#((but i can tell when i'm being used as a resource))

[chaos-of-the-abyss]

i mean, i definitely don't disagree that beren and luthien -- and the rest of the lotr universe if we're being honest -- is full of misogyny and sexism. from the characters to the settings to a good part of the messaging, all of it operates from a patriarchal worldview that reflects the mindset of its writer. everyone who reads tolkien's works should be aware of that and it's absolutely fair to criticize it. (though i will say: a trend i've noticed in fandom is criticizing that the misogyny only in the characters/stories one dislikes and wants to prove as "bad," while ignoring it in others.)

i don't think your particular criticism (that luthien should have easily been able to take on celegorm and curufin, and they never should have posed a threat to her) works with what we're given in-story though. luthien is never presented as "powerful" in the typical action-hero sense. it's perseverance, guile, cleverness, and sheer nerve that pulls her through against sauron and morgoth, not physical power. i also don't think it's quite accurate to reduce celegorm and curufin to random dudes. those two are, if not war veterans, certainly battle-experienced by the time of beren and luthien, and they've seen and been involved in a lot of fighting: the first kinslaying (albeit their side was much better armed than their opponents and received reinforcements from fingon), the initial skirmishes of the exilic noldor with morgoth's forces upon their arrival in beleriand, and the dagor bragollach. i believe in some versions they also help cover orodreth's retreat from minas tirith, which similarly suggests some type of military involvement. and i'm absolutely not going to be the person that goes "uwu let female characters be feminine!!1!!11!" -- the argument can, and should, be made that we should get more female warriors in the lotr verse. that's definitely one of my main frustrations; of course we have women like eowyn, haleth, and emeldir, all of whom we know can fight -- but i could always use more female warriors (and more gnc women period) in my fiction. however, in frame of what we know about luthien as she is canonically, the idea that she should have been able to easily overpower celegorm and curufin doesn't hold up.

regarding her putting morgoth to sleep, what we need to keep in mind is that luthien tricks him first, and tells him she wants to sing to him as a minstrel. then it's morgoth's own arrogance and his indulgence of his desire to corrupt luthien that keeps him from noticing her true intentions, giving her the window of opportunity to put him to sleep. she didn't just open the act by immediately sedating him, and i don't think she could have. her magic doesn't allow her to just put people to sleep willy-nilly; the circumstances have to be right, or it has to be one of those moments of, for lack of a better way to put it, cosmic intervention (like when she put carcharoth to sleep). none of that was the case for when she met celegorm and curufin. what i'm trying to say is, despite how she's perceived (often along with resounding complaints about how she's such a "mary sue"), luthien is not an untouchable powerful demigod with a track record of easily kicking aside everyone that gets in her way. many of her antagonists far outclass her in terms of "might". but she's brave, confident enough in herself that she believes she can pull off what everyone else tells her is impossible, and resourceful and astute enough to optimize what she has going for her to her best advantage despite the odds being stacked against her -- and that's ultimately why she succeeds. which was part of tolkien's intention, imo, as it fits best with the lotr verse's themes: it's not the "big," "powerful," people that pull off the most spectacular feats. it's the people who have estel, who don't give in to despair, who have the courage and tenacity that so many others don't.

also, regarding the "enchantment" idea: another reason it puts a bad taste in my mouth is that nowhere is any magic in the legendarium ascribed the ability to make people fall in love/lust with the user. even morgoth, the most powerful of the valar, can't do that; there's simply no reason to think that luthien should be able to. and i do understand wanting to explore her character more beyond her story with beren, but forcibly shoehorning her into a position -- against all indications given in the narrative about her, about celegorm and curufin, about the extent to which magic in the universe is capable of influencing someone -- in which she's the one at fault for a male character trying to sexually assault her is not the way to go about that. to be frank, the whole concept of making female characters who by all accounts in the source material are perfectly decent people, ~more morally grey~ because it's ~feminist~, particularly when the process of doing so exonerates a male character for his sexually predatory behavior toward her, and in the case with luthien, flips the situation so that she becomes the predatory one... i don't think it's feminist in the least. there are better ways to give female characters more agency and depth beyond their male love interests than making contrived scenarios in which she becomes responsible for the actions of men who victimize her

as blatantly misogynistic as the "luthien enchanted celegorm" theory/headcanon/whatever they call it is, i do think an interesting concept is a celegorm who convinces himself that luthien enchanted him to explain his own abhorrent behavior, because even he can't quite accept how low he's gone -- i.e. he tells himself that the lust and desire to possess luthien that at least significantly motivated his actions toward her was a result of some maiarin enchantment on her part. it doesn't quite align with my personal reading of the character (though it's not wholly incompatible with it either), but celegorm with his own hellfire-adjacent musical number would be a hell of an aesthetic

[atheneum-of-you]

This is a repost with added information! The previous post has been deleted in favor of this one. Huge thank you to @theic-manic for reminding me ♡

I recently conducted a poll on what topic people would like an in-depth post/guide on and creating prayers was very largely requested! So today I'll be going step by step on the significance of prayer, how to construct one yourself, how to construct an "offering prayer", and some basic questions surrounding them.

As always, I'm just a single resource, and everything I say comes from my own personal research. Always make sure to do your own when possible!

Buckle up, cause this is a long one!

The Significance of Prayer to the Gods

When we think of prayer, oftentimes, the first thought is Abrahamic religion (Christianity, Catholicism, etc). We're taught that prayer is done to give thanks to the Lord, and to make our requests known.

While this is true to the gods of the hellenic Pantheon, there are some key differences. The biggest being tone and desire. Unlike what we're taught with the Abrahamic faith, the gods don't particularly favor "prayer." This is because prayer to the hellenic gods are typically crafted as petitions, requests for something, and the gods typically don't care for requests without offerings. This directly opposes the usual Abrahamic prayer, which typically is both request and praise simultaneously at all times. However, with the hellenic gods, prayer is typically just request FOLLOWED by offering. That's not to say a prayer can not become an offering, but the working of it is a bit different, and I'll go into detail about that later.

For now, we'll be separating the two as we learn how to construct our prayers.

Constructing a Prayer of Petition

Posture

One of the most important starts to a prayer should be establishing how you pray. If praying to Olympian gods, you'll want to pray standing with your hands upright, facing the sky.

If praying to the chthonic, your prayers should be whispered, with your hands and head down.

If praying to the einalic, your arms should be outstretched towards the sea. If you're not near the sea (as many people aren't), cult images of the deity also suffice!

That said, this applies mostly to the ablebodied. While standing for the Olympic gods during orayer is standard, if this isn't possible for you, then sitting and kneeling are just as fine.

Tone

One of the most important things about a prayer is the consistency of our tone. Naturally, we approach with respect, and that respect should be consistent throughout the entire prayer.

That said, your level of formality should be consistent throughout your prayer. If you start informal, the prayer should remain informal all throughout. The same is held for formal prayers.

When we craft our prayers, they require 3 main components. Invocation, our kharis, and our petition.

Invocation

Naturally, fhe first step to creating a prayer would be to invoke our gods. This is how we get that god's attention, and request their attention. This will always start with the god's name, and for our example prayer, I'll use be using Hermes.

However, there's a lot more to a god than just their name. An invocation should be recognition of that god, and tell them that you know who they are and their significance/importance. For this, you can use epithets, their domains, and even their residences and parentage. Epithets have different meanings, so make sure if you're using one, it should pertain to the reasons for your prayer. For example, if I wanted to ask Hermes for a little extra luck, I might invoke using his luck bringer epithet, Eriounês. Or perhaps I wanted to ask him to deliver a message to a passed loved one, then I would invoke Hermes Trikephalos of the crossroads. So an example invocation could go something like:

"O hear me please Hermes Trikephalos of Arcadia, Herald of the crossroads, son of Zeus."

With this, we've invoked Hermes and informed him of who we are and our placement. We can finally move forward with our petition.

Kharis and Justification

The next step in constructing a prayer is to remind the god who you are, and your relationship with them. This can simply be your name, or your title amongst them (if you have one), or even just direct reference to your status with them (servant, follower, worshipper, devotee, etc). That said, this should also follow the tone of the prayer.

If you were to address Hermes as a worshipper, you'd probably say something such as "I, [name], your follower and worshipper, approach humbly and with grace." Once again, this can be completely tailored to you, and you can change things how you deem more appropriate.

Additionally, reminding the deity of things you've done in their name/provided as offering reminds them of the relationship you've established together. Let's say we've set up an altar for Hermes. We can add that to our prayer!

So altogether, our prayer sounds like:

"O hear me please Hermes Trikephalos of Arcadia, Herald of the crossroads, son of Zeus. I, [name], your follower and worshipper, approach humbly and with grace at the altar I've set in your name."

With this, we've invoked Hermes and informed him of who we are and our placement. We can finally move forward with our petition.

Petition

With what we have, we can now give our petition. Our petition is our request to that god. Naturally, this can be asking for assistance with something, but it can also be asking them to accept an offering or simply asking for their presence to chat, say good morning/night, etc.

I can't really give much guidance on how to craft a petition, because each one is unique and personal to the one praying. However, I can give examples!

If I were to stick to the epithet of Diaktoros, my petition would more than likely involve a message to a passed loved one.

"I ask that you deliver this message to [insert loved one's name]. [Message to be delivered]."

This is, of course, just a basic example but you can tailor this to your needs and desires.

