#grm*

[coldasyou]

Gif Request Meme: Bones + favorite romantic relationship  

↪ Angela Montenegro and Jack Hodgins

[rebeccapearson]

GIF REQUEST MEME anonymous asked: anne with an e + favorite female character anne shirley cuthbert

For most of my life I’ve had to fight the idea that I’m nothing more than someone to throw away, or pass around as needed, or that I’m not capable of being of real help because I’m a girl. But I came to understand that I was the same person the whole time. I’m loved now, but when I wasn’t, it didn’t mean I wasn’t worthy of it. No one but you is allowed to dictate what you’re worth.

[youngcench]

[gustaviam]

GRM got Featured on The Duck Webcomics!!!

My comic GRM Which you can read here also on Tumblr, was featured on The Duck Webcomics Website ¨Featured Comics¨ Section on the Frontpage, Yesterday on April 17, 2024.

It was really a big surprise for me, and i'm incredibly happy about it! :D

[grm-comic]

GRM #15 - valentines

Went from valentines, to valentine.

(16/02/2024)

[sammeldeineknochen]

Der leere, dunkle Raum. Anfang und Ende und die Zeit dazwischen gefüllt mit Produkten und Angst. Mit kleinen Momenten des Rausches.

Sibylle Berg: "GRM", S.423

[grmcstudios]

Pet portraits

[its-tea-time-darling]

books that are lying around on my shelf that i‘m planning to read:

neverwhere, neil gaiman

GRM, sibylle berg

anne of green gables, l. m. montgomery

hundert tage, lukas bärfuss

especially hundert tage seems like an important read. it‘s about a swiss development aid worker in rwanda, before and during the genocide of 1994.

neverwhere would be the first book i read of neil gaiman. i love him on tumblr, so it seems fair to give his book a shot ajjdjd. (i‘ve started, actually, but it hasn’t fully drawn me in yet.)

not even sure what GRM is about again, but some distopia?

then finally, anne of green gables! i‘ve heard a lot of good things about it, the books as well as the show. i‘ll see if it draws me in! might be nice because people describe it as a light hearted escape.

have any of you guys read any of these books?

[thatsucessquotes]

𝗦𝗲𝗲 𝘁𝗵𝗲 𝗹𝗮𝘁𝗲𝘀𝘁 𝗻𝗲𝘄𝘀 𝗮𝗯𝗼𝘂𝘁 𝗔𝗦𝗔𝗣 𝗥𝗼𝗰𝗸𝘆 & 𝗥𝗶𝗵𝗮𝗻𝗻𝗮 𝗮𝗻𝗱 𝘀𝘂𝗯𝘀𝗰𝗿𝗶𝗯𝗲 𝘁𝗼 𝘁𝗵𝗲 𝗻𝗲𝘄𝘀𝗹𝗲𝘁𝘁𝗲𝗿! 𝗹𝗶𝗻𝗸 𝗶𝗻 𝗺𝘆 𝗯𝗶𝗼! 📬 𝗦𝘂𝗯𝘀𝗰𝗿𝗶𝗯𝗲 𝘁𝗼 𝗰𝗼𝘇𝘆 𝗺𝘂𝘀𝗶𝗰 𝗡𝗲𝘄𝘀𝗹𝗲𝘁𝘁𝗲𝗿 🏷️: #lanadelreymemes #asaprockyedits #freeasaprocky #lucki #asaprockyvideo #asaprockyedit #asaprockytypebeat #asaprockystyle #asaprockyfashion #gainsongains #grm #grmdaily #lanadelreyedit #lanadelreyfans #amsterdamtattoo #streetphoto #musicnews #bottegaveneta #fashionstyle #asaprocky #rihannasexy #tylerthecreator https://www.instagram.com/p/ChYp9WiDBU5/?igshid=NGJjMDIxMWI=

[ozkar-krapo]

Pierre SCHAEFFER, Guy REIBEL & Beatriz FERREYRA

"Solfège de l'Objet sonore - vol.2: Attaques, Timbres, Morphologie"

(cassette. INA-GRM. 1983 / rec. 1967) [FR]

[coldasyou]

Gif Request Meme: Bones + most heartbreaking scene  

↪ 3x15 "The Pain in the Heart"

[rebeccapearson]

GIF REQUEST MEME @tiffanymaxwels asked: this is us + favorite romantic relationship jack & rebecca pearson

You and I? We're gonna have it all together. We're gonna have the big moments and the small moments and it's gonna be one for the ages.

