hvkunst
Would you change it for us never having met?
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hvkunst · 14 hours ago
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Audrey Hall knowing where things are (sometimes before Siegfried tells her what he is actually looking for)
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hvkunst · 5 days ago
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Ernst Ludwig Kirchner (German, 1880-1938)
A group of artists: Otto Mueller, Kirchner, Heckel, Schmidt-Rottluff
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hvkunst · 8 days ago
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Raoul Dufy (1877-1953)
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hvkunst · 1 month ago
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Siegfried making Audrey smile / ACGAS S5
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hvkunst · 1 month ago
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Quiet evenings / 3.5 + 5.4
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hvkunst · 1 month ago
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05.05 Pair Bond
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hvkunst · 2 months ago
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"I'm Bosworth. Put me out of my misery immediately." // 5.02
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hvkunst · 2 months ago
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"There now, there's a good boy." (05.02)
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hvkunst · 2 months ago
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Heart eyes "Don't be daft"
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hvkunst · 2 months ago
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“It gave me such a scare. I'm not sure how I'd be in a real emergency.”
“This is a real emergency. You've dealt with it impeccably.”
5x02.
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hvkunst · 2 months ago
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"Mrs Hall and I spoilt him rotten, ruined him entirely. Sorry about that." (05x01 To All Our Boys)
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hvkunst · 2 months ago
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hvkunst · 2 months ago
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Only Peter could make her cry
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hvkunst · 3 months ago
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"To things that never change" - ACGAS s5 trailer // all the Siegfried + Audrey moments
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hvkunst · 3 months ago
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Rob van Hoek
Dutch painter b. 1957
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hvkunst · 4 months ago
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Ballykissangel S3E11: The Reckoning & S3E12: Amongst Friends Assumpta and the Fuse Box
Chekhov’s Gun is a narrative principle where an element introduced into a story first seems unimportant but will later take on great significance. The principle postulates that any seemingly unimportant element introduced into a story - an object, a character trait, a backstory, an allergy - should later have relevance.
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hvkunst · 5 months ago
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I`m supposed to look after myself.
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