#//I love the dynamic of Weiss and Blake

[scareqrowbranwen]

//listen I love bees but I've been rotating monochrome around in my head lately just like

it's two people who are expected to hate each other overcoming their hangups and throwing down their weapons and making out instead lmao

[mellobellooo]

not so average's fangirl's latest reaction has awakened the demon within me once again

[tecnestheim962]

YES

And this is so important because in V5 when Yang first met him and found out about Oz and everything, she was so distrustful of him or rather Oz. And she hasn’t really been shown interacting that much with him. At least, that’s what I remember from V5 and V6, I would have to go back and watch it again to confirm.

And look at his reaction! He looks so confused like, “I thought you didn’t like me? And even if that wasn’t the case, I thought you just tolerated me like everyone else?”

I think after the stuff in V6 with Oscar going out of his way to help in spite of Oz, and his determination to try and fight even though he knows he doesn’t have much time and that Salem can’t be killed, working just as hard, if not harder than the rest of them in a completely new environment with no prior experience and not even the assistance of the old wizard that got him there in the first place, Yang views him differently.

She has always been the protective guardian (aside from Qrow of course) of the group. The confrontational one who is not afraid to use any means necessary to protect her friends and family. While Ruby is the leader that everyone looks to for a plan and hope, Yang is the one they look to for approval. If she doesn’t agree with something or someone, there’s tension in the whole group. If you get on her bad side, you will know it and deeply regret it.

Yang has always been one to speak through her actions, not because she can’t use her words effectively, because we all know that her words can and have been so powerful in the past. But, especially when it comes to affection, respect, and care, she uses her actions as her expressive medium.

I believe this was her way of expressing acceptance and letting him know that she considers him to be a part of the team just like everyone else. Her subtle way of letting him in. Not only does this reassure that she trusts and respects him. Not only is she letting her heavy guard down around him (her own walls and the protective barriers around her friends), but she is also pulling him within those barriers. He is now someone she wants to protect along with the others.

I think this contributes a lot to his “I was starting to feel like a part of the team.” He had just been completely let in. Everyone was finally starting to see him as Oscar and not just Ozpin’s successor. It was subtle, but Yangs actions no doubt made him feel integrated rather than separate from the rest of them, removing any tension that might have been left from her animosity towards Ozpin.

I could definitely be reading too much into this, but the fact that she was leaning on him for quite a bit of time was definitely intentional by the animators. I’d like to think that this is what it meant because I love my wholesome bean and I love Yang, and it just seems like something that’s plausible.

Let me know what you guys think!

Side note:

Another thing that I could see happening with this in mind is Yang leaning on him in a “Ha you’re so short that I can use you as an armrest!” Followed by aggressively ruffling his hair as if he’s her adorable baby brother.

I dunno, their sibling dynamic is so fluffy and adorable I love it!

Underrated character beat is Oscar realizing too late that Yang becoming the cool big sister you never knew you wanted is non-negotiable when you hang with this crew.

[rachetmath]

Favorite Jaune Ship

Okay, let me do this. My Jaune ships. Other ships I’ll do later.

Lancaster/SilverKnight (Jaune x Ruby);

This ship still holds a special place in my heart and to me was supposed to be one of the factors of the show. Jaune and Ruby's relationship started at Beacon. Jaune was Ruby’s first friend and was the first thought of being a part of a team besides her sister. Unfortunately, she was stuck with Weiss and Jaune had a crush on her. Ruby has times when she and Jaune talk but were always cut short for reasons. However, after the fall of Beacon, I was happy to see her and Jaune team up. But my hopes were short-lived when Weiss and Oscar came onto the scene. Now, because of them, the one relationship I could support died because the story tries its damndest to push Whiteknight and Rosegarden together. (Like seriously, this is one of the reasons why I hate Oscar to this day. Volume five, to this day, I believe Jaune should have unlocked his semblance for Ruby instead of Weiss.)

DragonKnght/GoldenKnight/DragonSlayer(Jaune x Yang);

Now normally this is a crack ship. This ship is just two people boning for almost no reason, but I can see a story behind this ship with Jaune and Yang being an alternate version of Tai and Raven. Jaune is Raven because both  have supportive semblances, use swords, and have a distaste for Ozpin’s methods. Yang is Tai due to mainly being raised by him alone. Throughout the story, we see how Jaune and Yang interact and how their relationship differs from Tai and Raven’s. How Tai and Raven fell apart and what they should’ve done to maintain it. How Jaune and Yang handle situations differently they’ll always find a way to bounce back by talking it out and giving each other space. Though I believe Bumblebee fans would be offended and probably say, “Blake could add that same effect”, I still stand by this.

SilentKnight(Jaune x Neo)

Cute, deadly, and very sad. I haven't read the book but I have heard about it. Also, I wish they made a movie starring her or gave us an episode but… okay. Back on topic, I find this ship enduring. They have only one thing in common but that's enough to create a dynamic between them. However what makes the ship sad is that Neo will be the only one hurt. Image Neo trying to be Ruby just to be with Jaune only for him not wanting to be with her. Loving and caring for Ruby more than Neo. Neo hates and becomes jealous of Ruby because unlike her Neo has no friends. Roman died. And Cinder betrayed her. Jaune probably being the best thing in her life but she will never have. So sorry folks, Silentknight was a no-go.

Topaz (Jaune x Emerald)

Same as Silent Knight except it's Emerald’s loyalty to Cinder getting in the way of her having any relationship with anyone. Jaune probably would talk to her but trusting her could be too much of a stretch for him. Emerald might as well be one of the few who could talk to Jaune one-on-one and be real with him but still, I don't think neither of them is looking to like each other.

Knightshade (Jaune x Blake)

These two never had a single one-on-one conversation. Like really they barely interact with each other. I would not be surprised if they both got drunk somewhere and were found sleeping in the same bed by accident. But I believe they are good friends.

Knightfall (Jaune x Cinder)

Okay, this can go either way. Jaune is done playing the good guy to a bunch of girls who are favored by everyone and want to destroy the world. Cinder decides to be a good person and wants to redeem herself. I highly doubt this would happen but I love the concept. Imagen Jaune has to tell Cinder to chill out all the time. Then having to be the most patient with her especially when following a plan. Cinder trying to be nice but pushing her feelings down so she doesn't show weakness is funny, sad, and insane.  

Martial Arc and Nora's Arc(Jaune x Ren x Nora)

You two do not deserve him. You had four volumes to talk with this man but you didn't. Ruby knows your leader better. Yang treats your leader better. Shit Weiss treated your leader better. Ya’ll barely maintain a relationship with each other. How will you two be in a relationship with this guy if you can't contribute or commit to it? F*** the both of you.

Whiteknight(Jaune x Weiss)

Okay, now this may be my f*** all worst ship. First, I’ll admit Jaune was just a fanboy seeing his female idol for the first time in real life. But as he continues he eventually gets over her a bit. Then in some way, he does try to get with Pyrrha, who was an upgrade. What I don't like about this ship is unlike Lancaster it feels forced. Like in volume five Weiss got stabbed by Cinder for no reason. It should have been Ruby considering Jaune traveled and spent more time with her than Weiss. And Cinder hates Ruby. Then in volume seven she basically used the man to get away from Bumblebee. And the only time she ever acknowledged this man was in volume nine when he turned out to be her favorite character in a story. I may be wrong but no, this is not my favorite.

[anthurak]

Consider the following:

If Weiss and Yang as a pairing have ‘divorced married couple’ energy,

Then Ruby and Blake as a pairing have ‘Tragic Anime Yuri’ energy.

The kind where they absolutely love each other, yet also unwittingly enable the fuck out of each other’s self-destructive tendencies.

Like in the early volumes, particularly volume 2, I think it’s all too easy to imagine Ruby going right along with Blake’s self-destructive spiral chasing Torchwick and the White Fang if she was more in the loop. Rather than giving Blake the intervention she actually needed like Yang did.

Likewise in later volumes, if we’re looking to single out the teammate who most unwittingly enabled Ruby’s self-destructive hero-complex, I think we should be looking at Blake.

I mean just look at Blake’s heart-to-heart to Ruby in Volume 8. Sure, in the moment it’s cute and heartwarming and Blake is clearly trying her hardest to help Ruby and give her support.

But in hindsight, ESPECIALLY after Volume 9? Yeah, Blake was unknowingly playing right into Ruby’s hero-complex. As in, putting Ruby up on a pedestal with that ‘I look up to you’ statement and generally putting more pressure on Ruby to BE that ‘perfect hero’ that’s eventually going to break her.

It’s subtle, but it’s pretty clear that from Volume 6 on, Blake is absolutely Ride or Die for Ruby, possibly the MOST out of any of Ruby’s friends and teammates. Whether it’s subtle moments like Blake’s ‘We’ll follow your lead, Ruby’ at the start of Volume 7, or more obvious points like Blake siding with RUBY over Yang when the team splits at the start of Volume 8.

And I can’t help but think that this dynamic could lead to any potential romance between Ruby and Blake to burn out in truly tragic and angst-filled fashion.

Like Ladybug is the kind of couple where Ruby makes some big, tragic heroic sacrifice to save the world, and Blake proceeds to burn the whole damn world down for just a CHANCE to bring her back.

As in, I’m talking BIG MadoHomu energy. Or Salem energy for something more show-specific.

As in, Blake going “I will never forgive this world for taking someone so pure and perfect.”

So yeah, I’m certainly not saying any of this makes Ladybug a bad ship.