Vow

The vow is incredibly important in prayer, and is a promise of offering or sacrifice to that god for listening to your prayers. Vows can be anything pleasing to the god (ensure it's something your god would enjoy receiving), and you'll want to clearly state the intention of providing it if you're not already. Hermes enjoys coins, so we'll use that as our vow. So perhaps we would say something to the affect of:

"I offer a piety of gold and silver coins for your mercy and kidness."

You dont need to immediately follow up a prayer with an offering, however offerings should absolutely follow answered prayers without fail as this is your vow.

Ensure that your vow is POSITIVE. A promise to give. Negative vows such as "if you help me do x I won't do y ever again!" are unfavorable to the gods. They gain nothing from that, and it's not done for the god but rather yourself.

Prayers as Offerings

As stated before, prayers are not inherently offerings to the gods, moreso, they are requests. But can they be offerings? Well sure! However, our approach to them needs to be different.

Whereas our previous prayers were for requests, prayers for offerings should not contain requests but rather be appealing and aesthetic to the god.

A good example would be dedications of praise to that god. Once again, we'll invoke our god as we did previously. A dedication can start however you want and involve whatever praise you'd like! We'll use Dionysus for this example.

Dedication prayers will require some extra knowledge of your god than simply making requests, as we will be praising achievements of theirs. You can praise several achievements, or focus on a single one! For this example we'll praise several. So our example dedication can go as follows:

"Praise be to Lord Dionysus Eleuthereus, the almighty liberator, twice-born son of Zeus and Seleme!

Praise be to the generous wine giver, traveler of lands far and wide as his almighty vines spread!

Praise be the Bacchus, may we stomp our feet in joy and hail his mighty name! Father of kings!

We praise the mad one, slayer of the fool Damascus who denied our Lord's sacred gift!"

With this dedication, we've done several things. Invoked Dionysus with his epithet and parentage, praised his travels, glorified his lineage/children, praised his slaying of Damascus, and called attention to several iterations of him (the Bacchus and the mad one).

Additionally, this dedication gives the energy of being loud and high energy, things that are appealing to Dionysus. If we were to give praise to Apollo, we might favor a dedication more poetic with a more lyrical scheme. Or for Ares something far more militant and powerful, similar to a battle cry.

These dedications can also be accompanied by other offerings and given to the god during or after. Additionally, these dedications can be as long or short as you please! Just be sure to keep your god in mind while crafting them.

Take time to really learned your god, so thay you can offer dedications and praise to them in earnest!

Common Questions

Will my gods be angry if I pray informally?

I wouldn't say angry, no. That said, every god has a preference. Certain gods simply prefer more formal prayers, but in the end, it all comes down to your personal relationship with your god. If you have a more formal relationship, they would expect a more formal prayer. The same goes for informal.

Do my prayers NEED to be followed up with an offering?

Nope, although it's good practice. That said, if your prayer is answered, an offering of thanks is essential to maintaining good Kharis with your god.

Can the Orphic/Homeric Hymns be used as prayers?

That really depends, but the short answer is yes. I personally don't consider them prayers as the Hymns are moreso dedications, but its entirely up to how you view them.

Are prayers made by other people less valued than prayers I make myself?

Not at all! Prayers are prayers.

My prayer wasn't answered! Does my god hate me?

Nope! There could be a multitude of reasons why your prayer isn't answered, and truly, it all boils down to the will of that god. We have no way of knowing their will or what they think, so if your prayers go unanswered, try not to take it to heart.

This is my first time praying to a god and we have no kharis yet, can I still pray to them?

Yes! All relationships start somewhere~

I hope this was helpful for you all, and I truly hope it inspires more people to write their own prayers and dedications. Feel free to ask for any clarifications at all, and safe travels, friends ♡

[waterfire1848]

Au where Ozai is still imperialist and strict but at least decent father

Hello, anon!

First of all, there is no competition between Zuko and Azula. Ozai never forces them to compete for his "love" so they never come to view one another as competition. Ozai is still disappointed that Zuko isn't a stronger bender but he never lets that show. He admits it in talks with Ursa, but makes sure to tell Zuko that he's proud of any of his improvements and encourages Azula to get along with more people in her school so she can grow outside of just training. Also, if he's a decent father, he and Ursa don't really bump up against any issues either. Ursa sees that Ozai is giving love and attention to both children and so she doesn't try to give the majority of her attention to Zuko. Overall, the fire family is much better. What this means is that by the time Azula is eight and Zuko is ten, they are part of a much more loving family that is still strict and has military tendencies but they also have a father who really cares about them.

When Azulon orders Zuko to be killed, Ozai goes to Ursa and tells her what Azulon said. (Ursa: He wants you to WHAT!? Ozai: Can you keep it down! We don't want the whole palace to hear us. Ursa: You're sure? You're sure that's what he wanted? Ozai: I'm positive. Ursa: What do we do? I could take Zuko and Azula. Ozai: I know, but even if you did that, Azulon would know that you took Zuko. No, Azulon needs to die. Ursa: You'd kill your own father? The Fire Lord? Ozai: For my son? Yes.) Azulon still dies but Ursa remains because Ozai knows his children need their mother. Now Fire Lord, life carries on pretty normally until the big war meeting. Ozai doesn’t like that Zuko spoke out but more so because it wasn’t his: it was bad manners. He scolds Zuko and tells him he is no longer allowed at war meetings until he learns to speak as a prince should. The Agni Kai never happens, Zuko is never banished and never scarred.

Years pass and while Ozai is strict since he’s a good father, Zuko and Azula grow up in a much better household and with less trauma. Iroh does return but Zuko doesn’t rely on him as much since his mom is still around and Ozai is kind to him. Zuko eventually learns to conduct himself like a true prince and Azula perfects her bending. Together the two are the deadliest siblings in the royal family history in generations. Zuko expands his firebending ability but he also gets lessons from his father and Azula on strategy and how to rule. While both siblings would have plenty of influence from their father since this mother is around they would also have a lot of influence from her. Ursa is still around gently reminding the kids that maybe Ozai’s way of “sacrifice/burn everyone” might not be the right approach. Ozai doesn’t like that at all. To fix this, he sends Zuko on the same question that he, Iroh, Azulon and Sozin all went on, calling it a rite of passage, to find the Avatar. This isn’t a punishment or banishment but just Ozai trying to keep Zuko away from Ursa for a while so she doesn’t completely corrupt him. Ozai sends Zuko with his title still in tact, a ship, resources, and whatever else he could possibly need for his time at sea.

Zuko is still in the Earth Kingdom when Aang is finally broken out of the ice. This allows Aang to travel for a while without Zuko on his tail and, since Zuko is still the Prince of the Fire Nation, he can order Zhao to not go after Aang and Zhao has to listen. Aang is just barely able to get the North Pole before a similar battle breaks out. Zuko fails this time around but rather than Azula being sent to capture him, Zuko asks for Azula to be sent out so she can help. When Azula arrives, Zuko gets her up to speed and the two head out to try and capture the Avatar. Iroh comes along with them, still wanting to try and convince them that their father’s way isn’t the right one but since Ozai was a decent father and the two aren’t really competing anymore, Iroh’s words don’t have the same effect that they would in canon. In fact, they would fiercely defend their father’s actions and the Fire Nation’s ways. (Azula: Our father is a great and kind man! What he’s doing is for the betterment of the nations! Iroh: My niece, you are a smart girl, surely you can see that his actions are only for himself. Zuko: How dare you talk about our father like that?! He only wants to help the other nations progress and bring greatness to them! All you’ve ever done is sit around and wait for someone else to fix your mistakes!) (Fun fact. These are the same words Zuko uses when he and Azula take over Ba Sing Se).

With Ba Sing Se conquered, Zuko does actually start to notice that maybe imperialism isn’t that great. His father was right to be weary of Ursa’s teachings because it’s through her teachings that he sees something wrong with how the Fire Nation soldiers treat the captured civilians. When he tries to tell Azula or even his father, the two ignore him, saying that this is just a part of war but Zuko still feels off. (Ozai: Zuko, do you remember when you were six and we were out here by the turtleduck pond? Zuko: Yes. Ozai: And do you remember that one baby turtleduck that hatched but was missing two legs? Zuko: I do. Ozai: What did I do? Zuko: You put it out of its misery. You said you were doing a kindness. Ozai: And I was. That poor baby couldn’t swim, hunt or even walk properly. What kind of life is that? When you were born, you were similar to that baby turtleduck. You were weak but I didn’t want to give up on you. I knew you could become something great and I was right. The other nations are also similar to that baby and you. They can become something great but they need to the guidance to get there. Do you understand? Zuko: I do. Ozai: Do you trust me to do that? Like I did for you. Zuko:….Yeah. Yeah, I do. Ozai: That’s my boy.) Needless to say, Zuko does not change sides. Iroh is the one who teaches Aang firebending and he’s the one made Fire Lord when the Fire Nation loses. The four Fire Nation family members are locked up, but Iroh wants to believe that maybe Zuko and Azula can change. (They kinda throw this believe out the window with how devoted they are to their father who has been nothing but kind to them).

Alternative ending (I couldn’t get my mind away from this idea). Zuko and Ozai face Aang and win. Azula defeats Katara and the Fire Nation overall is victorious. The Gaang, including the White Lotus, are locked up in prison and set to be executed. Working together, Zuko and Azula go on to rule the Earth Kingdom while Ozai rules the Fire Nation. Minus the North Pole, the Fire Nation officially claims victory in the war and over the entire world with Zuko and Azula remaining completely loyal to their father.

