#*it was the CTV broadcast of it

[universalsatan]

omg has no one actually seen the drive by shooting that happened at drake’s residence

[allthecanadianpolitics]

CTV National News has featured 62 per cent more Israeli than Palestinian voices, aired racist stereotypes about Arabs, and allowed Israeli military officials to make false claims without pushback in its month of coverage since Oct. 7, a comprehensive analysis by The Breach has found.  The broadcast, which is the most-watched national news show in Canada, even failed to identify 41 per cent of its Palestinian speakers by name—while identifying the vast majority of Israeli speakers with their names as well as family relationships and personal connections to violence they’ve experienced.  CTV’s prioritizing of Israeli perspectives, which has included giving Israeli and Israeli-Canadian guests more airtime than Palestinians, is particularly striking given the scale of Israel’s current invasion of Gaza and its history of human rights violations and military occupation of Palestinian territories. The Breach’s analysis shows that the Canadian media’s double standards extend beyond CBC News, which has taken the majority of heat from critics since Israel began its bombardment of Gaza last month. In Montreal on Saturday, activists blockaded the entrance to CBC’s building and doused its doorways in red paint, while the CTV office across the street was unscathed.  The Breach’s analysis found that two-thirds of CTV National News broadcasts from Oct. 7 to Nov. 7 featured more Israeli voices than Palestinian voices. 

Continue Reading.

Tagging @politicsofcanada

[ncisfranchise-source]

Eight CBS Original Series Deliver 10 Million Viewers or More in Live Plus 7-Day Multiplatform Viewing

According to VideoAmp live plus 7-day viewership and internal streaming data for episodes airing through Oct. 21, eight CBS Original programs deliver 10 million or more viewers across linear TV and streaming in the 2024 fall broadcast season to date: TRACKER (15.2m), MATLOCK (13.2m), FBI (11.0m), GEORGIE & MANDY’S FIRST MARRIAGE (10.7m), NCIS (10.5m), ELSBETH (10.5m), FIRE COUNTRY (10.3m) and BLUE BLOODS (10.0m).

Three other series generated nearly 9 million or more viewers with seven days of multiplatform viewership: 60 MINUTES (9.3m), SURVIVOR (9.0m) and NCIS: ORIGINS (8.9m).

CBS has eight primetime series posting gains in 7-day multiplatform viewership compared to last season: TRACKER (+18%), MATLOCK (+55%, from ELSBETH last season), ELSBETH (+26%), 48 HOURS (+8%), FIRE COUNTRY (+6%), 60 MINUTES (+2%), GEORGIE & MANDY’S FIRST MARRIAGE (+1% from YOUNG SHELDON last season) and BLUE BLOODS (+1%). So far this season, CBS’ primetime multiplatform audience is up +2% from last season.

CBS series continue to lead in broadcast popularity with the top two non-sports programs: #1 TRACKER and #2 MATLOCK; as well as the #1 comedy GEORGIE & MANDY’S FIRST MARRIAGE. 

Source: Multiplatform: Video Amp Final Data, Live+7, 9/15/24-10/21/24. Season-Ago Video Amp data are Final, Live+7, 9/15/23-4/4/24. CBS and Paramount Global internal data, AMA for first 7 days of FEP on Paramount+ and CBS TVE (CBS.com and CBS app). Streaming Total Viewers includes co-view for CTV viewing. Linear Only: VideoAmp Final Data: 09/23/24-10/19/24, Preliminary Live+7 data: 10/20/24-10/27/24; Year Ago Final Live+7: 09/25/23-10/29/23

[tamapalace]

Toronto Tamagotchi Club Featured on CTV News & Global News Talk Radio

The Tamagotchi movement continues to grow! The folks over at the Toronto Tamagotchi club, which a club within Toronto Canada that hosts local meetups for Tamagotchi fans to make meaningful connections and to make friends within the community. Love this!

CTV News is a national broadcast in Canada, so this is a big deal! The article is written by Hannah Alberga who provides details about the Toronto Tamagotchi club, and interviews Twoey Gray, who is the founder of the Toronto Tamagotchi Club.

The article details how the Toronto Tamagotchi Club was founded by Twoey Gray which all started with a post during the pandemic about their Tamagotchi being lonely. Twoey thought there must be others in Toronto that play with Tamagotchi, and they were right!

