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witchinatree · 2 months ago

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making a list of my favorite quote/ones that stuck with me from each season 1 episode because i feel like it

(i'm starting this after episode 4 but it will be a WHILE before i post it)

episode 1: "bones are a lie peddled by Big Milk" - alice

i love this one because it's a great introduction to alice i think. also it radiates spiral so i hope we get avatar alice not dead alice (isnt there a podcast called alice isnt dead?)

episode 2: "If I wanted to clear the canvas, I would have used turpentine." - statement

this one was just fucking powerful and caught me so off guard like 😶

episode 3: "What would I do without her?" - statement

the norris statement <3 it feels like martin asking what he would do without jon which makes mag200 a lot sadder and i love them

episode 4: "Perhaps you shall prove a stronger will than I, and will yet find it within yourself to destroy this hungry thing of wood and cat-gut." - statement

augustus sighting #1 and we immediately get jonah magnus expressing that it may be possible for gwen bouchard unknown family member to overcome the eye's hunger spooky violin

episode 5: "Voyeur needs to be seen to be believed." - statement

i feel like this one is pretty reflective of how the seasons gonna go? like if you explain the events of tma (mag200 specifically) no one's gonna believe you, it must be seen to be believed!! and also seen!! like the eye!!!

episode 6: "Not sca- This isn’t some poxy blood test, some little pinprick, this is hundreds, thousands of razor sharp points pushing into your flesh." - needles

i love needles so much and i thought this was really funny because it was like "you dont find me scary!! what the fuck!!!" just kind of toddler michael energy

episode 7: "It’s not like we’re wrestling with tape recorders and manila folders." - celia

STOP IT. celia you can't say that you just cannot!!!!!! you Know™ too much maam i cant with you

episode 8: "Pleasure to meet you both. I’m Gerry!"

RAGHHHHH OH MY GOD GERRY!!!! i love him so much and idk how to handle him being alive in the tmagp universe!! gertrude too but idk we got so much of her in tma and not nearly enough of gerry

episode 9: "And honestly, it’s kind of compelling by this point." - sam

they got him 😔😔 the horrors got sam 😔😔 also i found this to be an interesting contrast to jon's heavy resistance in season 1 like he was being compelled but he wasn't going to let anyone know that vs sam "its kinda compelling to trauma dump on this paperwork :]" how is he somehow even more victim material

episode 10: "Gosh you’re sexy, here’s a twenty for your trouble.” - alice

does this count as a quote if shes also quoting what she thinks sam should say? idk anyway i love her i would say that to her if given the chance and it was very silly. i will not be addressing bonzo i am scared.

episode 11: "...Thank you, Alice" - gwen

dyhard dyhard dyhard dyhard dyhard. okay also, the way she CRUMBLED at the idea of anyone doing anything nice for her please someone give her a hug and let it be ME. this series is tossing me back and forth between sam & alice (what is their ship name) and dyhard but this put me back to dyhard

episode 12: "You know it's rude to have absolutely no game?" - alice

she's so fucking funny i need her to be okay so badly!!!! i don't think even tim made me laugh as much as she makes me chuckle and this one really got me. it's hard to write such a comedic character in a podcast since you only have the voice but they really nailed it i adore her

episode 13: "Is it my fault?" - gwen

each of these episodes just reveal a little bit more about how loving and soft gwen is and idk i love her so unbelievably much so seeing that she felt guilt about the bonzo stuff just made her so much more real :(

episode 14: "Christ, they’re in the walls…" - statement

theyre in the walls!!! theyre in the goddamn walls!!!!! anyway that got me because i realized the hole before the statement said it. made more sad than scared tbh

episode 15: "Babies are cool!" - alice this entire interaction between her and sam & celia was so awkward, she is so obvious and i love her anyway

episode 16: "It’s not like I was holding doors open for Mr Bonzo or anything." - gwen my wife is so so so stupid but i adore her AND this gives room for character development. i wish she did not do that though. i love when characters are flawed and have depth but i struggled to get past THIS flaw of hers

episode 17: "Thanks, I guess. Not exactly the same, though, is it?" - celia shes talking TO JON IN THE COMPUTER. SHE KNOWS. i lost my damn mind i love her i love her. get the gay people out of the puter please queen

episode 18: "Why would I need to talk to you? Your work is satisfactory. Unless you have a work-related issue I could assist you with?" - lena solidified my opinion that lena is the best boss to ever have, i adore her and i would want to work for her if she wasn't the boss of Creepy Establishment #1

episode 19: "You’re going to throw it in the fishtank, aren’t you?" - alice colin's behavior is like really worrying BUT i'm glad he's back. i was not convinced he was still alive

episode 20: "I suppose it’s too late for remorse, isn’t it? And why should I be sorry? This is what I deserve!" - ink5oul/statement they reminded me of jon a lot, like especially his season 3/4 transformation when he doesn't quite know everything but he knows he isn't who he was in season 1 anymore, i hope we see more of their life and they can be helped :(

episode 21: [Tape Recorder Bites Ink5oul] - audio description i know it's not technically a quote but this is just so fucking funny. why does it have teeth. what does this mean for the lore. holy shit.

episode 22: "Jonathan Sims and Martin Blackwood" - celia. knawing at the walls of my enclosure i am so not okay. i'm not okay. wtf. wtf. wtf. they're real. wtf.

episode 23: "I had a favorite mug. It said “love you, bitch” and had a picture of a drunk dog on it." - alice. okay i just love this entire interaction because gwen got to open up a little bit and my dyhard heart is so full

episode 24: "I am told that children like me, and I’ve always held the opinion that the world would be a better place if everyone just thought more." - basira. once again this whole interaction was so fun but like idk i loved hearing basira somewhat happy and in a safe place :] my wife <3

episode 25: " I am trying to help, to save us from this goddamned fucking nightmare machine!" - colin. MAN I REALLY WAS ROOTING FOR YOU!!! I WAS SO CONFIDENT YOU WEREN'T GONNA DIE!!!! it's over

episode 26: "I was worrying for a moment that you were Magnussing." - alice. MAGNUSSING BEING CANON MADE ME SAY IT EVEN MORE I'VE SAID IT LIKE TWICE ALREADY

episode 27: "You didn’t tell me the room was labelled, “Archivist.”" - celia. oooooh somebody's got TRAUMAAAAA LMAO

episode 28: "So you’re telling me you know nothing about an OIAR external contract being found with the bodies of two tattooed thugs who met rather grisly ends?" - TREVOR HERBERT???? anyway. ink5oul mention!!!!! i hope they stop killing people it's really rude

episode 29: "Alice, er… we’ve got to talk. It’s important." - teddy. i knew it was over for him but i didn't think it was gonna be THIS bad??? bye babe i guess??? 😭

episode 30: how do i even pick. the whole fucking episode. i can't. i am in a state of shock. i need to lay down for 30 years.

#honorable mentions:#“canaries should stay above ground” because holy shit (1)#“i don’t scare so easy these days” because oh my god its our celia (7)#“i like them”/“of course you do” because weeping weeping weeping (8)#“oh no not again! oh the horrors! nooooo” that one was just really funny and not exactly part of the episode (9)#“can he read?” (10) bc it enforces the gwen/jon parallels (“you dont sound?? russian??”)#“the deep will care for his bones” (11) it creeped me out and i loved it #“the cover had this awful comic sans title 'mr. bonzo's on his way'” (12) comic sans font was so funny it almost made it not horrific #“I have a baby. Jack. He’s just over a year old now.” (13) like BARNABAS. i know him.#“The only drama is the dilemma of how I could possibly get by without you all to myself!” (14) alice.... alice....#“Oh no! Who keeps taking Georgie’s face?!” (18) SHE'S BACKKKKKKK #''I swear if I hear one more word about Trevor-bloody-Herbert MP I am going to blow up Parliament.'' (27) because WHAT LMAO??? WHATTT #''when I first awoke I knew nothing nothing but the dream of things that sliced my who from me with claws like scalpels'' (30) i cried #''They’re gone Alice. They’re gone.'' (30) tweaking #''What happens now? You push me? Stab me? Or do I need to jump in myself? Come on what’s stopping you?'' (30)#can i just put the whole episode in honorable mentions too atp.#''We are the hilltop. It is me and I am it and we are. We are…'' (30)#''Yeah sure. Sorry to bother you. Goodbye Alice.'' (30)#okay i'm done #i can't i .. i ..#the magnus protocol #tmagp #magnus protocol #tmagp spoilers #tmagp season 1 #the magnus pod

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ryin-silverfish · 6 months ago

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A Guide to the Chinese Underworld (and what it isn't)

As many FSYY and fox posts as there were on my blog, I am actually a huge fan of the Chinese Underworld mythos. Mostly because I was once a morbid little kid that loved reading about the excavations of ancient tombs, and found the statues depicting hellish torture in the Haw Par Villa "super cool".

Apart from the aesthetics, the history of its evolution is also fascinating. Most of us, Chinese or not, only know the most popular version of the Underworld——the "Ten Kings" system, yet that isn't always the case. So today, I'll start off with a short summary of that.