Kinda the opposite really XD

[lovingdabeessss]

M E M E S FOR DEM

Based on justice league part 2

I 100% believe at some point in yangs several trying to attack nothing but air in a trauma flashback states she just goes up to Weiss and goes “if I ever attack Blake just kill me” and with no context Weiss goes “you got it” because Weiss is the best and if yang finds out Weiss beat the shit out of her while she was possessed she’d be so proud

Also obsessed with the most relatable sister dynamic I’ve ever seen on a show which is the most unhealthy self destructive younger sister on earth not caring about her own health and then the most hypocritical older sister who’s probably done way worse to her own health being insanely tired spending all her energy trying to keep the other one alive and even just moderately healthy

Ruby: Yang will not stop calling me

Yangs voicemail: ARE YOU STILL ALIVE!?!?! RUBY ROSE ANSWER ME RIGHT NOW PLEASE PIC UP THE PHONE THE NEWS SHOWED YOU FALLING OUT THE AIR ARE YOU OK?!?!?!? PLEASE IM HAVING A PANIC ATTACK A R E YO U A LI V E!?!?!?

Ruby: I hate gay people

They love each other so much

[rapunzel-the-pun-master]

I love Oscar so much. Ramblings in tags

alright to counter the hated character train cause as fun as it is to hate we cant do it all the time, lets get some love in this place!

gimme ur favorite character from RWBY and tell me why u love em! really just let it all out there!

[thatanimewriter]

SLAVE TO THE BLADE.

➳ request: Team Rwby with a male S/O who is in a Kenpachi situation, he's a swordsman(samurai), mentally shackled himself from going all out because of how strong he is, wears an eyepatch to keep most of his aura from leaking out, loves to fight, wishes to fight a worthy opponent, bonus: Jaune studies under him as a student, please and thank you

➳ character/s: ruby rose, weiss schnee, blake belladonna, yang xiao long

➳ warnings: mentions of fighting, mention of food (weiss)

➳ notes: imma be real, i haven't gotten past the first few episodes of bleach since i was like, 12, so this description is what i'm going off of-

𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐢𝐧𝐠 𝐫𝐮𝐥𝐞𝐬 / 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫 𝐥𝐢𝐬𝐭  / 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 𝐨𝐟 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭𝐬 / 𝐰𝐢𝐩 𝐥𝐢𝐬𝐭

── 𝐑𝐔𝐁𝐘 𝐑𝐎𝐒𝐄.

she probably met you through jaune lets' be real, cause dude loves to ramble about stuff n he's probably talked about you a few times

wanted to fight you so bad the first time she met you, but you wanted to see if she was worthy first so you don't waste time

has asked about the eyepatch before but never really got a clear answer, it was quite vague cause you didn't wanna get into it

didn't beat you in a fight, but she lasted longer than you thought she would, so you started being friends and eventually dating

if she ever needs scary dog privileges, you're the go to, just have your resting face and the full get up and you're set

grumpy x sunshine dynamic for sure, you're so cool and intimidating n then she's there

minus aura points for the combination, but maybe it could be bonus, cause you're just so confusing as to how this happened

probably a top tier combat duo though, y'all crazy on the battlefield for real

she appreciates all the silent ways you show you love her like covering the table corner when she bends down

paying attention to small things like that thing she mentioned months ago n suddenly VOILA, it's here

she returns the sentiments by doing some more grand gestures but she'll tone it down if you ask

── 𝐖𝐄𝐈𝐒𝐒 𝐒𝐂𝐇𝐍𝐄𝐄.

girl probably found you weird as hell at the start, but got over it quickly considering the world you live in-

she can appreciate an aesthetic though, she likes the samurai thing but confused by the eyepatch

japanese pirate??? what's going on with you???

the absolute TRAINING REGIME you put her through when you start dating is insane, but winter probably approves to a degree

push the limits, especially considering weiss' semblance with glyphs and stuff

you probably also improve a bit if you experiment with dust in combat

stubborn meets stubborn though, strange arguments will arise for certain situations

like whether you can like, get jaune to go away for a moment because she wants time with you but he's training under you-

or where to eat if she wants one thing and you want another, but eventually you get what you want respectively n come back n share

quality time king, that's what you are in this relationship

she will try on your eyepatch at least once because she's curious, but she got very embarrassed when you caught her

── 𝐁𝐋𝐀𝐊𝐄 𝐁𝐄𝐋𝐋𝐀𝐃𝐎𝐍𝐍𝐀.

she thought you were a bit unrefined just for how much you want to fight people all the time

but she did want to try you out to see if she was a worthy opponent, so she fought you once

n that's how the 'i hate you' to lovers pipeline began for her-

training sessions are nice for you both, she enjoys being pushed further than usual but she's a lil bitter you have to go easy on her

will just listen very knowingly when jaune rambles about a training session with you

it's probably a moment of bonding for them tbh, they both relate to how difficult it is to fight you

a lot of quality time again, you might read a book that the other recommended and just read in silence together

you do a lot of stuff in silence together because it's just nice to hang and relax

people definitely understand how you guys got into a relationship, you vibe match, except you're just a bit more energetic than her

you also have somewhat similar insecurities about harming people you care about, so there's another level of understanding between you

don't tell anyone, but she likes a scratch behind her cat ears and she purrs, which you found out by accident-

── 𝐘𝐀𝐍𝐆 𝐗𝐈𝐀𝐎 𝐋𝐎𝐍𝐆.

you met because she picked a fight with you ._.

you're both just as eager to fight people, so it was only a matter of time before she came and snuffed you out

you think she's very reckless, but you can teach her some tactics in the get-to-know-you phase

that was probably how she got to know you: the winner of each fight got to ask any question they wanted

was very mad when you admitted to letting her win a couple times because you're just so powerful

people avoid you in the halls because they don't wanna do a 1v2 against you guys

she's tried on your gear at least once, n tried to get you to wear hers but that was a hard no from you

her abilities and endurance has definitely improved because of you, but she just wants to be the better pupil vs jaune-

there's an unspoken competition between them that they think you don't know about but you do

you say jaune is better for lols and because you think her lil frowny face is cute

also because you feel a bit bad for jaune-

[rwbyrg]

A Rosegarden by Any Other Name Would Smell As Sweet

AKA Reasons Why Rosegarden is Canon #015: Ruby and Oscar's Multiple Shared Allusions to Other Fairytale Love Stories

Typical disclaimer that while all characters within the RWBY narrative have a main allusion, they often have secondary allusions that apply to the roles they fill in relation to other characters stories. Like how Yang is Goldilocks on her own, but becomes the Beauty to Blake's Beast when paired together.

The first, most notable example for Rosegarden is, of course, The Little Prince (expanded upon here). Oscar's primary allusion is of a boy who grows up on a planet "scarcely bigger than himself, who was in need of a friend", and one of his most influential relationships is that to a rose with whom he loves. They spend much of the story separated from one another, while the prince wanders lost in a desert, pining for a way to reunite with her back home.

Important to note this isn't the only time Ruby has been a Rose for another fairytale. She also slots in as the Rose Red to Weiss' Snow White, she acts as the successor to her mom as The Last Rose of Summer, and she also stands in as the Enchanted Rose to Bumbleby's Beauty and the Beast given how it's a "true loves kiss will break the spell before the last petal falls" situation... and BB kisses two episodes before Ruby Rose "dies".

The second notable allusion for Rosegarden is the Warrior in the Woods (expanded upon further here), a canon RWBY fable from The Fairytales of Remnant. The very first story within the book is about a village boy who becomes a huntsman after being inspired by a huntress he meets in the woods. A huntress, I might add he fell in love with the moment he saw her silver eyes.

Something to note about both of these examples, is that they are each stories with a focus on caring for someone else in unique ways. With The Little Prince, the Rose is vain and has many demands and asks the prince to tend to her; while in WitW, the warrior works tirelessly without thanks to protect a village. When the boy meets her, he starts looking after her for a change because he figures that's the least he can do to repay her. Both of these tie in well to RG's dynamic of Ruby carrying such heavy responsibilities alone, with Oscar making a conscious and active effort to help her shoulder those burdens.

The third, more subtle allusion, is their respective ties to The Wonderful Land of Oz. Oscar's first confirmed allusion before the Little Prince reveal was originally to Princess Ozma/Tip, the heir to the Kingdom of Oz given his proximity to Ozpin as the man behind the curtain, as well as to fit a "genderbend" character within the framework of team JNPR.

How does Ruby tie into this one? Well, we have to work backwards a bit. Ozpin's initial four lieutenants were all linked to the original cast of Oz:

Qrow as The Scarecrow without a mind (travels around as a crow and is regularly inebriated)

Ironwood as the Tin Man without a heart (his multiple cyborg prosthetics and character development in Atlas)

Lionhart as The Cowardly Lion (his fear overtakes him and pushes him to join forces with Salem to save his own skin)

Theodore as Dorothy Gale (donning ruby gauntlets instead of the traditional red slippers)

But RWBY is a story about legacies and breaking cycles. With the new generation of huntresses in Oz's inner circle, they replace those who came before them.

Blake takes Lionheart's place (cat faunus that ran out of cowardice, only to become brave and return to the fight)

Weiss as the Tin Man (aka Ice Queen, who's heart melted as she became kinder and grew more attached to those around her)

Yang the Scarecrow (no longer blindly following orders, but making an active effort to question the words and intentions of those around her)

Ruby as Dorothy (her little dog Zwei and the red - or silver, depending on movie or book adaptation - slippers that lead them all on their journey)

Why bring up Oscar as Princess Ozma and Ruby as Dorothy? Well, according to the original books and not the movie, "Dorothy and Ozma are each other's closest relationship" as illustrated here:

Very good friends. Just gals being pals. Sharing the responsibilities of leadership with one another. Smooching in the palace gardens. Dorothy as the only one who's allowed in Princess Ozma's rooms without an invitation. #BFFS4EVA

These are all the canon ones that are easy enough to parse, but there are some similarities to others famous stories that can be found with a bit of squinting that I will also share just for fun.