[bornbreathless]

This is a gentle reminder that I ask that you don't reblog memes directly from me if there is a source (the op or a meme blog) to reblog it from instead. This should be easy as I will be reblogging from them as well. It is quite literally part of my meme tag, which is on the post directly next to the button that you hit to reblog said meme.

Posting this because my entire activity is currently just notifications of people reblogging memes from me, to the point that I have now deleted the memes from my blog to get rid of the notifications and reblog the memes again later.

Repeat offenders will be blocked, especially if it's the only interaction I'm getting from you.

[neverendingford]

.

[exhaled-spirals]

« When I think back on the year 1915, it seems to me that I still hear my friends tell me despondently: "I can't think of anything else! I can't read, I can't work, or find useful distractions (...), I only ruminate about our times, incessantly, until I'm nauseated (...). I've just had two hours of liberty—there was a time when I would have offered them to Tolstoy or Pascal. Today I read about [the war], or European colonial methods; issues that are entirely beyond my reach, but how to think of anything else?"

And perhaps we shouldn't strive to think of anything else; the point is not to turn our backs on our times, but to consider them calmly and thoughtfully. (...) It may be that the philosophy which absorbs you leaves no room for indulgence. Perhaps you feel yourself full of bitterness and rancour towards your fellow men, perhaps you have made up your mind to see in their activities nothing but greed and selfishness. (...) Do not be too eager to prove yourself right! Above everything, do not rejoice in being right in so dismal a fashion. (...) My only ambition is to beg the world to look for anything which can lighten the present and future distress of mankind, to find what interests the soul in a life burdened with troubles and disillusionments, to honour more than ever the faithful and imperishable resources of our inner life. (...)

The storm rages on, the events escalate, worsen, never cease. Never have they seemed more complex, more severe, more demanding. More dangerous. Wherever we turn, an opinion holds up its head and vehemently solicits our belief. (...) Our convictions, our certainties, are at each other's throats. (...) Yet mankind, even in these terrible hours, is only seeking happiness. Men have set off to conquer happiness, clutching in their hands the tools which will forever destroy it. (...) The wrong direction the world has taken is so obvious, so cruel, so vast (...)

Regardless, I would suggest not to lose hope—so long as a single wallflower still opens, in April, over the ruins of the world. Like algae, like mosses, like these laborious lichens which attach to the very ruins their infinite need for happiness, we will find joy in our present affliction and we will grow it, like a wind-battered plant in the parched soil of a wilted world. »

— Georges Duhamel, La Possession du monde (translation mine) Written in 1917 as he worked as an army surgeon.

[ravencromwell]

Yes, there is absolutely! a comment period, and it has been extended to June 12th! As far as I understand: you can make public comment here. I think it's crucial to note that while this encompasses negligence around broken and mishandled equipment, and people with those sorts of horrors should absolutely submit comment! it by no means limits itself to that. This rule also concerns itself with enforcement of improper transfers, ala the grueling, humiliating ordeal of Charles Brown. Which I'm frustrated more people aren't emphasizing, as it matters so fucking much to get voices who've been dehumanized in similar fashion into the comments, too. There's a brilliant list of Do's and Don't's linked as a list on the comment page. Per that list's request, I'd urge you to peruse the full regulation before commenting

As a disabled person who's loved LEVERAGE and LEVERAGE REDEMPTION since the beginning - for the characters but also the whole ethos of performing acts that help people against crap systems, it's wonderful to be reminded that it springs from reality.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[finniestoncrane]

Virginal vault dweller reader you say?? I'd eat that up (and so would Cooper, heh) but seriously I would read the hell out of that if you're up for it <3

Different Up Here

Cooper Howard x Fem!Reader, word count: 6.3k anon thank you lmao i had already started drafting this, so vault dweller reader isn't quite a virgin but they are definitely inexperienced and have never known pleasure like the kind that cooper can offer 🤎 request info • prompt list • send me a request • kofi • masterlist minors DNI!! 🔞 cw: power imbalance, dubious consent because once you've said yes to cooper you can't change your mind, overstimulation, crying, oral sex, fingering, instructional, full penetration babiessss i realised i never tag that shit but yeah it's in here lmao, cumming inside, no protection, sweet coop afterwards but only briefly

If anyone else had asked you in that moment how you were, you couldn't have answered accurately without any hint of sarcasm and irritation. You were being worn down, like buildings by the sands of the desert. Each little molecule of your optimism being torn away from you, painful like plucking a hair. But when Cooper asked you, you tried your best to push down your knee jerk response.

"Let's see, shall we? Since leaving the vault a month ago, bravely in search of resources and supplies for my friends, I have killed, maimed, and eaten things I hope to never think of again. I'm in a constant cycle of very, very stressed and then very, very bored where there is no happy medium between fearing for my life and wishing for death. And oh, by the way, I'm sweating buckets the whole time because it's deathly fucking warm. Thank you for asking, Cooper!"

Instead, you shrugged and offered him at least a partial truth.

"It sounds silly... but I'm kind of bored."

A dry chuckle passed over Cooper's lips.

"Heh, that's a new one for out here."

Sensing an opportunity to at least get some conversation out of him, you sat up on the rusty bed frame, your body sinking into the almost entirely flattened mattress as you crossed your legs and did your best to get Cooper to talk more than a sentence at a time.

"Really? I would have thought you'd be bored a lot, especially when there's no raiders, or mirelurks, or scavengers, or feral ghouls, or super mutants, or roving gangs of-"

"See, this is why I'm never bored. Always somethin' or someone to be killin'."

"But what about like... now? When there's nothing else to do. There's no magazines, no books, no TV."

You watched as Cooper turned from you with a slight smile. You knew the one, the familiar grin that meant you'd divulged some information about your life in the vaults, something he always found so amusing. It was your naivety, your optimism. He was endlessly fascinated by it, as though listening to you talk about it reminded him of something he had before.

That fascinated you. It made you want to stay around him, the way he listened silently as you talked about the old films that were on the holotapes, the food that was still fresh and available, the music you could hear whenever you wanted to, not reliant on some two-bit radio host. He paid attention to you. And any time his deep, brown eyes focused on your lips it made your heart flutter in an admittedly unexpected manner.

Remembering that feeling, you tried again, hoping that your next approach might be something that interested him a little more than just conversation.

"You know how we used to pass time in the vaults?"

Over the sound of the evening breezes that whipped up the sand you could still hear Cooper sigh before he spoke.

"Now if you tell me that you wanna go out there again tonight to find an old blast radius board... well I am just going to have to shoot you."

You laughed at what you hoped was a joke and waved him off, despite the fact that he was still turned away from you, unable to see your gesture as he tried ignoring you in what you assumed was the hope that you might shut up and leave him alone.

"No, no no no no no. Just..."

The lump in your throat felt like it was about to choke you, so you swallowed the clump of nerves quietly, your voice trembling as you finished your sentence.

"... fooling around... y'know?"

Cooper turned to face you. You had piqued his interest, and you couldn't help but show the giddy glee on your face, the smallest smile crossing your lips as your eyes widened. But his words wiped away all hope that you had garnered in that short span of time.

"Oh... oh darlin'."

He laughed a little, each little sound of the short, sharp giggle like a slap to the face.

"I don't think you're ready for that at all."

You raised an eyebrow, defiant, irritated, and keen to know how he thought he had you pegged so quickly. You'd never talked about anything like that with him before. Was he assuming that you were a virgin based on how you behaved around him alone? Maybe he figured that the lack of flirting on your part was down to a complete lack of experience, when in reality, it was because every flirtatious quip he threw your way made you so nervous and flustered you felt like you might throw up.

"How come I'm not ready? I mean, I've... I've done stuff... I've done it!"

"The fat you're not saying it how it is makes me think that you are absolut-"

"I've had sex, Cooper. I've fucked before. I've been fucked."

Blinking off the irritation at being interrupted by you, Cooper pushed up the brim of his hat and stared directly at you, as though he was examining your, to see if you would stand up for yourself any further.

"By who? One of your little buddies underground? Fucking like little bunnies? I don't think that qualifies you, sweetheart."

"Why? Sex is sex..."

You said it with such confidence. As if you really knew. As if you hadn't spent your teenage years practising on your hand, holding a pillow close, lining up for that one girl in the vault who would sell practice kisses for extra bubble-gum. You'd had sex before, of course. You weren't a liar. Just because you'd only ever done it once didn't render it nonfactual. Just because it had only lasted for all of four minutes. Just because you weren't sure you even orgasmed, and your friend had told you that you'd know if you'd orgasmed. Just because it was all over so quickly, and he'd run off before anyone could catch you both, avoiding you at every opportunity after that.

"... Isn't it?"

"Oh no it ain't. Besides, like I keep telling you, it's different up here. Everything's different up here. And that includes fuckin'."

The way he said the word, consonants enunciated with such grit and vigour, filled your stomach with knots that began to tighten as you considered in what way things were so different.

"What exactly do you mean by that?"

Cooper sighed, exasperated, resigning himself to the fact that you were going to keep talking to him regardless of his short replies and attempts to end the conversation.

"You are a dog with a bone, huh? Ain't gonna let it go."

His yellowed teeth were exposed as his lips pulled back in a baring, mischievous smile. Those knots doubled, the ends being pulled by tension in your nervous system as Cooper's smirk put you into a dazed stupor.

"No, sir."

"Now, I don't remember signing on to be your personal tutor in all things apocalypse. Do I really need to show you how everything works up here?"