In pre-Qin era, there was already this generic idea of a "Realm of the Dead" called the Yellow Spring, Youdu, or Youming, but we know very little about it.

Then, in the Han dynasty, two ideas start to emerge: 1) the Underworld is a bureaucracy, 2) the God of Mt. Tai ruled over the dead.

This early bureaucracy might not function as an agent of punishment; the main focus was on keeping the dead segregated from the living so they wouldn't bring diseases and misfortune to the latter, as well as using those ghosts to enforce collective punishments upon people for their lineage's wrongdoings while they were still alive.

Post-Han, after Buddhism entered China and took root, its idea of karmic punishments and reincarnation and the figure of King Yama was merged with folk and Daoist ideas of the Underworld bureaucracy, and, came Tang dynasty, resulted in the "Ten Kings" system that first appeared in Dunhuang manuscripts.

It was very rudimentary and far from well-established, as seen in Tang legends, with some adopting the Ten Kings system, some sticking to the Lord of Mt. Tai and some favoring King Yama, and overall little agreements on who's in charge of the Underworld.

But the "Ten Kings" system would become the mainstream version from then onwards, used in Ming vernacular novels and made even more popular by folk religion scrolls like the Jade Records (Yuli Baochao).

As such, most points in the following sections will be based on the fully matured "Ten Kings" system of the Underworld, as seen in the Jade Records and JTTW.

What happens when you die?

(This is a fictionalized walkthrough of the posthumous fate of souls under the "Ten Kings" system. I try to stick to the very broad progression outlined in the Jade Records, but many creative liberties are taken on the details.)

Let's say there's a guy named Xiao Ming, and he had just died of a heart attack. Bummers. What now?

Well, the first thing he saw would be the ghost cops.

There isn't really an unanimous agreement on who these ghost cops are: they may be a pair of ghosts in white and black robes, wearing tall hats (Heibai Wuchang), they may have the heads of farm animals (Ox-Head and Horse-Face), or they can just be generic ghost bureaucrats. For convenience's sake, let's say it was the first scenario.

"Who are you guys and where are you taking me?"

"Glad you asked!" The taller ghost cop, being the cheerful one of the pair, replied. It wasn't very reassuring, considering that his tongue was dangling out of his mouth way further than it should. "I'm the White Impermanence, my sour-looking colleague here is the Black Impermanence, and we are taking you to the City God's office."

This City God, a.k.a. Chenghuang, is just like how it sounds: the divine guardian of a city, who also pulls double duty as the head of the local Dead People Customs Office. They are usually virtuous officials deified posthumously, and in JTTW, they fall under the category of "Ghostly immortals", together with the Earth Gods a.k.a. Tudi.

So Xiao Ming went with the two ghost cops——not like he had much of a choice, made his way through the long queue at the City God's office, and was now standing in front of a gruff old magistrate in traditional robes.

"Name?"

"Wang Xiao Ming."

"Age and birth dates?"

"21, April 16 2003…"

After he was done asking questions, the City God flipped through his ledger, then picked up a brush, ticked off Xiao Ming's name, and told him to go get his pass in the next room. More waiting in a queue. Wonderful.

"I never heard anything about needing a pass to get to the Underworld," the girl in front of Xiao Ming asked the ghost cops, who were standing guard nearby. "Is this a new policy or something?"

"Yeah. In the old days, we'd just drag y'all straight to the Ghost Gate." The ghost cop in black said, then muttered to himself, "Fuckin' paperworks and overpopulation, man…"

(This "Dead People Passport" thing was popularized in the middle-to-late Ming dynasty, as shown by the discovery of such documents inside tombs in southern China. )

(It might have evolved from similar passes to the Western Pure Land in lay Buddhism that recorded their acts of merits. Which, in turn, might be traced back to the "Dead People Belongings List" of Han dynasty, to be shown to Underworld bureaucrats so that no one would take away the dead's private property down there or something.)

Anyways, after he received his pass, Xiao Ming departed together with the rest of the bunch, to be led to the Ghost Gate. It was like the world's most depressing tourist group, where instead of tour guides, you got two ghost cops in funny hats, and the only scenery in sight was the desolation of the Yellow Spring Road.

They weren't the only travellers on the road, though. Xiao Ming noticed other groups moving in the far distance, behind the fog and the flickering ghostfire, led by similar figures in black and white.

It made a lot of sense; realistically, there was no way two ghost cops could fetch hundreds of thousands of dead people all by themselves.

(SEA Tang-ki mediums believed there were multiple Tua Di Ya Peks——Hokkien name for the Black and White Impermanences, working for different Underworld Courts.)

At last, the Ghost Gate stood in front of Xiao Ming, guarded by two towering figures. Normally, they'd be Ox-Head and Horse-Face, like what you see at Haw Par Villa's Underworld entrance.

However, older Han dynasty works like Wang Chong's 论衡·订鬼 also mentioned two gods, Shenshu and Yulei, as guardians of the Ghost Gate, who would use reed ropes to capture malicious ghosts and feed them to tigers, making them possibly the earliest incarnation of "Gate Gods".

So here, they were what Xiao Ming sees, standing side by side like proper doormen, silently watching herds of ghosts being funneled through the entrance.

The place was more crowded than a train station during the CNY Spring Rush; the ghost cops had already said their quick goodbye and left to fetch the next group of dead people, leaving the resident officials of the Underworld proper to maintain order and quell any would-be riots.

Now you started seeing the Ox-Head and Horse-Face guys, poking at unruly ghosts with their pitchforks and dragging away the violent ones in chains. Among their ranks were other monstrous beings, blue-faced yakshas and imps, but also regular dead humans who look 100% done with their jobs, like the lady who stamped Xiao Ming's pass when it was finally his turn.

After this point, Xiao Ming had entered the Underworld proper, and his next destination would be the First Court, led by King Qin'guang. Here, his fate should be decided by what is revealed in the King's magical mirror.

If Xiao Ming was a good guy, or someone who had done an equal amount of good and bad things in life, he'd be sent straight to the Tenth Court for reincarnation. However, if the mirror, while replaying his life events, had displayed more evil deeds than good ones, he'd be sent to one of the 2nd-9th Courts for judgment and then punished inside the Eighteen Hells.

Each of the Ten Kings was also assisted by ghostly judges. Many of them were righteous and just officials in life who had been recruited into the Ten Courts posthumously——Cui Jue from JTTW is one such example, while others were living people working part-time for the Underworld, like how Wei Zheng, Taizong's minister, works part-time for the Celestial Bureaucracy in JTTW.

We decide to be nice to Xiao Ming, so, after reliving some embarrassing childhood incidents and cringy teenage phases in front of a bunch of dead bureaucrats, he was found innocent and sent to the Tenth Court.

The queue here was almost as long as the First Court's, stretching on and on alongside of the banks of the Nai River. King of the Turning Wheel made his judgment without even lifting his head when it was Xiao Ming's turn:

"Path of Humans, male, healthy in body and mind, ordinary family. Next!"

Exiting the Tenth Court building, Xiao Ming saw the Terrace of Forgetfulness, standing tall before six bridges, made of gold, silver, jade, stone, wood, and…some unidentified material. Before he could get a good look at them and the little dots moving across those bridges, he was hurried into the Terrace by the ghostly officials.

Now, both JTTW and the Jade Records mention multiple bridges across the Nai River. In the former, there is 3, and the latter, 6. The bridges made of precious materials are for people who will reincarnate into better lives, as the wealthy, the fortunate, and the divine, while the Naihe Bridge is either the common option or the terribad shitty option.

However, the Naihe Bridge proved to be so iconic, it became THE bridge you walk across to reincarnate in popular legends.

Anyways, back to Xiao Ming. He found himself standing in a giant soup kitchen of sorts, with an old lady at the counter, scooping soup out of her steaming pot and into one cup after another.

This is Mengpo, the amnesia soup granny; according to the Jade Records, she was born in the Western Han era, and a pious cultivator who thought of neither the past nor the future, only knowing that her surname was Meng.

Made into an Underworld god by the Jade Emperor, she cooks a soup of five flavors that will wipe the memory of the dead, making sure they do not remember any of their past lives once they reincarnate.

It tastes awful. Like what you get after pouring corn syrup, coffee, chilli sauce, lemon juice and seawater into the same cup.

Such was Xiao Ming's last thought, as he gulped down the soup, and then he knew no more.

Things you should know about the Chinese Underworld:

1. It's not the Christian Hell.

Rather, the Chinese Underworld functions somewhat like the Purgatory, in that there are a lot of torment, but the torment's not eternal, however long the duration may be. Once you finish your sentence, you get reincarnated as something else, though that "something else" is not a guaranteed good birth.

Other people can also speed up the process via transferring of merits: hiring a priest/monk to chant sutras and perform rituals, for example, or performing good deeds in life in dedication to the dead, or they can pray to a Daoist/Buddhist deity to save their loved ones from a dreadful fate.