The first is how Ruby's experience in the Tea Party acts as a near perfect display of Romeo and Juliet's ending. For those unfamiliar with - or who have forgotten - the bard's infamous tragedy, it is a story about two star-crossed lovers very much doomed by the narrative. It ends with Juliet faking her death without telling Romeo. So when her prince charming comes across what he believes to be her corpse, he drinks a vial of poison and kills himself out of grief. When Juliet wakes and sees he has left her, she takes his dagger and stabs herself so they might be together.

In the tea party, Ruby fills the shoes of Romeo and Oscar of dear Juliet. Oscar is "killed" by Ruby's blade, but it is an illusion. He's not real. Like Juliet, he's not really dead. However, the vision is still enough to push Ruby into drink a vial of poison (the tea that takes her to the tree), giving up in the face of her grief, just as Romeo does.

And if we need any more evidence for this one, can't hurt to bring up the infamous quote of Juliet wherein she likens her love to an oh-so-familiar flower:

What's in a name? That which we call a rose By any other name would smell as sweet;

A line that Juliet says to proclaim that if her Romeo weren't a Montague, then she would still love him regardless, but through which implies that it would be easier for them to be together if he were not himself. And within V9, Ruby's cited motivation to go to the tree is because she doesn't want to be herself any longer.

And last, but certainly not least, is how a lot of ships within RWBY seem to have fairly direct parallels to the myth of Eros and Psyche. It is a classical tale about the trials of love, putting the protagonists under multiple tests of loyalty and attachment before letting the two lovers unite at the end. Both love stories within Beauty and the Beast and Snow White and Rose Red pull inspiration from the myth, and we see it in CRWBY's approach to writing romances throughout the show thus far.

Blake and Yang being separated, breaking and rebuilding trust, before coming together in V9; Ren and Nora going through trials and conflict, currently apart now so they might discover who they are on their own before re-uniting with one another again; and Rosegarden having constant reunions, separations, and trials with strong focuses on their attachment to each other. Another common archetype they use from Eros and Psyche is that of the "Animal as Bridegroom", wherein at least one of the partners undergoing a transformation that is often monstrous in nature.

Bumbleby is self explanatory

WhiteKnight has the issue of Jaune being lost to time and becoming an Old Man, who's curse is reversed by magic. It alludes to his role as the Prince within Snow White and Rose Red who was initially turned into a bear via a curse

Rosegarden, has this instance for both characters. Oscar as an Ozcarnation (becoming something he doesn't want via a curse they are trying to break before time runs out) and Ruby's future fate should she be captured by Salem (being turned into a Grimm by the wicked witch - or eaten by the wolf - like her mother before her).

All of these line up with the myth's structure as well as Monty's foundational philosophy on love stories that we see in his quote from many years ago:

A lot of these all have really tragic endings so uh. Good thing RWBY likes to subvert the stories it's telling, right? They're going to get a happy ending, right CRWBY???? 😰

[itsclydebitches]

RWBY Recaps: Vol3E1 "Round One"

Hello, everyone, and welcome to a new collection of RWBY Recaps!!

This is a unique project in that instead of writing purely for my own entertainment, these recaps are part of the Fandom Trumps Hate auction (you can check them out here if you're interested in learning more). Specifically, these recaps are a gift for the lovely Kae who requested some meta on the earlier Volumes, or work that focused on Ozpin and/or Ironwood. I figured that Volume Three would touch on all those requests and, frankly, it's an era of RWBY that I was already interested in covering. Volume 3 was a turning point for RWBY's tone and overall mythology and I'm eager to see what I think of it in 2024, after six additional seasons and a rather chaotic overhaul.

(If anyone is reading this from the future, one of the reasons why it took me so damn long to get the first recap out is because finding official streams of RWBY has become a fool's errand as it changes ownership. Fun!)

Anyway, the game plan is simple: cover all of Volume Three at an undetermined, though hopefully steady-ish pace from here on out. Technically, the deadline for our FTH fandowrks is at the end of 2024, however, I absolutely plan to continue this series past my 5k promise. As always, this will be a RWDE-focused meta (though I'm eager to see how much nostalgia carries me through the season), so if you Don't Like; Don't Read.

Everyone got that? Great!

Now, indulge me for a moment and cast your mind back. It's October of 2015. Pizza Rat is a tumblr icon, Left Shark still reigns, and everyone is arguing over whether a dress is gold and white, or blue and black (it's the former FYI ;). Amidst such quality memes RWBY begins airing again on the 24th, presumably bringing with it another season of stellar choreography and simple, if entertaining conflict. Team RWBY has just helped contain a massive breach courtesy of Cinder's machinations, Torchewick is in Ironwood's custody, the White Fang is falling under Salem's puppeteering, Penny has revealed her android identity as well as her supposed fate to save the world, the girls are beginning to acknowledge the responsibility of their chosen career path, and the mysterious Raven has been identified as Yang's birth mother. All in all, RWBY has a lot to play with going into its third season.

It's notable then that we open peacefully. The viewer is treated to a number of environmental shots to set the scene, including one of the forest with its iconic falling Fall leaves. Ruby is positioned at the edge of a cliff with her signature rose petals drifting behind her. Stylistically it fits the scene, though from a literal standpoint it also implies that she used her semblance speed to get here. Given the momentary reveal that she's speaking to her mom, that's a rather heartwarming detail.

Sidenote: has anyone given any thought to cliffs in this series? It only occurred to me recently how often they show up, often during character milestones. Here we have Ruby talking to Summer for the first time, her (bodiless) grave situated at the end of a cliff. The Beacon initiation involves chucking the kids off a cliff and seeing how they fare, an action that is the catalyst for the group's introductions/growing dynamics. Shooting Oscar off the edge of Atlas solidifies Ironwood's turn from anti-hero to outright villain. Though I'm far from a fan of this scene, Ruby's (ridiculous) near-fall off the cliff during the fight with Cordovin preludes her (supposed) growth in leadership as she stands up to Qrow. Penny lets herself fall from Amity after sacrificing herself to get it up into the air. Then, of course, we've got the girls falling off of Ambrosius' bridge, taking them to a world where - execution aside - the intention was for them all to go through major developments: Ruby is literally reborn, Jaune experiences a lifetime of struggle, Yang and Blake finally admit their feelings, and Weiss... gets over her whole country being destroyed?

Idk, we'll have to come back to that one.

I clearly don't have a big takeaway here, just the acknowledgement that this is a visual RWBY gravitates towards. Might do a whole side meta on it some day...

Anyway, as said we realize quickly this is Summer's grave with her name carved into the headstone along with "Thus kindly I scatter." Notably, she also has her rose motif there and it's likewise prominent on Ruby's belt in this scene. Looking back, we can see how RWBY did a better job at the start of sprinkling in these significant character details before, you know, dropping them completely and then attempting a rapid-fire resurrection. Meaning, I would have bought into the emotion of Ruby giving her pendant up in Volume 9 if we'd gotten these moments consistently throughout the story's run. It wouldn't take much, just a reminder every couple of episodes to maintain the momentum. Give Ruby a scene where she explains that this rose was left by Summer before she disappeared and she's treasured it ever since. Show a flashback where we learn that it was really left behind for both girls and Yang handed it down to Ruby when she was old enough to keep track of it. Give us a minor conflict where it's lost during battle and Ruby unnecessarily endangers herself in an attempt to retrieve it (perhaps in Volume 8, setting up that the object itself is not as important as the intangible love it represents). Hell, keep it lighthearted where Yang gets Ruby something rose related at the gift shop, Nora tucks a Rose into her hair while wandering the wilderness, Qrow gives the pendant a cheeky flick while talking about how Ruby's as stubborn as her mom. My point is there are a million ways the show could have built towards that scene in Volume 9 - ways like showing us that rose on Summer's gravestone - but the show dropped the ball halfway through.

Here and now though, Ruby begins catching Summer up on everything that's happened to her since she started Beacon, which serves as a useful way to catch the viewer up too - both those who, for whatever reason, may have started RWBY with Volume 3, and those who just need a hiatus refresher.

Ruby is delightfully awkward here, a personality trait that I think becomes more forced as the series goes on. She jokes that she hasn't gotten kicked out of Beacon yet - while doing that cute little rock on her heels thing - and says that she's able to "keep [Yang] in line" by being on the same team. She follows that up with, "...that was a joke" which is just quintessential Ruby to me. Love it.

She recaps that Yang has grown a lot as a fighter since Summer left, the rest of their team is made up of Blake and Weiss, together they form Team RWBY and yes, that's as confusing as it sounds. She's stopped bad guys and met some "odd" teachers, including Ozpin.

(THAT'S MY BOY!!!)

Looking back, this is actually a fascinating couple of lines. At least, I think they have the potential to be fascinating if RT had followed a clear writing path. Ruby wonders again why Ozpin let her into Beacon early, but shrugs it off under the assumption that he'll tell her one day. "You know how he is."

Yeah, I do, Ruby. Do you?

We already knew from their initial interaction that Ruby knew who Ozpin was - she recognizes him on sight - though him posing the question implies that he never visited Patch post-her birth. At least, not recently enough for Ruby to have formed a memory of them meeting. I can only assume then that she's heard enough about him from Tai and Qrow to a) be sure of his identity (any promotional material/news about Beacon would have helped with that too) and b) believes strongly that her impression of him formed since entering Beacon aligns with what her parents presumably said about him: "You know how he is." The fact that this is in reference to Ozpin's secret keeping makes me wonder how often that came up around the dinner table. Did Tai ever express frustration, a la Ironwood, that they're clearly being kept in the dark about things? Did Qrow ever dodge the girls' questions about where he's been because he can't be honest about his spy activities, aligning Ozpin's reputation with secrecy by virtue of working for him? The casualness with which Ruby shrugs off Ozpin's secrets to Summer heavily implies that Ozpin's cagey history is both well known to the family and accepted.