Twoey advertised a first meetup which was at Allan Gardens Conservatory in Toronto where a dozen people attended, and new friendships were made. The second meet up was in Kensington Market, and Twoey already has another event for the summer on deck.

“Being able to nerd out with people who share your experiences … is something a lot of people have been craving for a long time,” she said.”

Be sure to read the CTV News article here.

Next up is the feature on Global News Talk Radio, which is a national talk radio station. Twoey Gray was also featured on the talk radio show where they elaborate on their love for Tamagotchi, and the creation of the Toronto Tamagotchi Club.

Twoey also spends some time explaining Tamagotchi to the talk show host, and how there is a community of Tamagotchi lovers, and the Toronto Tamagotchi Club’s goal is to bring people together. Definitely worth a listen and the audio is featured on their Instagram post here.

These features made the national news! Keep up the awesome work, Toronto Tamagotchi Club!

[ceasarslegion]

Pls tell me more about ur news experience while protesting the Ford gov and their shitty choices?

I was going to UofT at the time when the ford government gutted OSAP, the ontario student aid program for those out of the know. They converted all grants into loans and no longer gave money to cover living expenses, and they struck down the 6 month grace period ontario students had after graduation to find well-paying jobs before their repayment started.

For the americans here, i should contextualize that student loans in canada do not at all work like they do in the US. We take out loans from a combination of the federal government (known as NSLSC loans) and our provinces of residence specifically. When we apply, we fill out our financial info including our income and if we are considered an "independent" student or not, the legal definition of which differs depending on your province of residence. The main difference being that independent students dont include their parents' incomes when they first apply, theyre considered their sole and only breadwinner. Depending on that income and a few other personal points, you get a combination of loans and grants that cover both tuition and partial living expenses, and when you graduate, the federal government takes all your loan and income info and doles you out a personalized regular payment plan so you have it completely paid off after 10 years if you follow it. And you have 6 months after you graduate uni to find a job and get settled where you don't pay anything. Theres also other options if you still cant pay like the repayment assistance program that freezes your payments entirely if you prove youre below a certain wealth bracket, but thats the gist of it.

Now that everyone knows the context i can tell the story. The ford government of ontario circa 2019 decided that ontario university students dont need living expense coverage, that it would universally be loans regardless of any low income status, and that the post-grad grace period wasnt necessary. And being in one of the most expensive cities in the country, that was not going to fly with my peers.

I personally took out my provincial loans from alberta student aid that has all those benefits, so the OSAP gut didnt actually affect me at all, but injustice is still injustice even if it doesnt affect me, so i joined the student protests against the ford government that people were bussing in from the other side of the province to attend. At some point along the line, other folks noticed that i was comfortable around the news cameras and my main strengths were in public speaking, so when cameras were around asking for interviews i was pushed in front of them a lot to be trusted to explain our grievances and goals without getting noticeably hotheaded, so i did a lot of live interviews for CTV and citynews toronto during those few months.

And they were kinda right to do that. Im really good at interviews and public speaking and arguing points in general, and not the best at more hands-on things when it comes to activism. And like, you do need PR people to get support for a cause, contrary to what a lot of tumblr users seem to think. Like you need people whose jobs are to present your grievances and reasons for marching in a way that presents you as respectful and worth listening to and considering the points of. So that was mainly my role in those protests. I dont know if you can still easily find those interviews buried in their broadcast archives but if you want to look for me be my guest

[thepassionthatunitesusall]

For my friends in Canada who want to watch the FIFA Women's World Cup:

TSN will broadcast all 64 matches on their traditional cable channels

CTV will broadcast Canada's group games and some quarterfinals, semifinals, and final

There'll be preshows, daily recaps, match of the day replays, and preview shows on TSN as well

Broadcast team on TSN includes a few former CANWNT/CANXNT players

And if anyone wants more info on the tournament (schedule, group/team previews, etc.), send me an ask or message and I'll be happy to post it here for easy access!