Interestingly enough, a thesis paper I read mentions that, whereas Buddhist salvation from the Hells was based on transference of merits——you give monks offerings and pay them to chant sutras, so they can cancel out the sinners' bad karma with good ones, Daoist ideas of salvation tend to involve the priest going down there, sorting it out with the Underworld officials, and taking the dead out of the Hells themselves.

(The paper also stops at the Northern-Southern and Tang dynasties, so the above is likely period-specific.)

2. Nor is it run by evil demons.

Underworld officials are not nice guys and look pretty monstrous and torture the sinful dead, but they are not the embodiment of evil. Rather, the faction as a whole is what I'd call Lawful Neutral, who function on this "An Eye for An Eye" logic, where every harm the sinner caused in life must be returned to them, in order for their karmic debts to be cleansed and move on to their next life.

They can absolutely be corrupt and incompetent and take bribes——Tang dynasty Zhiguai tales and Qing folklore compendiums featured plenty of such cases, but that's a very mundane and human kind of evil, not a cosmic/innate one.

This is just my personal opinion, but if you want to do an "evil" Chinese Underworld? It should be a very bureaucratic evil, whose leaders are bootlickers to the higher-ups, slavedrivers to their rank-and-file workers, and bullies who abuse their power over regular dead people.

Not, y'know, Satan and his infernal legions or conspiring Cthulu cultists.

3. The Ten Kings are not Hades.

Make no mistake, they still have a lot of power over your average dead mortal. But in the grand scheme of things? They are the backwater department of the pantheon, who only show up in JTTW to get pushed around and revive the occasional dead people.

When Taizong made his trip to the Underworld, the Ten Kings greeted him as equals——kings of ghosts to the king of the living. If they see themselves as equal in status to a mortal emperor, then, like any mortal emperors, they are subordinate to the Celestial Host, and the balance of power is not even remotely equal or in their favor.

Also, it isn't said outright, but under the Zhong-Lv classification of immortals JTTW is using, Underworld officials will likely be considered Ghostly immortals, the lowest and weakest of the five types, much like Tudis and Chenghuangs.

Essentially: they are ghosts that are powerful enough to not reincarnate and linger on and on, spirits of pure Yin as opposed to true immortals, who are beings of pure Yang.

It's pretty much the shittiest form of immortality, the result you get when you try to speedrun cultivation (the Zhong-Lv text also made a dig at Buddhist meditation here), and if they don't reincarnate or regain a physical body, there is no chance of progressing any further.

Oh, and fun fact? In the Song dynasty, commoners and literati elites alike believed that virtuous officials in life would get appointed as ghostly officials in death.

However, the latter viewed it as a punishment. Which was strange, considering how they still held the same position and the same amount of authority, just over dead people instead of living ones, so there should be no big losses, right?

Well...it was precisely the "dead people" part that made it a punishment. See, a lot of the power and prestige they had as officials came from the benefits they could bring to their families and kins and native places, as well as the potential wealth and reputation bonuses for themselves.

A job in the Dead People Supreme Court would give them the same workload, but with none of those benefits. Since all the dead people had to reincarnate eventually, they couldn't have a fixed group as their power base, or keep their old familial ties and connections. At most, they could help out an occasional dead relative or two.

Like, working for the Underworld Courts was the kind of deadend (no pun intended) job not even living officials wanted for themselves in the afterlife. That's how hilariously sad and pathetic they are.

4. In JTTW at least, they aren't even the highest authorities of the Underworld.

That would be Bodhisattva Ksitigarbha, who is technically their boss, though he seems to be more of a spiritual leader than someone who is actually involved in running the bureaucracy.

Which makes sense, since he has sworn an oath to not attain Buddhahood until all Hells are empty, and his role is to offer relief and salvation to the suffering souls, not judging and punishing them.

Now, historically...even though Ksitigarbha in early Tang legends was still the savior of the dead, he seemed to be unable to interfere with the judicial process of the Underworld, merely showing up to take people away before they were judged by King Yama.

However, in the mid-Tang apocryphal "Sutra of Bodhisattva Ksitigarbha" (地藏菩萨经), he had evolved into the equal of King Yama, with the power of supervision over his judgements. By the time the Scripture on the Ten Kings came out, in artistic depictions, the Ten Kings had become fully subservient to him.

5. Diyu usually refers to the prison-torture chamber part, not the courthouse, nor is it the entirety of the Underworld.

And for the majority of souls that haven't committed crimes, they'll only see the courthouse part before they are sent to reincarnation. That's why I personally don't like, or use the name Diyu for the Chinese Underworld: I prefer the term Difu ("Earth Mansions"), which encompasses the whole realm better.

Also: even though historical sources like the Scripture on the Ten Kings and Jade Records seem to suggest that the dead were just funneled through this Courthouse-Prison-Reincarnation pipeline with no breaks in between, in practice, that isn't the case.

According to popular folk beliefs, after the dead were done with their trials/sentences, they stayed in the Underworld for a period of time and led regular lives, while functioning as ancestor spirits and receiving offerings.

Which would imply that the Underworld had a civilian district of sorts, populated by regular ghosts, making the whole realm even less of a direct Hell/Purgatory equivalent.

6. It is located in a different realm, but still part of the Six Paths and doesn't exist outside of reality.

In Buddhist cosmology, like the Celestial Realm, the Underworld is part of the Realm of Desires and thus subject to all the woes of samsara.

The pain and misery of the Path of Hell may be the worst and most obvious, but becoming a celestial being isn't the goal of serious Buddhists either: despite all the pleasures and near-infinite lifespan they enjoy, they are not free from samsara and will eventually have to reincarnate.

So if, say, the world is being destroyed at the end of a kalpa, all beings of the Six Paths will perish alongside it, leaving behind a clean slate for the cycle to start anew. The dead won't all end up in the Underworld and face eternal damnation.

7. The Black and White Impermanences would not appear in the Underworld pantheon formally until the Qing dynasty.

The concept that when you die, you get fetched to the Underworld by petty ghost bureaucrats is already well-established in Tang legends, but these were just generic ghost bureaucrats in all sorts of colorful official robes, with yellow being the most common color.

The idea of there being two specific psychopomps in black and white would only become popular in the Qing dynasty. Mengpo is kinda similar: although she existed before the Ming-Qing era as a goddess of wind, venerated by boatmen, her "amnesia soup granny" incarnation came from the Jade Records.

#chinese mythology #chinese folklore #chinese underworld #diyu #chinese religion #cw: death #hell #underworld #journey to the west #I'm lazy so if you want a “work cited” list #just dm me

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krirebr · 2 months ago

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Luck Be a Lady

Pairing: soft!dark Curtis Everett x female reader

Word Count: ~10.1k

Summary: Desperate for money, you accept a job as a cocktail waitress at an underground casino. You think you know what you're doing, but when you meet Curtis, will you realize you're in over your head?

Warnings: Mob AU, violence, allusions to murder, explicit language, dubcon touching, noncon touching (not Curtis), willfully oblivious reader, SMUT - facefucking, dirty talk, light d/s dynamics, praise kink, other explicit sexual content. This is definitely on the darker end of the soft!dark spectrum, so proceed with caution! All of my work is 18+ - Minors DNI

Dividers by @thecutestgrotto

Masterlist

A/N: And here it finally is! This is my first real attempt at soft!dark. I hope I did it right! 😂

This was inspired by two things: 1) me going to a rep screening of Goodfellas and spending the entire time wondering why I hadn't done a mob au yet and 2) @bigtreefest saying "enforcer!Curtis Everett and mob boss!Andy Barber" in my general direction. Thanks for the inspo, friend!!

And big thanks as always to @paperweight91 who not only came up with Curtis's name for reader but also offered heaps of encouragement and was a great sounding board. And thanks to @stargazingfangirl18 for helping me figure out how exactly we'd get to the smut. Thanks Siri!

Any comment, reblog, or ask to let me know what you think will be greatly appreciated. Please come scream at me about this! 😄 As always, thank you so much for reading! 💜

You fruitlessly tug down your very short skirt as Holly talks at you. You’re both standing in the corner of the bar’s basement waiting for the night to start in earnest—your first night.

“Lloyd’s not so bad,” she says of your boss, the man who runs this little underground gambling ring. “You’ll have to split your tips with him at the end of the night, but he doesn’t take that much, and you’ll make enough that you won’t really notice. As long as you do that, he’ll mostly keep his hands to himself.”

You nod along, glancing at the mustachioed man conferring with the bouncer at the door. The interview process for this job had boiled down to a thorough once-over that’d made you feel naked in your jeans and t-shirt and a “You’re not too stupid to take a drink order, are you?” and then you had the job.

Holly had vouched for you. Neighbors for almost half a year, she’d come home early one morning last week and witnessed you trying to convince the landlord that you were good for your past-due rent. She’d taken you for coffee and told you she might be able to help if you were good at keeping your head down and mouth shut. And now you were here.

“The customers, on the other hand,” she continues, smacking her gum, “you’ll have to let them touch, at least a little bit. Within reason, you know? But if anything gets out of hand, you can just tell Jake at the door and he’ll take care of it.”