Honestly, I would have loved to see this woven into Ruby's core characterization, perhaps even an extension of her "simple soul." Give me a girl who is intrinsically accepting of people, including their need to keep certain things close to the chest. Teammate deliberately kept her faunus identity under wraps? Friend hides the fact that she's an android from the whole world? Ruby accepts them. Ruby gets it. The fact that Ruby does, canonically, accept their duplicity without so much as a blink is, I think, one of the reasons why I expected her of all people to be more sympathetic towards Ozpin's hidden identity. We can argue about the girls' right to the truth via participating in this war till the cows come home, but at the end of the day Ozpin's secrets are intrinsically tied up in his family, his history, and the trauma surrounding both. Let the others get mad, prioritizing information over personal motivations (that does fit their characterizations well, with Blake perhaps being an exception), but Ruby? The show has never been willing to commit to the kind of dark story that would result in a 180 character growth - endlessly forgiving protagonist becomes jaded and cynical as she experiences The Horrors - and little moments like this one further emphasize to me that Ruby, specifically Ruby, is uniquely suited to helping Ozpin not just fight, but finally finish this war. It should never have been (just) about her talent with a scythe, or even the rarity of Silver Eyes. The Gods wanted Ozpin to unite humanity and here's a young woman who unabashedly loves everyone that the world tends to despise: secret keepers and drunk uncles and faunus and Schnees and scary androids. Ruby should have been the emotional bridge!!

Okay, I swear I'm not going to make this series a rehash of my issues with the later Volumes lol. Inevitably some things are going to crop up though.

Moving on, Ruby mentions that Tai is here too and the viewer gets to see his avatar for the first time, albeit from a distance. In keeping Summer updated on her... husband? Wait, were they married? Well, in keeping her updated on her partner, Ruby says that, "He's, you know... Dad," which, unlike the Ozpin line, is just plain funny. Sure, most of her talk is very exposition-y and absolutely functions as a soft lead-in to new content, but that's not to say a story should ever put absurd dialogue in a character's mouth simply for the sake of the viewer. That is, Ruby should never say, 'Oh, Tai is here! You know, my Dad?' because the person she's talking to, Summer, knows damn well who Tai is. Television has actually gotten better about this as a whole. Once upon a time a medical drama would have the doctor yelling, 'Her skin is turning yellow - she's jaundiced! Her liver is failing!' to ensure that the viewer understood precisely what 'jaundiced' meant, never mind how absurd it was for a professional to be shouting that among their peers. (Granted, medical dramas as a whole are absurd. I say that with love.) Despite RT's general inexperience, RWBY belongs to an era of televised storytelling where leaving certain things unsaid is par for the course.

Here, the unspoken information is what it means for Tai to be, you know, Tai. We don't really know who Tai is yet- personality-wise, I mean - so Ruby's comment functions more as a way to set up our expectations rather than to connect with us in agreement. We now expect Tai to be the kind of guy who does things to make his teenage daughter sigh and go, 'That's Dad...' and we, presumably, look forward to seeing that.

Granted, the three things we do know about Tai at this point in the story consist of:

He's a fellow Huntsmen (which is an insane job)

He let his daughter join Beacon two years early to also become a Huntress (also kinda insane but I support him)

He maintains a relationship with said daughter and daughter Sr by sending them their dog in the mail (do I really need to say it?)

Based on that I suppose we can guess as to what Tai is like lol.

He calls Ruby away so they're not late for the match and she sends a last message to Summer over her shoulder: "It was good to talk." As we transition, a murder of crows flies across the sky. Or is it an unkindness of ravens? I can barely tell in real life, let alone when they're animated blobs, but either option works well enough given the upcoming revelation about the Branwen twins.

Cutting to the arena a little time in the future, the viewer is treated to some establishing shots that, while simple, are honestly pretty cool. I believe this is our first introduction to Atlas' floating environments and showing a bit of Beacon Academy in the background helps give us a sense of scale.

This event is clearly popular, with the stadium absolutely packed with people (even more are trickling in from ferrying ships) and, to RT's credit, they did a bit of work to convey diversity in this world. We see a decent variety of skin tones as well as faunus characteristics, to say nothing of the cool designs many of the competitors will get. Beyond the main cast still being overwhelmingly white, I'd say the biggest issue here is the lack of body diversity, what with everyone having the same, stick-thin figure. Yeah, RT is clearly using the same base model copied a hundred times and I'm very aware of their previous status as a small, independent company, but such visuals nevertheless stand out in a series that's been pushing a minority plotline for three seasons.

The camera swoops down to follow Team RWBY in the midst of a battle which, again, is staged in a way that's clearly meant to catch up/invite in new viewers. It's very trailer-esque as each shot lingers on Weiss, Blake, and Yang for a moment before finishing with Ruby, complete with a twirl of Crescent Rose. This is the show visually reminding you of what it's really about. Sure, we might have started with Ruby speaking peacefully by a grave, but at the end of the day RWBY is the story of a team engaging in combat situations.

Oobleck and Port are announcing the event and Oobleck throws out his standard "Doctor" when his title goes unacknowledged.

You know, I started RWBY nearly a decade ago. Four years ago I secured a PhD, so I feel that now.

Port provides another handy info dump for those "just now joining us." AKA the viewer who has no idea what a Vytal Festival is, but this is as good an excuse as any given that people are still entering the stadium. Simply put, all the Kingdoms' huntsmen schools are competing as teams first, then as duos, then as individuals to determine the final winner who will have achieved "victory for their kingdom!" Age and year are irrelevant, which makes perfect sense given the nature of RWBY's combat. You've got young prodigies like Ruby and people who sneak into Beacon like Jaune, and though the other schools/years probably don't have as much drama going on, the variety of semblances, weapons, dust use, and personal experience really makes this anyone's game. A first year might easily beat a fourth year if they won the genetic lottery with their semblance, or a student from School A might trounce someone their age from School B, depending on how much their school has sent them into real combat situations.

Given all that, I kinda wish the Festival had developed the other Kingdoms more, given that it's the perfect opportunity for the cultures to learn from one another and/or butt heads. In a perfect world, one where RT had some sense of where their story was going, I would have loved to see:

Strong development of Vacuo's citizens, especially given that it will be the focal point of Volume 10 and possibly the end of the series (if we ever get that...).

Though the gag that Weiss excepts strict, militaristic fighters from Atlas only to get Neon is funny, that 'Don't judge a book by its cover' lesson really doesn't align well with what Volume 7 and 8 try to push. Better, perhaps, to set up Atlas' dictatorship tendencies before swinging hard in that direction (and I'll get into how what we do see doesn't make the cut).

How Remnant's racism gets displayed in a highly public competition. Do Blake and the other faunus face more discrimination now that they're in the public eye? Do asshole citizens challenge wins because no way did a faunus beat that human?

How different schools approach training their huntsmen. Specifically, everyone seems to abide by the four-person team structure, so why would this competition eventually highlight duos and individuals? It seems counter to what Beacon, and by extension all the other schools, are trying to promote. This setup would make more sense if we were shown that different schools have radically different curriculum. Maybe it's eventually 1v1 because Vacuo's individualist, survival-based culture teaches huntsmen to fend for themselves; teammates are just another liability. Maybe Atlas, being militaristic, prizes safety in numbers and has students train in groups of six rather than four. Maybe Mistral is incredibly semblance-focused (a way to develop Neptune's phobia rather than just making it a gag; a fighter who can't or won't use their semblance is considered effectively useless) and if you can negate that aspect of their style somehow, you find they're lacking severely in weapon-based combat.

Again, I know that RWBY, particularly early RWBY, only had so much time per episode, but looking back it feels like there are a lot of missed opportunities in this world-watched event. None of this is even taking into account Cinder sneaking into the school, or Penny being outed as an android. If any RWBY rewriters are reading this, the Festival is a potential goldmine of characterization and cultural development. If you're going to write random RWBY books, write some about that!

One moment of cultural significance that is shown though is the Atlas security hovering around the arena. They mostly keep to the background, without any single appearance being obtrusive (yet). This is one of those moments where (some) fans look back and say, "See? Ironwood was always a controlling, military-obsessed bastard," but the reality is that this is incredibly tame by real world standards, to say nothing of the realities of RWBY's fantasy world. Regardless of how you feel about the, uh... motivations behind the security in your country (because that's a whole other conversation), you expect there to be some level of professional oversight when that many people are meeting in one place. That's a reality we have to work with, which includes all the potential pitfalls, biases, manipulations, and accidents that come with any large-scale endeavor. Toss in the fact that RWBY's security is designed to defend against man-eating monsters and I'm honestly surprised it isn't presented as dystopian here. Meaning, we easily could have been given a story where people are comparatively safe from grimm in modern day Remnant and the security functions primarily as outside control and/or a fear-mongering tactic. It's not that security is inherently unnecessary, but those walls have done a damn good job for the last generation or so, so why is James so insistent on populating this festival with his probably not-needed robots? Seems sus 🤔.