As your cheeks began to blush, you nodded enthusiastically.

"Yes, sir."

You were hopeful for just a bit of a distraction. Something to help take the stress away. To relieve the tension that had been building up between you and Cooper as of late. You'd been studying him, watching the way he looked at you, fascinated by your perceived, and frankly obvious, innocence. The way his fingers moved, contributing to the skilful way he handled his gun and his ropes. The confidence, the charisma, the charms.

You wanted him, but you weren't quite sure how to broach the situation without it seeming desperate. But you were past that now. You were desperate For anything, just something. Something to cure the monotony of walking and hiding and fighting and surviving. You didn't want to just survive. You wanted to at least find a semblance of fun and pleasure in this nightmare you had found yourself in. And in the vaults, when board games and books and debates got boring, there was always fucking. That was what you desired most right now. The fact that Cooper happened to be the closest target for your desires was just a sweet miracle, or a cruel tease depending on how willing he was.

And luckily, he seemed agreeable.

"Well then, how about you come over here and let ol' Coop show you a little thing or two about how dirty you can really get up here in the mean, dusty Wasteland, hm?"

Your excitement was palpable, even though you were trying to keep your composure. There was no escaping the echo of the giddy squeal you let out as you jumped up from the bed and made your way over to Cooper. He waited in the far corner of the room, setting himself down on an old armchair as you stepped towards him, slapping his thighs as an indication of where he wanted you. And you did as you were told, following his instructions, knowing they hadn't led you astray so far in your time together.

It felt awkward at first, being so close to him. You shifted your weight nervously, trying to get comfortable while making sure Cooper was still at ease, which of course, he was. He always was. Nothing stirred him, he was forever at peace. Competent in any situation. Quick to adapt. And as you fidgeted and fussed, you felt his strong hands pushing you forward on his lap, until your chests were practically pressed together, his hands skirting over your lower back as he held you still. In command. In control. The sudden sensation of his hands on your body made your breath hitch, a soft, surprised squeal on the inhale that had Cooper raising his brow at you.

"Now... you agree that you asked for this, alright? Because I am not going to put my effort into entertaining your little whims if you're gonna get fussy and decide it's too much for you. I did warn you."

"Yes, you did, and I really don't think you needed to. I doubt there's too much different about it, and I've picked up what I needed to know pretty quickly from your other lessons, haven't I?"

Your retaliation to his insistence that you needed him to teach you everything, and that some things just might prove themselves a little too hard even for your levels of enthusiasm, had irritated him when he'd first met you. But now your optimism and sheer refusal to believe anything was too much for you were a source of entertainment for him. A challenge.

"That's fine then, darlin'. But I'll remember that."

His eyes bore into your soul, keeping your focus on him as he dared you to look away. They sparkled as he ran his tongue over his lips, the pretence of preparing for his next words covering the obvious flirtation in the way he dragged the flat muscle along his chapped skin.

"So, gimme a benchmark here, lil lady. How much foreplay was involved in your previous encounters? I'd hate to leave you high and dry."

"Foreplay...? What... uh, what is that?"

Cooper sighed, rolling his eyes before closing his eyelids over gently.

"Well, it's something like this."

He pushed a loose strand of hair back behind your ear, rough fingers following the curve and grazing over your neck as he let them drift down the front of your chest, tickling the exposed skin as far as your jumpsuit would allow before he took a hold of the zip at the front. A quick flit of his eyes up to you seemed to ask for permission, and your small, almost imperceptible nod, told him to keep going.

Slowly, painfully so, he pulled the zip down, watching as the centre of your torso was slowly revealed to him. Smooth skin, in comparison to his anyway, clear of any unnatural blemishes or war wounds. One calloused digit followed down your sternum to your stomach and back up, hooking under the left side of the fabric and pulling it over, then the other, exposing the top half of your body to him.

Cooper traced his fingertips over the top of your breasts, watching as your chest moved in and out, slowly, but exaggeratedly. The knots in your stomach felt like they might burst with the tension as his sharp, ragged nails crossed over your hardening nipples, a gentle tingle coursing through your veins.

"Well?"

"No... n-nothing like that... just grabbing..."

"Oh yeah? You like that? How about this?"

He closed two fingers around your nipple, one hand still on your back to keep you balanced as your body reacted to his touch. Between the two digits, you felt your nipples heating up, the slight, burning pain from the way he squeezed them sending a signal down your spine that seemed to affect every part of you. Tighter, tighter, and then as your eyes closed a little more, eyelids pressed tight, he would ease up to offer some relief.

"You like that? Like it rough?"

"I think... I think I like both."

"So, something like this?"

He teased your nipples once more, pressing harder with his fingertips, pulling them out and jiggling your breasts as he tugged at them, this lewder act interspersed with a gentle caress as he held your breast against the palm of his hand, carefully cupping it as he flicked his thumb over the sensitive and completely erect nipple.

You bit your lip, trying to keep quiet, Coop's hand moved swiftly from your body to your cheeks, popping the lip back out as he pressed his thumb and forefinger into your face. Understanding the message, and seemingly showing this in your wide-eyed gaze, he let his rough, leathery hand make its way back down to your breast, cupping it once more as he spoke.

"Different, see? Pleasure is hard to come by out here. You gotta do it right when you've got the chance."

Cooper leaned into your neck, whispering the words low and slowly, his dry, chapped lips skimming over your skin as he continued.

"I bet down there they didn't know the first thing about real pleasure. Takes time, something like that. You gotta learn the body, gotta make it feel good."

His teeth grazed over your shoulder and back up along your neck before he pulled back, watching your eyes refocus from the haze of arousal.

"Did they make you feel good?"

"No."

You were confident in that statement. It hadn't felt good. It felt rushed. Clumsy. Shameful. And as you pondered it, your mouth remained open in a slight pout which trembled as Cooper asked his next question.

"And what about your pretty lips... did they kiss them?"

"A little..."

Cooper leaned in, his rough lips pressing onto yours with firm contact, his tongue staying in place as though he imagined that might be a bit too much for you right now. But that same level of restraint didn't keep him from letting his teeth catch onto your bottom lip, pulling it out, only letting go when you winced in surprise as the suddenness of the action.

"Didn't bite them either. Of course not, what am I thinking? That would be a little too adventurous for your kind."

His face took on a darker tone as he smiled knowingly towards you.

“And what about these pretty lips?”

Before you could piece together the question, his hand was diving into your jumpsuit, pushing down the front and past the waist, stroking against the front of your underwear which, by now, was soaking wet with your arousal.

“They touch these lips, huh?”

You gasped as he pushed your underwear to the side, stroking his fingers along your slick, plump pussy lips, withdrawing them soon after to taste you on his tongue, the way you had watched him taste the blood of enemies, the blood of victims.

“Stand up, darlin’… Why don’t you take that suit off, hm? Get yourself comfy.”

As you raised yourself up from his hips, your legs wobbled under you, not quite steady enough to support you so soon after being reduced to jelly by Cooper’s touch, his caramelised words that filled your ears, the sharp twang of his accent, the delicate cadence, the power rumbling underneath like an almost silent bassline.

“Do it slowly though.”

Cooper watched carefully as you stood nervously before him, shuffling out of your suit, stripping for him, your hips moving from side to side slow and steady, unintentionally sultry in the way you moved. Without taking his eyes from you he reached for his canteen, taking a long sip from it as you let your suit fall down over your legs, stepping out of it and pushing it to the side with your feet.

“That’s it, darlin’. Can’t do this half-hearted. I need to have access to all of you there. Now come sit back down.”

You held your arms in front of you, feeling far too exposed for the shelter you’d found for the evening. No windows, no locks on the doors. But it was difficult to focus on that worry for too long as you watched Cooper’s tongue flit back out over his lips, clear strands of drool sparkling in the light as he took you in, hungrily, dreamily.

“Turn around though. You face that way.”

The metal buttons on the front of his duster coat were cold against the skin of your back, but you leaned into them anyway. Cooper’s hand curved around your neck and up under your chin, holding your face forward.

“You keep an eye out, holler if you see anything coming. I’ll do everything else.”

A faint clicking sound, the safety on his gun being flicked to off, before those same fingers draped over your mound and down on to your lips, spreading them apart, the cool air of the decrepit room cooling the heat of your hot, aching cunt. With two fingers holding your lips apart, he let the middle digit tap against your clit, each tiny sensation turning your blood cold before heating it exponentially, a cold sweat beginning to form on your brow as you felt a tingle in your abdomen.

The finger that tapped the sensitive bud began stroking it from side to side, laying flat against it length wise as Cooper strummed your body, still holding your chin in his hands, smiling to himself every time your back arched away from him in intense pleasure. Every nerve-ending was at his mercy. He was right, it was different up here. But you wondered how much of that was the Wasteland and it’s effect on sexuality and pleasure, and how much of it was just him. Cooper Howard, Wasteland bounty hunter, a past life he refused to talk about, the most charismatic monster you had ever met. His fingers, daintily crossing over your clit, as you felt his breath, silent except for an occasional hum of satisfaction in the form of a long moan. Maybe it was just Cooper who was different.

It was hard to focus on this new line of though as his hard fingertips clamped down on your clit, pinching it as he rolled it between his fingers. Even harder when he let his hand drop from your neck and instead began teasing at your nipples once more. Soft, cruel flicks over the hardened bumps, his fingers at work on your body, his lips kissing at the back of your neck. Moans growing louder, more frequent, as he let himself enjoy the act of making you squirm. You could tell he was having fun, as you rolled your hips back a little, feeling the thick bulge of his stiffening cock against your rear. You wondered how it might feel, how it might look, and what he could do differently with it.

