#(this isn't v good)

[violetsquare111]

honestly kinda sad about the whole tumblr communities thing

like it's cool it's fun but imo it just unnecessarily divides content by having it be One Or The Other. now if you want to look at all the art a person's posted on tumblr, including doodles, you just don't have one place to do that. quick offhand thoughts are no longer available on a person's main blog with the rest of their earlier posts, they're arbitrarily hidden off to the side.

and even worse than being split off, communities are (as of yet) not searchable at all, so anything other than recent posts just gets... lost

you can reblog regular posts to communities but then, yet again, discussion on the post is cut up into two places. you can't see any of the community's comments if you're on the main post, not even as the post creator and not even if you're in that community. idk i really prefer the regular tag browsing system

huge props to the people moderating these things, yall are really awesome, it's just qualms i have with the feature in general

[grandwretch]

modern au; nonbinary steve

dustin bullies steve into playing their favorite MMO with them. to Dustin's disgust, Steve's favorite part is collecting all the different cosmetic items and making cool fantasy outfits for his avatar. unbeknownst to the party, steve creates an alt account where he can collect the female outfits and wigs, because there's a bigger selection and they're much prettier.

as Steve interacts w people on his new account, he realizes he likes it better-- for one, people pay attention to women in a way he isn't used to. not all of it is good attention, but steve relishes in it. also, he likes that people see him as a woman. he likes that they don't even think about it. quickly he joins a guild and actually starts playing the game in earnest, just so that he has these relationships with people who view and treat him as a woman.

he meets Eddie there. Eddie is charming and flirtatious with everyone, men and women, but it's clear that Steve is his favorite. Very carefully, Steve becomes closer and closer to Eddie-- close enough that Steve is full of guilt.

He feels like he's lying to Eddie about who he is, even though he's told the truth about everything but his gender. Even worse is the realization that he doesn't ever want Eddie to think of him as man-- which is confusing, because steve isn't exactly comfortable with someone he's falling in love with thinking of him as a woman.

Things get even worse when, after Steve drunk texts Eddie after a night out with Robin, they start sexting. Its fun, casual flirtation, nothing too serious, but Strve realizes he likes the idea of sex better as his alternate self. He likes pretending to have tits, he likes imagining what it would be like to have a cunt, he likes talking about wearing lingerie and being Eddie's good girl.

He thinks he can't come clean without losing the best thing he's ever had, so Steve pushes his guilt down and pretends he's not in love.

Of course he gets caught out, eventually. Dustin and Eddie become friends in real life and Eddie isn't an idiot. Steve is mortified and distraught, but once Eddie is sure that this wasn't all a cruel prank, he's quick to assure Steve that nothing has to change-- Knowing that in real life Steve has broad shoulders and a square jaw doesn't make him any more of a "man" than his online avatar makes him a "woman". Not if that's not what Steve wants.

So Steve doesn't have to give anything up. He gets to keep his amazing, supportive boyfriend. He gets to keep his pretty clothes and avatar. He gets to keep experimenting in the bedroom, finding out what makes him happy instead of what he thinks he should be doing.

And he gets more, things Steve never even dreamed of having: He gets to start buying pretty clothes in real life, too, and they hang next to his polos like they belong. He gets to grow out his hair. He gets to slowly find out what he likes, how he wants people to think of him, how he wants to think of himself.

[snek-eyes]

See you in hell.

[ID: A series of gifs from the Good Omens 2.2 minisode "A Companion to Owls."

Sitis looks disbelieving as she says, "…No. God wouldn't!" Crowley gives an exaggerated frown and replies, "Are you sure?"

Sitis looks horrified and says, "But they've done nothing! They're innocent!" Crowley nods impassively: "So were the goats." Sitis stares at him in horror.

In the cellar, Aziraphale looks back over his shoulder, seeming offended. "God's [side], of course!" Crowley reclines, raising his eyebrows and nodding. "Oh, really. Same God that wants me to whack the kids?"

Aziraphale looks very uncertain, and slowly says, "…Yes. But…" Crowley grins slowly, gesturing to Aziraphale and saying, "That's just how it started for me."

Back in the house, Sitis looks devastated and desperate. "If my children are dead, then… I will curse God, and—"

Crowley swings abruptly around the doorframe and rushes over to interrupt Sitis. "WHOA! That never ends well."