As it stands, grimm DO attack people on the regular (that was kind of a big part of last Volume's finale), security IS necessary (according to many other council professionals once James raises the issue), and it's arguably MORE necessary now - during the festival - because there are so many potentially negative emotions just waiting to crop up. Instead of "Seems sus," the reaction to having defensive robots around is more, "No duh." At the very least RWBY might have had the characters react to the security with suspicion/fear, even if that doesn't totally track with the rest of the worldbuilding, or better yet, demonstrate that there are major issues with AI leading the charge (robot mistakes kid in grimm mask for real grimm and fires a shot!). Granted, we get that through the hacking at the very end of the Volume, but here and now the Atlas ships seem to be used primarily for transporting viewers, the crowd is fully at ease with these guys, and — as we'll see later — the prospect of additional security in the form of AI is greeted with enthusiasm, not wariness, simply because it will keep real, breathing people off the front lines. Those are all important things to keep in mind when you consider whether a) The show took a very sharp turn in Volumes 7-8 or b) The show capitalized on a long established, slow burn plotline.

(Psst the answer is 'B')

ANYWAY, Oobleck is yelling about the "Spectacular spectacles on which to speculate on!" and I love him all the more. While he and Port narrate we get some non-animated shots of people viewing the Festival from around the world, though frankly it doesn't do much to help RWBY's worldbuilding. Some people watch the fights from a camper outside, others are in a minimalist apartment, still others are in what's basically a bar... if you're looking for intriguing backgrounds to drum up interest in the world outside of Beacon, you're not going to find it here. The presence of various faunus individuals is really the only thing that distinguishes these settings from a show based in the real world.

Onto the fighting! (It's about time :p) The girls are facing off against Team ABRN (pronounced "Auburn") from Haven and they're decent for a couple of one-off characters. I like the design of the girl with the skateboard - Reese - and how her weapon, the board itself, gives her a lot of flexibility in battle. Since it functions as a hoverboard she has a lot of maneuverability, she can use the board as a shield, a projectile, adapt its abilities via Dust, and - of course - she can pull both sides apart to duel wield the guns. Looking at all that flexibility, it is a little lame that she 'loses' that particular encounter with Blake by slipping on the ice, but then we're not really supposed to care about these characters. They exist solely to get us hyped for the battles to come and give a quick primer on how those battles will work. AKA, now we've learned that the battlefield itself has hazards the girls must circumvent.

Blake is cute here though. She's so concerned and I'm like yeah, girl, that looked like it hurt 😬

This whole exchange has that same vibe: one of casual playfulness, which makes perfect sense given that this is supposed to be a fun competition. They're exhibition matches, not real attempts to take the other team out (which is why Yang's supposed act later in the tournament will be seen as so heinous). The guy with the pink hair (Nadir) full on pouts when Ruby successfully traps him in a block of ice and, of course, we have the classic "Got your back!"/"My BFF!" lines in response. The girls are enjoying themselves and that's so damn wholesome to see after all the tragedies - plot and writing-wise - of the later Volumes.

Team ABRN are able to make a bit of a comeback and - *gasp* - the girls have to actually think creatively/combine techniques in order to get the upper-hand. Blake successfully tricks Reese with a clone and catches her in the midriff with a quickly timed ribbon, cleanly knocking her out of the ring. It's here that we learn a team member can be eliminated via leaving the bounds, or having their aura dip too low (remember when that was a thing?) I know I just said there's teamwork, and there absolutely is here, but it did stand out to me how Blake just like... disappears after this moment? I mean she comes back, but it's clear RT wanted each girl to have her moment in this battle, despite the fact that any member who successfully defeated their opponent would be rushing off to help the others. That should be a near defining win condition - defeat one opponent and suddenly it's a 2 vs 1 situation for someone else - but that expectation falls by the wayside until the fight's final moments.

It's a good fight though. Not the greatest by RWBY standards, but it was no hardship to rewatch for this recap either. Weiss pulls out an epic ice hand that ensnares two of the members, now rolling chaotically across the arena, and clearly she thinks this is the end of the fight. However, Arslan — the monk-type who favors hand-to-hand combat (or the one with the "Eastern martial arts influence" according to the RWBY wiki...)— simply rolls her eyes, plants her feet, and shatters the ball with a single hit. Gotta admit, it's pretty cool.

Of course, Team RWBY still comes out victorious in the end. With all of Team ABRN now in one place, the girls have one of those lovely mind-reading moments and pull off a coordinated attack, allowing Yang to sucker-punch them all out of the ring. Again, it's nice to see that kind of teamwork, as well as the adorable way they all stand there, mildly shocked that they won.

I'll take that over the brazen, cocky confidence they've gained any day.

The only thing I'm kinda iffy about regarding this fight is how Team ABRN feels a little less like a full-fledged team to me, and more like a faint Team RWBY echo. It's most noticeable in the Yang vs. Arslan sections where you've got two yellow-coded, hand-to-hand snarkers facing off. Blake and Reese both feel like the cool, alternative style members of their teams, and then you've got the Weiss-Ruby duo trying to overtake the Bolin-Nadir duo. It's admittedly a subtle familiarity that lessens with each example, but it stood out to me in the re-watch; like Team ABRN only exists to give Team RWBY someone vaguely similar to overcome. Which, granted, they do. These are not characters we're going to follow as the series progresses, so in most respects they've done precisely what they needed to do and in a way that looks cool and feels entertaining. So this isn't a criticism, really. More an acknowledgment that RWBY is a series with limits and if we want to know more about these characters/flesh them out beyond their paralleling characteristics, we'll have to do that ourselves in the fanfic.

As Ruby jumps into the air in a victory celebration, we PowerPoint slide cut to the festival later that day where she nearly collapses, asking if anyone else is starving.

Yeah, child. You just made it through a physically intensive battle in front of an audience while existing as a teenager. Of course you're hungry. Blake's stomach gives a giant, embarrassing growl in response and Weiss sarcastically bemoans the fact that there's nowhere to eat at the food-focused festival. Good times, good times.

Ruby: "It's okay, Weiss. I forget about the fair grounds too."

Before they can grab lunch though Weiss declines a call from her father and an old 'acquaintance' suddenly shows up.

Emerald.

You know, kudos to Katie here because Emerald's laugh and, "Good to see you, Ruby" sounds so fake to me now. It just oozes, 'I secretly hate you but am pulling out all my acting skills to convince you otherwise' energy. Obviously RWBY has a host of villains/antagonists that have done a plethora of heinous things, but there's something particularly skin-crawling to me about seeing Emerald in retrospect. Part of it is the deception. I don't know about anyone else, but I personally would prefer a villain who's upfront about their nature from the get-go, rather than one who pretends to be my friend before stabbing me in the back. The first scenario just lacks the same emotional punch, you know? Though the other part of it is, of course, knowing where everyone ends up. Beacon will fall. Ozpin will "die." Pyrrha will actually die, and our heroes will be sent out into a war they're in no way ready for. Yes, Salem is our ultimate Big Bad, yes Emerald has her sympathetic moments and does a heel-turn into "good guy" territory four Volumes from now... but I think the fandom often forgets that she willingly and actively participated in this horror show. This isn't someone just along for the ride because their crush manipulated them, this is someone with a working brain between their ears who has PLENTY of time to consider the ramifications of this and still went, "Yeah, I'll lie my way into orchestrating a massacre."

All this hindsight angst is interrupted by the joke (and I use that term with great reservation) that Ruby must have dropped her wallet because "Girl pockets are the worst!" Sorry, but that has such cis-guy-trying-to-relate-to-women-and-failing-miserably energy to me. Like yeah, I also hate the super small/outright fake pockets that they often sew into women's clothing and I too have smiled at women promoting pockets as part of their independent brands... but somehow hearing the RWBY writers reference it just doesn't land. It's not #problematic, just cringy.

Emerald butters them up a bit by complimenting their fighting and Weiss notes that they haven't seen Emerald's teammates in action yet. We cut to their battle where they dominate the other team, complete with a disguised Neo showing her real eye color before she knocks the competitor out. "[They did] really well," says Emerald in the fakest humble tone ever heard.

Ruby invites them all to lunch and Emerald - clearly horrified by the prospect - dodges by claiming that her teammates are too socially awkward for a meetup. In her defense, Mercury is in the process of randomly sniffing a boot, so although this is absolutely just an excuse, she's also not wrong. Like, at all lol.

Fishing for more info, Emerald asks who's moving onto the doubles round and it turns out that Team RWBY voted for Weiss and Yang. There are three things that I love about this moment:

They voted. Yes, Ruby cheekily tries to make it sound like this is all coming from her genius as team leader, but at the end of the day they decided as a team who would represent them. It's a small detail, but those stand out so much more now that we have Ruby vocally and angrily calling the shots.

(This is a ridiculous side-note I'm 99.9% sure I've mentioned before, but every time I talk about Ruby's intense form of "leadership" in the latter Volumes, I'm reminded of Rick's, "This is not a democracy!" in The Walking Dead. If you know, you know.)

They chose Weiss and Yang. From both an in-world and meta perspective, it's actually a little surprising that Ruby isn't representing them. As established, she's team leader. The team is named after her. She's the protagonist of the show. She's also, canonically, a prodigy wielding an insanely deadly weapon. Yet it's refreshing as a viewer to have a new duo taking the spotlight and within the story-world this choice reinforces Point #1: They're a team and no matter how individually talented any one member may be - or even what titles they hold - they are, at the end of the day, all on equal footing. Why shouldn't Yang and Weiss represent?

The way they both respond to this reveal is dang cute. Weiss' "I will happily represent Team RWBY" while curtseying to Emerald vs. Yang's "Yeah! We're gonna kick some butt!" while slamming her fists together. It's a great contrast and shows why these two might have been chosen. Though powerful on their own, their styles and personality are different enough to compensate for any flaws.