[paris-geller-was-straightwashed]

I am about to say something that will probably put a giant fucking target above my head, but against all good reason - I fucking hate this whole 'gaylor' trend.

let's get the facts out right now: 1. I am a non-binary dyke, in case anyone wants to play the queerphobia card 2. I've been a fan of taylor since fearless first came out when I was 11 (before some of you had probably even reached double digits) and 3. yes, this is inspired by the recent ny times article.

honestly I'm usually too much of an old man to be interested in a lot of celebrity news, even for artists I like, so I generally stay clear, but this came through my morning news feed via, bizarrely, ctv (fucking ctv thought this was NEWSWORTHY enough to put on their site which is bonkers, and if you're not canadian, ctv is a nationwide news broadcaster). and it made me livid - because this has now far beyond stretched the line of acceptable.

fucking ny times. this would be perfectly expected for rags like daily soap dish or enquirer or some other bullshit circus, where they spend all their damn days crafting celebrity stories of who's secretly pregnant and who's getting an underground divorce. ny times, in case they fucking forgot, do still have some sort of legitimacy to their name, but I guess they decided they'd run out of enough stories to now outsource to conspiracy theory level fans who's parasocial relationships with their favourite celebrity reaches deity levels. dear ny times, there is actual news still happening in the world in case you're out of ideas.

putting aside this bizarre so called attempt at 'journalism', onto the second point - which is that this. is. gross!! I've had issues with the whole 'gaylor' thing since the start. we, as a fanbase, have seen taylor ripped apart and broken down by this intrusive and harmful celeb culture that analyzes her every move for who she might be seeing, who's she interested in, which male friend could be a potential partner, etc etc, over and over, and how it's been both damaging to her and her love life as she's said. fans have even criticized the media for it and said to leave taylor alone! but now, all of a sudden, just bc you're a fan or bc you're queer or both, it's okay??? it fucking boggles my mind when so-called 'gaylor' fans gush about her and her work, always at her defense and say they care about her, and then do this 180 where they partake in a super invasive thing at her expense and don't even blink an eye??? making your own guesses by yourself is one thing, but creating a whole plot around the fact of taylor secretly being gay and pushing her to come out is a whole other ballroom of nuts.

let's get this out onto the table - she hates this. she doesn't like that you guys do this. she's already stated so and you all keep doing it. just because you're replacing the male character with a female one doesn't mean shit when you're doing the same harmful activity, just switching pronouns. you're not subverting anything, in case any of you need to be told. as a queer fan, this is embarrassing. it is such a gross over-stepping of someone's private life, and now that the goddamn ny times have posted it about it, makes the behavior even more legitimized!! while nothing excuses homophobia, if taylor eventually starts distancing herself from anything and all things queer and starts pushing back, I don't want to see any fucking one of you crying bc it'd be your own damn fault.

thirdly, even if, even if, taylor was gay - it's none of our fucking business!!! it's like all you up and completely blanked out what it was like to be closeted. if you're staying closeted, it's because you're not ready to come out!!! you don't want to or it's not a good time for you or whatever there doesn't need to be any reason for why someone doesn't want to say they're gay!!! it's hard enough trying to make that choice, and then you have the rest of the whole world posting ''''articles'''' about your sexuality, putting a million pairs of eyes on you - fuck, that'd send me back ten more layers into the closet if it happened to me! it's super rude not only to discuss someone's sexuality like it's the weather over brunch, but even worse to demand they say something about it! this is queer etiquette 101 people - you don't run around gossiping about someone's sexuality bc whatever that person decides they doesn't need your fucking input!!

basically if I could spray you all with a spray bottle I fucking would right now - nobody needs your input on their sexuality, celebrity or non! all this does is perpetrate harmful celebrity gossip that just hurts the artist you claim to love so much. taylor is a real person with a real life, she's not a storybook character to speculate over! please, I am begging you, stop this! go outside! touch grass!!

and at the risking of being meme-ified, leave taylor alone!

[oldshowbiz]

CTV Television, Canada's first private national broadcaster, mostly simulcasted American shows. What original programming it did have was trash. Established as an alternative to the CBC, it wasn't any better.

[anotheruserwithnoname]

Remembering the early days of the DW revival in North America

(You never saw this in the UK or US) (Source)

With the return of Russell T Davies upon us, there’s a lot of nostalgia for the early days of the Doctor Who revival, the years before ... well, name a controversy. Lots of hope in the fanbase that RTD will be able to bring back the feels of the early days (and not just among those who were too young to remember the heady days of 2005-2010). There’s also a lot of hand-wringing over the fact that outside the UK the series will be part of the Disney+ family. But non-UK networks have always influenced the show in a lot of ways. 

Not everything was good - I have some real negatives below - but here’s a quick list of memories of the early years of the revival, which began at a time the mainstream in North America was still very much of the mind of “Doctor who?” and dismissed it as a grainy old series that usually aired after Monty Python on PBS after midnight on Saturdays.

