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These riddles are so ridiculous. I love how they always make perfect sense to Robin (and occasionally Batman), but no one else. Clearly they make sense to Robin because he and the Riddler are long lost brothers. Or something. Also, how many drugs were these people on when making this show?

You know what never gets old? Watching old 60s Batman clips on the riddles from The Riddler. Gosh, it’s just so ridiculous and hilarious!

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inspired by [x]

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fbi agent & con man. • peter & neal. [white collar] ☯

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“You want me to kick Collins’ ass?”

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The new season of White Collar started airing yesterday

And it was awesome. With heartbreaking and heartwarming and funny and beautiful moments. As always. I lovelovelove these characters so much. So, guess what I'm going to be reblogging the hell out of today?

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Happy Birthday Steve. 

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Ficlet: In Which Steve Rogers Has a Sweet Tooth

“Happy Birthday!”

Steve glanced up from his book, blinking at the box that Darcy Lewis had plopped onto the table in front of him. “Thank you,” he said. “But my birthday isn’t until July.”

“It’s a turn of phrase, Red, White and True,” Darcy said, slumping into a chair at the kitchen table. “Clint, babycakes, how’s life and loves?”

Clint gave her a grin. “Been catching up with the SHIELD gossip. I hear some pathetic fool gave you a keycard.”

“And a paycheck!” She grinned. “And I spent a little of it on this.” She patted the box. “Open it, Steve. Really. It’s just a ‘thanks for the platonic date’ gift. It’s sized for sharing.”

“Presents?” Tony asked from the kitchen doorway. He was holding an empty coffee cup, a pair of welding goggles shoved back into his unkept hair. “What’d you order, and how did you pay for it?”

“Credit card fraud,” she shot back. “Pepper let me copy down your AmEx number.”

“She probably would.” Tony crossed to the table. “She’s kidding, Steve,” he said to the worried looking blonde.

“I’m kidding, Steve. Totally legit.” Darcy folded her arms on the tabletop and grinned up at him. “C’mon, open it, or I”m giving it to Clint. He has no shame.”

“It is true, I do not,” Clint said, going back to the newspaper. He kept a careful eye on the proceedings, because yeah, a happy Darcy was a tricky Darcy.

Read More

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oh, fandom. you *would* see that as a challenge. and then rise to the occasion with fic. and that is why i love you so.

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Man: Now, see, if you don’t mind me saying, can I ask what you bench press sir?

Bane: Costumed detectives mostly.

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Have I mentioned how much I find Old Spice Man commercial parodies amusing? Because I so do.

GET YOUR SHIT TOGETHER KORRA!

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There's this station on my tvs showing reruns of 60's Batman. The bad puns! The overuse of descriptive signs! The batmobile! Those ridiculous outfits! The random leaps of thought that only make sense in this tv show! Oh, how I love this...

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In which I have feels about Brave

So, I've been seeing several things over the past few days like that last post where people say things about the movie Brave. And how its protagonist is like a boy with long hair, or secretly lesbian, or why's it all about women? Because clearly there’s something wrong with a story about a girl that doesn’t revolve around romance and marriage. Or something. And i just can't. This makes me mad for a number of reasons, especially since some of the things people seem to be taking issue with are things that I think they did so very right. So, a few things I really need to say:

It’s perfectly fine if Merida is lesbian. Or straight. Or bisexual. Or asexual. But people who are worrying about this are missing out on the whole point of the story. For once, this is a story with a female protagonist that *isn’t* about romance at all. I know that this might be difficult for some people to understand, what with this being one of the only Disney and/or Pixar movies with a teenage (or older) female main character where the creators weren’t like ‘hey, now we have to add romantic subplots…or main plots.’ And it’s certainly the only one of their princess movies to do this. And that is a wonderful thing. It kind of seems like somewhere, once upon a time, people decided that stories starring women over the age of 12 weren’t able to be interesting or legitimate narratives unless there was romance involved. Which, in my opinon, is a load of shit. So the fact that they broke the mold and gave Merida a chance to have a story of her own that doesn’t involve romance is great. It’s a step in the right direction and I hope that future stories will do the same thing.

