#'Was it finished? No. Why would you ask'

[caenith]

Of the deeds of desperate valour there done, by the chieftains of the noble houses and their warriors, and not least by Tuor, much is told in 'The Fall of Gondolin'.

Which of course Tolkien managed to finished in its final form.

[tblsomedoodles]

Might I request a seer twins doodle? It's been a long time since we've seen the bois

oh yes! the bois!

Leo had a bad night so donnie's putting a Jupiter Jim movie on one of his computer screens while he works off a different one. : )

Thank you!

[mmmairon]

Diluc’s pride and joy

Aprilluc day 4 [Horse]

[gojonanami]

you know who would be a good househusband? suguru.

in an alternate universe, instead of suguru dying, he's put under house arrest with seals plastered all over his body living in your house. your CT is something that can counteract his abilities—either something like CT neutralisation or bone-bending to force his bones to move in a certain way (hence not leave) or break fingers (in case he ever somehow tries out domain expansion).

and so he ends up living with you, and despite it all, it is almost weirdly domestic. and since he's living with you anyway (for safety reasons, since you can sort of control him), you end up almost exploiting his househusband like abilities—he ends up cooking breakfast, lunch and dinner, and you find yourself growing crazier and crazier because he looks so normal despite it all.

i don't think he'd want this plan to come to fruition, though. he'd rather die, i think, that live this life of 'humiliation'. but for the sake of this scenario, i am willing to entertain the idea that he would comply with this plan with the intent of figuring a way out to escape (whether by emotionally manipulating you or through his own smarts) and then bringing his plan to a climactic point (we have seen his cult, yes, him fighting jujutsu high, yes, but we haven't seen him exert mass control over the population).

and so, in this universe, he would bring non-sorcerers to their knees, forcing satoru's and your way into something big, potentially forcing yuki to utilise herself, too.

.....why are you doing this to me because i wanna write this

BUT, i want to make it so that when he's trying to emotional manipulate you, he actually falls for you, and while trying to concoct his plan, he doesn't really want to escape. and you realize that all he really wanted was peace for him and his friends --

and he abandons his ambitions and his misdeeds are pardoned when he helps deal with the troubles that face jujutsu sorcerers :)

[deoidesign]

HI I think I sent an ask a while back about having recently found TaTA and a) if it came off as trying to rush/guilt you. I am so sorry because that was NOT my intent, and b) I can hugely guarantee you have at least one person who will eat up any return, no matter when it happens, because I care about the guys so much 🥺 really looking forward to whatever comes next!!

Oh, I appreciate this a lot thank you!

Tbh it's a stress I would have regardless of anyone asking me about it, I'm probably the biggest one rushing and guilting myself on it. Which might contribute to some of the burnout I had...

My complaints are more about people who are demanding "more content daddy" or asking me if I'm dead or asking on every single post I make where it is... Wondering when it's coming back is completely reasonable, it's been a long time! but there's definitely a line haha

my editor also keeps randomly scheduling me and then saying "oh, btw you're scheduled to return in 3 weeks. Is that alright?" And I have to keep saying no, that's not alright??? And then dealing with that process...

I could write an essay about all the reasons it's not back yet, but that doesn't help me feel any less pressured, and it doesn't help you all get the rest of the comic any faster...

As of right now I'm scheduled to and trying to return october 21. No official announcement yet cause I have to do a lot of work in that time, but it's my official goal at least. When we get closer I'll be able to say for sure whether it's coming back on that date!

[0x1000]

Any more fics coming soon? Love your work!

I'd like to say "yes", but I kinda don't have any... Aside from a few thousand words worth of a sequel to TAS that I ended up not liking or finishing. =| SIGH.

I have ideas for fics all the time, certainly—but I struggle writing these things without a unique concept to impart... I need, like, a thesis to defend. Which is a really funny thing to say when being asked about your robot porn. But it is true, at least for me. I require stimulation both sexual AND cerebral. Cranking it straight up sapiosexual style.

Written erotica is far stranger of a beast than visual erotica—it requires both lurid context and lurid detail. It's a lot less immediate, and that's sort of what I struggle with. That's why I inevitably pen thousands of words of preparatory preamble before nary a penis has the chance to appear, let alone penetrate.

Basically, my problem is that I think I've already gotten across most of what I'd like to convey...? Regarding ULTRAKILL, at least. And what I haven't would be much better expressed after some loose ends are tied up in canon itself, once the game is complete. I fear redundancy—and while I doubt one would describe any one rhythmic thrust in the sequence of sex as "repetitive" or "trite", I'd just prefer to wait until I have something I'm confident in the quality of.

... That being said, I was contemplating writing a new fic as recent as "literally yesterday". So I mean. Who knows!

But! As compensation for your kind words, here's a BUNCH of passages from the TAS sequel that I kinda scrapped:

[quietwingsinthesky]

i feel your pain about dot and bubble 😭😭😭 white people understand the worlds most obvious race allegory and racism challenge (impossible)

It Was Not Subtle. Jesus Christ.

ive typed out like four or five different paragraphs about it and deleted them because i just can’t put into words the experience of watching that episode After knowing how everyone reacted to it on airing. there was some part of me that was being overly generous in thinking that Maybe there really was something missable about this, but i’ve seen it now. it’s. you can’t. you can’t possibly miss it. it’s there from minute one and it’s so viscerally uncomfortable being Stuck with lindy while she constantly insults the doctor and ignores him and. god. god.