I remember:

* When we had to wait months between UK and Canadian broadcasts. Just imagine trying to avoid spoilers today!

* When the Sci-Fi Channel in the US allegedly rejected the show for quality reasons. So many American fans didn’t get to see the first series with Eccleston for about a year (or had to order the DVDs).

* When Series 1 did air in Canada, the CBC had Christopher Eccleston record intros, commercial bumpers and “final comments” that included a mixture of trivia and promos for a “visit the set of Series 2″ contest being done with the Canadian edition of TV Guide (ironic, I know). By the time Christmas Invasion aired, Chris had left so they had Billie Piper do the intros and bumpers for it. They dropped the gimmick for Series 2. Thanks to the TV Guide tie-in, Doctor Who also got its first-ever cover on the iconic magazine, albeit only in Canada.

* When most episodes of Series 1 ended on the CBC with short documentaries and interviews with the Canadian DW fan club; one of them I believe was responsible for spreading the notion that the 1996 TV movie was titled “The Enemy Within” (which was just a suggested title apparently).

* The difficulty in getting the Series 1 DVD sets in Canadian stores due to the “Doctor who?” factor. I recall I had to special order and it cost me close to $100 in 2005 or 2006 money. And at the time only one DVD retailer (back when they could be referred to in the plural sense) would touch it. Amazon wasn’t a thing yet.

* The CBC not airing the part of “World War III” that resolved the cliffhanger of “Aliens of London”. For the CBC that was their “dancing animated Graham Norton” moment.

* How the CBC, after the initial flurry of interest, seemingly forgot about the show (a charge made by the main Canadian DW fan club a few years later), resulting in Runaway Bride airing after Series 3 began, the main CBC never airing Voyage of the Damned at all (leaving the Series 3 cliffhanger unresolved), and airing a 42-minute edit of “Journey’s End” that was totally incomprehensible (and delaying the broadcast until after the DVD release of Season 4). Torchwood likewise was bounced around. Soon after, the CBC cancelled Doctor Who and Space Channel (now CTV Sci-Fi) picked it up, eventually airing Voyage of the Damned and moving to same-day broadcast with the UK. They also picked up Torchwood. (Sarah Jane Adventures only aired on the BBC Kids cable network and either was cancelled or the network folded so we mostly saw it on DVD only; K9 never aired here at all, but again was on DVD.)

* The CBC also never showed the Children in Need minisodes, so I believe we had to wait for DVDs before seeing the prequel to Christmas Invasion and the Time Crash crossover.

* The sea-change when Series 5 arrived; Sci-Fi (Syfy) in the US and Space were now airing it the same day as the UK, though for here they added a US-style prologue to the opening credits with Amy explaining the concept of Doctor Who.

* When Sci-Fi aired Let’s Kill Hitler in the US with a special animated mini-episode during the commercial break promoting a sponsor - something that would be absolutely unheard of on the BBC! (It used to be on Youtube but I can’t find it anymore.)

* The “good old days” when most of the “good stuff” (basically anything involving video or gaming) on the BBC’s main Doctor Who website was “geolocked” and inaccessible to North American visitors. Fortunately this didn’t include the minisodes created to promote Series 2, but people had to sail the high seas (or later turn to Youtube) to obtain stuff like the mini-episode Karen Gillan made as a tie-in with an Amy Pond game and some of the scripted stuff Sarah Jane Adventures had on its site, and the Captain Jack’s Monster Files webseries starring John Barrowman.

A lot of this is in the past - as far as I know there are no longer restrictions on BBC website content (or if there is, it ends up on Youtube in about 10 minutes anyway); same-day broadcast is the norm; it’s easy to get DW-related DVDs and Blu-rays (though it remains to be seen if we ever see anything from RTD 2.0 on permanent media here in North America with Disney+ in the picture); and the idea of Syfy or CTV Sci-Fi - or certainly Disney+ - taking a 75-minute episode and trimming 30 minutes out of it for broadcast as was done to Journey’s End is impossible to imagine. Sadly though, at least for now, the enthusiasm for the show where people did care that Let’s Kill Hitler had an extra scene for the US only, or that Billie and Chris recorded exclusive materal for the CBC ... it too is in the past. I hope RTD is able to restore it and prove you can go home again.

[invidiosa]

The untold story of Last Night, Don McKellar’s Canadian classic, 25 years later

from a Globe & Mail Article for TIFF 2023 first published Sept 3, 2023

If it were your last night on earth, what would you do and who would you do it with?