And then there’s the whole not-getting-married thing. Can I just say that I really, really like the fact that she doesn’t get married in the end? I could probably write an essay on how much I dislike the way that so many Disney princesses get married when they’re like 15 or 16. They’re much too young to be ready for such a big lifetime commitment. I mean, for most 15 year olds, ‘I’ll love you forever,’ means for the next 8 months or so. And even if the other princesses are incredibly mature for their age, half of them are marrying someone that they’ve only known for a matter of days. It’s not like that’s going to be a recipe for disaster later down the line or anything, not at all…I mean, I know that this all takes place in a different way-back-when time in magical fantasy land. But still, why is this shown as not only the ideal way for a relationship to reach happily ever after, but also as the only way it happens?

Then you have Merida. A girl who’s roughly the same age as Ariel, Jasmine, Rapunzel etc. Except she’s not in this for the marriage. Not only that, but she also does something even more radical – she admits that she’s not actually ready for marriage yet. She’s a heroine that is brave enough, self-aware enough, to stand up and say, ‘Hey guys? This whole getting married and ruling a kingdom thing, that’s a really big step into adulthood. And I’m not prepared for it yet. I need more time.’ That’s so wonderful. Thank you, Pixar. I HAVE ALL THE POSITIVE FEELS FOR THIS.

Ugh. I probably have lots of other things I could say about this movie. But I’m done with my get-the-feelings-out-wordvomit for now.

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Hey guys. Remember that time when I created a tumblr and had funtimes for a few months, then largely ignored the fact that it existed for the past like 9 months? Well, I'm gonna try this whole 'being on tumblr' thing again. I can do this. Really.

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gyzym:

glower:

“Hell wasn’t a major reservoir of evil, any more than Heaven, in Charles’ opinion, was a fountain of goodness; they were just sides in the great cosmic chess game. Where you found the real McCoy, the real grace and the real heart-stopping evil, was right inside the human mind.”

#but it would so much more interesting #the other way around #charles who thinks that humans are these interesting little playthings and really erik do you have to get so invested? #erik scarred by a thousand battles and a father who cast him out who can never be persuasive as his demon and his demon’s wide blue eyes

POSTCARD DEM TAGS MY FEELINGS

Seriously though can we talk about what a good idea that is oh my FUCKING GOD, except of course Charles still has the bookstore and Erik still has the Bentley, because Charles is all too aware of how easily knowledge can tempt and Erik, well, let’s be honest, Erik gave Adam and Eve that flaming sword because he had to but that doesn’t mean he doesn’t miss it, all that power harnessed between his hands

And they’ve got The Arrangement, right, of course they do, how could they not, because that’s the whole thing about Charles and Erik that fits so well with the Crowley and Aziraphale dynamic, that pull between opposites, that balance they’re always seeking, and even in the X-Men canon they’ve really got An Arrangement of their own, throwing around “old friend” the way Crowley and Aziraphale toss out “Angel” and “my dear” 

But in this, right, in this you’ve got Charles who didn’t fall so much as saunter vaguely downwards and Erik, Erik who probably kind of wanted to fall but just couldn’t, couldn’t because he felt this sharp vicious loyalty to being this higher power—because that’s just Erik all over, isn’t it, Erik “We Already Are The Better Men” Lehnsherr, who is who he is and no apologies, and Charles who certainly isn’t evil but sees so much more grey than Erik does (because regardless of how you feel about either one of their methods in canon you can’t deny that “Kill the humans, kill them all” is certainly a more black and white view than “Don’t kill the humans, live in harmony with them and only read their innermost thoughts/make them think it was their idea when it’s really necessary”)

And oh, oh, the thing about Good Omens that makes it so compelling is that Crowley isn’t a demon and Aziraphale isn’t an angel, not really, not anymore, they’re both so human now and so not human too that they’re this unquantifiable third thing and I always, always, when I’m thinking about this book I always come back to Crowley saying, “Funny if we both got it wrong, eh? Funny if you did the good one I did the bad one, eh?” and Aziraphale saying “Not really,” and THAT IS SO CHARLES AND ERIK and and and

Really I just want Erik the angel driving around in his Bentley and miracle-ing his way out of speeding tickets because traffic cops are obviously Charles’ and Charles the demon cheerfully slipping a copy of Written on the Body into the priest’s bag in the back room of his bookshop because he knows all it takes is one little spark, that hint of knowledge and then no one can help but be consumed