“Within reason?” you ask, voice shaking, just the littlest bit, as the pit that started forming in your stomach when you agreed to this grows a little more.

The look she gives you verges on exasperated. “Well, you want to make money, don’t you?”

Yes, you do. Very much so. It’s a need, not a want. So you nod and try to listen as she keeps giving you the rundown.

Before you’re ready, the first patrons start trickling in and then you’re off to the races. It’s not too bad. No one’s orders are too complicated, mostly just bottles of beer and glasses of straight whiskey. The bartender, Colin, is friendly enough, although you learn that he’s another person you’ll need to split your tips with.

As for the touching, there are hands on your hips, pats to your ass. But you’re rewarded with folded-up bills held up between fingers or tucked into the strap of your top. Or, twice, slid behind the waistband of your skirt. Once you realize that the majority of these bills aren’t ones or fives, but twenties, you care about the touching that comes with them much less. Plus, you’re too busy to really think about it that hard.

You can’t believe how busy it is for a random Tuesday night, multiple games of poker, craps, and who knows what else all going at once. But when you mention that to Holly, she just laughs and shakes her head. “This is nothing,” she says. “On the weekends there’ll be three more of us and another one of Jake. Things get wild.”

You don’t have time to decide whether that makes you nervous or excited before someone is signaling for your attention again. You manage to suppress your grimace when he slides his arm around your waist to tell you what he needs from the bar. You’re rewarded for your troubles by a wad of twenties. You aren’t sure who these men are to tip so freely, but you know better than to look a gift horse in the mouth.

It’s an hour or two later that Lloyd calls you over to where he’s speaking to a large, impossibly broad man, dressed in a soft-looking henley under a leather jacket with dark jeans. There’s dark ink all over his hands that disappears up his sleeves and reappears on his neck in intricate lines. He’s got close-cropped hair and a full beard that’s neatly trimmed. His deep blue eyes drill into you right away and you do your best not to shiver.

“Got a new girl tonight, Everett. Still learning the ropes, but she’ll take good care of you, won’t you, Cupcake?”

“Yes, of course,” you say, before Lloyd wanders off to check on one of the poker games.

The man, Everett, lets his eyes rove over you. “Cupcake, huh?” His voice is deep, gritty, but there's something there that's much gentler than you expected.

You give him what you hope is a coy smile. “Sure. If you want.” Lloyd was treating him like he's important. You hope important means deep pockets.

He hits you with a penetrative stare, so strong you almost have to take a step back. “No,” he finally says. “I don't think so. I'll find something more fitting.” Then he turns and starts to walk away, before calling over his shoulder. “I'm gonna get dealt in. Bring me a whiskey once I'm settled.”

You watch him go for just a moment, and then head to the bar, asking for a whiskey.

“This for Everett?” the bartender, Colin, asks. When you nod, he grabs a fancy bottle off the top shelf. “This is all he drinks. And he doesn't pay for it, alright? Don't ever think about giving him a bill.”

You look back at the man in question, seriously looking at the cards he’s just been dealt. Who is he???

You collect his whiskey and move back to him. As you set it down, he turns to you. “How about this?” he asks as he holds up a crisply folded hundred-dollar bill between two fingers. Your eyes widen at the money. All you’ve done is bring him one straight pour. “There’s another one of these in it for you if you make sure I never see the bottom of this glass tonight. Sound good?” And then he folds the bill one more time in his thick fingers, before sliding it under the low-cut neckline of your blouse. Your skin tingles where he brushes against it.

“Yeah, you got it,” you just breathe out, a little shocked you’re able to form words. He gives you a smug smile that you can only describe as shark-like before turning back to his cards, and you understand it as the dismissal that it is.

You move around the room, collecting empties, getting refills, trying to goodnaturedly accept unsolicited touches. The whole time you feel eyes on you, but whenever you glance Everett’s way, he’s focused on his poker game.

Eventually, a down moment finds you catching your breath against the wall. The moment Holly sees you standing still, she’s quickly making her way to you. “You need to be more careful around Curtis,” she hisses, lowly.

You look at her, confused. “Curtis?” Jake’s at the door. Colin’s behind the bar. You don’t know a Curtis.

“Curtis Everett!” You glance at the man at the poker table. He’s running a poker chip across his knuckles mindlessly. Then he looks up and you briefly make eye contact before you quickly look away. Holly is staring at you and she looks worried. But the name still doesn’t mean anything to you, so you shake your head and shrug. She groans as quietly as she can. “He’s Barber’s top enforcer!”

This whole conversation feels so out of the blue that it takes you a minute to catch up. Barber. Andrew Barber. The most feared mob boss in the city. Probably the state. Maybe even more. Ruthless and exacting was how the papers described him. He’d been the subject of multiple stings and taskforces and whathaveyou but nothing ever stuck. “He works for Andrew Barber?” you ask, shocked and a little appalled.

Holly stares at you in a way that you can only describe as dumbfounded. It takes her a few moments to find her words, then, “Bitch, you work for Andrew Barber!”

Everything stops. “What?” you gasp.

“Oh my god,” Holly groans. “This was such a mistake. It’s an underground card game in his city! Who did you think was running things?”

“I– I don’t know,” you stutter, stupidly. The god’s honest truth is that you’d never really stopped to think about it. You’d been staring down an eviction, struggling to afford groceries. Unable to make ends meet no matter what you did. When Holly told you about this job, all you saw were dollar signs. You didn't think about anything further. Of course, you’d known these games were illegal, but it seemed so minor in the grand scheme of things. You hadn’t connected it to anything bigger because you just hadn’t wanted to.

But now– Now that you know the truth, what are you going to do? You know what you should do. You should walk out the door right now. You should find some other legitimate way to pay your bills. It’ll be safer. It’ll be better. It’ll be so much harder.

As you bite your lip, trying to process all of this information, Holly continues. “Listen,” she says, “still get him drinks, be friendly, whatever you need to do. But keep your distance however you can. Don't encourage him. He's just– He's really dangerous. They don't call him Barber’s attack dog for nothing, ok?”

“Yeah,” you say. You start to look back in Curtis’s direction but stop yourself. You think about the hundred you already have and the one promised to you at the end of the night. You think of how empty your pantry is. But then you see the genuine fear in Holly's eyes. You let out a shaky breath. “Yeah. I got it. Thanks.”

“He doesn't even come in here that often. I'm surprised to see him tonight, so I'm sure it’ll be fine,” she says, but you can tell she’s nervous.

You nod, absently, finally letting yourself glance over at him. His drink is getting close to the bottom. “Shit,” you mumble. “I gotta get him his refill.”

“Do you want me to do it?” Holly asks.

You should let her do it. You absolutely should. But you just can’t give up on that tip. You shake your head. “No, I’ll be fine. But thanks.”

You head back to the bar and grab Curtis’s top-shelf whiskey of choice from Colin, then make your way to his table. You set it down next to him, hoping to move away without him even noticing, he’s so engrossed in the game. But as you take a step back, his hand shoots out to grab your wrist. He holds it tightly until you meet his eyes. “Good girl,” he murmurs, and you can’t help the sharp intake of breath or the way you feel his words in your knees. He strokes his thumb down the inside of your wrist, then abruptly lets go, pushing his chips to the middle of the table. You step away, gathering yourself as subtly as you can, and get back to work.

The rest of the night goes quickly. The crowd gets a little rowdier as they drink more, but you find that it’s nothing you can’t handle. The reality of who these people are, what they’re connected to, never leaves your mind. But really, they’re not so bad. None of this feels so bad at all. And soon, people start heading out. You’re beginning to clean up, when a recognizable voice rings out, “Bambi!” You turn and lock eyes with Curtis. He crooks two fingers at you and you quickly make your way over to him.

“Bambi?” you ask.

He grins at you and it feels more than a little predatory. You’ll never admit how much you like it. You try to keep Holly’s warning at the forefront of your mind. “Wide eyes and just getting your legs under you,” he says. You instinctively duck your head at that, which earns a dark chuckle. “Here,” he continues, as he pulls a genuine, fat money clip out of his back pocket. You’ve never seen something like it in real life before. He peels off two bills and holds them out to you. “This is what good girls get,” he says, a low rumble in his voice.

You swallow as you take them from him. Two hundred dollars. Twice what you were expecting. “Thank you,” you say quietly.

He shakes his head. “You earned it.” Then, after one last long look at you, he turns around and leaves.

You stand and stare after him. You don’t doubt anything Holly said, but three hundred dollars, just for bringing him drinks. He doesn’t seem that bad, not really. A little intense maybe, but there’s some sort of interest there, and it can’t be that bad to encourage it, just a little if it earns you these sorts of tips, can it??

Any hesitance you have about this entire endeavor completely disappears as you count your money at the end of the night.

Your first week flies by. You're starting to get the hang of the job. You get along with your coworkers. You get to know the regulars. You like it. Even Lloyd isn’t so bad as long as you give him his cut at the end of every night.