With all that out of the way Emerald rejoins Mercury and her smile immediately drops. She's disgusted at having to get all buddy-buddy with them, but "Orders are orders." She has this classic villain moment where she expresses shock over how they're just so happy all the time and I'm like oh, honey. Darling. Morally misaligned baby girl. Just give it a few Volumes.

We cut to Team RWBY at lunch and aRE THE BOWLS SUPPOSED TO BE THAT BIG?

I recalled that they were big as a visual gag, but not half the girls' size. Honestly? Great choice. I too want to live in a world where you can get insanely giant noodles a millisecond after you order them.

Deviating from the others, Blake nods at the seller dude and receives an equally giant bowl filled with fish. You know, I really wish RWBY had done something with the faunus' animal traits rather than turning them into an endless joke. The concept of a god merging humans with literal animals and then, generations down the line, cat-people being influenced by cat instincts as well as human instincts (because remember, we're animals too) is actually really interesting to me... but navigating the racial implications of that takes a level of nuance that RWBY was never interested in exploring. So we're just left with a Blake who is fish obsessed and chases laser pointers and hates dogs and we're supposed to laugh at all that, rather than buying into her teachings that many people use these traits to dehumanize the faunus.

Anyway, Weiss shows off a bit and pays for all their food. At least, she tries to. Turns out her card has been declined, which is more than a little confusing to her given that she was "barely into [her] monthly allowance." Hmm, could that possibly have anything to do with her ignoring her father's phone calls? Surely no one knows.

Luckily, Pyrrha shows up and offers to pay instead (it's nice having a famous BFF, huh?), but like... what were the girls' initial plans? None of them were expecting Weiss to pay, yet they act like Pyrrha is saving the day by showing up, implying that they don't have the money to cover their meal. The shop guy even takes Blake's fish away, leaving her despondent. So what? Were they planning to eat and just worry about the bill later? Actually, that sounds exactly like something these chaotic preteens would do lol. Yang especially. She was introduced while "buying" a drink before destroying the whole dang bar.

Speaking of teenagers, they all finish their bowls with the kind of appetite only seen in 14-71yos. Although, it was a near thing for Jaune. He's very close to barfing (callback!) and Nora encourages him to "aim it at the enemy!"

She continues ragging on him for a bit, failing to come up with any compliments while hyping up her team. Pyrrha is a world-renowned fighter, Ren is basically a ninja, she can bench five of herself, and Jaune is... Jaune. Nora also doesn't include him in her secondary list which implies that Jaune a) hasn't trained as much (or, more realistically, hasn't gotten as much out of it) as the others, b) doesn't possess an "awesome" weapon, and c) is still frequently yelled at by Glynda.

Poor Jaune. I don't say that very often anymore, but he's going through it here lol.

All of this leads to Nora spiraling at the possibility of them losing. This includes the oh-so-causal drop that she and Ren "have no parents and no home left to go to" which is a HELL of a thing to throw out in a comedically framed breakdown. I mean, being orphans is sad enough, but "no home left to go to" won't be explained until we learn that their town was basically wiped off the map, so damn.

Team RWBY reassures them that a fight with actual rules is nothing compared to what they've already been through. You know, the murderers, extremists, and sociopaths. "Oh," gushes Ruby, "imagine what it'll be like when we graduate!"

As Port and Oobleck call Team JNPR to the arena for their match we cut to Emerald and Mercury settling in to enjoy the festivities. In retrospect, this right here is a really nicely composed shot:

It tells us that Emerald is serious about going through with this destruction (again, she's no manipulated damsel), but she's not getting the same personal enjoyment out of it like Mercury is, as showcased by the smirk. The focus remains on them with Team RWBY framed in between. This is the villains' Volume. They're going to win. Our eyes follow the soon-to-be champions not of the festival, but the battle, while our heroes are literally and metaphorically trapped between them. Finally, Yang is the only one who looks back. We won't know this for several episodes, but she's at the heart of their plan and has every reason to cast the almost-but-not-quite-worried glance over her shoulder. Subtle foreshadowing, how I love thee.

It's shit like this that makes my brain go, "It used to be good! RWBY used to be fun AND occasionally insightful! Those overworked animators were uplifting a mediocre story and the result was good!!!"

As they take their seats who should show up but Cinder, casually using her semblance to pop a kernel of popcorn (power move). "Even if you know how a story ends," she says, "that doesn't make it any less fun to watch." True that! I mean, she's talking about knowing that Team JNPR will be moving on because they need Pyrrha to murder Penny, but I agree with the sentiment outside of that context.

Actually, do they ever explain how they manipulated the fights? I mean, they obviously entered and are winning their own battles and we know that Mercury will be staging his injury with Yang... but here Cinder makes it sound like she's pulling strings in every match. Toss that onto the list of development I would have liked for this Volume: what precisely are they doing behind the scenes? I'll have to pay careful attention going forward to make sure I don't miss anything because right now all I can recall is them looking at Penny's blueprints (presumably obtained via Watts).

Team JNPR's area is randomized into a forest and mountainous land before the battle commences. We end on that cliffhanger, complete with the superhero-esque freeze shot.

And that concludes the first episode of Volume 3! As well as my first recap in a long while. If you've followed me at all you'll know that work has been my personal Big Bad the last two-ish years. Given the scope of my responsibilities and the energy they extract, I simply don't have the time or means to write the way I used to. However, I feel like if I can muster up the willpower to finish this on tonight of all nights (people reading from the future: check the posting date and you'll understand), then I must be getting a little better at carving out writing time in my hectic schedule. All hail self-improvement!

On that positive note, everyone have a wonderful night. Or at least try to. Seriously. Text a loved one, treat yourself to a favored snack, do something that feels fulfilling. Take some deep breaths and I'll see you for the next one.

~Clyde❤️

[kitkatopinions]

One of the things that many anti-rwde posters get really worked up about is the complaint that bumblebee is rushed, but at least for my part, I feel like there's a misunderstanding on what the real problem is.

They always say "how can people say that the ship is rushed when there were signs early on?" And I think the real problem isn't that there weren't signs. Tbh I personally don't read Blake as romantically interested in Yang during the first few seasons, her treatment of Yang isn't actually that different from her treatment of her other teammates and whatever closeness they accomplish is usually initiated by Yang, but it's easy to read Yang as having a crush on Blake. It's easy to read a lot of characters as having a crush on other characters, like it's easy to think that Ruby had a crush on Weiss, Blake, Penny, and Emerald during different times in the first three seasons, and like it's easy to think that Yang and Weiss were romantically interested in each other specifically in season five. I wouldn't think any of those ships 'came out of nowhere' or 'didn't have any juice' or so on. My main point here is that Blake and Yang weren't a forgone conclusion, but yes, despite the fact that nothing was clear solid proof of romantic interest OR clear solid proof of early writer intention to actually make them canon, there were hints that Blake and Yang could potentially turn into a real ship and it eventually did when the writers got around to it under criticism of queerbaiting and while running out of money.

When I say that I think the ship was rushed, I don't mean that there was never an indication that Blake and Yang might be romantic before they got together or even before their first big significant 'shipping moment' at the end of V6. When I say that I think the ship was rushed, I mean that the writers bypassed growth and working through conflict that I think was necessary for Blake and Yang's dynamic. When I say that I think the ship was rushed, I mean that they invented conflicts just to throw them out one after another without ever addressing it on screen. I mean that there are things very important specifically to the character of Blake like her time in the White Fang, her family, Ilia, and Adam that Yang hasn't talked to her about on screen (except Adam but it was not in any detail.) This isn't even bringing up the fact that they were forced into confessing their feelings for each other and when that happened, Yang didn't say anything about Blake that was true past her being a Faunus. Which makes it seem like the writers don't care to put in effort with the ship but that's just my opinion.

The ship between Blake and Yang wasn't rushed because 'there were never any signs' that it might happen, it was rushed because the writers didn't actually put in the work to deal with the conflicts they themselves wrote for the ship and just bypassed them instead. It was rushed because they went from 'Blake has spent seemingly a year apart from her team while Yang was angry at her the whole time and now the two are awkward with each other' straight to 'they barely leave each other's side, Yang gets angry at the thought of even doing a mission apart, they're in love, they caress each other's faces' without the writers really addressing that quick change.

It's got nothing to do with whether or not I think Yang's 'save me a dance' could be an indicator of real romantic feelings that would get developed later. The writers just fumbled the bag on execution, per the norm.

[aspoonofsugar]

Hi, what do you think Yang's future arc might be, besides the whole Team STRQ background?

Since as of now, there is something that I still feel that Yang lacks compared to the other three heroines. I mean, all three of them have a much bigger role to play in the story compared to Yang, who is just Ruby's sister and being a child related to Team STRQ. And I know that it's probably because of the Citrinitas and Rubedo dynamic in alchemy. But isn't acquiring gold one of the results desired from the Magnum Opus?

Anyways, I also want to ask if you think that there should be more Chinese elements through Yang's story besides her name. I mean, why name her after a Chinese Dragon (who is the most revered mythical creature in China) if they aren't gonna apply it to her story? If Yang's focus is her main fairytale Goldilocks, then why not just name her that is reminiscent of the hot-cold-just right dynamics present in her story? The three other heroines has other fairytales associated with them and I wish that Yang has that too (instead of being just a part of their tales i.e. Red Riding Hood, Beauty and the Beast, Wizard of Oz).

I guess that I wanted the writers to explore more of Yang's ptsd arc, like maybe have Yang practice shui-mo or water and ink painting as a coping mechanism; to essentially help her control her emotions or anger. Instead of Taiyang seemingly looking at Yang through other people's lenses instead of through his own (which might be even worse, like hello mini Raven lookalike).