“Cooper… Coop… I think I’m going to cum…”

His movements quickened, cock twitching against your body as he pinched tighter and pressed his fingers harder against your cunt.

“Don’t you dare, little lady.”

“Ok I’ll… I’ll try but… you have to… stop… please stop… Coop…”

He ignored your please, the whining, desperate begging as you tried to stop your body from the natural, encouraged reaction.

“Have some self-control, sweetheart.”

“Cooper, I really can’t… please… please stop touching me…”

“I absolutely will not.”

Your fingers dug into his thighs, but you noticed that you refused to move away from him. You wanted to do as he asked, wanted to hold yourself back from the brink of orgasm to prolong his touch, but you couldn’t risk him actually stopping, fearing that your body might crumble if his fingers left your quivering, pathetic body for only a second.

Each stroke against your increasingly wet and sensitive pussy had you trembling and shaking, and Cooper had to remove his hand from your breast to keep you steady, placing it under your chin and holding you steady by the neck.

“I am warning you, missy.”

“Cooper… I can’t stop…”

You shuddered and whined as your body gave in to the temptation, feeling a rush of heat and relief as you came on his lap, your arousal coating his pants, adding to the collection of stains and wear on them. But he didn’t stop then.

“No wait… seriously, Cooper… I can’t… I can’t take much more, honestly…”

“Listen, I told you. I said you better not cum. I wasn’t done with you yet.”

Your eyes began to sting with tears of exasperation as your body kept on pushing to its limits, conjuring up another wave of climax, tormenting you with never-ending bouts of arousal that kept you rutting against him, despite how painful it was to keep writhing into his body. You could feel your stomach knotting again, not much time between each orgasm to relax, and you dug your hands into his thighs, pushing your body up off of him as you tensed completely.

“Ok, this time, you do it on my command. You do it when I say you can, alright?”

“Cooper…”

“Don’t give me that pleading shit, you asked me to show you how things are done. Well this is how Cooper fuckin’ Howard does things. So are you ready? You gonna come for me?”

“C-coop… I’ll… I’ll try…”

“Good girl, now you keep that mouth making those whines and moans. I don’t need you to call out my name or anything, I know I’m all you’re thinking about.”

The praise, the self-confidence, the way his fingers seemed to be pulling your orgasm out, motioning for it to come closer to him.

“Come on, darlin’, come on…”

Your vision blurred as the climax came over you, body rolling and convulsing as you came once more at Cooper’s insistence, your cheeks stained with tears, salted water rolling through the layers of grime and clearing paths to your chin.

As you settled back down onto his lap with a shudder, you felt Cooper’s fingers stroking through your hair. He was surprisingly gentle, oddly calm, but you supposed that you deserved his kindness as you had done as he had asked, making up for your previous indiscretion. He was almost cooing, shushing you as you found your breath, establishing your sense of self once more after the overstimulating orgasm that shook your core.

“You seen enough of the big bad world for one day then?”

You probably had, but you still found yourself shaking your head, ignoring the way your body reacted with a violent twitch at the notion of Cooper’s hands delivering intense pleasure.

“A glutton for punishment, hm? Or just keen to learn?”

As you pondered your answer, Cooper seemed to have come to the conclusion for you, as he tapped your hips and began to shift underneath you.

“Alright then, get onto your knees.”

Positioning yourself at his feet, you couldn’t help but look up at him, catching his eyes as he looked down at you with that unique brand of disdain and intrigue he had somehow mastered. You knew what was coming, what was about to happen, and your mouth began watering at the thought. What he might taste like. What he might look like.

You didn’t have to imagine for long though, as you could see his fingers working the belt of his pants, loosening it, unzipping his fly, and gripping his semi-erect cock at the base as he took it out, brandishing it. He kept close attention on your own eyes, a soft sigh of relief imperceptibly escaping his chest as he noticed your pupils widen, your mouth opening in preparation for him.

It was exactly as you had expected. The texture of the shaft was similar to that of his cheeks and his forearms, a similar colouring, though darker at the base and on the shaft which was tinted red. Thick, purple tinged veins covered it, winding around the length, cutting across the ridges of the scars.

“You can come closer, darlin’. I don’t know what they told you about mutations and radiation effects down there in your little utopia, but I can assure you… it doesn’t bite.”

The fear was palpable, clearly, but it was nothing to do with Cooper’s body and everything to do with your lack of experience, which, despite you arguing otherwise, was becoming plainly obvious even to you. You had only ever touched a cock with your hands outside of being quickly fucked. Several times you’d been cajoled into quickly stroking an erection under the blankets before your partner ran off to the bathroom, clean and tidy, flushing away the sins. And you were very well aware that there was always the option to suck on one, but it had never presented itself. It had never seemed that appealing to you. Until you were faced with Cooper’s.

He hadn’t even asked you to do either yet, but you found yourself curious, salivating over the thought of him, mind racing as you imagined how he might feel against your tongue.

“Can I taste it… you?”

Cooper smiled warmly, one of the few times you had seen him look at you with genuine pride.

“Now that is using your initiative. Of course you can.”

You kept your hands to yourself as you leaned in towards his body, content to let Cooper wield his length at you, his hand firm around the base as you inched closer, tongue pressed out over your lips. A strand of drool collected and spilled forward, hitting the floor in a soft patter just before the tip of your tongue came into contact with the tip of his cock.

A lot of the movements were instinctual, following your desires more than what you thought might be protocol as you dragged your tongue up the shaft and swirled over the blushing head of his cock. It tasted bitter, but in a pleasant way.  Savoury, not sweet. Salted, a tang that stayed there for a few seconds after your tongue had moved on to another spot. A flavour you found yourself craving now.

Cooper gripped tighter and pushed forward, taking you by surprise as he slid himself into your mouth, his free hand moving to the back of your head, fingers curling into your hair. As the taste of him hit the back of your tongue, cock almost touching your throat, you coughed and spluttered a little.

“Fuck me, darlin’… do you need me to show you how to do this too?”

He looked down at you, filled with pity as he saw your face. Red cheeks, puffed out, lips stretched over the girth of his cock, tears welling up in your eyes as you struggled to breathe.

“Breath through your nose… breathe in…”

You followed his instructions, instantly calmed when you found your lungs filling with air once more. Almost immediately back to enjoying yourself, the feeling of Cooper inside of you, the control he had as he held your head against him.

“Now… you don’t want to choke too much, so keep your tongue flat… yeah, just like that…”

It was so much easier like that, and you could feel your cheeks getting warmer and redder as you realised that not only had you embarrassed yourself with your spluttering and lack of knowledge, but that Cooper had clearly done this a lot.

“And your teeth… well, usually they’ll tell you to keep ‘em outta the way, but you know me… gotta be different…”

Taking the hint, you let your jaw close slightly, the pain of the stretch lessened, your teeth scraping along the top of his shaft as your tongue worked the underneath, sucking and rolling as much as you could while keeping it flat.

He didn’t say much else, and you couldn’t tell if he was particularly enjoying himself. It worried you, the fact that he had specific preferences, the way it was so clear how much more experienced he was than you. How many others had there been? And were they all better than you? As your mind wandered to your anxieties, you completely missed the fact that you had begun to drool all over yourself until Cooper relaxed his grip on your head and wiped at your chin with his thumb. Catching your eyes and sensing some of your worries, he was surprisingly quick to soothe you.

“You can swallow or spit or let it all spill out, I don’t mind makin’ a mess darlin’. But whatever you’re doing, you keep that up.”

You were so pathetically grateful for the encouragement, for the tiniest semblance of praise, that you felt yourself moaning involuntarily. The soothing motion of sucking on his cock, the taste of something new, the comforting knowledge that he was happy with your efforts. You could feel your clit throbbing, aroused by Cooper’s satisfaction, how pleased he was with the way you worked him over.

Which is why it surprised you so much when he pulled his cock from your mouth, your lips slipping off of it with a disgustingly lewd popping sound, drool spilling onto your chin in long strands which stretched from your lips to his cock and tore apart as he distanced himself from you.

And again, that sympathetic gaze, the way he could tell what you were thinking before you even said it.

“Oh, don’t you look at me with those big, sad eyes. You got nothin’ to worry about, sweetheart. That was good, ‘specially for a first try…”

He winked to you as he spoke, causing your heart to skip enough beats that you thought you might die there and then.

“… It’s just that I’m all slicked up and ready to go now… so you wanna bend over for me? Or do you wanna come sit on my lap?”

“Uh… lap, please… I was kinda bent over for the last… first time.”

“Well, you come and take a seat then, darlin’, let ol’ Coop show you something new.”

You nervously settled your entirely nude body back down onto his thighs. Cooper’s hands were gentle against your shoulders as he pulled you backwards with him, leaning at a slight angle in the chair, his cock rigid and firm as it sat against your waiting cunt, coated in your drool which almost seemed to shimmer with the dancing light of the fire.

Then, so carefully, so gently, far more than you’d ever seen him be before, Cooper took hold of his cock at the base and slid it inside of you, one hand on your stomach as he braced you, keeping your body steady as he inserted himself further and further between your clenching walls.

“Bigger than before?”

You nodded, biting your lip as you felt the distinct stretch, his rough, textured cock forcing its way inside your cunt, pressed up to the hilt, testing your limits.

