goes. From the sound of it, my team will react to my chosen leadership style in how my relationships play out. That’s demonstrated within the game’s dialogue and a special relationship meter on each companion’s character screen.

Redefining Combat Once More

Bellara is deep within Arlathan Forest, and following the prolgoue’s events, something is up here. Three rings of massive rocks fly through the air, protecting what appears to be a central fortress. Demon Sentinels plague the surrounding lands, and after loading up a new save, we’re in control of a human mage.

Following the trend of prior Dragon Age games, Veilguard has completed the series’ shift from tactical strategy to real-time action, but fret not: a tactical pause-and-play mechanic returns to satiate fans who remember the series’ origins (pun intended). Though I got a taste of combat in the prologue, Veilguard’s drastic departure from all that came before it is even more apparent here.

Busche says player complete every swing in real-time, with special care taken to animation swing-through and canceling. There's a dash, a parry, the ability to charge moves, and a completely revamped healing system that allows you to use potions at your discretion by hitting right on the d-pad. You can combo attacks and even “bookmark” combos with a quick dash, which means you can pause a combo’s status with a dash to safety and continue the rest of the combo afterward. It looks even cooler than it sounds.

Like any good action game, there is a handful of abilities to customize your kit. And, if you want to maintain that real-time action feel, you can use them on the fly, so long as you take cooldowns into effect. But Veilguard’s pause-and-play gameplay mechanic, similar to Inquisition’s without the floating camera view, lets you bring things to halt for a healthy but optional dose of strategy.

In this screen, which essentially pauses the camera and pulls up a flashy combat wheel that highlights you and your companions’ skills, you can choose abilities, queue them up, and strategize with synergies and combos, all while targeting specific enemies. Do what you need to here, let go of the combat wheel, and watch your selections play out. Busche says she uses the combat wheel to dole out her companions’ attacks and abilities while sticking to the real-time action for her player-controlled Rook. On the other hand, Epler says he almost exclusively uses the combat wheel to dish out every ability and combo.

Busche says each character will play the same, in that you execute light and heavy attacks with hte same buttons, use abilities with the same buttons, and interact with the combo wheel in the same way, regardless of which class you select. But a sword-and-shield warrior, like we used in the prolgoue, can hip-fire or aim their shield to throw it like Captain America, whereas our human mage uses that same button to throw out magical ranged attacks. The warrior can parry incoming attacks, which can stagger enemies. The rogue gets a larger parry window. Our mage, however, can’t parry at all. Instead, they throw up a shield that blocks incoming attacks automatically so long as you have the mana to sustain it.

“What I see from Veilguard is a game that finally bridges the gap,” former Dragon Age executive producer Mark Darrah, who left BioWare in 2021 before joining the Veilguard team last year as a consultant, tells me. “Uncharitably, previous Dragon Age games got to the realm of ‘combat wasn’t too bad.’ In this game, the combat’s actually fun, but it does keep that thread that’s always been there. You have the focus on Rook, on your character, but still have that control and character coming into the combat experience from the other people in the party.”

“This is really the best Dragon Age game that I’ve ever played,” he adds, noting his bias. “This is the one where we get back to our roots of character-driven storytelling, have really fun combat, and aren’t making compromises.”

Watching Busche take down sentinels and legions of darkspawn on-screen, I can already sense Veilguard’s combat will likely end up my favorite in the series, although admittedly, as a fan of action games, I’m an easy sell here. It’s flashy, quick, and thanks to different types of health bars, like a greenish-blue one that represents barrier and is taken down most effectively with ranged attacks, a decent amount of strategy, even if you don’t use the pause-and-play combo wheel. Like the rest of the game, too, it’s gorgeous, with sprinkles, droplets, and splashes of magic in each attack our mage unleashes. Though I’m seeing the game run on a powerful PC, which is sure to be the best showcase of Veilguard, Epler tells me the game looks amazing on consoles - he’s been playing it on PlayStation 5 and enjoying it in both its fidelity and performance modes, but I’ll have to take his word for it.

