mage-of-geekery
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Iâve been gone! This is where! From now until March Iâm trying to complete one story sequence a week. Some are mine, others (like this) are stories I love and want a shot at re-imagining.
Thoughts!
1. The frosty setting is more symbolic than historically accurateâHamilton and Burr dueled in July.
2. My goal was to finish the boards in a week. It took five days! My speed is improving.
3. When there is a Hamilton movie, it shouldnât look anything like this. Just wanted to stretch my imagination a little.The best presentation for this monologue is one actor under a spotlight in a dark theater. @linmanuel @leslieodomjr hope you donât mind the creative liberties. Your performances on the soundtrack are outstanding!
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he read the garbage and he still loves us. what a guy.
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Tbt to when I had an empty study room all to myself for three hours
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photos from a glacial cave under the breiðamerkurjökull glacier, which is an outlet glacier to the larger vatnajökull glacier at the northern end of jökulsårlón glacial lagoon in southern iceland.
as air bubbles, which would otherwise interfere with the passage of light, become compressed from the pressure above, the denser ice which forms the cave is better able absorb yellow and red light, giving it this vibrant blue colour.Â
volcanic ash, however, does become trapped in the ice, streaking certain areas of the cave with black. the glacier sits atop a volcano, whose geothermal heat carved out the cave.Â
photos by nicolas brousse, aron franklin, erez maron, aron franklin, iurie belegurschi and hougaard malan.Â
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Itâs the rainy season again~ I always loved the reflection of the sky against the wet pavement. It feels so nostalgic for some reason.
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i made my dad dress up as a ghost for my art project
[dont delete my caption]
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I love Hamilton, but something about the way white fans engage with the musical really bothers me: a lot of them are posting in the tag about the actual, historical revolutionaries and founding fathers in a way that makes them seem like funny, sweet, good people. They werenât. I donât just mean âJefferson was a piece of shitâ: none of them were good. Every one of their asses saw black people as inferior, even if not all of them supported slavery. All of them participated in genocidal policy against indigenous peoples. If youâre watching/listening to Hamilton and then going out and romanticizing the real founding fathers/American revolutionaries, youâre missing the entire point.
Hamilton is not really about the founding fathers. Itâs not really about the American Revolution. The revolution, and Hamiltonâs life are the narrative subject, but its purpose is not to romanticize real American history: rather, it is to reclaim the narrative of America for people of colour.Â
Donât romanticize the founding fathers and the revolution. Theyâre already romanticized. Itâs been done. Your history books have already propagated those lies. The revolution is romanticized as an American narrative because it was a revolution lead by and for white men. Their story is the narrative of the nation and it is a narrative from which people of colour are utterly obliterated.Â
Do you understand what itâs like to live in a nation where you are made marginal and inconsequential in the historical narrative that you are taught from your first day of school? In the Americas, to be a person of colour is to be made utterly inconsequential to the nationâs history. If you are black, your history begins with slavery, and your agency is denied; they donât teach about slave rebellions or black revolutionaries. You learn about yourself as entirely shaped by outside forces: white people owned you, then some white people decided to free you and wasnât that nice of them? and then youâre gone until the civil rights movement. That is the narrative they teach; in which you had no consequence, no value, no impact until less than a century ago. If you are indigenous, you are represented as disappeared, dead, already gone: you do not get to exist, you are already swallowed by history. If you are any other race, you are likely not present at all. To live in a land whose history is not your own, to live in a story in which you are not a character, is a soul-destroying experience.
In Hamilton, Eliza talks, in turn, of âtaking herself out of the narrativeâ and âputting herself back in the narrative.â Thatâs what Hamilton is about: itâs about putting ourselves in the narrative. It puts people of colour in the centre of the damn narrative of the nation that subjugates them; it takes a story that by all accounts has been constructed to valourize the deeds of white men, and redefines it all.Â
Why was the American Revolution a revolution? Why were slave revolts revolts? Why do we consider the founding fathers revolutionaries and not the Black Panthers or the Brown Barrettes or Yellow Peril? Whose rebellion is valued? Who is allowed to be heroic through defiance? By making the founding fathers people of colour, Hamilton puts people of colour into the American narrative, while simultaneously applying that narrative to the present. Right now, across the United States, across the damn world, people are chanting âblack lives matter.â Black people are shutting down malls and highways, demanding justice for the lives stolen by police, by white supremacy. And all across the world, indigenous people are saying âIdle No More,â blockading pipelines, demanding their sovereignty. And âNo One is Illegalâ is chanting loud enough to shake down the walls at the border; people are demanding the end of refugee detention centres, demanding an end to the violence perpetuated by anti-immigration policies. People of colour are rising up.Â
âŠAnd white people are angry about it. White people are saying âif blacks donât want to get shot by the police they shouldnât sag their pantsâ; saying âget over itâ about anti-indigenous policies of assimilation and cultural genocide and land theft; Jennicet GutiĂ©rrez was heckled by white gay men for demanding that president Obama end the detention of undocumented trans women of colour. White people see people of colour rising up and they tell us to sit down. Shut up. Stop making things difficult. The American Revolution was a bunch of white men who didnât want to be taxed, so white history sees their revolutionary efforts as just; they killed for their emancipation from England; they were militant. That, to white people is acceptable. But those same white people talk shit about Malcolm X for being too violentâa man who never started an uprising against the government leading to bloodshed. Violence is only acceptable in the hands of white people; revolution is only okay when the people leading the charge are white.Â
Hamilton makes those people brown and black; Hamilton depicts the revolution of which America is proud as one led by people of colour against a white ruling body; thereâs a reason King George is the only character who is depicted by a white man. The function of the visual in Hamilton is to challenge a present in which people of colour standing up against oppression are seen as violent and dangerous by the same people who proudly declare allegiance to the flag. It forces white people to see themselves not as the American Revolutionaries, but as the British oppressors. History is happening, and theyâre on its bad side.
So donât listen to or watch Hamilton and then come out of that to romanticize the founding fathers. Donât let that be what you take away from this show. Theyâre the vehicle for the narrative, and a tool for conveying the ideologies of the show, but they are not the point. Donât romanticize the past; fight for the future.Â
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The fighter of light.
The bringer of darkness.
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Lin-Manuel Miranda on Hamilton being taken off the $10 Bill
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Jefferson: I! DECLARE! INDEPENDENCE!!
Hamilton: Hey. I just wanted you to know that you canât just say the word âindependenceâ and expect anything to happen.
Jefferson: I didnât say it. I declared it.
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