[tarotbyflora]

hello can i please have a reading on what my guide’s want me to know ?? Thank uu💓- GRM♊️

Hi 🪴

They want you to know that you're strong! You should take a rest from something. Lately you might have had a difficult time or something wasn't as it should be. Your guides wany you to know that you are a strong person who overcome negativity and its time to rest. You need sleep and meditation. Try to make decisions. Don't be indecisive.

[gustaviam]

GRM - Comic Cover

This is my introduction of my new comic strip ¨GRM¨ here on tumblr!!!

You can read it on HERE

the comic strip will be posted on every friday forward (or ill try), hope y'all will enjoy it :D

the first strip will be up at the same time as this post, so check my page if your interested in reading!

[dustedmagazine]

Douglas R. Ewart & Ignaz Schick — Now Is Forever (Zarek)

Schick (l), Ewart (r)

When the Art Ensemble of Chicago arrived in Paris in 1969, their combination of free jazz, boundary-defying composition, sardonic humor and theater caused quite a stir. They and the other African American musicians who joined them were invited to share stages, parties and business endeavors with hippies, underground rockers, political radicals and record labels of varying degrees of sketchiness. One scene that did not rush to embrace them was the electronic music institution, Groupes de recherches musicales (GRM). Sure, there was that 1977 collaboration between Don Cherry and Jean Schwarz, but it took 46 years to make it to a record. One wonders what might have happened if the GRM had opened its doors to the first ambassadors of the Association for the Advancement of Creative Musicians (AACM). It might have sounded a little like Now Is Forever.

Ignaz Schick is one such wonderer. The German polymath’s own involvement with electronic sound was preceded by a youthful immersion in free jazz, and if you catch him in Berlin, where he now lives, he’s likely to bring an alto saxophone to a gig alongside his turntables and sampler. But Now Is Forever isn’t the product of wondering, but of action. In 2017 Schick took a break from a residency in Los Angeles to fly into Minneapolis for a couple of days, which he spent playing with Douglas Ewart. Ewart is a multi-instrumentalist, poet, sculptor and mask and instrument maker who grew up in Jamaica, then moved to Chicago as a teen, where he fell in with the AACM. He rose from being a student in the association’s school to being its chairman for a spell, and his integration of jazz sonorities, Afro-Caribbean rhythms and ceremonial staging carries on traditions initiated by the Art Ensemble in the 1960s.

While their encounter only lasted two days, there’s nothing rushed about the performances spread across Now Is Forever. Schick layers and ruptures classical piano recordings, orchestral surges, captured mechanical sounds and vinyl crackle into a seething, constantly changing backdrop. Ewart likewise moves between woodwinds, percussion and stern proclamations. His saxophone forays are like lightning rods, drawing and concentrating the powers flowing around him. His recitations direct the energy back outwards, projecting scorn towards phonies and environmental despoilers in general, Trump in particular, and the wasteful plasticity of contemporary living. He doesn’t just condemn, though; “Bamboo Paradise” suggests the titular plant as a sustainable alternative material against a backdrop of East Asian (maybe Vietnamese?) string samples. Spread across two CDs, the album is a journey, sometimes demanding, sometimes edifying, but ultimately asserting the viability of more encounters like this one.

Bill Meyer

[grm-comic]

GRM #10 - week lings

they won’t have a nice weekend…

(12/01/2024)