Pressing Start

The start or pause screen is as important to a good RPG as the game outside the menus. Veilguard’s contains your map, journal, character sheets, skill tree, and a library for lore information. You can cross-compare equipment and equip new gear here for Rook and your companions, build weapon loadouts for quick change-ups mid-combat, and customize you and your party’s abilities and builds via an easy-to-understand skill tree. You won’t find minutiae here, “just real numbers,” Busche says. That means a new unlocked trait might increase damage by 25 percent against armor, but that’s as in-depth as the numbers get. Passive abilities unlock jump attacks and guarantee critical hit opportunities, while abilities add moves like a Wall of Fire to your arsenal (if you’re a mage). As you spec out this skill tree, which is 100 percent bespoke to each class, you’ll work closer to unlocking a specialization, of which there are three for each class, complete with a unique ultimate ability. Busche says BioWare’s philosophy here is “about changing the way you play, not statistical minutiae.”

Companion Customization

You can advance your bonds by helping companions on their own personal quests and by including them in your party for main quests. Every Relationship Level you rank up, shown on their character sheet, nets you a skill point to spend on them. Busche says the choices you make, what you say to companions, how you help them, and more all matter to their development as characters and party members. And with seven companions, there’s plenty to customize, from bespoke gear to abilities and more. Though each companion has access to five abilities, you can only take three into combat, so it’s important to strategize different combos and synergies within your party. Rhodes says beyond this kind of customizable characterization, each companion has issues, problems, and personal quests to complete. “Bellara has her own story arc that runs parallel to and informs the story path you’re on,” Rhodes says.

In Entropy’s Grasp

As we progress through the forest and the current “In Entropy’s Grasp” mission, we finally find Bellara. She’s a veil jumper, the first companion you meet and recruit in-game (unlike Neve, who automatically joins), and the centerpiece of this issue’s cover image. Because our mage’s background is Veil Jumper, we get some unique dialogue. Bellara explains we’re all trapped in a Veil Bubble, and there’s no way out once you pass through it. Despite the dire situation, Bellara is bubbly, witty, and charming.

“When designing companions, they’re the load-bearing pillars for everything,” Rhodes says. “They’re the face of their faction, and in this case [with Bellara], their entire area of the world. She’s your window into Arlathan Forest.” Rhodes describes her as a sweetheart and nerd for ancient elven artifacts. As such ,she’s dressed more like an academic than a combat expert, although her special arm gauntlet is useful both for tinkering with her environment and taking down enemies.

Unlike Neve, who uses ice magic like our Rook and can slow down time with a special ability, Bellara specializes in electricity, and she can also use magic to heal you, something Busche says Dragon Age fans have been desperate to have in a game. Busche says if you don’t direct Neve and Bellara, they’re fully independent and will attack on their own. But synergizing your team will add to the fun and strategy of combat. Bellara’s electric magic is effective against Sentinels, which is great because we currently only have access to ice. However, without Bellara, we could also equip a rune that converts my ice magic, for a brief duration, into electricity to counter the Sentinels.

As we progress through Arlathan Forest, we encounter more and more darkspawn. Bellara mentions the darkspawn have never been this far before because the underground Deep Roads, where they usually escape from, aren’t nearby. However, with blighted Elven gods roaming the world, and thanks to Blight’s radiation-like spread, it’s a much bigger threat in Veilguard than in any Dragon Age before it.

I continue to soak in the visuals of Veilguard with Arlathan Forest’s elven ruins, dense greenery, and disgusting Blight tentacles and pustules; it’s perhaps the most impressive aspect of my time seeing the game, although everything else is making a strong impression, too. I am frustrated about having to watch the game rather than play it, to be honest. I’m in love with the art style, which is more high fantasy than anything in the series thus far and almost reminiscent of the whimsy of Fable, a welcome reprieve from the recent gritty Game of Thrones trend in fantasy games. Rhodes says that’s the result of the game’s newfound dose of magic.

“The use of magic has been an evolution as the series has gone on,” he says. “It’s something we’ve been planning for a while because Solas has been planning all this for a while. In the past, you could hint at cooler magical things in the corner because you couldn’t actually go there, but now we actually can, and it’s fun to showcase that.”

Busche, Epler, and Rhodes warn me that Arlathan Forest’s whimsy will starkly contrast to other areas. They promise some grim locations and even grimmer story moments because, without that contrast, everything falls flat. Busche likens it to a “thread of optimism” pulled through otherworldly chaos ravaging Thedas. For now, the spunky and effervescent Bellara is that thread.