And you’re making so much money.

In your downtime, you pay your landlord what you owe him. You go grocery shopping without scouring for coupons first or calculating exactly what you can afford beforehand. You make a Pinterest board of what you want your apartment to look like now that you might actually be able to buy things to fill it. For the very first time, you’re thinking about things you actually want, not just desperately trying to figure out how you’ll pay your bills. You’ve never felt this calm, this relaxed, this free before. It’s an incredible feeling.

And Curtis. Despite Holly’s reassurances that you wouldn’t see him much, he seems to be there whenever you are, trying to capitalize on his winning streak at the poker tables, you assume. His tips are still insanely generous. You don’t think he carries anything less than hundred dollar bills.

And there’s just something about him. The way he looks at you. The way he touches you. It’s not like the other men here. His touch is like fire, warming from the inside. There’ve been times when his hand on your hip has almost made your knees buckle. That doesn’t happen with anyone else here.

But you’re being smart and you’re being safe. You are. You’re going to set a savings goal, you think. And once you hit that number, you’ll be out of here, onto something more legitimate. And until then, you’ll just keep your head down and mouth shut, like Holly said. You haven’t even really seen anything. It’s a good plan. It’ll be fine.

She’s right that the weekends are wilder. Even with three additional girls working the room, you’re kept running. You do your best to keep an eye on Curtis’s drinks, but it’s much harder than on weeknights. And you aren’t really able to pause when you drop them off. It’s one of these times, as you’re pulling away from the table as soon as you’ve set his glass down, that you’re stopped short by his hand on you. He pulls you back in by the wrist and says, “They’re just running you ragged tonight, huh, Bambi?”

You smile and shrug. “It’s busy.”

He holds out a bill and you try not to smile even wider as he slips it into the waistband of your skirt. “For all your hard work.”

You bat your lashes a little. “You spoil me.”

“I like spoiling you,” he says, lowly.

“You’re too sweet,” you say softly. Then, pulling your arm away with a wink, you add, “Gotta run,” and you’re onto the next table.

You’re getting good at this, figuring out what level of harmless flirting is just enough to keep the money flowing. And you’re having fun. You’d never expected that.

Holly and two of the other girls, Jane and Kristi, are congregated at the end of the bar, waiting for drinks, when you join them. They’re all watching you warily. “So, uh,” Jane starts quietly, “you seem to be getting pretty cozy with Curtis.”

Before you can respond, Holly scoffs behind her. “I’ve tried to warn her but she won’t fucking listen.”

You roll your eyes. You’re tired of hearing this. “I seriously don’t get what the big deal is. He’s nice and he tips well. It’s harmless!”

Kristi just gapes at you. “He’s nice?!”

Holly slams the drinks she was waiting for onto her tray. “Whatever,” she grumbles. “It’s her fucking funeral.”

You shake your head as you watch her go. It’s fine. You can take care of yourself.

The rest of the night goes by in a blur. You don’t get much of a chance to talk to Curtis, but you feel his eyes on you before he disappears a little before closing.

At the end of the night, once you’ve helped clean up, you cash out with Colin and Jake and then go to find Lloyd in his office. You think it’s kind of ridiculous that you’re basically paying him to work there, but it is what it is. And Holly was right, you’re making so much that you barely even notice.

Lloyd is sitting at his desk, looking a little more disheveled than you’re used to. He startles at your approach, which is also new.

“Oh, hey,” he says, with slightly rounded eyes. “What can I do for you?”

You look at him, a little confused. “Just here with your cut,” you say as you hold out his money.

His hands immediately fly up to his chest, palms out. “No, no,” he says. “You made that fair and square. You just– you keep what you make from now on, Cupcake. Sound good?”

You swallow and nod, preparing yourself for whatever other price you’ll have to pay for keeping your job, mentally calculating what you’re willing to do. But Lloyd doesn’t do anything, doesn’t make any move to get closer to you. Just stays there at his desk, turning back to his work. “You have a good night,” he says, clearly dismissing you.

You leave confused, but richer, telling yourself not to question it too hard.

Things go so smoothly for a few weeks that you’re a little shocked when the bubble bursts.

It’s a relatively quiet weeknight. There are a few games going, but nothing compared to the weekend. The pace of the night feels leisurely. It’s nice.

It’s maybe the first night you haven’t seen Curtis there. It feels weird. He’s become such a part of this place for you. A fixture, like the bar or the carpet. Just one of the elements that make it what it is. But it’s fine. Of course, he doesn’t come every night. He probably has a whole life outside of this. He must’ve gotten bored of playing cards. Oh well. It was nice while it lasted.

You’re passing the time talking to one of the regulars at the bar, Vinny. He’s in his fifties, you think, with gray hair and laugh lines. He’d gone bust at the poker table (or maybe it was craps tonight) earlier and then had moved to the bar to drink away his sorrows and bad luck. That was how his nights tended to go.

He’s sitting on a barstool, his arm around your waist where you stand next to him. He’s a little close for comfort, but he’s always just been a friendly guy, so you’re alright. Which is why you’re so surprised when, in the middle of a story about the good old days of the Copa Cabana, his other hand suddenly finds its way between your thighs. You freeze. For just a second. Then you force out a laugh and try to push his hand away. “Bad boy,” you try to tease, your voice shaking. His hand will not move. What is happening? “Come on, let’s keep our hands to ourselves.”

Instead of doing what you’ve asked, his thumb briefly brushes the inside of your leg and then his whole hand begins moving higher. You stop breathing. You push again but he won’t budge.

“You’re such a pretty doll, aren’tcha?” he says.

Tears start to gather in your eyes. You look around wildly to see if anyone’s noticing what’s happening. Colin’s busy making drinks. Jake and Lloyd are talking by the door. Everyone else is engrossed in their own business. “Vinnie, stop, please,” you whisper. You don’t know why you can’t get your voice to work, can’t get your body to move.

“Come on,” he cajoles, “I’m being nice, aren’t I?”

Then his thumb brushes against your panties and your entire body jolts into action. You wrench your leg out of his grasp and take several steps away from him. Your whole body is shaking now. “I gotta–” you start, trying to keep your tone casual and failing miserably. “I gotta get back to work, Vinny.” Then you grab your tray off the bartop and walk away as fast as you can.

You don’t really have a destination in mind. You pick up a few empties as you wander between tables. You can feel his eyes on you, following you. You try to take a deep breath, calm yourself down. It isn’t very helpful. You look up to see Jake by himself now. You make your way over to him, Holly’s words on your first night in your ears. That was out of hand, wasn’t it?

He looks up as you approach. His big golden retriever smile on his face. “Hey, what’s up?” Then he actually takes you in and his smile drops. “What happened?”

“Um, Vinny, he, uh–” You feel a few tears fall down your cheeks and you just shake your head.

Jake’s face darkens. “Did he hurt you?”

“No, uh, he– he just–” You shake your head again. “No, he didn’t hurt me.”

Jake doesn’t say anything for a moment, just looks at you. There’s something about the way he does it that makes you think he understands everything you just can’t say. He nods once. “Alright. I’ll take care of it. You go take your time in the back. Do what you need to do. He’ll be gone by the time you’re done.”

You let out a shaky breath. “Okay, thank you,” you say so quietly. Then you get yourself to the back room as quickly as you can.

It’s really more of a hallway than a room, small and narrow. All of the storage space for the building is in the legitimate bar upstairs. But there’s enough room for you to crouch down, your knees pulled up tight to your chin. You bury your face in your thighs and let the tears you’ve been holding in finally fall. You’re okay. You’re okay. You’re safe. You’re fine.

You don’t know how long you’ve spent trying to calm yourself down when a large shadow suddenly looms over you. It takes you a moment to gather your strength to find out who it is. You hope it’s Jake telling you Vinny’s gone. You’re afraid it might be Lloyd, here to tell you to get back to work. There’s a slowly building terror that it might be Vinny himself.

After a deep breath, you look up to find Curtis staring down at you, concern on his face and fiery anger in his eyes. “What happened?” he growls.

You shake your head and turn away. He crouches down in front of you. “Are you alright?”

A humorless, uncontrolled laugh escapes you. Once you finally stop, you ignore his question and ask your own, “Why are you here?”

It takes him a very long time to answer. He just looks at you seriously for several moments. Then, finally, “Jake called me.” While you try to figure out why on earth Jake would do that, he continues, “I'm sorry I wasn’t already here.”

“Why?” you blurt out without thinking.

He looks away without saying anything. You both just sit in the silence for a few moments. Then, you try to change tactics. “Where were you?” you ask out of morbid curiosity. You can't imagine what his life is like outside of here.

“Working,” he says curtly. He plays with a ring on his middle finger and the movement draws your eyes to his hands, specifically his knuckles. They're scraped and caked with dried blood.

You swallow and you catch how his eyes track the movement. His eyes are always on you. He catches everything.

“Someone touched you?”

“Lots of people touch me,” you say, flatly. “It's part of the job. You touch me.”

His eyes narrow at that. “But this was different.” It isn’t a question.

