poptartsivan
35K posts
Hi, I'm a 21 year old, youtube enthusiast who's really bad at descriptions. She/her
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We looked inside some of the posts by poptartsivan and here's what we found interesting.
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Notes Per Post
600K
Likes Per Post
381K
Reblog Per Post
219K
Reply Per Post
805
Time Between Posts
22 days ago
Number of Posts By Type
Text
16
Photo
1
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If you are trans I need you to stay alive.
Stay alive for every other trans person fighting, stay alive for every trans person who is no longer here, and most importantly stay alive for yourself.
They don’t get to erase us! They don’t get to take away our rights, and treat us as less than human. Don’t let them erase us, and don’t let them make you a statistic. Don’t let them win.
Stay alive
If you won’t do it for yourself, then do it for others. Do it out of spite.
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Dreamstat was unbelievably beautiful. No wonder Louis was down bad.
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Drag queen and actor Divine posing alongside Christine Jorgensen at the first annual party of the Limelight disco in Atlanta | 1981
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this scene has been playing on loop in my mind since i first watched it . it’s like a drug.
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We're off the Massachusetts. We just decided last night. Well, what do they have in Massachusetts that we don't have right here in North Florida? Women can get married there.
MARGARET QUALLEY and GERALDINE VISWANATHAN as JAMIE and MARIAN in DRIVE-AWAY DOLLS (2024) dir. Ethan Coen
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the default way for things to taste is good. we know this because "tasty" means something tastes good. conversely, from the words "smelly" and "noisy" we can conclude that the default way for things to smell and sound is bad. interestingly there are no corresponding adjectives for the senses of sight and touch. the inescapable conclusion is that the most ordinary object possible is invisible and intangible, produces a hideous cacophony, smells terrible, but tastes delicious. and yet this description matches no object or phenomenon known to science or human experience. so what the fuck
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Margaret Qualley and Geraldine Viswanathan in Drive-Away Dolls (2023) dir. Ethan Coen
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