As we progress deeper into the forest, Bellara spots a floating fortress and thinks the artifact needed to destroy the Veil Bubble is in there. To reach it, though, wem ust remove the floating rock rings, and Bellara’s unique ability, Tinker, can do just that by interacting with a piece of ancient elven technology nearby. Busche says Rook can acquire abilities like Tinker later to complete such tasks in instances where Bellara, for example, isn’t in the party.

Bellara must activate three of these in Arlathan Forest to reach the floating castle, and each one we activate brings forth a slew of sentinels, demons, and darkspawn to defeat. Busche does so with ease, showcasing high-level gameplay by adding three stacks of arcane build-up to create an Arcane Bomb on an enemy, which does devastating damage after being hit by a heavy attack. Now, she begins charging a heavy attack on her magical staff, then switches to magical daggers in a second loadout accessed with a quick tap of down on the d-pad to unleash some quick attacks, then back to the staff to charge it some more and unleash a heavy attack.

After a few more combat encounters, including one against a sentinel that’s “Frenzied,” which means it hits harder, moves faster, and has more health, we finally reach the center of the temple. Within is a particular artifact known as the Nadas Dirthalen, which Bellara says means “the inevitability of knowledge.” Before we can advance with it, a darkspawn Ogre boss attacks. It hits hard, has plenty of unblockable, red-coded attacks, and a massive shield we must take down first. However, it’s weak to fire, and our new fire staff is perfect for the situation.

After taking down this boss in a climactic arena fight, Bellara uses a special crystal to power the artifact and remove it from a pedestal, destroying the Veil Bubble. Then, the Nadas Dirthalen comes alive as an Archive Spirit, but because the crystal used to power it breaks, we learn little about this spirit before it disappears. Fortunately, Bellara thinks she can fix it - fixing broken stuff is kind of her thing, Epler says - so the group heads back to the Veil Jumper camp and, as interested as I am in learning what happens next, the demo ends. It’s clear that even after a few hours with the game’s opening, I’ve seen a nigh negligible amount of game; frustrating but equally as exciting.

Don’t Call It An Open World

Veilguard is not an open world, even if some of its explorable areas might fee like one. Gamble describes Veilguard’s Thedas as a hub-and-spoke design where “the needs of the story are served by the level design.” A version of Inquisition’s Crossroads, a network of teleporting Eluvians, returns, and it’s how players will traverse across northern Thedas. Instead of a connected open world, players will travel from Eluvian to Eluvian to different stretches of this part of the continent. This allows BioWare to go from places like Minrathous to tropical beaches to Arlathan Forest to grim and gothic areas and elsewhere. Some of these areas are larger and full of secrets and treasures. Others are smaller and more focused on linear storytelling. Arlathan Forest is an example of this, but there are still optional paths and offshoots to explore for loot, healing potion refreshes, and other things. There’s a minimap in each location, though linear levels like “In Entropy’s Grasp” won’t have the fog of war that disappears as you explore like some of Veilguard’s bigger locations. Regardless, BioWare says Veilguard has the largest number of diverse biomes in series history.

Dragon’s Delight

With a 10-hour day at BioWare behind me after hours of demo gameplay and interviews with the leads, I’m acutely aware of my favorite part of video games: the surprises. I dabbled with Origins and II and put nearly 50 hours into Inquisition, but any familiarity with the series the latter gave me had long since subsided over the past decade. I wanted to be excited about the next Dragon Age as I viewed each teaser and trailer, but other than seeing the words “Dragon Age,” I felt little. Without gameplay, without a proper look at the actual game we’ll all be playing this fall, I struggled to remember why Inquisition sucked me in 10 years ago.

This trip reminded me.

Dragon Age, much like the Thedas of Veilguard, lives in the uncertainty: The turbulence of BioWare’s recent release history and the lessons learned from it, the drastic changes to each Dragon Age’s combat, the mystery of its narrative, and the implications of its lore. It’s all a part of the wider Dragon Age story and why this studio keeps returning to this world. It’s been a fertile franchise for experimentation. While Veilguard is attempting to branch out in unique ways, it feels less like new soil and more like the harvest BioWare has been trying to cultivate since 2009, and I’m surprised by that.

I’m additionally surprised, in retrospect, how numb I’ve been to the game before this. I’m surprised by BioWare’s command over EA’s notoriously difficult Frostbite engine to create its prettiest game yet. I’m surprised by this series’ 15-year transition from tactical strategy to action-forward combat. I’m surprised by how much narrative thought the team has poured into these characters, even for BioWare. Perhaps having no expectations will do that to you. But most of all, with proper acknowledgement that I reserve additional judgment until I actually play the game, I’m surprised that Veilguard might just be the RPG I’m looking forward to most this year.