You look down at your hands in your lap and don't say anything.

“Tell me who it was.”

“No,” you say instinctively, something about the moment feeling incredibly dangerous.

He huffs in frustration. “Are you trying to protect him?”

“No!” you say, sharply. “I’m protecting myself.”

“You don’t have to do that. Not from me. Not ever.”

You don’t know how to tell him that every atom in you knows that that isn’t true. You can’t explain it, and it wasn’t until the moment he joined you in this little closet, but you’d swear that he’s a danger to you. You just can't articulate how, but you feel it in your bones. And still, here you stay.

At your silence, he grits out, “If you don’t tell me who it was, Jake will.”

Jake probably already has, that’s what you’ve figured. “Great,” you say. “Then you don’t need me to say it.”

“Bambi,” he lets out in an exasperated growl. “I'm trying to help you.”

You just look at him and then figure you may as well ask the main question that's on your mind. “Why did Jake call you?”

He ignores you and stands up. “Come on,” he says and extends his hand, “I'm taking you home.”

You just blink up at him. “My shift isn't over.”

He shakes his hand at you impatiently. “It is now. Come on.”

You shake your head. “Curtis, this is my job. I can't just– Lloyd will–”

“I'll take care of Lloyd. Let’s go.”

You think about going home. About sitting alone in your small apartment. At least here you'll have something to do, things to focus on, to keep you busy. At home, there'll be nothing to think about other than that hand between your legs and– “No,” you say as firmly as you can manage. “I'm staying here. I'm finishing the night.”

His jaw ticks but he doesn’t say anything, just tries to stare you down. You stare right back. You will not concede this.

Finally, he exhales through his nostrils, then growls out an unhappy “Fine. But I'll–” He's interrupted by his phone ringing in his pocket. He takes it out and glances at the caller ID and sighs. “I have to take this.” He steps away as much as he can in the tiny area and answers with a curt “Everett.” There's a slight pause. “Yeah, I took care of it.” Another pause that has him glancing at you. “No, something else came up.”

You don't wait to hear the rest of the conversation. You take the opportunity to go back to the main room and get back to work.

You don't see Curtis again that night. You don't spare much thought to where he might've gone. You're too focused on getting through the remainder of your shift. When it's done, Jake insists on seeing you home. You don't ask why. You already know who's behind it.

The next few days are fine. You try to put what happened behind you, doing your best to ignore it. But that becomes impossible when three days after the incident you watch Vinny walk in. You can’t help the little burst of panic you feel as you warily watch him sit down at his usual table and get dealt in.

As subtly as you can, you make your way over to Jake. You don’t even say anything before he’s looking at you, chagrined. “I know,” he says. “I’m sorry, but I had to let him in. I promise it’s all going to be taken care of. It’s just– You can ignore him tonight, ok? Just trust me. You don’t need to worry about him. I promise.”

“Ok,” you say reluctantly, trying to resist looking back at Vinny. “I just– I didn’t think I’d have to see him again.”

“I really think that after tonight you won’t,” he says sincerely.

You don’t really understand what that means, but you nod anyway. “Ok,” you say. “I, uh, I should get back to work then.”

He just nods after you, looking a little concerned and a little sad. But the room is filling up, so you don’t have time to delve into it.

Sometime later, as you’re taking a brief moment to idle by the bar, a strange hush descends over the room. You’re facing away from the door, away from the rest of the room, but you see Colin take in whatever it is that’s caused this. His face pales and he lets out a quiet, urgent, “Shit.”

You turn around to see what on earth could be going on and you immediately freeze. Curtis is here. But that’s not what’s garnering all of this attention. Well, not all. Because he’s not alone, there’s a man with him. A little shorter, not quite as broad. But you’d be able to feel the power radiating off of him, even if you didn’t recognize him. Soft dark hair, thick beard, an immaculately tailored suit. You’ve seen him in the papers, on the news, but in real life, he’s even more intimidating. Andrew Barber.

Barber leans in close to say something to Curtis, who nods, eyes scanning the room until they land on you. Your breath catches, but luckily Colin calls your name behind you and you have an excuse to turn around. He places two glasses of dark liquor on the bar. “Everett,” he says, gesturing to one, then “Barber,” while waving his hand over the other. “Got it?” You nod and place them on your tray. They’re identical to your eyes except for the fact that Barber's has a muddled black cherry at the bottom of the glass.

You carefully bring them over, trying to force yourself to breathe. Curtis intercepts you and grabs the drinks when you're a few steps away. “Thank you, Bambi,” he says, lowly.

Barber perks up. “This is Bambi? Really?” He extends a hand and you have no choice but to take it. “Andy Barber,” he says with a disarming smile. “It's a pleasure to meet you finally.”

His handshake is firm, demanding. He is terrifying in his friendliness. And he knows who you are. Has known, for who knows how long. You glance at Curtis, but he's just calmly drinking his whiskey. You don't know what to say, what are you supposed to say?? So after too long a pause, you practically whisper, “Thank you, Mr. Barber.”

He chuckles lightly as he takes back his hand. To Curtis, he says, “You're right, Bambi does suit her.” Then he turns back to you and adds, “Andy, please.”

“O– Okay, Andy,” you say, with what you desperately hope is a benign smile. You look over at Curtis, you’re not entirely sure why, but out of these two dangerous options, he, at least, is familiar. “I should get back to work.”

Curtis is staring at you, but it’s Andy who answers. “Mmm, and we have a game to join, don’t we?” Curtis nods but still doesn’t break his gaze. Andy smirks, “No rest for the wicked.”

You have no idea what to do with that sentiment, so you take the opportunity and get out of there. You walk through the tables, checking to see if anyone needs anything, but the mob boss’s physical presence seems to have ground all action to a halt. The room is collectively holding its breath.

You go back to the bar for want of anything else to do. Colin is standing ramrod straight, coiled in case he needs to spring into action. Lloyd is sitting down at the end of the bar, drumming his fingers, eyes moving all around the room. You settle next to Holly, who looks just as scared as she did that first night when she was trying to warn you off of Curtis. “Is this,” you start to ask, your voice shaking. “Is this normal? Does he come here a lot?”

“No, never” she shakes her head. “Why would he come here? He has real clubs and restaurants. He doesn’t need to hang out in a shit hole like this.” She shakes her head again. “He’d only come here for a reason.”

You turn your head back to the room and find that Andy and Curtis have settled at Vinny’s table, joining his game across from him. Your heart lands in your throat. That can’t– No. You’re just some cocktail waitress. Even with Curtis’s obvious interest in you, you aren’t important enough to bring the most powerful man in the city here. You’re nothing. He must have other reasons.

The room is quiet enough to hear a pin drop as everyone waits for something to happen, which is why when Andy does start speaking, you don’t have to strain your ears to pick up every word.

He looks at his cards carefully, then over at Vinny. “You know, Vinny, you’re a hard man to track down.” His voice is so calm, it sends a chill up your spine. “You don’t go home, we can’t find you at work. I was starting to get worried.” He runs a few chips through his fingers before tossing them into the center of the felt. “That’s why, when I heard you were showing up here, I sent my best man to investigate,” he nods towards Curtis, “just to make sure you were ok.”

You don’t have a great view of Vinny from where you’re standing, but you can see how stiff he is, how silent. But he still calls when it’s his turn.

“You can imagine my relief when I found out you were alright. Except,” he raises again, a few more chips into the pot, “you’re losing a lot of money, aren’t you? Now, this upsets me. Not because you’re losing your own money. But because it’s mine, isn’t it?”

Vinny finally tries to pipe up. “Andy, hold on. I can ex–”

“You owe me $150,000, Vinny. With interest, that total’s climbing every day. And yet, you sit here and you just keep losing, don’t you? At my own game. What would you do if you won, huh? Would you really try paying me back with my own money? I thought maybe you’d at least have the smarts to cross the border and try this at one of Roger’s casinos. Huh? Paying me back with my enemy’s money, at least that I could respect. But no, it’s only me you think is stupid enough to fall for your bullshit. So now I’m here to give you the chance to fucking do it to my face.” With that, he violently pushes all of his chips into the center of the table.

Everyone else has folded. It’s just Barber and Vinny now. You’re not sure Curtis even actually played. He’s just staring Vinny down, although occasionally his eyes will flick up and meet yours. You hate feeling like you’re a part of this, but you don’t know what else to do besides watch it play out.

Vinny is just spluttering, while Andy calmly looks on. It’s all the expected, cliche stuff you’ve seen in gangster movies. He’s got the money, he swears. He just needs a little more time. Andy has to know he’s good for it! You want to roll your eyes right along with Andy.

“Call, Vinny,” Andy cuts him off, sternly. “That’s $150,000 I just put in the pot. Call. And if you win, we’re even. Your debt’s erased. But if you lose, well then that’s $300,000 you’ll owe me. And you know I won’t be able to tolerate that. So call. And let’s find out where we stand.”