“Better?”

“Mhm…”

“Speak up, darlin’.”

With your voice strained and breathy, you managed to form some words.

“Yes… it’s better.”

“That’s it, good girl. Now, I’m gonna buck my hips, ok? You just try and keep your balance.”

Below you, Cooper shifted a little, his hips rolling backwards, inches of his cock escaping your tight, aching cunt, before he rolled them forwards and upwards, back into you. A slow, steady pace that he focused on keeping until you felt warmer, more relaxed.

“You got this, it’s like riding a horse.”

“I’ve never… hm… ridden a horse…”

Cooper chuckled, a low and rasping sound that sent shivers over your skin and seemed close enough to you that it was coming from inside of your body.

“Never ridden a ghoul before either, but you’re handling it alright for a first timer.”

You were coping ok, you had to admit, but you could feel your stomach muscles tensing, the knots back in full force as they tensed and tightened, loosened and frayed with each pump of his cock within you.

“Ah… Cooper…”

“Too much, darlin’? Does it hurt?”

There was a sense of genuine care in his tone, as though he had taken it upon himself to show you that yes, things were different up there in the Wasteland, but that didn’t always mean they were worse. Some things were good, if not a little bit difficult to take at first.

“A little…”

Cooper tilted your chin up, forcing your head to lean back completely against his shoulder. In a delicate move, one far more romantic than you imagined from him, he ran his thumb over your lips, angling his neck to look at them, his own mouth open ever so slightly, a monotonous panting as he kept his hips moving, increasing the speed and the force at which he entered you.

His eyes flicked up suddenly, looking into yours, catching your gaze and holding unblinking eye contact as he spoke.

“I know… I know… Just a little longer, though…”

He closed his eyes, focusing on the feeling of his cock pushing against your body, enveloped in your hot, wet, velvety interior.

“I know it hurts… but I ain’t stopping, so don’t even ask… here…”

You watched as he brought a finger to your lips, offering it up to you.

“…you bite down on that if it gets too much, ok… but don’t hold back on those sweet sounds… I wanna hear you scream.”

With that vaguely threatening remark, he thrust up into you, banging against your body, spurring on your orgasm but unleashing a dull ache that spread through every sensitive part of you.

“Won’t… be long… keep it together… good girl…  good girl…”

It felt good, the pain, the sting, the ache, the shivers. The fact that he was using you, finding pleasure in you. All of it culminating in Cooper’s nearing orgasm which you could sense was closing in on him. His movements were becoming more frantic, sloppier, and he was mouthing all manner of sweet nothings as he let his façade slip away.

And those soft mumbles opened up into a wide roar as he clung to your body, the hand on your neck cutting off the air to your lungs only briefly, one hand on your lap pressing sharp indents into your skin as he forced himself into you. The last few moments of his fevered thrusting, fucking you wildly, drool pooling in the corner of his mouth as he rutted into you in a dazed stupor before his body gave in. His cock throbbed, each pulse sending another rope of cum against your insides, filling you with his seed as he shuddered finally, slinking backwards into the chair and taking in a deep breath as you removed yourself from him.

You’d only managed to take a few steps forward before Cooper addressed you, opening his eyes to watch you standing there awkwardly, his cum dripping down your thighs, a warmth that quickly turned cool in the air of the room.

“Did I say you could get up?”

Panic settled in your chest, aware that you had waited until you felt his muscles relax, his body retreating from you, before you slid off his cock, expecting him to push you away anyway, like your first time. You assumed he was finished, and you weren’t sure you were ready for the idea that he might not be done with you.

“Are we… oh, Cooper, I really can’t take anymore.”

Even as you stood, you could feel your legs shaking, weakened by the intense orgasms, the way they tightened against his every movement.

“That’s different up here too then, I suppose.”

Cooper stood up from the chair, pacing towards you with a purposeful stride as he pushed his cock back into his pants, zipping them up as he reached you. You inhaled sharply as he placed his hand at the back of your head, those knots in your stomach beginning to form again, worried that a further, albeit pleasurable punishment was on the cards. But you were surprised as he slid his free hand around your back, tugging at your waist as he pulled you in close to him. A quick smile before his lips were on yours, the brim of his hat pushed upwards as he leaned into the kiss. Warm, gentle, the kind of kiss you’d seen in movies. Practised and confident, meaningful, sincere.

When he pulled back, your body following him a little before you settled back onto your feet, he smiled warmly.

“Sweet with the sour, darlin’. You gotta keep ‘em wanting more.”

“M-more?”

More as in now? Or more as in the idea that Cooper had enjoyed himself and would be willing to offer that kind of pleasure to you again. And he answered with a wink.

“Definitely. There’s a still a lot you’ve got to learn.”

[bumblebeem]

Transformers One (mostly Bumblebee) things I can't stop thinking about.

During the film's opening when Orion Pax falls into a room and onto a table full of energon, he bundles a load of it into his arms and is eating as much as he can until he drops it all and has to keep fleeing.

He's starving. The miners are being underfed as well as overworked.

Additionally, we see Bumblebee has three rations on his person when he offers one up to wake Alpha Trion. This might suggest he's keeping these rations for when he'll need them rather than being able to comfortably feed himself. For the miners it's a scarce resource they have to be careful with, and yet the transformers on the higher levels are enjoying it in abundance.

Bumblebee urging D-16 to "stay down" during Sentinel's attack.

This is an interesting line - if it was a nothing line meant to reflect compassion/empathy, he could have urged Sentinel to stop, or implored the 'bots next to him to take notice and do something. There were other ways to demonstrate "Bumblebee is kind and doesn't want his friend to get hurt."

But he doesn't look to authority or anyone else around him for help on D-16's behalf.

He instead instructs D-16 on how to behave to get the abuse to stop.

Which suggests to me this is learned behaviour, and he's giving advice based on previous experience. He's learned that taking the punishment and letting it happen gets the perpetrator to eventually stop, but resisting and fighting against them keeps it going.

That he was reassigned continually right down into sub-level 50 would tell me he's had more than his fair share of annoying a bigger 'bot enough to get himself knocked around once or twice. And very likely, nobody witnessing the abuse helped him, and/or the authority in the room was the one perpetrating the abuse anyway, so of course they weren't going to step in and help.

The only way out for him has always been to just take it :( So he assumes this will be the quickest/least painful way out for D-16, too.

Bumblebee is as much of a nerd as Orion is.

He knows about the High Guard (and is very excited to recite what he knows about them), he recognises the Primes as soon as they come across them in the cave, he watches the broadcast Orion locates inside Steve's head with interest... It's very subtly done, but I think this is the main shared trait between Orion and Bee. I wish we had seen more of Bumblebee trying to talk to Orion about this shared interest, but I get the main relationship they wanted to portray was that between Orion and D-16 (and really enjoyed that regardless!)

Bumblebee knows how to leave sub-level 50, yet he still goes back to his post, and doesn't appear to be using this escape-time to socialise with anyone else on the other floors he can access since he is so very clearly starved of social contact.

I'm not crying, okay, I'm just imagining this poor little guy sitting out of view watching the other cogless 'bots come and go, knowing he could get into more trouble and be even more isolated if he announces his presence and gets himself caught.

Also his "limited access" to the waste management area, and that thing he says about the main one in charge there preferring that he stays on task and really not liking any distractions... Ugh.

Bumblebee is purposely isolated in that room and there's apparently enough of a deterrent to keep him in it that he is forced to make imaginary friends out of trash to talk to instead.

I'm gonna go insane with grief and rage.

[housederiva]

Here's every version of the letter the Inquisitor gets from their LI plus Varric (which didn't make me cry at all)

If your Inky didn't romance anyone:

Inquisitor, Greetings from miserable, rainy Minrathous! (Don't tell Dorian I called it that.) The rotten weather here is making me nostalgic for Skyhold. The mountains were freezing, but at least the air didn't smell like wet garbage. We'll have to get in another game of Wicked Grace, soon. Harding picked up the trail again. I'd tell you not to worry, but I know how useless that is. Instead, I'll just say: I've got a great team on this. Neve could stare down the Maker, and wait until you meet Rook. He's/She's/They're a natural: Smart, resourceful, completely unpredictable. You'd like him/her/them, as long as you don't try to beat him/her/them at cards. Chuckles'll never know what hit him. I'll write again once we have something solid for you. Drinks at the Hanged Man are on me when this is over. Take care of yourself. Varric

Blackwall:

My love, You have summoned me to Minrathous, and I will answer your call, as soon as responsibilities here in the South allow. I have missed being by your side. Will these troubles be the last we face? The world seems always to conspire, through duty or disaster, to pull you away from me. I do not resent it. You are dedicated to purposes far larger and more significant than myself. I hope you do not think me a fool for hoping that one day, your only concern will be the color you wish our walls to be painted, or the flowers we will plant beside our gate. I'm partial to carnations. Yours always, Thom

Cassandra:

My love, We are no strangers to duty, or the separation it demands of us. You head for Tevinter, and though I want to go with you, there is work we both must do. I will not falter in the tasks that wait before me and I pray my actions, in whatever measure they can, will keep you safe. The others see only confidence in my resolve, but you have always known more than mere appearance. I confess to you, and you alone, that I am afraid. I'm afraid of what may happen, that Thedas will face such turmoil as it did before. I know not what awaits us. Yet even in the face of uncertainty, there are two things I cannot doubt and never will. The first is that our paths are never separated long. That I will find you at my side when I need you, as you will find me at yours. I will play my part in this and follow as soon as I can. The second thing I never doubt is you. Whatever lies before you, trust yourself. Trust your heart as I trust it. It will not lead you astray. Yours, Cassandra