Twenty-five years ago, Don McKellar’s debut film Last Night screened at the Toronto International Film Festival, where it was awarded Best Canadian First Feature. The poignant, perceptive drama about an unspecified imminent apocalypse, which also won McKellar a prize at Cannes, was acclaimed internationally as inspired counterprogramming to the loud American sci-fi disaster films of the same year, Deep Impact and Armageddon.

At the beginning of Last Night, the character played by Sandra Oh enters a deserted store looking for some wine for her final dinner. Among the looted shelves, two bottles remain. After deliberating between them, she picks one, while politely placing the other vintage back where she found it.

“That’s how you know it’s a Canadian film,” former TIFF executive director Wayne Clarkson said later.

That representation of Canadians – decorum in the face of doom – is key to Last Night’s considerable charm. “I wanted to tease the Canadian perspective but also validate it,” says McKellar, who also wrote and acted in the film. “Instead of Americans writing off Canadian cinema as passive, I wanted to say that there is value in reflection and moderation and community and tolerance.”

The film was recently digitally restored and will soon be released in its new 4K form. To celebrate its 25th anniversary, The Globe and Mail spoke with McKellar and others involved with the production of a Canadian classic which just might be the most civilized movie to watch on the last night of the civilized world.Open this photo in gallery:

The representation of Canadians – decorum in the face of doom – is key to Last Night’s considerable charm.Cylla von Tiedemann/Handout

Last Night was commissioned in 1997 by Paris-based production company Hout et Court for an international anthology series marking the turn of the millennium. Though it was supposed to be a one-hour television show, McKellar and Canadian co-producers Rhombus Media decided to make a feature film instead.

McKellar: I did make an hour version which had to be broadcast first on television in some territories. But, then, when the full feature film went to Cannes, it caused some friction. I thought Hout et Court would be excited, but it was very bureaucratic in France, and the government money was coming from the television side, not the film side. There was a bit of a conflict.

The French anthology project (2000, Seen By...) was intended to spotlight young directors – the new wave for the new millennium. Representing Canada was McKellar, a well-known actor and writer who previously directed the 1992 short Blue.

Canadian co-producer Niv Fichman: I wasn’t fazed by Don’s lack of experience at all. We were all boldly entering a new era. Originally, Don wasn’t sure he would be the lead character, but I really encouraged him to do it.

Although the film’s casting went smoothly, one famous Canadian actor was briefly in the running for the role of Craig Zwiller, who spends his final hours fulfilling a sexual bucket list.Open this photo in gallery:

The film is about an unspecified imminent apocalypse.Handout

McKellar: Everyone in the film was my first choice. But I had a bit of pressure on me to consider Keanu Reeves for the role I wanted for Callum Keith Rennie. I knew Callum – he was exciting. But out of obligation I approached Keanu. He said no, but that maybe he’d be interested in my part.

Rennie was well known for his punk-rocker role in Bruce McDonald’s Hard Core Logo and as a cast member on the CTV series Due South. He had not been in many sex scenes.

Rennie: It’s a bit intimidating. These scenes are delicate and fun and sensitive and weird. My brother told me I should have given him a bare-behind warning before he saw the film. I’ve done a lot more killing than kissing on screen in my career. It’s either the nature of the business or it’s the nature of my face, I can’t tell.

The character played by Sandra Oh is told that she “looks like a movie star.”Open this photo in gallery:

The film was screened at the Toronto International Film Festival 25 years ago, where it was awarded Best Canadian First Feature.Handout

McKellar: I’d met Sandra at a film festival in Taiwan, and I knew I wanted to work with her. She was on the HBO comedy series Arliss, but I thought she had romantic-lead potential.

Cinematographer Douglas Koch: When we were shooting these really emotional scenes between Sandra and Don, we were shooting over Sandra’s shoulder. She was off camera for all intents and purposes. With the camera on Don, tears would be pouring out of her eyes. She was totally giving it to the actor, Don, who was actually on screen. I’d heard of great actors doing that, but to see it was incredible. You realized this was an actor who does not stop.

The great Canadian director (and occasional actor) David Cronenberg was cast in a role that was to die for.

McKellar: I was representing Canada with the film, and it was set in Toronto. I always thought of David as representing this very contained Canadian personality type that had something dark going on behind. And, also, because of his own films, he represented something important to me about Canada.

