art-and-china

[art-and-china]

Guo Xi

[art-and-china]

Wang Yabin (Chinese, b. 1974), Lotus Peak, 2016. Mixed media on canvas, 80 x 70 cm.

[art-and-china]

Wang Yabin (Chinese, b. 1974), Spring Equinox, 2017. Mixed media on canvas, 80 x 70 cm.

[art-and-china]

Wang Yabin (Chinese, b. 1974), Pine, 2012. Mixed media on canvas, 60 x 50 cm.

[art-and-china]

Ji Lei (吉磊)  —  The Lost Territory   (oil on canvas, 2020)

[art-and-china]

Hope by Gao Xingjian, 2012, 36 x 30,  ink wash on paper,  University of Maryland Art Gallery.

[art-and-china]

Lan Zhenghui (Chinese, b. 1959), Full Moon at West Lake S027, 2019. Chinese ink and colour on rice paper, 98 x 99 cm.

[art-and-china]

Wong Wai Yin (Hong Kong, b. 1981), The Sinking Ship, 2011. Acrylic on canvas, 150 x 150 cm.

[art-and-china]

Ji Lei, Deserted Valley No.2 (2018), oil on canvas

[art-and-china]

Zhang Yingnan, Amber, 2003, oil on canvas

[art-and-china]

Wucius Wong, Half Mountain, 1973, ink and colour on paper

[art-and-china]

頤和園 / Yihe yuan

Summer Palace (2006)

Dir. Lou Ye

Filmu tohoto typu se u nás říká “Trezorový film”. Dotýká se totiž kontroverzních témat, které chtěl komunistický režim zamlčet. Stejný problém jako v Číně. Tam však tento režim po revoluci přetrval, narozdíl od Česka.  / In our country (Czechia) we called this type of movie “movie in safe-deposit box”. In time of communist regime, we couldn’t spoke about controversial topic of politics. This film was banned in China.

Yu Hong leaves her home village and starts university in Beijing, where she develops a consuming and compulsive relationship with another student. The student riots from 1989 then ensue and take a toll on their lives.

[art-and-china]

Wang Qiang, Olives, 2013, Acrylic on canvas

[art-and-china]

Wang Qiang, The Storyteller, 2012, Acrylic on canvas

[art-and-china]

Wang Qiang, The Series of Clothes no.1, 2000, Oil on canvas

[art-and-china]

Chao Chung-Hsiang, Waiting Fledglings, 1977, ink and acrylic on paper mounted on canvas

[art-and-china]

Shen Ling, Just Lying, in the Spring of SARS No.1, 2003