#anti-chloe

[zoe-oneesama]

Ladybug has far more patience than I to listen to Chloe’s new annoying catch phrase and not punch her in the face.

Based on Yamai:

Ko-fi | Patreon

[shozmonthefairy]

Anti-Chloe stuff

I didn't draw Anti-Chloe stuff lots of time, so I decided to draw something from this AU.

This art is something like a poster for this AU, because Chloe is real Angel, and Wandie is more than Devil (because it's Wandie). And also Wandie protects Chloe and Chloe trying to make Wandie kinder.

Also I made dark version of this picture with Wandie's opinion on this situation. This quote suddenly came to my mind while I was drawing so yes I put it here because it's describe Wandie at all.

That's all

Bye 💚

[shuffleoflove]

"red and chloe were so gay for each other!!" guys. come on. how did you miss what was in front of you the whole time??

[sirenpearldust]

[descendantofthesparrow]

Chloe Charming; redesign 2 but i kept the silhouette, featuring a shit ton of notes

[c-rose2081]

I don’t like you…

Ariana’s not a fan of Red dating Chloe (her cousin-by-marriage). Actually, she’s not a fan of Red AT ALL, but she makes Chloe happy, so Ari’s not going to intervene.

HOWEVER, that doesn’t mean a well placed threat and a bit of blood won’t set the tone between them. Red can try to be edgy and tough all she wants, but Ariana’s actively in anger management therapy and on probation for violent behavior. She’s guaranteed to put her money where her mouth is and put Red ten feet under right back into Wonderland.

Note: Red’s actress is only 5’3–she’s a shorty. Ariana is 6’2 in heels 🫢

[whatsjulietslastname]

Times When People On Tiktok Are Incredibly Wrong Again :

« ChLoE PrIcE wOuLd SeCrEtLy LiStEn tO TaYlOr SwIfT 🤪🥰‼️ »

No the fuck she wouldn’t. Chloe Price would HATE Taylor Swift if she even knew about her existence and if she hears ‘Shake it Off’ one more time she will just fucking explode.

[galahadwilder]

Fix that looks like Adrien salt and Chloé sugar at first glance only for the fic to slowly reveal that both of them are trans, transitioned before the fic started, and thought it would be hilarious to switch first names, so they’re actually both completely in-character

[gryficowa]

Let's be honest, Marinette and the rest of the characters put more effort into trashing Chloe herself than into actually helping (And they still have the nerve to say they were trying to help when in reality all they said was "Be nice" and nothing else, it's a strong attempt to avoid making an effort to help, which the person needs)

Yes, I'm pissed, that's why there are so many posts, but seriously, the fandom still believes that the characters tried to help Chloe and it's all her fault because she didn't accept "Help", too bad it wasn't even help (This song fits so well)

Yes, I get annoyed with people in the fandom who say that the characters tried, it's bullshit, they didn't do anything to help her (And that's why they put more effort into destroying her than actually helping her), and empty words are things anyone can say

[that-was-a-bit-stupid-of-you]

Alya, teaching marinette how to drive: okay so you're driving and you see chloe and sabrina on the road. Quick, which do you hit?

Marinette: oh without question, chloe

Alya, rubbing her temples: the brakes, marinette, YOU HIT THE BRAKES

[tremorsmackenzie]

leaving this pinned until marvel actually gives us good queer rep

like so many of the actors (at least in the old marvel shows) have said theyd be onboard with playing their characters queer. queer fans have obviously always wanted that. it cannot be understated how important and impactful good representation is.

and there is so much queercoding going on already, just actually do it at this point. bite the bullet.

stop being cowards marvel

[shozmonthefairy]

Anti-Chloe poster.

In general, it's just a picture with all the main characters in one pile.

As I wrote in the post about the Anti-Chloe, Wandie became Chloe's Godmother. But AU is not only about that. It's also about how Chloe is being hunted by the Anti-Fairy council along with Foop.

Vee is also the main character, she is Chloe's best friend with a terribly similar character and the same obsession to help everyone.

Lucifer also appears here, but so far only in the form of a spirit who has nothing to do. Lucifer has not yet been born, but he really wants to finally come out and realize his evil plans. By the way, + I changed the design of Lucifer a little. Now he is translucent, as he is a ghost. By the way, his hair is completely black.

That's all!