Koch: We all enjoyed filming the death of Cronenberg’s character. We don’t see his death, but we do see the gory aftermath. I remember the camera above him as he was lying on this weird shag carpet in a huge pool of blood. We were all thinking, ‘We killed David Cronenberg – this is fantastic.’Open this photo in gallery:

Those who made Last Night recall a golden era of Canadian independent film.Handout

McKellar: At one point, I was seriously considering calling the film Whimper. I think I even had it on the script at one point until Cronenberg said to me, ‘You’re not seriously thinking of going with that, are you?’

The film was made for $2.3-million.

Rennie: I was still green. I was blown away working with David Cronenberg, Geneviève Bujold and Sandra Oh. There was the unity on set of doing a good thing on a shoestring budget.

Fichman: Actors always think the budgets are shoestring. Maybe they think there wasn’t enough water in their trailer. The budget wasn’t huge, but it wasn’t shoestring.

During the last hours of mankind, a radio DJ counts down his favourite 500 songs, including the Guess Who’s Glamour Boy, written by Burton Cummings.

McKellar: I love Glamour Boy. I was very pleased that when the Last Night soundtrack album was released, a British magazine trumpeted the song as the discovery of an unheralded glam-rock classic. I met Burton Cummings at a dinner and I told him how much I loved that song, but I felt he doubted my sincerity.

The film attracted a lot of notice at Cannes, where the now disgraced film producer Harvey Weinstein was given his own screening.

McKellar: While we were waiting for him to come out of the screening, his second-in-command turned to me and said, ‘If Harvey wants your film, can I tell you something? Don’t give it to him.’ I asked him why. He said, ‘Just trust me, you don’t want to work with this man. He’ll take your film and he may never release it. He just wants to own it.’ I thought it was very strange.

Those who made Last Night recall a golden era of Canadian independent film.

McKellar: At the time, we were still battling for cinemas. We felt an obligation to make films that Canadians would respond to at the box office. Now Canadian cinema has given up on that, and so has Telefilm.

Rennie: It was such a great time to be doing independent Canadian films. It was a graceful set with a lot of ease, and asking questions and getting answers. There were opportunities to experiment. I thought it would be that way forever, but it wasn’t.

[nezoid]

cwofame:

Our 2022 Canada's Walk of Fame Inductees and Honourees hit the Red Carpet presented by @cadillac_canada this past Saturday before the Awards Gala!

Celebrating Greatness: Canada’s Walk of Fame 2022 airs Saturday, December 17 at 7 pm ET/PT on @CTV, CTV.ca, and the CTV app.

Tune in to this broadcast special to see all of our Inductees and Honourees + guest appearances, magical moments, surprises, and so much more!

📸Photo Credit: @georgepimentel1

canadaswalkoffame.com

[allthecanadianpolitics]

Bell Media has asked the federal broadcast regulator to drop the spending requirements and dedicated airtime imposed on the company's local television news programming.

BCE's media arm says it wants the Canadian Radio-television and Telecommunications Commission (CRTC) to amend "certain conditions of licence" regarding its local English- and French-language TV stations, CTV and Noovo.

Bell Media calls it "regulatory relief" to counter online competition and help offset losses racked up in recent years.

"Unfortunately, Bell Media has been losing tens of millions alone in the production and delivery of local news," it said in a summary of the application posted Friday and filed on June 14 — the same day BCE announced it's cutting 1,300 positions, shutting or selling nine radio stations and closing two foreign bureaus. [...]

Continue Reading.

Tagging: @politicsofcanada

[gayspectacless]

Jimmy talk to us about your Star Trek nerd stuff..:)c we care

Star Trek is an American science fiction media franchise created by Gene Roddenberry, which began with the eponymous 1960s television series and became a worldwide pop-culture phenomenon. Since its creation, the franchise has expanded into various films, television series, video games, novels, and comic books, and it has become one of the most recognizable and highest-grossing media franchises of all time.

The franchise began with Star Trek: The Original Series, which debuted in the US on September 8, 1966, and aired for three seasons on NBC. It was first broadcast on September 6, 1966, on Canada's CTV network.The series followed the voyages of the crew of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester's Horatio Hornblower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such as Wagon Train.

