*puts on my Professor glasses*
Macky really knows EXACTLY how to talk to Wukong, let's dissect it!
M: Looks like things are going smoothly.
W: I say, you've been here the whole time, haven't you?
M: FFM is your home, but it's also mine.
W: Did you find anything?
M: Still nothing, however. Now the Jade Emperor is no longer present. The Celestial Realm already gives me an unsettling feeling.
M: Wukong...that kid.
W: I understand.
M: You have to go and talk to him.
W: I know! But...he still isn't ready.
M: I see. You're the one who isn't ready, yet. How did you even become a teacher!
M: He has to be. We all have to be realistic.
W: He's just a kid. We can't let him...
M: Who says he's just a kid! Why is it him? When you chose him, did you know?
W: I didn't know, I really didn't know! I just followed...a feeling.
M: Are you not the least bit worried?! This child has all of your special powers, and he always runs into trouble. Have you never questioned this before? Not a single person knows where he came from. Is it not strange?!
M: We still have no clue as to whoever let out Azure Lion. All your old foes returned in one swoop. Are you not even a little-
W: Then what about you? You also suddenly came back.
M: Argh-
M: I say, someone must be manipulating us behind our backs. Especially Xiaotian. But they still haven't succeeded.
W: Then tell me. What about you?
M: Tell me do you want my help or not?! / W: Not long ago you were still against me! / M: I see, you're just a- / W: ...after I assume you'll teach me how to train my own disciples?
~ Xiaotian Interupts ~
M: Look. That kid has made you his idol. You're his one true hero, but you...
W: But I what?
M: He has to understand, he doesn't need to carry these burdens. You have to do better.
You can really tell whose the chatty one in this relationship XD Wukong might be a lil annoyed, but he's tolerant. And Macky is a little playful turd as always. Where Wukong gets gloomy and concerned, Mac swaps between teasing and serious in a blink. Then things get a lot more strained and tense, but unlike their previous fights, it never escalates into violence. Never a growl, never a raised fist. They're right at the edge, and they drop it. I'm very much interested in the psychology of arguments and when it comes to people latching onto (1) thing a person says and relating it slightly off topic to avoid talking about that other thing, like Wukong is doing here. It's so cool seeing how physical they are in trying to visibly control their emotions around each other, and how they keep trying to hold themselves back from tearing in further, always pausing and halting, and switching to another thing. They're TRYING. Ugh. I think Mac was trying to give a comforting smile at the end, but it's kinda warped by the whole ~ everything else. ~
Anyhow, I like how this starts with Wukong establishing, or rather cementing to Macaque that he believes MK is a kid. And while Macaque argues against that, he did also say before that Wukong should talk to him. And they have their squabble, with Mac pushing Wukong's buttons to get him to say something, BUT the fact this gets resolved with he needs to understand he doesn't need to carry these burdens. YOU HAVE TO DO BETTER. Like of all things Mac could have chosen. He's playing right into what Wukong himself believes, that will overwrite the "MK isn't ready" thing. Because let's face it. Mac is right when he says Wukong also isn't ready for that talk yet. He's so down throughout all this, Wukong probably feels himself that he needs to be better. AND by appealing to the fact MK is a kid, without explicitly stating that, just a statement that cannot be denied, BUT is a subject that undoubtedly, even Wukong cannot avoid. Because he wants better for MK. For him to not walk down the same path as him. Macaque has basically nudged Wukong into having that talk he wanted with MK by reframing it differently from what Wukong wasn't ready for.
Thoughts? Critique?
*squishes you* anon…anon, you’re telling me..that this was the actual dialogue between SWK and Macky in 5x01. that what i just read is the translated version of the Mandarin dub. correct?
ok ok cool. i’m cool. gucci. feeling fantastic lemme just
WHAT THE FUCK LMK
ok so i ranted in the tags but realized i forgot to say more things (also i was worried i’d exceed the tag limit bc that is a real thing what do you know!)
so, anon, you said Macky knows how to talk to Wukong and yeah agreed but for me it’s for of the sense of “Macky knows how to get his words under Wukong’s skin”
he knows how to let his words sink in and fester in Wukong’s mind, making him reconsider things or another to help speed up certain decisions or choices Wukong is hesitating on. and ain’t it fascinating how despite how long it’s been since either character have talked or interacted with each other, they still know the ins and outs of their behavior and thoughts.
Macky knows Wukong needs to talk to MK but is holding back. Macky after one answer from Wukong realizes that it’s Wukong who isn’t ready for that conversation and switches tactics to try and breach that mental block
Wukong, in a need to avoid the conversation, brings up the questions surrounding Macky’s reason for even being alive again because that is information neither have talked about and oh hey! Macky is avoiding that conversation too! and it’s an important one to have so he pushes for it, but Macky knows it’s being pushed to avoid their original discussion and is annoyed bc “classic Wukong, never wanting to delve too deep into topics where he’ll need to be vulnerable for” (especially when said vulnerability is with his newly re-allied ex friend Macaroni himself)
god i love them
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Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
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[I.D. A digital bust drawing of a woman with a chin length bob haircut. Her hair is a light greyish purple, and she wears a purple sleeveless turtleneck. She has microtia, so her left ear is shaped somewhat like an upside down L, and her right upper eyelid is somewhat droopy. She smiles slightly. End I.D.]
Decided to do a quick redraw of an old oc. I don't remember her story much at this point because I never wrote any of it down, but she was supposed to be the head of some sort of space mercenary agency I think? Space ship captain maybe?
She's stern and serious, so it really catches people off guard when she cracks a joke because they don't expect it lol. Now that I think about it, she would probably have some level of hearing loss. She also never got a name as far as I remember, sorry cool space captain lady.
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