i think it was the right choice, for the episode, to stage it from lindy’s pov. but i’m also so so aware that it’s putting things from her perspective that’s got to be making some people just. able to be willfully ignorant about it. and i think the sudden wave of ricky september love is the most telling bit because. the thing about ricky. is that lindy likes him. is that he saves her. is that he’s kind and reassuring and sweet to her.

and the thing about ricky is that the one time we see him interact with the doctor. he can’t even look at him except for the one moment where he’s telling the doctor to stop being condescending to him. the same way lindy did earlier.

at the end, it’s very easy for people to turn on lindy. ‘yeah, of course, lindy’s a bitch, lindy’s racist, we all see that now! unlike ricky, who would have changed.’ it feels like. people very easily could cut themselves off from the nasty parts of lindy, proclaim Well, I Would Never Be Like Her, while refusing to acknowledge that they are still empathizing mainly with her and her pov. just pretending that that pov can be taken away from her racism. does that make sense? i’m not sure i’m wording it correctly.

because the episode i watched, i know that last scene wouldn’t have changed if it was lindy or ricky there. the only difference would be that ricky wouldn’t look at the doctor while he was telling him it was his duty to save them but that he was not one of them. lindy was bold enough in her ignorance and hatred to not care. so. idk. closing thoughts, tldr, what a good fucking episode. shame about the people who think the only thing you have to do to not be racist is to be ashamed and aware of it as you continue on acting the same way you would have before.

[good-beansdraws]

Quick Fuuta sketch -- I wanted the vibe of him reluctantly tipping his head up so someone could check his injuries, but I don't know if it translates or if the angle just looks awkward rip

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[songofsaraneth]

i have decided to get really into Survivor as my next personality trait

[keepthetension]

still stuck on mhok's trauma, unsurprisingly. i keep thinking about the opening scenes of this show, showing us day losing his sight, and mhok losing rung. i really thought that the show would spend equal time and care on both

my first post about this show was pointing out that the first shot of day is a close up of his eyes, and the first time we see mhok, he's holding something in his mouth. and i thought it was so interesting that we see mhok gagged, because society generally doesn't care what people who've been incarcerated have to say. or poor people. and by and large, it doesn't care about the voices of traumatized people, either

and i was so curious to see what the show was going to do with that. i can't believe the show itself was never really interested in what mhok has to say

and i'm stuck on mhok's time in hawaii. the show highlighted over and over again how poor he is, and we know that he didn't like studying. what are his english skills like? we saw singha there, and i think one other thai person. was that the extent of his social circle? he seemed pretty happy to leave hawaii behind, so did he make no new friends? did he spend his days off just sitting in his room by himself, the way day did when he went to songkla with mhok?

i assume he and porjai were still in touch, but he moved abroad at a time when his ptsd was getting worse, and in the wake of a terrible breakup, and he just walked all of that off? alone???

feeling overly protective and over-responsible is absolutely an understandable trauma response for mhok, but you know what else is? losing a relationship, and feeling like you HAVE to go back and fix it, and that if you can just get a do-over, you'll be able to do everything perfectly this time, and you'll get everything right, and everything will be okay! this makes more sense to me in the final episode than the idea of mhok and day having a happily ever after does

[seawing-vibes]

Hiii welcome to The Thing I’ve Been Working On For Far Too Long !!!! This is an edited map of my WoF Headworld!! This map fallows my personal lore / story for what happens post-books! There are far more ideas I have regarding new structures, how the land changes, etc. , but this was just generally for labeling major locations within each territory! My hope was to wrap this up before the Felid Guide drops so I can compare my map to the canon reveal of locations but I didn’t quite get there and there are still a lot of loose ends. Unfortunately I don’t have much time to work on this anymore and will probably chip away at it privately in pieces , but for now I wanted to share this bit publicly!

The info for the labels on the map are all written out below, but I have primarily complied information in a Google Doc for easier viewing and navigation!

Link to the Google Doc !

Under construction !! Im so sorry I’m stuck on mobile and Tumblrs post editor on mobile is actual shit. the formatting is terrible I’m going bonkers in here. Also it’s stuck sideways for some reason like girl pleaseee turn the other way!!! I will rb this again once I’m able to format it properly.

[watery-melon-baller]

hellooo tumblrinas i have a question for you. if postcanon gus had the opportunity to go to human college, what major(s) do you think he would study. i need your opinions for science

[mxtxfanatic]

Helloooo! Hope you're having a great day. I wanted to delve into MDZS novel's different translations. So could you please recommend some which are closest to the original? They could be fan translations too.

Hello! Hm, I don't think this is the right question about translation, or at least not the right approach. Translation work is about being as close to the writer's intent as possible, because you're never gonna get an exact 1:1 transferrance of information between languages that makes sense in both languages (or else why need a translation? that's just the same language if they're that close!) So are you looking for a translation that prioritizes creative and storytelling intent or tries to stick as closely to the language as possible without localizing? I'm not sure if any translation does the latter, but the would be fanyiyi's translation for what I've heard. I also do not understand the original language, so I can't make a case for what is closer to mxtx's words in Mandarin. I can only say what i prefer.

[dootznbootz]

Menelaus picks up/holds Odysseus to keep him from picking fights/trying to kill people who piss him off. Especially during the war. He does it for others' safety and to comfort his bro. Menelaus is pretty good about self-control while Odysseus isn't. :P This is especially the case with Palamedes

Helen? She picks up Penelope simply because she finds it funny. She just wants to see her tiny cousin get mad.

"HELEN! Helen! Put me down! For fuck's sake, Why do you always do this?! This isn't funny! HELEN!"

Until Penelope just kicks behind her to get Helen to drop her. ¯\_(ツ)_/¯