Anyways, thank you for entertaining this ask of mine. Hope you have a great day.

Hi!

Thank you for this rwby ask :D

So, tbh I don't feel Yang's arc is lacking compared to the others. I would say so far she and Weiss have my favorite arcs among the protagonists tbh (and they are 3rd overall).

Anyway, to address your different questions...

YANG'S ROLE

I think Yang's arc will focus on Ruby and Blake, other than Raven and Summer:

She needs to overcome her contradictive feelings towards Ruby

She needs Blake's help to reconcile her feelings for Raven and Summer

If Weiss and Blake's subplots are linked to the world, as they used to represent two extremes of an ongoing conflict (the Schnee Family and the White Feng), then Ruby and Yang are tied to the conflict through their mothers. So, Ruby will have to overcome Summer, as Yang will have to aknowledge she is projecting part of her feelings towards Summer on Raven. You say Yang has no other role, than to be Raven's child, but if so, then Ruby's own subplot ties to Summer. I don't think there is much difference between the two sisters. It's just that Ruby is also the titular character to an extent and the main hero. That's why she is set up to save Cinder together with Jaune. Anyway, I am expecting the STRQ's subplot to actually be pivotal in volume 10 (and hopefully 11 :P - let's dream big). So, I am not worried about Yang's screentime. I actually think there is more of her arc left than Blake, who just needs a wrap up. As a result, I am expecting Blake this time to be the one that ties into Yang's arc.

In short, I would like a repetition/inversion of their Beauty and Beast motif. Throughout the Mistral Arc Blake is the beast having to deal with a corrupting Rose:

I wonder if this time Yang will be the one having to face her "roses":

After all, it is clear Yang has still to fully deal with her conditional idea of love:

Jinxy: The bidding starts at- Yang: No! I was the first one to- Jinxy: …knowing… what it is to feel loved.

Which can only be resolved through Blake, Ruby and her two mothers. In particular, the fact Jinxy asks for Yang's "knowledge about what it is to feel loved" in exchange of her arms says a lot:

Firstly, Yang lost her arm to protect Blake, so it is like her arm in exchange of love. Secondly, in that moment Yang is slowly figuring out her romantic feelings for Blake, so in a sense she is still figuring romantic love out. Finally, Jinxy's items are metaphorical representations of what they ask:

The mouse is exchanged in exchange of a hug, as a reference to the fact Little is Ruby's inner child and needs to be protected

Ruby is asked hope in exchange of Penny's sword because Penny gives her hope

Finally, Yang is asked for the knowledge of being loved in exchange of a part of herself because unconsciously she thinks she has to give up parts of herself to be loved. That is what conditional love is. You can be loved only if you are good, not if you are bad. It is clearly something Yang believes unconsciously and that stems from her abandonment issues. In short, in Mistral she thinks Blake leaves because she doesn't care. I am expecting Vacuo to be about Yang thinking she has to be perfect for Blake to stay, in a sense.

I think realizing she does not have to be would tie nicely with her Goldilock's allusion:

Vale is the TOO HOT: The Yellow trailer has Yang meeting up with Ruby (red=hot) and asking for a beverage with no ice:

Yang: Strawberry Sunrise. No ice. Oh, and one of those little umbrellas.

(Let's highlight Strawberry Sunrise alludes to both the Citrinitas and the Rubedo phase (yellow + red), which ties into the two sisters, as Ruby loves strawberries and Yang is associated with sun)

Throughout the arc Yang shows her strength (body) and her refusal to tame her own feelings, which end with her losing an arm surrounded by fire:

Mistral is the TOO COLD: Yang's search for Raven leads her to Weiss (blue=cold) and into a bar where she asks for some water to cool herself down:

Yang: A water. It's hot out.

It ends with Yang and Blake together and safe, while surrounded by water:

Atlas can be seen as Yang having found an inner equilibrium towards the JUST RIGHT. After all, the arc ends with Yang and Blake (purple= just right) at balance, surrounded by both earth and air (opposing elements)

However, Yang's equilibrium is suddenly disturbed by Ruby's spiral and I am expecting this to have some kind of lasting impact on Yang. So, I am expecting Yang to quickly go over the three stages again, so that she can realize she is in fact just right, without having to always be right at everything :''')

As for the major plot, it will mostly depend by how Raven and Summer tie to it tbh. It is possible that whatever Summer's plan is, it gave Salem's the idea to use Cinder as a vessel for the Maiden's powers (hence linking Ruby and Cinder together even more). Still, there are still questions related to Raven's past, which will probably find an answer and tie to the main conflict. In short, I really see Yang involved with Ruby in the main conflict concerning Raven/Summer and Salem, which will be pretty relevant plot-wise.

After that, Ruby will probably have the peak of her arc, where she saves Cinder. This fits, as Ruby has had less development than Yang, as her arc has been saved up for the end, so that it resonates more, as she is the main heroine.

YANG'S CHINESE INFLUENCE

Yours is a great question! I am not sure tbh! I have wondered myself if there is some kind of allusion hidden behind Yang's chinese influence, but I could not find it. Maybe someone else did or will! Or it will become clear later on.

In general, I think martial arts are a strong inspiration for Yang's character, so she might have been given Bruce Lee's name. After all, another inspiration for Yang is dragon ball's super sayan:

And someone suggested she might allude to Yang Guo from the return of the Condor Heroes, but I have not read the novel, so I am not sure this is true.

I also don't think it's a problem she isn't called after her fairy tale. After all, only Weiss is directly called after it (Weiss Schnee as Snowhite literally). Blake's name means both black and white and it alludes to Blake being both Beast (black) and Beauty (White). However, it does so indirectly. The same goes for Ruby, whose name and surname are much more tied with alchemy, then her fairy tail. She is the philosophical stone (a ruby) and she is tied with rubedo, whose main flower is a red rose.

Yang's name alludes to:

Her being linked to Citrinitas and to gold

Her being the sky-woman (a sunny dragon), so the Wise Woman in juxtaposition to Raven's Bad Mother

Her being the yang to Blake's yin

It ties indirectly to her allusion in how it alludes to the too hot (sunny dragon), which Yang definately is

Probably something else I am missing :P

YANG'S ALLUSIONS

Yang has actually many allusions:

Goldilocks

LRRH

Beauty and Beast

She isn't only a part of her loved ones' allusions, but she shares them, which meta-narratively might tie with her Goldilock's inspiration. As a matter of fact Goldilock has no beginning nor end. We do not know from where Goldilock is from and we have no idea where she goes after she escapes. RWBY gives Yang a beginning and an end in other fairy tales:

She starts as Little Red Riding Hood (Summer's daughter, who loses herself in the wood, while looking for her mother and meets a big bad beast with ferocious eyes)

She will end as Beauty and Beast (the Yellow Beauty, who burns gold in Blake's happy ending)

In general, all the protagonists have secondary allusions, which tie into their loved ones, not only Yang:

Weiss's secondary allusion is the Snow Queen, which is really Winter's primary allusion. That is because her bond with Winter ans her family is key in Weiss's arc.

Blake's secondary allusion is the Jungle Book, which ties to Menagerie as a whole.That is because Blake's arc is about her whole community.

Ruby' secondary allusion is the Wizard of Oz, which ties to the main conflict with Salem, but is also Oscar's main allusion. So, Ruby too ties into someone else's inspiration.

As you can see, RWB too are parts of their loved ones' allusion. Still, since they are protagonists these allusions end up being just as important for them, as they are for the other characters. Yang is the same, but in her case her loved ones are Ruby and Blake, two of the main heroines, hence she ends up sharing the spotlight with them. Again, it is not really different from Ruby sharing the spotlight with Oscar in the Oz's allusion (Oscar too is a main character, after all).

All in all, each protagonist has their own set of motifs and chosen imagery, which is similar, but also different. It is interesting to understand why. I mean, to this day I keep seeing people getting annoyed Blake shares her trailers with another character (Adam and Ilia)... whereas Blake sharing the trailer ties with her shadow motif and with her beauty and beast allusion. Hers is an allusion, which needs to be shared. Just like Yang's allusion needs to be completed by other stories.

YANG'S PTSD ARC

I love your headcanon and it would have been a great idea! That said, I don't dislike what we got. I also disagree about Yang and Taiyang's confrontation tbh.

First of all, Yang's recover does not start with her father, but it starts with Ruby. She feels responsible for Ruby and decides to get herself back together, so she can go find her sister and protect her. It ties with Yang's big sis complex, which still needs to be addressed. That said, it is a good example of Ruby being Yang's too hot. After Adam's attack, Yang is left depressed and symbolically her hair is tied (her flames are not burning). Thanks to Ruby, she finds new drive and starts her journey of recovery.

Taiyang's advice is thematic in nature rather than psychologic (like RWBY as a series puts more focus on themes, rather than psychology). It tells her she needs to control her feelings better and it is an invitation to find inner balance. This sets up Yang's objective really, more than anything. Finally, Taiyang actually discussing Raven with Yang is necessary and healing. Up until that point Yang's attempts to discuss her mother were always shut down by her father, which clearly made her suffer. Taiyang's inability to address Raven (together with his shutting down) is what leads Yang to put herself and Ruby in danger in a misguided attempt to locate her mother. Not only that, but it is also what leads Yang to repress herself to an extent. She forces herself to be the good daughter and strong big sister, but deep down she too is a child, who wants to know why her mothers both left her. Taiyang could help her to come to terms with it, but he stubbornly avoids the topic. That is why him finally addressing it with Yang helps her. It is also a sign Tai is aknwoledging her growing up. I also think Tai's line about Raven is actually telling:

Taiyang: Your mother was... a complicated woman. Like everybody, she had her faults, but those faults are what tore our team apart. And, it did a real number on our family. You both act like the easiest way to tackle an obstacle is through it. That strength is all that matters in a fight. But if you just take a second look, then maybe you see... there's a way around as well. Come on - one more before dinner.