Cullen:

The top of the letter has been punctured by small, sharp teeth, leaving most of a beloved name and a few sentences chewed to read. I fear the puppy started on this letter shortly after I did. I'd start over, but I must send this tonight if it's to reach you. Matters are settled here and I make for Tevinter as soon as possible. I almost believed chaos might spare us this time. I can't say I wished to see Minrathous before now, but I am eager to see you. I long to see your face and know that you are all right. You are I've There's I wish I was better at putting into writing all that's in my mind. For now, simply know that I love you. It is the most cherished constant of my life. The days ahead will not be easy. I know there's much you carry, more than many realize. But whatever you must face, you will not meet it alone. You have my sword, my counsel, my - I could write this list forever when all I mean to say is this - Whatever you need of me, I am yours. Cullen

Dorian:

Amatus, I'm writing. Again. Yes, the sending crystals still work and yes, you'll be in Minrathous in a few short weeks. But a letter, written in blind longing, is real. It can be touched, and it can be held, when ink and paper must substitute for your skin on mine and my breath in your ear. I used to scoff at frequent declarations of affection. Trite, I thought. Save them for rare and precious moments. But time and love are no longer things I care to squander, especially not as we race again toward calamity. And so, in each of these fleeting, ephemeral seconds, I will tell you that I love you. Whether penned or spoken, or conveyed by glance or action, I love you. In this moment, and in all the moments to come, for as long as they do, I love you. I will find you soon. Yours, Dorian

Iron Bull

Hey, Kadan, Not the first time we've marched toward different battles. I know you're keeping the crap from catching fire up in Tevinter. Wish I could be there, but I'll make sure there's a world for you to come back to when you're done dealing with crazy vints and stupid Antaam and whatever other crap Solas kicked up. (Shit, the Antaam. Remember when I was worried what would happen if I went tal-vashoth? That right there!) I know you're gonna be careful, and you've got Morrigan there. Just take care of yourself. If anything happens to you, I'm going to have to take Krem and the Chargers and stomp across all of Tevinter to come get you. It'll be a whole thing, and you know it'll upset Dorian. Being apart from you made me realize something else. I spent so long being whatever the Ben-Hassrath wanted me to be. An investigator. An agent. A mercenary sending reports. These past years, since the Inquisition ended, I've been able to just be what I want to be. And what I really want to be is yours. I like the person I am when I'm with you. So come back safe. Love, The signature appears to be a stylized rendering of the Iron Bull's head.

Josephine:

My Dearest Lord/Lady, I have spoken to friends in Minrathous. They offer us their hospitality, not to mention shelter from the worst intrigues of the Archon's Palace. While you're well acquainted with the roving eyes of grand courts, please take care. Tevinter's regard can be the oldest and cruelest of them all. The family writes the weather back home is beautiful. I do miss our quiet times together. There is a question I've wanted to ask you for so long. I would like to pretend I have been busy, or it was not the proper time. But, if I am being honest, I only waited because I have been afraid of choosing a poor moment. Please, let me make a promise to you here. When we return to Antiva, I will ask you, on the steps of the estate, if you will do me a great honor. And I dream you will say yes. Always yours, Josephine Postscript: I cannot believe it nearly slipped my mind. Yvette and Lord Otranto send their best wishes, and hope to see us back home in time to welcome their third child.

Sera:

(An artistically doodled journal page presumably from the Inquisitor's partner, Sera.) Keep this as close as I need you. (A drawing of a pile of flowers, with lines like it's moving, an arrow pointing to it labeled "us.") - North again, Mini-wrathus still stuck up its own pucker. - Magiturds are scared of us. They don't even know. - We work with Maevaris, right? She's wow. - So many Friends! Jennies in all the walls! - We kill him this time. He took from us twice! (A drawing of a cracked egg scribbled out, with "can't even joke" in letters that tore the page.) - Still thinking of you sideways. - Never mind the Dalish, here's the Veil Jumpers! Tempest-kin! (A drawing of a tall, shorthaired elf (Sera?) and Irelin brandishing two fingers, backflipping as a tree explodes in runes.) - The memory thing makes my head spin. If that Rook doesn't take it, throw it out. - Tell Morrigan ppbbth! for me. - I'll also tell her ppbbth! She knows why. - Tell them to Stripe. Him. Up. I wanted more books. (More heavy scribbles that tear.) - You meet; I'll keep you safe. Then I'm your time off, and you're my time on. (The last section has different colored inks, like Sera has returned to it several times.) New naked names: -Sweet-tits (scribbled out) -Bestest (scribbled out) -Loverly (scribbled out) -Lovey (scribbled out) -My-for-always-and-ever - name's not too long, time's too short. -But "Sweet-tits," though (scribbled out)

Solas:

Vhenan, I do not know if you will see these words. My ritual is ready and will soon be set in motion. Perhaps when you read this the world will be as it once was, and you will see why all I did was necessary. I cannot ask your forgiveness, but I hope you come to understand. That night in Crestwood, when I shared the truth about your vallaslin... you do not know how close I came to breaking. I could have shared the truth, or even put my plans aside and simply stayed with you as Solas... as I wanted. I regret the pain I caused you. What I feel for you will never change. The note is unsigned, but the handwriting is Solas'.

[elicathebunny]

FINALLY CLOSING THE GAP BETWEEN YOU AND YOUR HIGHEST SELF IN 2024.

You are going to STOP scrolling endlessly for self-help and advice content and you are going to STOP and apply the knowledge you have endlessly gained. Obtaining help and advice knowledge is useless if it goes through one ear and comes straight out the other. STOP becoming addicted to the idea of scrolling and scrolling for your problems yet you already have the resources to fix them. A fool is a person who cannot decide to take action despite having access to the information needed to do so.

BREAKING FREE FROM THE SCROLLING CYCLE

Learning and Applying is one thing, but Learning and Staying Stationary is literally brain rot. You're addicted to the idea of change and the end result, but you never take the steps towards discipline with a personal structure to get that result. You keep looking for quick fixes and easy hacks, but life is not a quick fix and no hack can elevate your life from 0% to 100% without visiting the rest of the numbers first.

TAKE A BREAK FROM SCROLLING

Take time away from your usual scrolling and learn to be on your own. Learn your own ways of self-care, learn what works for you and understand what you need, because nobody is the same. Following a millionaire's morning routine will not make you a millionaire. This routine has worked for someone to feel and be productive in the morning and was probably curated over the years to suit their current lifestyle. So, seeing other people's successes and comparing their working ways to your life is unrealistic if you are not in a position to implement them. Going straight from 0% (Being unproductive and procrastinating) to 100% (Being incredibly Productive and in tune with self) will not be sustainable for someone who has not built the discipline and the inner foundations required for it. STOP seeing information online and taking it without ALTERING anything to your personal situation.

STOP ASKING HOW TO AND JUST DO

"How to lose weight, How to become more social, How to do this and that"

Most of these things you ALREADY know the answer to. Everybody knows that to lose weight, you need to burn more than you consume. There is literally no other way, no magic and no secret hack, just that simple fact. I guarantee you know that to become more social you just have to be social. Learn to be comfortable in social situations which will require inner work, but it's not a difficult concept. Most of us know what we need to do, yet we still try to find quick fixes or another way that same message is presented to us differently. We act as if we are improving and developing on our "improvement" journey yet we are just finding coping ways to feel like we are moving, yet we are still in the exact same place as before. I know you know what to do, I know you have researched what you should do and ways you can do it. So why are you not doing it? Why are you still not where you want to be? If you are not where you want to be, then what you're currently doing needs to change. You cannot do the exact same thing you've been doing for years and expect a different outcome. You need to curate a routine suited to your needs that is realistic and achievable to adopt.

LEARNING TO MOVE ON YOUR OWN, STOP DEPENDING ON OTHERS TO FUEL YOUR SUCCESS JOURNEY LISTEN TO: NOBODY IS COMING TO SAVE YOU BY JULIENHIMSELF Make yourself your safe space, your foundation. When you see yourself in the mirror you should be able to tell yourself "I love you", you should be so sure in what you do that nobody else can contradict what you believe in yourself, this is the end goal of self-improvement. Many of us have put aside our goals because we "are not ready", "people may judge us" or "I need to be/achieve ___ to.." Now don't get me wrong, I'm on this journey with you. I write on this blog to teach my brain how to think in the higher mindset that I'm creating for myself. I too have thoughts like this which is why in 2024 we are going to break out of our old selves to make room for our new selves together. We have to lose ourselves to find ourselves. If you're mood and self-worth are controlled by other people's opinions, then you will never advance further with yourself and will remain stationary. You have to stop allowing other people to determine whether you are allowed to pursue your desires or if you shouldn't because of fear of rejection. Don't take life too seriously, we are only here for so much time. So what if people make fun of you? In a few years will you look back and be proud and fulfilled of your past or feel regret and disappointment? LISTEN TO: WHY YOU CARE SO MUCH BY JULIANHIMSELF + LISTEN TO: HOW TO DETACH BY VICKITA TRIVEDI

The only way to get to 0%-100% is by doing.