You can’t see what Vinny’s doing, but you can imagine the way his fingers must be hovering over his chips, his eyes moving down to his cards to check, one more time, if they’re as good or bad as he remembers. You know there’s no way out for him either way. He’ll have to call. He’s just delaying the inevitable.

You feel like you can't breathe as you wait for him to just finally do it, but Andy cuts in again. “The thing I can't understand, Vinny, is why you kept coming here after Curtis showed up. Either you're very stupid or really fucking greedy.” He looks at Vinny carefully. “Maybe a little of both. I hear you've been touching something that doesn't belong to you.”

You gasp. No one notices, but you do. He can't be talking about you. He can't. He can't.

Vinny seems even more confused than you. “What are you talking about? I haven't touched anything!”

Andy continues to ignore him. “So you're stupid and greedy. That's why you aren't afraid of him like you should be. They call him my attack dog, did you know? Have you heard that? Maybe that’s the problem. Maybe you think he’s some puppy that follows me around. You’d be stupid to underestimate him, underestimate me. But maybe you only do that because you've never seen my dog off his leash.”

Curtis springs into action, lunging across the table to grab Vinny by the collar, and then slams his head into the felt. Before there’s even time to react, he’s stood and he's picking Vinny back up and hurling him onto the floor. Curtis comes around the table to stalk after him and the look on his face has you gasping for breath. You've never seen Curtis like this. There's a glint in his eye that might be the scariest thing you've ever seen. Who is this man? What is he capable of?

Vinny is dazedly trying to crawl away, but Curtis catches him easily. He grabs Vinny’s collar and hauls him back up, delivering two punches to his face in quick succession. The sound it makes. There's no other sound in the whole room. No one's saying anything, no one's doing anything. Everyone's just watching, hypnotized. You turn away, your stomach churning. Your eyes catch on Andy, sitting back in his chair, placidly drinking the whiskey you brought him, completely relaxed, like he's watching anything else. You can't look at him either.

The room is completely silent except for the crunching of bones, Vinny’s whimpers, and Curtis’s grunts. You look up again to be startled by eye contact with Curtis. His eyes are wild, unhinged. Feral. But there's something else in it, like all of this is for you. That all of you are there, everything is happening, because Vinny dared to touch you. It takes your breath away. It’s mesmerizing.

Andy finally stands and strides over to where Curtis is holding Vinny up in the middle of the room. He looks down at Vinny, then spits in his face. “I'm tired of trying to draw blood from a stone,” he says. Then he turns to Curtis and finishes, “Get rid of him.”

Curtis gives you one last long look, his face unreadable. You feel it in your knees. Then he drags Vinny out, leaving a bloody trail behind him.

The moment they're gone, it's like the entire room can breathe again. “Lloyd,” Andy calls out. “How ‘bout a round for everyone? On me.”

Lloyd nods to Colin who hurriedly starts pouring drinks. And you, so grateful for something to do, instead of just standing there, shaking, start loading the glasses on your tray.

As you begin to pass them out, Andy of all people, pulls you aside. “Bambi,” he says quietly, “I hope you know now, we take care of our own.”

You gaze at him, shocked. It feels like a comfort and a threat. But why? It's not so much the implication that this all had something to do with you, but you can't for the life of you imagine what you've done to get yourself to a place where Andy Barber might consider you his, however distantly. It can't just be that you work here. You can't picture him doing something similar for Holly or Colin. Once again, this all feels so incredibly dangerous.

While you're struggling to come up with anything to say to that, he grabs a drink off your tray and downs it quickly. Then, with a wink, he turns and leaves. You’re left staring after him until someone calls after you and you're scrambling to pass out drinks again.

The night ends quickly. No one seems eager to stay and drink and play after everything that's happened. Not when there's still blood on the floor.

You do what you can to help clean up, but when you stare at the stain helplessly, Lloyd tells you not to worry about it. He's got a guy.

Colin walks out with you so you aren’t in the parking lot alone. You're grateful. You're still so shaken. As you approach your car, your beater that you still don’t quite have the money to replace, you see someone leaning against it. You stop short, looking to Colin for help, but he just keeps walking to his own car, his head down. That’s when you know it’s Curtis.

You take a deep breath and then force yourself to keep walking towards him. You can't begin to parse how you feel to see him now. Your keys are ready in your hand like you might just get in and drive off without speaking to him. You know you won’t.

When you reach him, his voice is rough as he asks, “Are you ok?” He’s cleaned up. There’s no more blood on his hands, his clothes have been straightened.

You open your mouth to answer, even though you have no idea, so instead what comes out is “Did you kill him?”

“Did you want me to?” is his immediate reply.

It stops you in your tracks as all sorts of feelings come bubbling up, ones you can not, will not examine. This is about his propensity for violence, how terrifying he became, not– No. “Did you?” you insist.

He looks at you carefully then shakes his head. “I don't think you actually want me to answer that.”

“But you've killed before?” You can't stop yourself from pressing, from pushing. You don’t know why.

He just sort of smiles, gently almost, in a way that is deeply unsettling. “You need to stop asking questions you aren’t ready for me to answer, Bambi.” And it’s the way he says the nickname, like you really are that babe in the woods, just born with no knowledge of the world around you, that has your hackles rising.

“Andy called you his dog,” you say, like he should be offended.

To your surprise, he laughs, his head thrown back. Then he takes a step closer to you, and you take the opportunity to sneak in behind him, get to your car. You realize your mistake immediately when he turns back around and cages you in, your back pressed against the driver’s side door. “Everyone calls me his dog. Because he’s the civilized man in the designer suit, and I’m the animal just begging for a reason to slip my leash.”

Your heart pounds wildly in your chest. You should get into your car. You should drive away as fast as you can. You should never come back. But you don’t. “You did it for him,” you say, mustering all the strength into your voice that you can. “You didn’t do it for me.”

He leans over you, the space between you shrinking rapidly. “Yeah, he asked me to do it,” he nods. “But if he hadn’t, I still would have done it. For you.”

You try to shake your head, to tell him that that can’t be true, even as a wild, loud part of you starts to rise up and claw out of your chest. You try to tamp it down, deny it, but before you can, Curtis is leaning in further, his whole body pressing against you, and then he covers your lips with his.

There’s a heat that comes up out of him that fills you, the instant his skin touches yours. His hands are on you, your neck, your hip. You can’t keep track, can only say that his hands are there, everywhere, that his body touches all of yours, that his lips and his tongue are demanding, unrelenting. You are burning up from the inside.

Too soon, but ages later, he pulls away. His eyes are on fire as he looks at you. Then he tears his gaze away, and hits the roof of your decrepit car twice, looking at it disdainfully. “You get home safe,” he says, then steps back to allow you the space you need to get into your car.

You do what he wants you to do. You get in your car, sit in the driver’s seat, and then stare blankly out the windshield. You’ve never felt so out of control in your life. How did this happen? You were flirting for tips, that was all! You encouraged it for money, that was it, and now– You press your thighs together, trying not to pant. You will not be unmoored.

A slight movement in your periphery makes you notice that Curtis is still standing just to the side of your car, watching you. You turn your keys in the ignition and shift into drive.

It doesn’t mean anything it doesn’t mean anything it doesn’t mean anything, you chant to yourself all the way home.

It’s your next shift back, and everything seems to have changed. You don’t understand it. You keep doing laps of the room, keep sidling up to regulars you were so friendly with just a few nights ago, but now, they won’t even look at you, let alone touch you. No one’s ordering anything.

Or at least, they aren’t ordering from you.

Holly has been running around nonstop all night, basically having to take care of the entire room by herself. You watch man after man after man slip her little bundles of money.

You want to scream. What the fuck happened? What did you do? What are you going to do?

You go to stand by the bar to wait for something you can do. Colin gives you a brief nod of acknowledgment but that’s it. He’s been cold, too. No. Not cold, distant. You don’t understand what’s changed.

You take a deep breath. It’s one weird night. Things will be better tomorrow.

Things don’t get better. The next night is the same. You’re starting to panic. This job was supposed to be your lifeline. Without it, without the money you were making, you’re not sure how you’ll survive.

Curtis comes in after a couple of hours of nothing. You could cry you’re so happy to see him. But terrified too. If he gives you the cold shoulder, this job really is over. But you have no idea how he’s going to act, not after what happened last time. You’re not sure how you’re going to act either. You can still feel his lips on yours.

You bring him his whiskey immediately and he greets you with an arm around your waist, pulling you in. “Hey Bambi,” he says quietly. Then he gets a good look at you. “What’s wrong?”

You look at him carefully, not sure what to confide. You aren’t even sure what the problem is. You shake your head. “Not my best night,” you say with a tired smile. “But I’m fine.”

He stares at you for a moment, then stands up. “Come on,” he says, grabbing your hand and leading you to the little back room. You feel eyes on the two of you the whole way there.

Once he’s closed the door behind you both, he asks again, “What’s wrong?”

You sigh. “The last two nights have been weird here. I don’t– I don’t know. I’m just worried. I don’t know what happened but I’m not making any tips. No one’s treating me like they used to.”