#da4 #dragon age veilguard #datv #da:v #da:tv #dragon age #dragon age 4 #da: veilguard

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midnight-mourning · 18 hours ago

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*Taps mic* Heard y'all like Moon around here, you're in luck, this one's for you

massive, MASSIVE thank you to @lunarmoves for beta-reading this chapter!!

She put a lot of time and effort into making my BS readable for y'all and it's greatly appreciated <3 <3 <3

Shay also makes really good dca stuff (also sebastian solace but I know very little about the fish tbh) and you should check her out!

Also, happy 200k+!!! We're only 297k from truly becoming the 500k enemies to lovers slowburn of our dreams lmaoooo

But for real I apologize for such a delay with this one. If you'd like to hear my excuses/reasoning they're below the cut, or you can just go read the chapter whatever suits ya ^-^

Tag list (if you would like added please see this post for more info):

@scarletcowboy @beemyhuneybee @fishm0ther @deviouscrackers @elsajoyagent8

@luckyyyduckyyy @zenkaiankoku @jogimote @local-shrub @amarynthian-chronicles

@robinette-green @everlightreader @sinister-sincerely @starredeclipse @dangerva

CW: medical stuff & additionally a bit of unreality mentions

Okay going to try and keep this simple bc I've said parts of it before

So as most of you know, I've been sick for 3 months now

I've now been on two rounds of steroids, and currently on my third round of antibiotics, which are basically keep me fucntional, not improving

besides general discomfort and pain, my memory has been pretty shot at times, I will go through the day and barely remember what I did/what I'm doing/what I need to do

as someone who had brain fog caused by covid a few years ago, this was genuinely a scary experience because ultimately, this has been worse

i've felt out of control of my body, having times where I'm mid thought and then instantly lose it

this is not my normal, I usually pride myself on my memory, so losing it has been incredibly devastating and scary

this was not helped by the fact that the quick care I went to (THREE TIMES for this) basically kind of sort of tried to gaslight me into believing nothing could be done and that it's not an infection

so not only has this entire thing has gotten dragged out so much more, which makes me sad tbh, but I've also felt like I've been going crazy bc it felt like no one was believing me when i said I was sick and not getting any better (including friends, family, coworkers etc, though unintentional on their parts to be fair)

I feel like I've lost three months of my life and coming to terms with that has been, yeah

on top of all that, I'm still in school AND doing grad stuff, and while the school side of things has been okay (thank god), grad's had it's moments, won't get into it but have had multiple issues with my advisor that have been at times just really tough to deal with

Confused spirit got pushed to the back burner, because i quite literally at times could not think, and when it comes to this fic, where there's multiple ongoing plot threads, characterizations, lore, and so on to keep track of, it was just, impossible to me to even consider writing for it

having shorter stuff like promptober, the oneshots and such was great to keep me writing, and also still interact with everyone in the community, plus i had a lot of fun with them so that helped too

this is all to say that I do sincerly apologize for the delay, and at the very least I should've clearly communicated about there being a hiatus, when this all started I thought i'd be down for two weeks max, then as that time kept increasing I just kept putting it off and putting it off because i thought i was going to get better, and then I didn't

I do this for fun and for nothing else, fic writing isn't content (it's engaging with fandom) and i have to remind myself of that sometimes but given that I've been around in some capacity on and off I feel I should've said something in some regard

Having said all that, I'm doing okay now! Still sick, but as long as I'm on meds I'm functional, stuff is getting managable with grad, and hopefully have some fun things coming up irl! Point is, the last three months haven't been the best, but they've been alright, due in part to all the support you all have given me, so thank you for that, can't say it enough :)

Okay, I think that just about covers it, thank you for taking the time to read all of this if you did <3

#thank you again Shay it is very much appreciated #despite all the difficulties #i enjoyed this chapter a lot #and I hope you all do too ^_^#fnaf dca #fnaf daycare attendant #fnaf sun #fnaf moon #sundrop #moondrop #dca fic #Confused Spirit #x reader

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chantsdemarins · 10 months ago

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New Fic: Breath of the Æsir ⚔︎🏰 (Loki X Reader)

Formally (Collapsing in the Arms of Chaos) I changed the name. 😬 I know Medieval stories aren't everyone's fav but heck, I hope you like it! It has been brewing in the coffee pot that is in my head for over a year. I feel slightly self-conscious that after my first time with COVID, my brain is not the same. I hope I still have my ability to write! My last story published a few weeks ago was written while I was falling ill and I know it wasn't my best!