Embody your potential

[fatliberation]

hi, i'm a fat person who is just starting to learn to love and appreciate my body and i'm very new to the fat community and all that.

i was wondering if you could maybe explain the term ob*se and how it is a slur. i've never heard anything about it being a slur before(like i said, i'm very new here) and was wondering if you could tell me the origin and history of the word or mayy provide links to resources about it? i want to know more about fat history and how to support my community but i'm unsure of how to start

Welcome!

Obesity is recognized as a slur by fat communities because it's a stigmatizing term that medicalizes fat bodies, typically in the absence of disease. Aside from the word literally translating to "having eaten oneself fat" in latin, obesity (as a medical diagnosis) straight up doesn't actually exist. The only measure that we have to diagnose people with obesity is the BMI, which has been widely proven to be an ineffective measure of health.

The BMI was created in the 1800s by a statistician named Adolphe Quetelet, who did NOT sudy medicine, to gather statistics of the average height and weight of ONLY white, european, upper-middle class men to assist the government in allocating resources. It was never intended as a measure of individual body fat, build, or health. 

Quetelet is also credited with founding the field of anthropometry, including the racist pseudoscience of phrenology. Quetelet’s l’homme moyen would be used as a measurement of fitness to parent, and as a scientific justification for eugenics.

Studies have observed that about 30% of so-called "normal weight" people are "unhealthy" whereas about 50% of so-called "overweight" people are “healthy”. Thus, using the BMI as an indicator of health results in the misclassification of some 75 million people in the United States alone. "Healthy" lifestyle habits are associated with a significant decrease in mortality regardless of baseline body mass index.  

While epidemiologists use BMI to calculate national "obesity" rates, the distinctions can be arbitrary. In 1998, the National Institutes of Health lowered the overweight threshold from 27.8 to 25—branding roughly 29 million Americans as "overweight" overnight—to match international guidelines. Articles about the "obesity epidemic" often use this pseudo-statistic to create a false fear mongering rate at which the United States is becoming fatter. Critics have also noted that those guidelines were drafted in part by the International Obesity Task Force, whose two principal funders were companies making weight loss drugs. Interesting!!!

So... how can you diagnose a person with a disease (and sell them medications) solely based upon an outdated measure that was never meant to indicate health in the first place? Especially when "obesity” has no proven causative role in the onset of any chronic condition?

There is a reason as to why fatness was declared a disease by the NIH in 1998, and some of it had to do with acknowledging fatness as something that is NOT just about a lack of willpower - but that's a very complicated post for another time. You can learn more about it in the two part series of Maintenance Phase titled The Body Mass Index and The Obesity Epidemic.

Aside from being overtly incorrect as a medical tool, the BMI is used to deny certain medical treatments and gender-affirming care, as well insurance coverage. Employers still often offer bonuses to workers who lower their BMI. Although science recognizes the BMI as deeply flawed, it's going to be tough to get rid of. It has been a long standing and effective tool for the oppression of fat people and the profit of the weight loss industry.

More sources and extra reading material:

How the Use of BMI Fetishizes White Embodiment and Racializes Fat Phobia by Sabrina Strings

The Bizarre and Racist History of the BMI by Aubrey Gordon

The Racist and Problematic History of the Body Mass Index by Adele Jackson-Gibson

What's Wrong With The War on Obesity? by Lily O'Hara, et al.

Fearing The Black Body: The Racial Origins of Fat Phobia by Sabrina Strings

[zhongrin]

zhongrin © 2024 ❥ do not repost, plagiarize, translate, or feed into ai.

tail of a dragon.

featuring... ❥ zhongli

involves... ❥ minors dni, gn!reader, dragon!li, fluff, crack, monsterfucking(?), cannibalism innuendos(??), rambles/headcanon -> short drabble format

at first, i thought zhongli's echo doesn't show up when it's raining (i was in the middle of fighting the oceanid boss). and it made me think; what if his dragon side absolutely abhor rainwater? he's still always a gentleman, of course ー giving you his coat to use as an umbrella upon unexpected downpours; but it's funny to think that inwardly he's just silently screeching something along the line of "curse the rainwater in my shoes curse the rainwater in my hair this does not bring joy at all" within the confines of his lizard brain. he will most definitely make excuses of being cold from the rain and insists on bathing together afterward, too. you may think he's trying to seduce you, but in reality, this old dragon just wants the icky cold rainwater out of his hair.

and then, i noticed that i was wrong ー it gets hidden when any sort of combat happens (i'm not sure if this is an iOS-only decision to conserve resources so that processing power for particle effects can be allocated to the fight's particle effects, or if it's a design decision because they don't want it to interfere with the battle experience).

and i've decided i shall think of it as a zhongli equivalent of men cracking their neck before they get serious. it's not exactly his real tail, after all - he's consciously controlling it, all because you wished he would show his draconic features more often, but he can't really have his horns or tail out in public. hence its disappearance whenever he has to focus that consciousness into something else.

this also means the shiny golden apparition would be nowhere to be found whenever he's intent on pleasuring you... but, perhaps if you rile him enough, you'll be subjected to a very solid dragon's tail, as majestic and mesmerizing as it is deadly, wrapped around your waist as he devours his favorite meal and milk your pleasure until you're all loose for his cocks to sink into the soaked depths of your needy heat.

even though your husband might seem to be all in control and composed, all gentle smiles and the occasional mischief-filled smirks, his tail is another story entirely - the man may not know of the phrase 'cuteness aggression', but he may as well be the personification of it. his mind constantly think about how adorable you are, soft and squishy and mouthwateringly delectable, constantly warring with his own mind over wanting to sink his teeth and nibble your pliant flesh. it lashes, it slithers, it squeezes, and it's unashamedly honest in its unrestrained movements, reflective of his desires in its rawest form. it'll make sure its hard scales imprints on your skin - a unique mark to accompany the mating bite he'll generously lap and suckle on. you're akin to a sweet treat he wants to lick and nip and scratch and devour. lucky for you, his patience and self-control has been tempered and honed for more than six thousand years.

and if your mind decides to conjure any sinful fantasies involving that extra appendage of his, why not tell him? who knows, perhaps you'll arouse a certain part of his draconic brain. your husband is a good listener, but he's also an achiever, after all.

[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hi!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. Prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the like... split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to signal that a character is two-faced or that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that? I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different! A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here, but like. Not Realism) - maybe it will give you some ideas!

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way! A fav of mine) Girl with Pfeiffer syndrome Too many characters to count! Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS! [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor! I prefer to stick to the writing theme on this blog but would still like to help if you need it:-)

Hope this helps!

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed!

[the-rad1o-demon]

[Image ID (sorta, basically just the text from it):

GET KOSA TRENDING.

STOP SCROLLING NOW!

AS OF FEBRUARY 21ST, 2024, WE GOT FIVE DAYS UNTIL THE DAY OF DECISION OF THE KOSA BILL, WHICH WILL CAUSE MASS CENSORSHIP ROUND THE INTERNET IF PASSED. OR DOOMSDAY. WE NEED EVERYONE TO KNOW ABOUT THIS AND CONTRIBUTE. I'M NOT GIVING UP ON YOU ALL.

WE'RE DOWN TO THE WIRE BUT WE CAN'T GIVE UP YET. IF WE GIVE UP, EVERYTHING IS OVER. IF WE DON'T, AT LEAST WE HAVE A CHANCE.

I'M THE ONE WHO SOUNDED THE ALARM, AND I'M NOT GOING TO CURL UP AND DIE YET.

Reblog this post in every LEGAL way you can under the Tumblr guidelines with the appropriate tags. TELL AND TAG EVERYONE YOU KNOW, then add the tags to see below... and more if you can think of any complying.

Visit badinternetbills.com if you want to find a way to defeat KOSA. It WILL NOT take much of your time. Reblog with any other information or sources, too-- but make sure to reblog if you can.

Reblog if you support lgbtq+ content.

Reblog if you support questioning queer youth and/or abused youth getting the information they need.

Reblog if you support Ao3 and/or other sites that wholeheartedly preserve talentedly made media.

Reblog if you're going to repost this on other sites than Tumblr and spread the word across Twitter, Tik Tok, Pinterest, or elsewhere, alongside the link to badinternetbills.com.

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Hey, everyone. So yeah, this is happening. We're still fighting this battle. And we can't give up now. We can't. We can't stand idly by while one of the most important resources that helped us all wake up, or at least start to question things, is being threatened by the government.

We can't stand idly by when kids, teens, and adults just like us still trapped inside might lose access to the resource that could help them wake up. We can't stand idly by when they might lose access to their non JW friends and family. We CAN'T stand idly by when we can do something to stop this bill from passing.

I am sick and tired of this same old song, where conservative fuckers higher up think they can oppress everyone. I am FUCKING SICK of it.

Please, reblog both this post and the original post linked above what I've written, and do what you can to stop KOSA, please. We are running out of time.

I suggest that if it is within your power to do so, that you do more than simply reblog and assume someone else will do something. DON'T assume that. Please do more than just reblogging if you are able to, because that's not really enough at this point.

Call/email representatives in the House and tell them to oppose KOSA (you may want to list different reasons depending on who you're calling, some House representatives are anti-LGBTQ+, so it may be best to tell them to oppose because it violates people's privacy, safety, and anonymity online). Print posters and put them up where legal if you can.

Sharing all this information to other social media sites (Instagram, Reddit, TikTok, the bird app) to reach more people can really help too. The wider the reach, the better.

Thank you. Now let's fucking rip that bill apart like we rip apart Watchtower magazines and eat it for fucking breakfast. (In a "we're eating it and the politicians who are sponsoring it are looking on in horror" kind of way)