Does this description fit Raven in your opinion, because imo it does only to an extent. The Raven we meet surely does believe in strength, yes, but she also invites Yang to question things and to look at things from a different perspective. Actually, this description not fitting Raven is also brought up by Yang herself:

Yang: You're right. I don't know you. I only know the Raven dad told me about. She was troubled, and complicated, but she fought for what she believed in, whether it was her team or her tribe! Did you kill her too?

Raven might have learnt knowledge to an extent, but she lacks the wisdom of truly understanding herself. She gives up what she believes in out of fear aka she lacks to take her feelings in check. Not only that, but she needs Yang's perspective to truly see the truth of things and to better understand what strenght and wisdom truly are.

Thank you for the ask, it was fun! Even if I am not sure I gave you the answer you wanted :)

Have a great day as well!

[epic-arc]

What does your favorite ship say about you? (RWBY)

WARNING: THIS POST IS FOR COMEDY AND NOTHING MORE DON'T TAKE IT SERIOUSLY.

--------------------------Bumbleby--------------------------------------

1- You probably screamed with joy when you saw them kissing in volume 9. Good for you.

2- You think the best rwby fight was blake and yang against adam in volume 6.

3- You are someone who respects people who ship Blake or Yang with another character and understands that everyone has their own taste. I like you

-----------------------------------Renora--------------------------------

1- You're the war veteran of the rwby fandom and you almost had a heart attack when you saw them kissing. please grandpa take your medicine.

2- Volumes 4 and 7 are your favorites for several reasons and I understand you.

3- You're slightly mad at what they did with the two of them in volume 8, but by the end of the volume you're happy.

-----------------------------Arkos----------------------------------------

1- Hey cool that you started watching RWBY and shipping these two hahah. Welcome to suffering…

2- You are the war soldier that continue to watch rwby and every time they make reference to pyrrha you need to call your therapist.

3- You're the crazy person who every time RWBY goes on hiatus starts some crazy theory saying that Pyrrha will come back and that Arkos will revive. Dude, put down the coffee and breathe.

4- You've already gone through the stages of grief and already migrated to a ship and are happy about it.

-----------------------------Lancaster-----------------------------------

1- You love the dynamic of best friends becoming a couple and look, I don't judge you.

2- Your favorite volume is 4 and I don't have to explain why.

3- You love comparing summer and tai to jaune and ruby ​​to use as proof of how lancaster can become canon.

4- Volume 9 almost sent you to the hospital with certain episodes.

---------------------------White Rose------------------------------------

1- You're the same thing as Lancaster when it comes to dynamics, but you like Yuri.

2- If someone asks you your favorite version of rwby you will definitely answer rwby ice queendom.

3- You are someone who understands that everyone has their own tastes for ships whether for Weiss or Ruby and you are not going to start a discussion on the internet because of a couple.

4- You are one of the most toxic people I have ever seen in the world, seriously you should carry a radiation warning because if you see someone talking about this ship in a bad way you will curse the 12th generation of that person's family.

-----------------------------White Knight--------------------------------

1- You are one of the most hard-working people I have ever seen. You went through 5 volumes hearing that white knight would never have a spark or that it would never work, until in the same volume there were signs and in 7, 8 and 9 it turned that spark into a huge flame.

2- You really love the ''me and the bad bitch pulled by being autistic'' dynamic and I understand you.

3- you very excited about what volume 10 might show with these two together.

4- you like to walk around with the medal ''THE SPEAKER OF THE CHARACTER LOVE MY FAVORITE SHIP''

[call-me-yin]

on second watch, I've realised Volume 9 feels like a love letter to not just early fans, but also to Monty

the focus on Neo and her relationship with Roman

acknowledgement of Pyrrha's sacrifice and the guilt Ruby feels over it

reversed Whiteknight dynamic

Ruby breaking down for the first time since V3

RWBY using their team attacks

and his specialty: fight scenes with story and character

an emphasis is put on Blake and Yang fighting side-by-side, because their feelings are finally out in the open and they're more in sync than ever. Weiss using all sorts of glyphs and dust and summons, because she no longer cares about being prim and proper and noble, she will be as loud and chaotic as she likes so long as it keeps her friends alive

and Ruby,

Ruby doesn't fight at all until the finale, because she doesn't feel like she can. she stays out of the way and never really tries to defend herself. even when she's being tortured by Neo's illusions, even after her Aura breaks, she doesn't fight back until she's right on death's doorstep. but then she speaks to the Blacksmith, and she hears that her mother loves her, and she knows that she is enough. she always has been, since the very start

so, she goes back to the start. whirling and spinning, using her Semblance, zipping around with her scythe in a way reminiscent of Monty's choreography, as if reliving the Red trailer in her mind. and once she's had that chance to show her newfound confidence, what she's truly capable of, her teammates step in to help her, because now she finally sees that they are there, and they finally see that they weren't there enough. they don't even have to talk to understand what's changed. Ruby grew the most, but they all learned from this, so she takes the lead at first but they finish it together

I just think Monty would've liked this volume

[temporary-tats]

So, anyone else just get viscerally gutted by the Volume 9 Epilogue?

*spoilers below*

I was crying a minute into it like holy shit. Nora’s reactions to everything are just so, SO RAW. Ren missing Jaune and doing his fucking BEST to hold everything together, Winter trying to live up to her role as the Winter Maiden, “You would be so disappointed in us” - fucking CUTS my soul.

CVFY!! SSSN!! The dynamics of Vacuo hating Atlas for disrupting their lives, the way Willow and Whitley are doing their damn best to change for the better and help those around them, as are the Ace Ops. Qrow supporting Willow while she tries to quit drinking! Qrow honoring Clover and Ruby by staying optimistic.

Oh the mural, the mural oh god. It hurts so good.

VALE IS GONE??? Like SHIT? Salem is truly on a rampage now, which is fucking terrifying.

Ofc, Raven coming through to reunite everyone. Nora, Ren, and Oscar’s reactions to seeing RWBY literally fucking killed me like, Nora’s gasp just gutted me.

One thing this epilogue made me realize - do, do Tai, Kali and Ghira even know what happened???? Jaune’s family??? Like we of course got *some* of the direct responses to the situation for Ruby, Yang, Weiss, and Jaune, cause they all had someone in Atlas and now Vacuo who knew what was happening. It seems global communications would be working if Amity is actually up now, but like, DID ANYONE TELL KALI AND GHIRA? Like absolutely no direct mourning for Blake which has me like, does anyone outside of Vacuo even KNOW?!

If Vale is gone, what about Patch?! Like WHERE IS TAI???? SIR??? COME BACK??

This also has me imagining Kali and Ghira weeping over the loss of their daughter who they JUST GOT BACK. Like Blake has been back in their lives for so little time, and now she was like technically dead??? Imagine the pain they’d be feeling. Oh god that hurts to imagine. I love the Belladonnas if that isn’t clear enough already ;-;

Fuck. I’m not dumb enough to expect any sort of a proper ending for RWBY, but I fucking hope so desperately that something comes through and the IP is swept up by someone capable and caring, that the vision is carried through to the end and we get some sort of closure for this story. Until then, whether it be the death of our beloved show, or the revival through some external force, I’ll be over here soaking up fan works to try and fill the gaping hole in my chest.

Remember Her Message

- Long Live RWBY

[old-acc-lesbianswithguns]

I truly believe ladybug and freezerburn make more sense than bumblebee and whiterose. I multiship a lot but these two are my favourite pairings.

Ruby is perfect for Blake because of her unwavering loyalty. Even when Blake leaves or is unsure, Ruby’s overbearing affection can always reassure her. Yang is good at this too, though she’s a little more subtle with it, she can be what Blake needs, but Blake isn’t what Yang needs. Ruby isn’t as bothered by her come and go style. She’s the one who immediately understands Blake and why her books are so important to her. She can help her become less passive, open up and become more determined, all the things Blake said she admires her for.

Weiss is perfect for Yang because she’s so far the only person to get her to open up. She can put aside her stubbornness for Yang, as seen when they’re mysteriously offscreen for a while and after, she’ willing to reconsider her views on a war which has shaped her life and family. She knows how to push Yang and help her out of her comfort zone. Meanwhile Yang and Blake don’t push each other. They don’t talk about Adam much, or any of their problems or separations. It’s hard to believe with Yang’s glaring abandonment issues Blake’s distant nature wouldn’t set that off.

Meanwhile Blake is perfect for Ruby because she’s a calming presence. She can help Ruby to be tactical and cautious, to control her impulsivities. She can remain patient and calm, and won’t get as frustrated as Weiss. Instead, Blake likes her for her insistency and positivity. She’s so gentle with Ruby and trusts her unconditionally, but she can help her see a more nuanced view of the world.

Yang is perfect for Weiss because she can neutralise her intensity. They have that fire and ice dynamic that works so well for them. In volume two (I think) they manage to plan the dance together, which is just impressive. They’re the two most hotheaded and stubborn characters, but they can put that aside for each other. Yang is impulsive like Ruby, but unlike her, she can be incredibly patient with the people she loves. She could wait for Weiss to figure out her feelings about things and support her, where Ruby would likely jump to help without thinking, like she did in Ice Queendom.

Whiterose and bumblebee are two of my favourite ships in anything ever, but I truly think ladybug and freezerburn would provide more stable long term relationships and could help each other improve and grow even more. The silliieeeeees