Thank you for reading!! If you want to comment I would be so happy and reblogs are like the most precious thing to me. All art is mine, it's a Photoshop-crazed situation.

Summary: Disenchanted with the Danes' misuse of Norse gods to sanction their brutality, Loki finds himself ostracized. Stripped of his divine powers and bearing a severe injury, he wanders into the realm of the conquered. By a twist of fate, he arrives at your manor, where you await your husband's return. However, destiny has other plans.

Warnings: Blood.

Words: 2,471

Smut rating: Not yet...but there sure will be!

Posting schedule: Every Saturday! I am going to stick to this!

Chapter 1 The Embroidery of Destiny Chapter 2 The Stranger Chapter 3 Chapter 4 Chapter 5

@lokis-little-fawn @lcolumbia1988 @thesoftboiledegg @anukulee @mochie85 @lokisgoodgirl @lokischambermaid @nildespirandum @caffiend-queen @mochie85 @maple-seed @mischief2sarawr @kikster606 @thedistractedagglomeration @glitchquake@simplyholl @holdmytesseract @holymultiplefandomsbatman @wheredafandomat @fictive-sl0th @ijuststareatstuffhereok89 @muddyorbs @vickie5446 @trickster-maiden @grymrayven

Before your family settled again, you had been travelers, moving from one darkened patch of earth to the next. Soil on your boots muddied your paths, creating difficulties in finding a home. There were many things to see, some horrors, some things magical and unfounded. Shapes shifted in the forest where you camped at night. One day your father showed you where they lowered men into the bogs, decorated with bronze. These were not the ways of your people. They did not worship like that. It might have been too much for you to know where some ended up when they were no longer living, not in graves or on pyres. Something else.

By the time you reached the northern lands, your family had negotiated your belongings down to just what the pallid horses could carry. Your croft was built into the very earth you had struggled to cross, with bedrooms burrowed into the side of a hill. It was not built for so much rain. Buckets and sluices were not enough to keep out the floods.

So, when your husband came to marry you, you packed your things neatly, placed them in a pack, and left your parents’ home without drawing a breath. You walked a distance far greater than any you had as a child to his family's land, your new home. The way your family had negotiated the marriage remained a blind spot in your mind. You couldn't fathom it. From a croft to a manor.

Over time, nothing in your marriage seemed to flourish. The land, though beautiful, yielded nothing you sowed. Too sandy or too chelated, perhaps unfortunate timing. You became a wife in the loneliest ways. No spinning of yarn would produce a cloth finer than the wool you began with. Hours of practice composing embroidery resulted in nothing more than half completed sea escarpments, knots, and birds with no flight.

The elegant window that surveyed the tenants' labors only deepened your isolation. They carried on with their duties, and you retired to your quarters, curtains drawn. The chill from your childhood followed you here. The stone walls held a dampness no fire could dispel. You knew somewhere across the hills where your parents still sleeping too close to the earth. Rooms still flooded. Though your loyalty never wavered, even as your husband wandered afar, absent for days at a time, his pursuits as obscure as the horizon beyond your room filled with half-finished tasks.

In kindness or disappointment, he had ensured your education extended beyond your lowly beginnings. Through travels and courtly audiences, barons and other titled men and women recounted their lives' poetry over each glass of mead or wine. You listened for moments when they forgot their lines, most days this was more interesting than their images they wanted you to see.

Although had you not met Isolde of Easting, you would not have thought to plant the spiky yellow gorse along the manor's borders. When the proper conversation waned, you had discovered the titled people still spun tales of their lands. The places they had come or been uprooted from. In the best conversations, you gleaned knowledge of the plants, herbs, and tokens from the first peoples, their ways overshadowed by the new cultures but nonetheless seeming to flow from them to you during the quieter moments—the men away hunting, the embroidery thread running low, the teapot empty. These things were spoken of in hushed tones so the servants would not get ideas.