Bye 💚

[schnuffel-danny]

My version of Chloe (and Foop I guess) for the AU I randomly thought up where Anti-Cosmo and Anti-Wanda are her "fairy godparents" + Anti-Cosmo and Anti-Wanda, who I meant to post together with Chloe, but got a little carried away :,D

[youllalwaysfindyourwaybackhome]

thinking about "growing up precocious sometimes means not growing up at all" and "I have this thing where I get older but just never wiser" and "they expected me to find somewhere, some perspective, but I sat and stared right where you left me" and "I never grew up it's getting so old" and "will you still want me when I'm nothing new?" and "I got wasted like all my potential" but also "wish I never grew up, it could still be simple" and "give me back my girlhood it was mine first" and "she'll say she got the map from me" and "but the woman who sits by the window has turned out the light" and "when your girlish glow flickers" and '"I'll get older but your lovers stay my age"' and "tried to change the ending, peter losing wendy" and "you said you'd come and get me but you were twenty five and the shelf life of those fantasies has expired" and "just say 'I loved you the way that you were'" and "how did I go from growing up to breaking down" and how there are these fascinating, overlapping, and contradictory themes in taylor's work of both not growing up or changing and also of growing up and outgrowing situations and changing and the effects of that and as someone in their late twenties who bounces between feeling my age and feeling like I'm still a teenager and feeling old beyond my years (often in the same day), I'm not sure if there is anything more relatable than those feelings

[roses-descendants-hub]

We the Anti-Heroes (chapter guide)

Chapter guide for We the Anti-Heroes so the story is easy to find/chapters can be found if you’re looking for a specific one.

—

Prologue/Chapter 1 (Audrey)

Chapter 2: Move-In Day (Hadie)

Chapter 3: Roommates (Ariana)

Chapter 4: Auradonian Ethics (Hadie)

Chapter 5: Ex’s (Ariana)

Chapter 6: Aggression (Hadie)

Chapter 7: Lesson (Ariana)

Chapter 8: Mornings (Hadie)

Chapter 9: Fights (Ariana)

Chapter 10: Names (Hadie)

Chapter 11: Appointment (Ariana)

[crumblinggothicarchitecture]

Is Taylor Swift trying to Out someone? or is she just sensationalizing Bisexuality in order to make herself into more of the poor, misbegotten lost lover?

Despite this being one of the more clunky, songs- the message is clear as day:

Swift writes, "Hands in the hair of somebody in darkness/ Named Chloe or Sam or Sophia or Marcus/ And I just watched it happen/As the decade would play us for fools /And you saw my bones out with somebody new/ Who seemed like he would've bullied you in school/ And you just watched it happen" (Chloe or Sam or Sophia or Marcus).

Let's try to parse out what the hell she's trying to say. The song begins with her daydreaming about the lost lover moving on with.... several different names: female, ambiguously female, or outrightly male. Why throw in that final, masculine name? She is clearly saying that her last lover was bisexual. Now, I'm not in the business of speculating on the sexuality of others, however it seems that Swift has no problem whatsoever with sending her perpetually clue-finding fake Sherlockian fans to do her speculation dirty work.

I have no doubt she means for this song to start a rumor about whichever ex.

The next few lines make this even more abundantly clear, with the phrase "the decade would play us for fools" meaning to connect her real-life long-term relationship to the concept of both a "decade" and "fools."

She continues, "And you saw my bones out with somebody new/ who seemed like he would've bullied you in school. Swift could be saying that she's the one moving on with somebody new "who seems like he would have bullied him in school." Thus, he (the ex) is just watching it happen as the person who would have been bullied by Swift new man. It's such a weird line, is she implying that she will always be just bones? even in a new relationship? (please, Swift seek help).

Afterall, she is currently dating a football bro who would have for sure bullied people in school, especially shy music /drama-kids like any of her actor Ex's. Swift is also very much attached to picturing them through the lens of high school era imagery (as shown in "So High School).

So, why did she include a jab at bisexuality in the same song in which she states she's dating a high school bully? Clearly, Swift is outlining some type of fantastical reality in which she is the lover lost to time, always "wondering" as she mentions later in the song, while her bisexual ex is out there blowing through people. So, she's still the sad girl/good girl that is moving on, only with one guy. In this case, she is literally on the side of the bully, which is what we are supposed to root for as she denigrates her bisexual ex? It's such a weird premise for a song, that trying to write out a coherent interpretation is barley possible.

It sensationalizes bisexuality by using it to prop up her own sorrow at someone moving on, while it is also typifying stereotypes of bisexual people as a bit... (for lack of a better word) slutty. There is no reason to list that many names unless she wants people to think he will move on with all those people, or a few of them, or one of them. The implication is clear, however, that she is using bisexuality as a prop in her own fantasy about how her ex, and her, would move on to their own respective people.

The high school bully bit remains...um... weird.

Anyway, someone please tell Taylor Swift to not rely on stereotypes of bisexuality as a prop for her own melodramatic fantasy about how she thinks her ex will move on.

It's deeply uncomfortable.

Also, Swift, you sound like a woman that peaked in High School.