At the cliff's edge overlooking the sea, Aziraphale looks on the verge of tears but determined. "Well. I'm ready to go." Crowley asks: "Go where?" Aziraphale swallows. "To hell."

Crowley sits down on the rock and says, "I'm not taking you to hell, Angel." Aziraphale looks over at him, his tearful expression turning confused. "Why not?" Crowley replies mildly, "Well, I don't think you'd like it."

End ID.]

[jicklet]

Nina and Crowley Mr. Six Shots Of Espresso In A Big Cup

[valfeathers]

shh,, they're resting

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[ruby-red-inky-blue]

honestly critical role has never been more relatable than Caduceus/Taliesin in the Rumblecusp arc

being put in an environment where you SHOULD thrive, only to fail comically at literally any given opportunity and discovering for the first time that you have some surprising capacity for resentment for something you love that you've built your whole identity on

also I know Caduceus is dumb as rocks in an education sense but those investigation checks they kept having to make felt like they SHOULD be wisdom checks at this point (because common fucking sense would tell you to just hand your shit to someone else once you notice you lose possessions every night) so watching him spectacularly fail every single one of those felt exactly like my life feels right now. Like I should know all the ways to prevent this and yet every day I fail again at the same task right out the gate

the absolute resignation this is all met with. like even for Caduceus that was a level of nonreaction I never thought possible. not a zen unbotheredness, just complete defeat. there is so much frustration underneath the surface and yet such a complete lack of energy to try and fight it, truly only going through a pandemic and/or a real weird mental health funk can breed the vibe of "help. it's again."

also, as someone who doesn't really give a shit about sex, like Caduceus, and prides themselves on their eloquence, like Taliesin, I've never seen myself so clearly represented as i have in the character and the player's combined struggle against the horny-twelve-year-olds energy of this cast

I too have experienced the "i see you giggling over something i said that wasn't even that much of an innuendo but i'm just gonna keep talk- oh no yeah no what i've said now is just a much bigger innuendo" so many times

and then you try and choose your words more carefully. because that's like, the one thing you're good at. and discover that a) once the giggles get going, it doesn't fucking matter and b) there's now not one synonym left in your brain that's not an open invitation

and now you're somehow the least invested in the joke but the most embarrassed by it

"how much of your brain is just innuendo???" the number of times i've wanted to ask people that

the deep disappointment when Travis joined into the madness

living vicariously through the mumbled asides of "all of you. it's all of you" "it's nonstop!"

also watching your group make a TERRIBLE plan but being unable to come up with a better one, so instead of poking holes in it until all your friends hate you you just quietly watch the catastrophe happen, and pray you'll have enough restraint left by the end of it to not say "i could've told you so" out loud

[eilarae]

kiddo being a kiddo. idk. they don't mean anything to me (EXTREMELY LOUD INCORRECT BUZZER)

[yuseirra]

I can’t bear to live when I know you’ve gone away! I would surely give up everything, no matter what it takes! What’s left in my heart is a hole your love had made What the hell am I supposed to use to fill up that space?

[lilcetis]

eoa is really good when it comes to character relationships (not perfect, but very good) so it's kinda sad that they never do anything interesting with gabe and mateo. like you have a straight laced goodie-two-shoes cop and a former criminal in the same friend group and ... not talk about it?

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[zareleonis]

A little clarification on how Neuvillette addresses Furina in her story quest—in English it's rendered as "Miss Furina," and shortly after "Lady Furina," implying he uses a different honorific each time.

However, in both these lines Neuvillette actually uses 女士/nǚshì, the same way he has always addressed Furina in the past, barring the instances where he only uses her name, which he only does in private and generally not to her face.

When Furina asks the NPCs in the quest to stop calling her "Lady Furina," they switch from 大人/dàrén to calling her 女士/nǚshì/Miss Furina. Previously Neuvillette was the only character who called her that. When he did, it was always rendered in English as "Lady Furina," the same as the other more reverent honorific.

So no actual change between them in this regard, just the translation team finding themselves in a bit of a bind over how to translate it going forward where the two are concerned!

[nakedisko]

Izayoi no Tsuki (十六夜の月) - 2002. Közi & Minako Honda; book scans

[kaiser1ns]

TAKIISHI CHIKA IN CHAPTER 153

[harellan]

2075 // 2077 // 2079

[teddys-shion]

ALANIS TREVELYAN • • • Hands' netrunner.