You spoke of the hawthorn tree, the ravens' work, the swords warriors cast into the cold estuary, found along all the lakes' shores. The Roman merchants who brought tales of Jesus and his cross. The god Woden came from the Angles, and Odin, from the North. Their wars and bloodshed filled the spaces between village homes and now the courts. If asked if you prayed to the Christian god, you couldn't say. You longed to speak of the place where they lowered men into the bogs, the place your father once showed you. Later, in the quiet of your room, you would pull out a relic from beneath the blankets in your chest, and it would look unrecognizable. It once held meaning, but that meaning didn't travel with it.

Sometimes when you were awake much too early, the nightingales still singing, you would dip your quill into the small pot of black soot. You would unroll a small piece of parchment, discarded by the cooks, and write down your dreams. Which had room in your sleep since they were so often unimpeded by the presence of your husband. You wrote in the lais of the Frankish people, counting eight sounds to the line, braiding your dreams with your words.

Had I found a small shell, not rope I would have held it to my ear The ocean's song would have come to me Instead, I was swallowed wholly

This was how things proceeded until the day they did not.

As you came to learn, in the void and closeness of life, nothing is reliable enough to expect its continuation the next day. You should allow for change to slip through the crevices of even the dampest chambers. It just had not happened in so long you almost did not recognize it when something remarkable unfolded at your manor.

On this day, as you sipped your tea, with half-finished yards of cloth draped across your lap, and the unopened book of hours on the small, worn table, your gaze was fixed on the wind billowing the emerald curtains—silk from an era long past, traded by hands unknown. Like much of the decor in the manor, these were vestiges of your husband's family's trade in finery, symbols of their stature akin to that of minor kings.

Elinor, your companion for the last 10 years, rapped on your door abruptly, breaking your contemplative gaze.

“My lady, please excuse me,” she croaked, as the door opened before you could arrange a pretext to delay her entry.

“What is it, Elinor?” you asked, not wishing to dwell on the trivialities of the manor that day. Clearing her throat, she reported urgently of a man in a bad way, injured and lying on the steps. She hastened to your window, the portal to the land beyond your manor, and pointed to the makeshift courtyard where a man lay seemingly lifeless if not for the faint moan you heard.

“Why have you not sought my husband or some other man of decisions?” you questioned with a twinge of fear edging into your refuge of solitude.

“Lady, your husband has traveled beyond into the land of the Scots, and the aldermen are not present either,” she informed you.

“A household of women only, then? How did I overlook such an event?” you pondered.

“Lady, you are often engrossed in your own pursuits within these walls. How could you have noticed your husband's departure?” Elinor reasoned, her words not easing the panic now fully upon you. The thought that your husband had left you unprotected added another layer of anguish.

“At such a time, Elinor, how shall we defend ourselves?” you barely articulated.

“I suspect he gave little thought to the matter,” Elinor replied, her head bowed even lower than her subdued voice.

“Then it falls to me to act in their absence,” you reasoned. Not wanting this conflict or the talk that may ensue you knew you must act quickly. This man perhaps knew your husband, or perhaps it was only a small political scuffle that may have resulted in his injuries. You thought of the many reasons he could have ended up at the steps of your manor of this day. None of them added up entirely.

As you navigated the long, narrow corridors, your thin morning jacket provided little relief from the chill as Elinor aided you with the heavy door. You both stood in awe of the man at your feet. Having seen men before, chiefly your husband. This man’s appearance was now shocking at close view. He was unlike your husband in all ways you could imagine.

“Holy Jesus save us,” Elinor yelled through her missing teeth.

“He will not assist with this, Elinor,” you responded, your eyes surveying the severe wound from his stomach to his chest, the dark blood pooling around his lean form.

The man’s hair was a shade darker than the darkest night. Had night possessed more depth, it would resemble the hue of his locks. His attire suggested nobility, which only intensified the chill you felt. He had clearly been bested in whatever skirmish he had come from, and with no healer at hand, it seemed likely that a burial might soon follow—until his eyes fluttered open.

A striking blue that drew your own darker gaze, hinting at his foreign language or origins. His hand reached out feebly before falling back to his side.

He whispered faintly, “Ásjá.”

“He's alive!” you declared, as if the statement itself could reverse his fate.

“Yes, lady, he lives, I told you. Now what shall we do?” Elinor asked, concern evident in her voice.

“We save him. It is the right thing to do,” you answered.

“But without a healer, we risk much by sheltering him,” Elinor’s voice trembled.