“Mmm,” Curtis hums thoughtfully. “I think,” he says as he takes two steps closer to you, which in this small space is significant, “everyone else here has figured it out.”

It’s suddenly a little hard to breathe with him standing over you like this. His presence, his attention is always so much. “Figured what out?” you ask, confused.

“That I have lost my patience for watching other men touch you.”

It hits you like a freight train. “What?” It comes out in a whisper.

“I’ve let this go on for too long,” he says, his voice is calm, casual. “I don’t want you working here anymore. This is done.”

“I– What? Curtis. What?! I have to work! I have to pay my bills! I don’t understand. I don’t–”

He takes one last step forward. You feel the heat coming off of him. “Shh,” he soothes, cradling your cheek in his hand. “It’ll be alright. I’ll take care of you. I take care of what’s mine.”

You pull your face away, even as the urge to nuzzle into him is so strong. You feel like you’ve missed something, a thousand things. You feel too many steps behind. “Curtis, I’m not– I’m not yours.”

Something comes into his eyes and you’re reminded of him standing over Vinny, covered in blood. His hand travels down from your cheek. He strokes your throat once, and then his hand closes around it. “Look me in the eye,” he growls, “and say that again.”

His hand is firm, snug, but it doesn’t tighten. But you can imagine so easily how it might. You look him in the eye. You open your mouth, ready to say it again. But then– then you see it. In the way he looks at you, the way he’s always looked at you. You feel it in his grip on you, now. You can’t deny it anymore.

Curtis shoves you into his bedroom. You’re panting already. You need his hands on you, right now. You don’t have to ask for it. He gets you to the center of the room and yanks down your skirt, tearing it in the process. You step out of it and take your blouse off, throwing it on top of your skirt. Curtis’s eyes are cataloging your body, the swell of your breasts spilling out of your bra, your soft tummy, thick thighs. His gaze, as always, takes your breath away.

You reach out for Curtis’s shirt, but he grabs your hands. “I want you on your knees,” he growls and you immediately kneel for him. He throws off his shirt, revealing the expanse of his chest, the muted blacks and grays of his tattoos. You’re desperate to run your hands over them, trace the art, but instead, they just twitch at your side. He'll tell you what you're allowed to do.

He begins unbuttoning his jeans and your mouth drops open. He chuckles darkly. “Perfect little slut.” He takes his phone out of his back pocket and aims it at you, taking a picture as you gaze up at him under your lashes, your mouth wide open. “I've been dreaming of getting you on your knees for me.” He puts his phone on his dresser, then continues taking off his pants. “You ready to choke on my cock, baby?”

“Please,” you whine. You're practically salivating now. His bare thighs are as thick as tree trunks, the muscles corded. His abs ripple as he moves. His shoulders, his back. You want.

He frees his cock and rolls his black boxer briefs down his legs, stepping out of them. It's long and thick, just like the rest of him. Your breath catches. You don't think you've ever taken something that big before.

He takes a few steps so he's completely in your space, his cock bobbing right in front of your face. He takes it in one hand, the other firmly on the back of your head and slowly feeds the tip into your mouth. You taste his musk on your tongue. As he rocks into your mouth, going a little further each time, your hands come up to grasp his thighs. On his next thrust in, you run your tongue along the underside of his dick. His movements stutter just a little and then he looks down at you, a smirk overtaking his face. It's just a touch mean, in a way that has you soaking your panties. “You ready?” he asks, his voice rough. And then without waiting for the answer, he thrusts in all the way, making you take him deep in your throat.

You flail, slapping his thigh as you try to swallow around him, breathing frantically through your nose. After holding you there for a moment, he sets a brutal but steady pace. It takes you a moment, but you find your rhythm, your panic subsiding. Once you feel steady, you lift one hand from his thighs and bring it up to cradle his balls. “Fuck, Bambi,” he grinds out. “You're gonna– I– fuck!” His hand moves from the back of your head down to the back of your neck, which he grips firmly, pulling you off his cock. As you cough and splutter on the floor, he growls, “The first time you make me come is gonna be inside that perfect cunt.”

He helps you stand on wobbly legs, then shoves his hand between your legs, cupping your pussy over your panties. “Shit, fucking soaked just from deepthroating me?”

You let out a needy little whine, trying to push further into his hand, but he withdraws it, instead settling on your hip. “Well,” he grins, “if they’re ruined anyway…” then uses that hand to rip the black lace down the side, letting them fall to the floor. He makes quick work of your bra as well, then takes a step back and sighs, “Shit, Bambi, look at you.” It’s the reverence in his voice and on his face that has you launching yourself at him, unable to keep from kissing him any longer. He lets you, quickly taking control, letting you feel all his hunger, the want he’s kept barely bottled up since he first laid eyes on you. You understand it all now. His erection brushes against you, and now it’s his turn to whine, just a little.

He pulls away, brushing a hand down your cheek, then says “Get on the bed, on your stomach.” You quickly comply, laying in the center of the bed with your knees pulled up and spread beneath you. He brings his hand down on one asscheek harshly and you can’t help the lewd moan that escapes you. He chuckles, “Oh, I will definitely remember that for later.” He grabs your hips and cants them up, then whistles at your exposed cunt. “I knew it. Absolutely beautiful.” Then he unceremoniously shoves two fingers into your hole and you choke on nothing. “Shh,” he coos. “You can take it. My cock’s gonna be a lot thicker.”

As he starts scissoring his fingers inside you, you can’t hold it in any longer and start babbling. Mostly a combination of “please,” and “Curtis,” and “I need,” over and over.

“I know, baby,” he says as he pulls his fingers out of you. “I’ve got what you need right here.” You have a brief moment to feel the tip of his cock on your pussy lips before he’s thrusting it into you, as far as he can go without making it hurt.

“Oh my god,” you cry, pressing your forehead into the mattress and balling his dark blue sheets in your hands. You feel so full. It’s so good. He’s working himself into you as quickly as he can, desperate now. You both are. Once he bottoms out, fully seated in you, he pauses. Then with one hand on your stomach and the other around your neck, he pulls you up onto your knees, your back flush to his chest. You cry out at the new angle; he’s somehow even deeper now. He starts thrusting up into you at a punishing pace. You’re bouncing up and down in his firm grasp. The hand on your neck turns your head to face him, his lips brushing against yours. He holds eye contact with you as the hand on your stomach snakes down your pelvis so his thick fingers can begin circling your clit. “Fuck! Curtis, please!” you shout.

“Yeah, come on,” he breathes, “you can let go. You can do it. Come for me like a good girl.” It’s those words that send you careening over the edge, your cunt pulsing around his cock, squeezing him until he’s coming too with a grunt, filling you up until both your cum is leaking out around him.

He holds you there, on your knees, as you both come down, your twin pants all you can hear.

You wake up slowly, the sun shining on you through the soft drapes. You start to shift then groan at how stiff you are. The night before comes back to you. Curtis took you two more times before you both collapsed in satisfied exhaustion. He’s still out like a light beneath you.

You take a moment to look at him. It’s odd to see him so peaceful, so still. There’s nothing of the feral predator he projects to the world. It makes you feel oddly close to him, seeing him like this.

You carefully get up without disturbing him and begin collecting your clothes. You put on your bra, but there’s no saving your panties. Same for your skirt; it’s ripped along the seam. So instead you pick up Curtis’s t-shirt from last night and put it on. It smells like him. You breathe it in shamelessly knowing there’s no one to witness it.

You savor the soreness as you move out of the bedroom. It’s like you can still feel him inside you, how much he wanted you, needed you. It makes you feel a little powerful, having that effect on a man like him.

You make your way into his living room. You didn’t really have a chance to look at his house last night, as determined as he was to get you into the bedroom. If you’d ever thought to picture it, this wouldn’t be far off. It’s all rich blues and greens and grays, leather and dark wood. Masculine. It suits him.

As you’re admiring the room, you hear footsteps behind you and then two big arms are encircling your waist, pulling you into him. “Good morning,” he rasps.

You turn your head to him. “Good morning,” you say with a smile.

“Fuck, Bambi, you’re even hotter in my shirt than you were last night.”

You smirk at him even as your face heats. “Mmm,” you hum. “It’s comfy. You might not get it back.” He nuzzles into your neck as you continue. “I was hoping you might have something I could wear for bottoms, too. You destroyed my skirt.”

His beard roughly drags against your skin as he asks, “Why the hell would I let you wear bottoms?”

You laugh. “Because I have to leave the house, Curtis.”

“No, you don’t,” he says as his hand begins to move between your thighs.

You playfully swat him away, even as you feel yourself getting wet again from his attention. “I have to go home.”

“Why? You’re staying here.” It’s how certain he sounds that has you turning around in his arms.

“What?”

“I don’t like your building. It isn’t safe enough. Now that I finally have you, of course, I’m going to keep you here with me.”

Once again, you feel too many steps behind. You just blink at him, confused. How does he even know where you live??

He takes your chin in his hand, his fingers gentle. “I told you, Bambi, I take care of what’s mine.”

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