The Star Trek canon includes the Original Series, 11 spin-off television series, and a film franchise; further adaptations also exist in several media. After the conclusion of the Original Series, the adventures of its characters continued in the 22-episode Star Trek: The Animated Series and six feature films. A television revival beginning in the 1980s saw three sequel series and a prequel: The Next Generation, following the crew of a new starship Enterprise a century after the original series; Deep Space Nine and Voyager, set in the same era as the Next Generation; and Enterprise, set before the original series in the early days of human interstellar travel. The adventures of the Next Generation crew continued in four additional feature films. In 2009, the film franchise underwent a reboot, creating an alternate continuity known as the Kelvin timeline; three films have been set in this continuity. The newest Star Trek television revival, beginning in 2017, includes the series Discovery, Picard, Short Treks, Lower Decks, Prodigy, and Strange New Worlds, streaming exclusively on digital platforms.

:))))

[ghosty-0w0]

The franchise began with Star Trek: The Original Series, which debuted in the US on September 8, 1966, and aired for three seasons on NBC. It was first broadcast on September 6, 1966, on Canada's CTV network. The series followed the voyages of the crew of the starship USS Enterprise, a space exploration vessel built by the  Scottish usage where the word meant "plain bun", rather than thin baked good, and so it is not certain whether it is the same word. From 1808, the word "cookie" is attested "...in the sense of "small, flat, sweet cake" in American English. The American use is derived from Dutch koekje "little cake", which is a diminutive of "koek" ("cake"), which came from the Middle Dutch word "koke". Another claim is that the American name derives from the show. Backdrops would be used as well and would come in the form of a modified video of an actual forest. The show was filmed at Smatchley Wood, a private forest located in Warwickshire, England. Hundreds of props would be built too: the majority were spherical flowers resembling pom-poms as well as several types of oversized oval-shaped stones. Vector art for the show (e.g. the pictures of the characters and props on the gazebo and in the bedtime story) was all designed in apologies for wasting your time reading this. April Fools, friend. :D

omg-

I skimmed through that ngl-

Happy April Fools :3

[lemonmint-the-neko]

The franchise began with Star Trek: The Original Series, which debuted in the US on September 8, 1966, and aired for three seasons on NBC. It was first broadcast on September 6, 1966, on Canada's CTV network. The series followed the voyages of the crew of the starship USS Enterprise, a space exploration vessel built by the  Scottish usage where the word meant "plain bun", rather than thin baked good, and so it is not certain whether it is the same word. From 1808, the word "cookie" is attested "...in the sense of "small, flat, sweet cake" in American English. The American use is derived from Dutch koekje "little cake", which is a diminutive of "koek" ("cake"), which came from the Middle Dutch word "koke". Another claim is that the American name derives from the show. Backdrops would be used as well and would come in the form of a modified video of an actual forest. The show was filmed at Smatchley Wood, a private forest located in Warwickshire, England. Hundreds of props would be built too: the majority were spherical flowers resembling pom-poms as well as several types of oversized oval-shaped stones. Vector art for the show (e.g. the pictures of the characters and props on the gazebo and in the bedtime story) was all designed in apologies for wasting your time reading this. April Fools, friend. :D

Don't be sorry! This was silly! I liked it! :D

(I'm also planning something for April fools, btw >:])

[that-unspeaking-sky-kid]

The franchise began with Star Trek: The Original Series, which debuted in the US on September 8, 1966, and aired for three seasons on NBC. It was first broadcast on September 6, 1966, on Canada's CTV network. The series followed the voyages of the crew of the starship USS Enterprise, a space exploration vessel built by the  Scottish usage where the word meant "plain bun", rather than thin baked good, and so it is not certain whether it is the same word. From 1808, the word "cookie" is attested "...in the sense of "small, flat, sweet cake" in American English. The American use is derived from Dutch koekje "little cake", which is a diminutive of "koek" ("cake"), which came from the Middle Dutch word "koke". Another claim is that the American name derives from the show. Backdrops would be used as well and would come in the form of a modified video of an actual forest. The show was filmed at Smatchley Wood, a private forest located in Warwickshire, England. Hundreds of props would be built too: the majority were spherical flowers resembling pom-poms as well as several types of oversized oval-shaped stones. Vector art for the show (e.g. the pictures of the characters and props on the gazebo and in the bedtime story) was all designed in apologies for wasting your time reading this. April Fools, friend. :D

(I apologise if I sent two of these I can't remember-)

:0

this was actually pretty entertaining to read despite not watching star trek, and thanks for the april fools! i like it.