“Then we shall tend to his needs ourselves,” you declared, your courage unusual, unfounded, drawn from the same well that had seen men saved from death at a distance. An instinct came over you. You directed Elinor to gather wood, cloth, herbs, and other necessities that seemed more from your imagination than any practical experience. You quickly cut away his clothes, exposing the dire wound more fully.

“Lady, he may not survive this,” Elinor observed with a somber tone. The unhinged flesh flapping against the seemingly unended torrent of blood emerging from him. How could there be so much blood.

“Silence, Elinor,” you hushed her. Your hands, though failed in the art of tapestry, were adept with needle and thread. So much failure had given you courage.

“We must stem the bleeding before we can stitch him up,” you instructed, asking for a branch from the fire.

“Lady, you cannot—” Elinor began, but you had already pressed the smoldering wood to the wound. The man awoke suddenly, thrashing in pain.

“Hold him down!” you ordered. Elinor, small but determined, restrained his arms.

You envisioned repairing his injury as if it were the "Galley of the Titan’s Moons," a rare piece of embroidery from the northern lands.

“I shall map the night sky upon your body, sir,” you said, speaking into the silence as he drifted further from this world. You sensed the ancestors gather, ready to welcome him, but you were not ready to let him go.

“No, not yet” you whispered, a soft rebuke to the invisible presence.

Elinor looked at you, puzzled. To whom were you speaking?

You were determined. This man would not die. Though you had sent for a proper healer, your task was to keep him alive until they arrived, hoping they would be sober enough to be of use. Much worse would be a drunk priest should your help not find any healer available.

It was not until you had finished suturing his wound that you noticed how his body appeared in the dim light of the great room. Your loneliness resonated with the landscape of his injury. It was a peculiar reaction, but there was something else broken within this man, beyond the sword wound. It was something familiar to your own. You held you own stomach for a moment, it felt as if you were the one almost slain, not him.

Eventually, his bleeding ceased, and the healer arrived, tended to him with poultices and what looked like grain spirits. You wrapped your furs around his sleeping form. He did not pass away. The stranger in your home survived. You had been told he might still not make the night. You watched him for as long as your eyes could. His faint inhalations mirrored in your own. But the exhaustion took over, and before you could retreat to your own chamber, you found yourself lying at his side.

“How improper, Lady!” Elinor’s voice pierced the quiet as dawn crept in and your eyes, heavy with sleep, opened. You hadn’t realized you had fallen asleep beside the stranger. Startled, you rose, wrapping a blanket around yourself. Quickly finding a reason that you had slept at his side.

“He remains unconscious, Elinor. The healer was unsure if he would wake,” you confided in the servant who had been by your side for so many years. She looked briefly placated. Yet you knew her mind was racing. The healer would tell the burgh folk of this strange man. Your husband was nowhere to be known. Northman had recently been subdued with heavy piles of church silver, and that arrangement was delicate at best. They would be back and this time they would perhaps sack the village since you knew the last of the silver had been promised away to visiting bishops and clergy. The wealth had run its course.

“He must stay until he awakens, until he can speak for himself,” you quickly decided.

It was better to know who he was. He would surely tell you since you saved his life.

“But what if he is a demon, my lady? Have you considered that he may have come from Hell to bring us further misfortune?” Elinor ventured, instantly regretting her words as her face contorted with shame.

“I apologize. I did not mean to imply you are cursed,” she hastily added.

You felt pity for Elinor, she was not as traveled as you had become. Had not the stories you knew, but you also could not see beyond, you had no way to know if it was safe to keep him with you. If your husband should arrive back, there would be no way to convince him that this man had not abused you in some way, but you did know something of him. There was something you did recognize.

“This man is no curse, no demon,” you affirmed, your gaze fixed on his hair, as dark as the ink with which you wrote.

“How can you be certain?” she queried.

“He spoke in the old tongue, asking for aid. Did you not hear him, Elinor?” you questioned, your voice steady.

The woman stepped back, tossing another log onto the fire, her confusion apparent. “I did not recognize the language, nor do I understand how you did,” she admitted.

The language was familiar to you, it was the tongue of your people from so long ago. From the place of your birth. The place that was destroyed till there was nothing but darkness.

Chapter 2 below!

#loki #loki laufeyson #loki fandom #loki fanfic #loki fanfiction #loki smut #loki x reader #mcu #norse mythology #medieval fanfic #AU loki #tom hiddleston

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